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JOURNAL
OF THE
ASIATIC SOCIETY OF BENGAL.
VOL. LI.
PART I. (History, Antiquities, &c.)
(Nos. I to IV. — 1882 : with 16 Plates.)
EDITED BY
J"' HE j^H I LO LOGICAL jSECRETARY.
“ It will flourish, if naturalists, chemists, antiquaries, philologers, and men of science
in different parts of Asia , will commit their observations to writing, and send them to
the Asiatic Society at Calcutta. It will languish, if such communications shall be long
intermitted ; and it will die away, if they shall entirely cease.” Sir Wm. Jones.
CALCUTTA :
PRINTED BY J. W. THOMAS, AT THE BAPTIST MISSION PRESS,
AND PUBLISHED BY THE
ASIATIC SOCIETY, 57, PARK STREET.
1883.
<*
CONTENTS
OF
JOURNAL, ASIATIC SOCIETY OF BENGAL, Vol. LI, Part I.
for 1882.
No. I. Page
Contributions on the Religion, History, &c., of Tibet. — By Babu
Sarat Chandra Das, Deputy Inspector of Schools, Darjiling, —
IV. — Rise and Progress of Buddhism in Tibet, . 1
V.— The Li ves of the Panchhen — RinPochhes, or Tasi
Lamas, (with 14 Plates)., . . 15
Part I. The Indian Incarnations, . 15
Part II. The six Tibetian Incarnations, . 18
VI. — Life and Legend of Tson Khapa (Lo-ssan-Tagpa),
the great Buddhist Reformer of Tibet, . 53
VII. — Rise and Progress of Buddhism in Mongolia (Hor). 58
Memoir of the author of Tabaqat-i-Nasiri. — By Major G. H.
Raverty, Bombay Army (retired), . . . . 76
No. II.
Contributions on the Religion, History, &c., of Tibet. — By Babtt
Sarat Chandra Das, Deputy Inspector of Schools, Darjiling —
VIII. — Rise and Progress of Jin or Buddhism in China, ... 87
IX. — Ancient China, its Sacred Literature, Philosophy and
Religion as known to the Tibetans, . 99
X. — Life and Legend of Nagarjuna, . 115
XI. — Detached Notices of the different Buddhist Schools
of Tibet . 121
Manbodh’s Haribans. — By G. A. Grierson, C. S. Part I. Text. 129
Nos. Ill & IV.
Some Hindu Folksongs from the Panjab. — By Liedt. R. C. Tem¬
ple, B. S. C., F. R. G. S., M. R. A. S., .
Notes on some earthen Pots found in the alluvium at Mahesvara
(Mahesar). — By P. N. Bose, B. S. C., F. G. S., Geological
Survey of India. (With two Plates), . . .
151
226
*
.
(
*
-
LIST OF PLATES
IN
JOURNAL, ASIATIC SOCIETY OF BENGAL, PART I?
for IS82.
PI. I- — XHIrt, (pp. 15^). Pictures of Tasi Lamas.
PL XI Y, XV, (pp. 22 Earthen Pots found at Mahesar,
JOURNAL
OF THE
ASIATIC SOCIETY OF BENGAL
Part I.— HISTORY, LITERATURE, &c.
No. I.— 1882.
Contributions on the Religion , History Sfc. of Tibet. — By Baboo Sarat
Chandra Das, Deputy Inspector of Schools, Darjiling.
{Continued from Vol. L, p. 251.)
IV.— RISE AND PROGRESS OF BUDDHISM IN TIBET.1
CHAPTER I.
Hail to that all-yielding gem, the prince of power, the holy religion of
Buddha that came from the precious country of Aryavarta ! By the kind¬
ness and generous acts of pious princes, learned Pandits and Lochavas,2
it was brought to this snow-girt country of Tibet. Let its brightness
enlighten all hearts and the copious shower of its blessings and usefulness
ever excite wonder ! Be it adored, being placed on the top of the banner of
faith !
The Buddhism of Tibet is divided into two main periods :
1. Na-dar or Earlier Buddhism.
2. Chhyi-dar or Later Buddhism.
1. Earlier Buddhism.
During the reigns of twenty six generations of kings, counted from Nall-
thi-tsanpo the first of the Tibetan kings to Namri-sron-tsan, Buddhism
was unknown in Tibet. During the reign of Lha-tho-thori-nan-shal, who
was well known as an incarnation of Samanta Bhadra, there fell on the top of
1 A literal translation, of the 1st part of tho 2nd book of Dub-thah selkyi
Melon. See Yol. L, p. 187, note 1.
2 Tibetan scholars who were versed in the Sanskrit language were called
Lochhava or Lochava.
A
2
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
the king’s palace, from heaven, several volumes called Pan-Kon-
Chhyag-gya.3 The meanings of their contents being unknown, they were
adored under the name of “ Nan-po-san-wa.” This was the nucleus
of Buddhism in Tibet. The king learned in a vision that their contents
should be known in the fifth generation. Accordingly, during the reign
of Sron-tsan-gampo4 the reputed incarnation of Chenressig,5 the minister
Thon-mi-Sambhota visited India to study the various sciences and Bud¬
dhism. He became well versed in the classical sciences of the Indians. After
his return to Tibet, he framed the Wuchan,6 or “characters provided with
heads,” of the Tibetans after the model of the Nagari, and the Wume7
characters after the Wurtus letters, and thereby founded the alphabetic system
of the Tibetans. Sron-tsan-gampo brought the image of Akshobhya9 from
Nepal and that of S'akya Muni from China, which were the first Buddhist
images in Tibet. In order to accommodate these upholders of Tibet, he
erected the great Temple called Rasa-thul-nan-kitsug-lakhan.10 He engaged
Thon-mi Sarnbhota and his colleagues to translate Sanskrit Buddhist
works into Tibetan, writing them in the newly formed alphabet. Sangye-
phalpo-chhe11 and other books were the first translations which formed
the germ of Tibetan Buddhism.
During the reign of Thi-sron-de-tsan13 who was celebrated as an
emanation of Manju-Ghosha,13 the great sage S'anta Rakshita and Pandit
Padma Sambhava and several other Indian Buddhists and philosophers were
*
invited to Tibet.14 Among the first seven monks, Vairochana15 was the chief.
Originating from them, the ancient Tibetan Clergy of the “orange raiment”
began to multiply. Then, there sprung up a host of Lochavas — those versed in
two or more languages — among whom were Lui-wanpo,16 Sagor Vairochana,17
3 dPan-skon-phyag Jrgya.
4 Sron-#tsan-sGampo.
5 That is, the Bodhisattva Avalokitesvara.
6 Also called Go-chan (Wu-chan) or characters provided with mdtras or heads.
7 Written dVu-mee? and pronounced as Wume, a kind of letters which have no
mdtras or heads.
8 Wartu is probably the language of the people of Kafiristan and Bactria.
9 One of the Panchajati Buddhas.
10 Rasa-^phrul-snan-gi-ytsug-lag-khan. From that date his capital was founded
by the name Lhasa or the “land of God.” Sanskrit Kutagara is the same as Tibetan
Tsug-la-khah. See Yol. L, p. 221, note 33.
11 Sans-rgyas-phalpo-chhe.
12 Khri-sron-Me-£tsan.
13 The God of Learning and Wisdom.
14 Under them the first Tibetan Clergy was formed.
15 Also written Yairotsana.
16 6Khon-&lu hi-^Van-po.
17 Sa-gor-Yairo-tsana.
1882.]
Sara! Chandra This — Contributions on Tibet.
3
Rinchhen-chhog,18 Yese Wahpo,19 Kachog shah, 20 &c., who translated the
Sutras, Tantras and meditative sciences from Sanskrit into the Tibetan
language, S'anta Rakshita undertook the charge of explaining to his
pupils the sacred literature, from the Dulva (Vinaya) to the Madhyamika
philosophy. Padma Sambhava and his colleagues taught the Tantras to a few
intelligent pupils, which enabled a few pious persons to obtain sainthood*
Then a Chinese sage named Hwashan-Mahayana came to Tibet to
preach a strange form of sophistry. He held that the pursuit of evil
as well as of good binds men equally to a course of recurring existence,
and therefore affords no means of emancipation. In illustration of this
theory he observed — “ your condition remains all the same whether you are
bound by an iron or a golden chain ; you are not liberated”. Wherefore if
the mind can be purged of all thoughts, deliverance from recurring existence
is secured. The doctrine which he thus promulgated was accepted by all
Tibet ; and for a time the Dar^ana and doctrines of the former Indian
Pandits such as S'anta Rakshita were displaced. For he vanquished all in
disputation by his powerful logic. The followers of S'anta Rakshita and
other Indian philosophers diminished in number. In order to refute the
philosophy of Hwashah, king Thi-sron-de-tsan invited Kamalasila, one
of the most learned Indian sages of that age. Hwashah was defeated in
disputation, and his fallacies were exposed by Kamalasila who wrote three
series of books on meditative science and thus re-established the Indian
school, its ritual and philosophy.
During the reign of Ralpachan, Pandit Jina Mitra and many other
learned sages were invited, who, having translated many Buddhist works
into the vernacular language, arranged them so as to be accessible to the
general reader. Both S'anta Rakshita, and Kamala S'fla belonged to the
Svatantra-madhyamika school. Thi-sron-de-tsan who was a devout
follower of S'anta Rakshita, prohibited his subjects by royal proclamation
from following Hwashan’s theories under penalty of death. He command¬
ed all to follow the Madhyamika school. Although certain Indian Pandits
of the Yogaeharya school had visited Tibet, yet they failed to displace the
anciently propagated Svatantra school, which prevailed in Tibet till the
accession of Landarma to the monarchy of Tibet, when the last vestige of
Buddhism disappeared from Tibet. The Buddhists of the earlier period
or Na-dar followed S anta Rakshita and Kamala S'ila, i, e ., the Madhya¬
mika Svatantra.
2. Later Buddhism.
At the time when Landarma was actively prosecuting the destruction
of Buddhism in Tibet, three saintly recluses from Pal-chhen-clihu-vo-ri
19 Yeses-^Vah-po. 20 Ka-Ckog-shan.
18 Acharya Rin-ckken-wCkkog.
4
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
fled towards the Amdo country, where they became pupils o£ the abbot
Lama Gon-pa-rab-sal.21 They were followed by ten other Tibetans headed
by Lume-tshul-thim who took the vows of monkhood and were admitted
as pupils of the same High priest. After the death of Landarma, they all
returned to Tibet to their respective monasteries and estates, and increased
the number of monks. Thus from the country of Amdo the dying flame
of Buddhism was rekindled. Henceforth, Buddhism commenced to spread
again, and all quarters of XT' and Tsan were refilled with many classes of
congregated Lamas, who actively engaged in the teaching of Buddhism. For
this result the inhabitants of the snowy country (Himavat) are indebted
to the two Amdo Lamas Gon-pa-rab-sal and Lume-tshul-thim. During
the reign of Lha-Lama, Yese-hod the celebrated Lochava-liinchhen-Ssanpo
visited India to study the sacred literature and philosophy of the Indian.
Buddhists. After acquiring great proficiency in those subjects he returned
to Tibet and translated many Sutra and Tantra works. He thus established
himself as a great teacher of Buddhism.
( Revival of Buddhism by the Lamas of upper Tibet and Ladah called
s Tod- Latah.)
A goatherd named Kargyal, under inspiration from a certain Naga
of the same name, preached a strange religion (a form of Bonism) which
was inimical to Buddhism. Rinchhen Ssanpo overcame him, and also
suppressed some of the Tantriks who were in the habit of abusing the
Tantrik ritual by committing obscenities under the garb of religion.
Thus by purifying the sacred religion, he gained the sincere love and
confidence of the dwellers on the snowy mountains. Lochava Shon-nu-pal
of Go,$ remarked that it was owing to the exertions of this great scholar
that pure Tantrikism became more diffused in the later than in the earlier
period. Towards the end of his life he betook himself to asceticism and,
having attained to saintliness, he entered the abodes of the gods. This
great Lochava belonged to the Prasanga Madhyamika school.
The same prince Lha-Lama invited Pandit Dharma Pala with three
of his principal disciples named Siddhapala, Guilapala, and Prajna Pala,
from the eastern quarter of India. From these, Gyal-wai-serab of Shah
Shun took the vows of monkhood and afterwards went to Palpa in Nepal
to learn Vinaya and philosophy from the Hlnayana sage named Pretaka.
His spiritual descendants, named Paljor-serab Chyan-chhub-senge &c., were
known by the name of To<#-dulva or the up-country followers of the Vinaya.
During the reign of king Lhade the illustrious Kashmirian Pandit
S'akya S'ri was invited, who by translating many of the Sutras and
S'astras greatly promoted the diffusion of Buddhism. The ritual vowintro-
21 Gon-pa-rab-ySal.
1882.]
Sarat Cbanclra Das — Contributions on Tibet.
5
duced bj him was called Panchhen Domgyun. In the same manner
that introduced by Lachhen of Amdo was called Lachhen Domgyun.
By persecution the enemies of Buddhism had only succeeded in putting
down the external observances and ritual of the clergy, while the real
Dharma and moral discipline continued to be secretly practised under adverse
circumstances. The basis of Buddha Dharma being Vinaya or moral dis¬
cipline, the system of Dom-gyun is only necessary as an external observance.
3. GllOWTH OF VARIOUS DOGMATIC SCHOOLS.
Thus by the mercy of the victor (Jina) and his spiritual sons (Bodhi-
satvas), by the kindness of Dharma Bajas and Panditas and Lochavas, and by
the moral merits of the people in the Himavat country, the Buddhist religion
progressed more and more, so as to branch out into numerous different sects as
the result of its extraordinary growth. These, like the eighteen divisions of the
Vaibkaskika school of ancient India, were designated after the names of their
respective teachers and places of origin. Some of the Tibetan Lamas
who had derived their religious knowledge from Indian Pandits, feeling great
veneration for the theories themselves, named their respective sects after them.
They did not follow the Indian patriarchs in their nomenclature, for all
the Indian Buddhist schools were designated after the general sense
of their philosophies. For instance: the Sakya-pa, Jonan-pa, Shah-pa
and Diguh-pa sects of Tibet were designated after the names of the localities
where they were taught and originated : the Karmapa and Bulug-pa
sects, after the names of their respective teachers : the Kahdampa, Dsog-
chhen-pa, Chhyag-chhen-pa, and Shi-chye-pa sects after their respective
rituals or external Kriya.
All the various Buddhist sects of Tibet are classed under two
schools :
(1) The Ancient school.
(2) The Gelug-pa or Deformed school.
The ancient school includes seven sects, viz., Nih-ma-pa, Kah¬
dampa, Kah-gyu-pa, Shi-chye-pa, Sakyapa, Jonanpa and Ni-tshe-pa.23
In the ancient school there are two general divisions. The earlier
£finma-pa and the later Ninmapa called Sarmapa. It has been
asserted by Tibetan historians and philosophers that the difference between
the earlier Nm-mapa and the Sarmapa exists in the Tantras. In the
Sutras there is no doctrinal difference. In the earlier and later jjeriods
of Buddhism there were certain dogmatic differences in the Sutras, which
justified the distinction. All the Tantras that were translated into
Tibetan prior to Pandit Smriti’s advent, are designated by the name of
22 (1) rNm-ma-pa, (2) bKah-^dams-pa, (3) £Kah-£rGyud-pa, (4) Ski-kye^-pa,
(5) Sa-skya-pa, (G) Jonan-pa, (7) Ni-tske-pa.
6
Sarat Chandra Das — Co?itrilutions on Tibet.
[No. 1,
San-nag Ninma,23 and those that were translated by Rinchhen-Ssan-po
and other later writers are known by the name of San-nag-Sarma.24
But although this distinction of Ninma and Sarma Tantras is recoo*-
nized by many authors, yet there exist some irregularities in the appli¬
cation of the terms. For instance the Manjusri-mula Tantras which
were translated during the reign of king Thi-sron are also accepted as
Sarma Tantras. In the face of such irregularities Rinchhen Ssanpo has
been universally admitted as the founder of the Sarma Tantras. Dogmi
Gos and Marpa Lochava are credited as Sarma teachers. The first revival
of Buddhism after the death of Landarma, known as the Later period,
commenced with Loton-dorje Wan chhyug when Thi-Tashi-tseg-pa, son
of Pal-khor-tsan, ruled the kingdom of Rulag. His three sons Pal-de,
Hod-de, and Kyi-de requested Loton to send two learned Lamas who
could revive the Buddhist religion in Tibet. Accordingly S'akya Shon-nu
and Yese-tsondu were sent, who re-established the clerical congregation
in Tibet. Again that great sage, in consultation with those princes, sent
Dogmi and Tag-Lochava to India to study Dulva, S'er-chhyin25 and
Tantras which are respectively the basis, essence and pith of Buddhism.
Tag Lochava, having devoted his time chiefly to pilgrimage, failed to be¬
come a learned teacher, but Dogmi succeeded in his mission and became
a great scholar of Buddhism. He introduced the system of Tantras called
Matri Tantras and thereby diffused the teaching of Buddhism. Lochava
Binchhen-Ssanpo elucidated Prajna, Paramita, Matri and Pitri Tantras
and above all made the Yoga Tantras accessible to the Tibetans.
Gos had introduced the Samaja Guhya and spread the system of Nagarjuna.
The great Tantrik sage Marpa taught the Guhya Samaja according to
Pitri Tantras, the ritual of M ah am ay a according to Matri Tantras,
the ritual of Yajraharsha and Sambhara. By imparting instructions
in several kinds of mysticism, he filled Tibet with learned men. These
great Lochavas having charged themselves with these works, Tantrik
Buddhism opened a new era in the religious history of Tibet, known as
the Sarma system of the later period or Sarmatanpa or Gyu, the same as
Navya Tantra.
CHAPTER II.
Rise and Progress or Ninmapa School.
In the beginning king Sron-tsan-gampo, himself a professor of Bud¬
dhism, taught his people the series of scriptures known as “ Kyerim”
and “ Dsog-rim” delivered by Chenressig. All Tibet paid homage and
prayed to that merciful Bodhisatva for protection. Sron-tsan, in whom
was an emanation of Chenressig’s spirit, first taught the six mystic sylla-
23 ^San-sNag-rNin-ma. 24 ySarwNag-ySarma. 23 Prajna-paramita.
Sarat Chandra Das — Contributions on Tibet.
7
1882.]
bles, “ Om-mani-padme-hum,” and their significations and recital. He in-
vited the Indian teacher Kusara, S'ankara Brahmana, the Nepalese Pandit
S'ilamanju and others who, having translated many Tantras, first taught
the Tibetans the first principles of Buddhism. The accounts of the first
introduction of Buddhism and a few Tan trie works were discovered within
a stone pillar called Ka-khol-ma, in which Sron-tsan-gampo had hid them
for the use and benefit of posterity.
In the fifth generation from Sron-tsan the illustrious king Thi-sron
invited the great Indian Pandit S'anta Kakshita who introduced the
observance of the <c ten virtues”26 and Dharma which teaches the real state of
the eighteen physical and corporal regions with the eight prohibitions27 such
as killing, the taking of what is not given, the commission of foul actions,
lying, drinking, dancing and singing, and sitting on lofty seats. When
the mighty local gods and genii28 who delight in sin found that men
were prone to virtue, they became enraged, and one of the most wrathful
among them named Nen29-chhen-than hurled a thunderbolt on the
Marpori30 hill. Another frightful demi-god named Yar-lha-shanpo cast
down the palace of Phan-than of Yarlun. The twelve female spirits called
“ Tanma” spread plagues and murrain all over the country. Under such
circumstances thinking it urgently necessary, first of all to overcome
these evil spirits and goblins, to ensure the safety of Buddhism, S'anta
Kakshita requested the king to invite Padma Sambhava the great Tantrik
The first four are demons and the last four are Yakshinfs. Dorje-means Yajra.
28 These were probably the Bon-gods.
29 Bon-Demigod.
30 The Hill on which Potala now. stands.
8
Sarat Chandra Das — Contributions on Tibet .
[No. 1,
of Uddayana. Accordingly the king sent messengers to India to invite
that illustrious sage. By his gift of foreknowledge knowing what was requir¬
ed of him, Padma Sambhava had already started for Tibet. The messengers
met him on the way. He obliged all the evil and wicked genii and
demons to bind themselves under solemn oaths not to work evil nor stand
in the way of the pious. Sitting on a cross made of two Dorje,31
placed on a clear space, he purified a spot on which he built the great Vihara
of Ssan-yad Migyur-Lhun-gyi-dubpai-tsugla-klian or the shrine of the
unchanging, self-grown working. The king together with twenty six of his
saintly subjects, by sitting in three kinds of yoga, became possessed of wonder¬
ful learning and obtained saintly power, perfection, and, finally, emancipation.
The names and the exploits of the twenty six Tibetan Buddhists who
obtained sainthood and worked with the king are the following :
(1.) Nam-kha-nin-po could mount the rays of the sun.
(2.) Sangye-yese could drive iron bolts into hard rocks.
(3 ) Gyalwa-chhog-yan, by transforming his head into that of a
horse, neighed three times.
(4.) Kharchhen Chhogyal brought the slain to life.
(5.) Pal-ki-}rese turned three sylvan goddesses into his slaves.
(6.) Pal-ki-Senge made slaves of demons, nymphs, and genii.
(7.) Vairochana obtained the five divine eyes of knowledge.
A
(8.) Nah-dag-gyalpo obtained Samadhi.
(9 ) Yu-drun-Nm-po acquired divine discrimination. '
(10.) Jnana-kumara performed miracles.
(11 ) Dorje-Dun- Jem travelled invisibly like the wind.
(12.) Yese-Naii went over to the fairy world travelling through the
void space.
(13.) Sogpu-Lhapal (a Mongol) could catch ferocious wild beasts.
(14.) Na-nam-yese could soar in the sky like a bird.
(15.) Pal-ki-Wan-chhyug could kill his enemies by the flourish of
bis fists.
(16.) Den-ma-tse-Wan obtained unfailing memory.
(17.) Ka-Wa-pal-tseg could tell the hearts of other men.
(18.) Shu-bu-pal-sen could make water run upwards.
(19.) Khe-hu-chhug-lo could catch a flying bird.
(20.) Gyal-Wai-Lodoi raised the ghost of the dead and turned the
corpse into solid gold.
(21.) Tenpai-namkha tamed wild yaks of the northern desert.
(22.) Hodan-Wan-Chhyug dived in water like fish.
(23.) Ma-thog rin Chhen could crush adamant into powder and eat
it as meal.
31 Yajra.
1882.]
Sarat Chandra Das — Contributions on Tibet.
9
(24.) Pal-ki Dorje passed through mountains and rocks.
(25.) Landod Kon-Chhog could handle thunderbolts and drive them
away.
(26.) Gyal-Wai-chhan-clihub could sit cross-legged on empty space.
There also arrived many Indian Pandits among whom Dharma Kirti,
Vimala-mitra, Buddha Guhya, S'anti Garbha and others were eminent,
Dharma Kirti introduced the Tantrik ritual of Vajra-dhatu-yoga. Vimala-
mitra and others taught mysticism based on Buddhist Tantrikism to their
trusted pupils. They did not teach the principal works on differential
and atomic philosophy, and metaphysics generally, to any but one or two
of their favourite pupils. Tantrik principles being very subtle, intricate
and holy, their diffusion was very limited.
The translation of some scriptural treatises such as Kun-chye Gyalpo
Do-gon-du, eight series of Gyu-thul, and Dupaido, Vyakarana and Upadesa
were executed by Vairochana, Ma-Nan-Nub and other translators
after Tantrik interpretation. Padma Sambhava concealed many profound
religious treatises underneath rocks, mountains and beds of lakes, for the
use of future generations, and afterwards retired towards the south¬
western quarter called ^Ta-yab-lin or the land of genii. From this it will
appear that during the reign of Sron-tsan-gampo the Tantrik Nin-mapa made
only a beginning, but in Thi-sron’s time spread widely over the country.
Padma Sambhava was its greatest teacher, and other teachers were his
pupils and followers. Numerous biographies of him are extant, all of which
give different accounts of his life. Though the biography of this great
teacher is worthy of being treated at large, yet, as numerous historians give
different accounts of his life, I refrain from writing about him. Some
of the ancient writers state that he resided but for a few months in
Tibet, during which time, by the power of his divine knowledge and purity,
he subdued the demons and evil spirits of Tibet and founded the monas¬
tery of Samye (Ssan-yar/32). After the departure of Padma Sambhava
a certain Brahmana impostor having dressed himself in TJrgyan-Sahorma 33
fashion, came to Tibet to pass for that great teacher and spread the dif¬
ferent divergent Nin-mapa theories. This assertion has been rejected
by many of the best writers of Tibet who suppose it to be simply a fabrica¬
tion to scandalise the Nin-mapa sect. There are others who believe that
32 This is derived from the Chinese word San-yan meaning the three bodies.
The top of the monastic temple was constructed in Chinese style, the middle part in
Indian style, and the lowest part in Tibetan style. This temple, in Tibetan, is
called Samye from Sah-yad, and is second in sanctity to that of Potala but first in
antiquity.
33 The fashion of dress anciently in vogue in Uddayana, the tract of country from
Gazni to Bactria including a portion of Persia.
B
10
Sarat Chandra Idas — Contributions on Tibet.
[No. 1, -
the Ninma doctrine had its origin in Guru-chho Wan. The kind of
costume, now known by the name of TJrgyan - Sahorma , is said to have been
introduced by Cliho Wan, who discovered some of Padma’s works and
flourished at a subsequent date and was a Teuton (discoverer of sacred
volumes.)
There are nine princi
a) Nan-tho (4) Kriya (7) Kyepa Maha-yoga
(2) Itan-gyal (5) Upa (8) Lun Anu-yoga
(8) Chyan-sem (6) Yoga (9) Dsog-chhenpo Atiyoga.
The first three divisions were delivered by the Nirmanakaya- S'akya
Muni (Buddha S'akya Simha) and are called the general or common yanas.
The second three were delivered by Sambhogakaya-Vajra Sattva.
They are called the external Tantra-yanas or Bahya tantra-yanas.
The last three are attributed to Dharmakaya-samanta Bhadra or
Kuntu Ssanpo. They are called the u Anuttura” antara-yana-traya (ac¬
cording to the Ninmapa school). Kuntu Ssanpo is the great and supreme
Buddha, while Yajradhara is the Chief Buddha in the Gelugpa school.
Again Vajra Sattva is second in the Ninma school, and S'akya Simha, being
an incarnate Buddha, holds the third place.
Of the Bahya (external) Tantra SYeni and Antara (internal) Tantra
SYeni, the external ritual or Kriya tantras were delivered by Buddha S'akya
Simha himself. The “Upa” or Karma tantra and Yoga tantras were
delivered by. Buddha Vairochana, one of the five Pancha Jati Buddhas.
The Antara (internal) or Anuttara tantras were delivered by Vajra Dhara
(D’orje-chhan) from his celestial mansion of “ Chlio- Juii- Yanpa,” the
spacious mansion of Dharma-dhatu.
The Anuttara yana was taught by' Dbarmakaya Samanta Bhadra,
(Kuntu Ssanpo) in his self-created form of Sambhoga Kaya. When
seated in one of the purest of Bodhisattva JBhumis at great ease, by his
omniscience, he taught incessantly in four times,34 without error and falling
into fallacy.
34 Day, month, year and Kalpa.
(1.) Every Buddha must possess the five Juanas or divine wisdom called
(1.) Chhoki-vyin-ki-yese.
(2.) Melon-ta-bui-yese.
(3.) Nambar-Ned-ki-yese.
(4.) Sosor-togpai-yese.
(5.) Gya-wa-dupai-yese.
These five Juanas being in themselves abstractions or vacuity cannot he active
unless they are impersonated. They are therefore represented by
(2.) the five Pancha Jati Buddhas or Dhyani Buddhas, named respectively :
(1.) Akshobhya; (3.) Katna Sambhava ; (5.) Amogha Siddha.
(2.) Vairochana; (4.) Amitabha ;
pal divisions of the Nin-ma doctrine : — ■
1882.]
Sarat Chandra Pas — Contributions on Tibet.
11
(“ JLa-na med-pa-lii theg-pa-ni, yDon-ma-hi-mgonpo cbhos-sku Kun-tu-
JSsan-po lhun-grub lons-spyad rdjogs-palii-skur bskans pa-sa-dag-sa-la-gnas-
pa-hi ydul-pya-la rtsol-med lhun-grub tu rgya-ckhan-Phyags-lbun-dan-bral-
var-dus-bshir-dus-med-du-ston par-byed-chin.”)
Numberless precepts and instructions, wide enough to bear comparison
with the sky, were delivered, out of which a few were brought to Jambu
dvipa by Gah-rab Dorje, S'ri-Siddha Mana-pura, Yimala, and Padma Sam-
bhava. These Vidyadharas who had obtained perfection clearly elucidated
the different theories of Ninma religion. There are nine classes of
Ninma Lamas : —
Gyal-wa-gon35 are the Buddhas, such as S'akya Simha, Kuntu-
Ssan-po, Dorje Semba, Amitabha.
Big-dsin36 are the learned saints that from their infancy cultivated
their faculties, and grew learned by their own industry and assiduity.
Afterwards they were inspired by Yese Khahdoma or the fairies of
learning,37 Padma Sambhava, STi Simha, Manapura, &c. and other Bodhi-
sattvas.
Gan- sag-nan38 or the uninspired saints who carefully preserved the
secrecy of their mysticism.
Kah-bab-lun-tan39 are the Lamas who obtained divine inspiration
according to former predictions in dreams, and therefore did not consult
any teacher as usual.
Le-tho-ter40 are the Lamas who, accidentally discovering some -hidden
scriptural treasures, became learned without any help from teachers or
anybody else.
Monlam-tah-gya41 are the Lamas who by dint of their prayers obtained
sacred light.
(3.) The five Dhyani Buddhas being- the personifications of the five Manas or
divine perfections of Buddhahood are ideal personages. They were never born like
S'akya Muni, as understood by many scholars of Buddhism.
When it is said that such and such a Lama or Sramana was the incarnation of such
and such a Buddha, it is meant that he acquired an emanation of a portion of divine
perfection so personified. Therefore every Buddha is a combination of five Divine per¬
fections or five Dhyani Buddhas ; for instance, the Tasi Lama is an incarnation of
Amitabha, or the 4th Dhyani Buddha.
35 rGyal-va-^Gons.
36 Rig-hdsin-^rdah.
37 These are like the nine Muses of the ancients.
38 Gan-Ssag sNan.
39 ^Kah-babs.
40 Las-Akhro-^ter.
41 sMonlamq/tan rgya.
12
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[No. 15
These six are the higher order of Lamas ; besides these, there are three
which are of a practical nature. They are called Kin or distant order,
Ne or nearer order, and Ssabmo or deeper order : —
1. Kin Kahma. 2. Ne-terma. 3. Ssab-mo-dag-nan.
The Kahma are subdivided into three classes :
1. Gyu-thul. 2. Dupai-do. 3. Sem -chhog.
Kahma- Gyuthul.
This class spread all over U'-Tsan and Kham, being first founded
by the Indian Pandit Vimala Mitra, who handed it down to his pupil
Kin-chhen Chhog. Dophuh Lama was one of the chief leaders of this
sect. One of his pupils carried it to Kham, and another towards Dan-bag
north of Lhasa and upper Tsan, called Manar, and upper Laddak. Again a
third pupil of Dophuh Lama, named Kah-dampa, erected a monastery on
a place which was of the shape of the letter *1 ha at the foot of the Bom-
bar mountains on the Di-chhu, the great river of Kham Dirgi, in conse¬
quence of which his followers were called Ka-thogpa Lamas.
JDuipai-do.
This dogmatic sect has only two true scriptural volumes, Mula Tan-
tra or Kundu-rigpai-do, and Vyakhya-Tantra or Dogonpa Dupa. The
Indian Pandit Dana-rakshita first taught them to the two Nepali Pan¬
dits named Dharma Bodhi and Basu-dhara, King Ku-chhe tsan of Brusha
(Dusha) country translated them into the Dusha vernacular and spread them
to the country of Thogar, upper Bactria and the Pamir.
/S 'em- chhog.
This sect was taught by Ron-sem-Lochava who was believed to have
been an incarnation of Pandit Kalacharya of India. He was a profound
scholar of Buddhism ; being eminently versed in all the branches of
sacred literature, he was unrivalled for learning in his age. There
are eight ceremonies prescribed to this sect: — Jampal-ku, Padma-srun,
Thugma-du-tsi, Yontan, and Phur-pa-thin-le, the five series of cere¬
monies, by which birth in this world can be avoided ; and Mamo-bo-
tan, Mod-pa-dag-nag and Jig-tan chhod-ten for worldly good, consisting
purely in propitiating demons. Of the first five ceremonies, those of
Tam-den and Phurpa were instituted hy Padma Sambhava who induced
king Thi-sron to invoke the former and his Queen to propitiate the latter.
Tamden (in Sanskrit Hayagriva) is a Tantrik god of wrathful temper, who
vanquishes the demons. Phurpa is another deity who has a human head,
and a body which is of the shape of a pin, standing on its apex. They are
generally selected by Ninma Lamas as their tutelary deities.
1882.]
Sarat Chandra Das — Contributions on Tibet.
13
The Tantrik ceremony of the worship of Jampal-ku and liis attendants
was instituted by Pandit S'anti-garbha. This is the mystic representa¬
tion of Manju-sri, who here loses all his amiable, benign and wise character,
and is made to assume a very terrible and hideous shape, with several heads,
and clasping a woman obscenely in his arms.
The Tantrik ceremony of Yan-dag was introduced by a Tantrik
sage named Hunkara, and that of Du-tsi by Yimala Mitra. The propitiat¬
ing of Mamo, Modpa-dag, Jigta-chhonten and other local demons was
intended by Padma Sambhava for the protection of the country, as they
were bound by a solemn promise to contribute to the service of the world.42
The origin or Terma-works.
With a view to preserve the sacred writs that they might not
be spoiled by water or other agencies, Padma Sambhava and other illus¬
trious sages, for the use and disciplining of future "generations, con¬
cealed them under rocks. By their divine power they commended those
hidden treasures to the care of the vanquished demons who were now made
guardians of the land and of Dharma, and prayed that they should he dis¬
covered only by the pious and fortunate. They specified the time, name,
race and signs of the discoverers in the preface of the books concealed, also,
in mystic characters and language, where and when they might be known,
on rocks and in other books. Such treasures as were brought to light by
men thus specified, were called Ter-chho or hidden treasures. There
are accounts of the discovery of such sacred treasures taking place in
ancient India. The uninformed only may hold that with the exception
of the Ninma schools no other religious sects possess “ hidden treasures
for many illustrious Lamas of other sects, actuated by the same motives as
Padma Sambhava, had also hid volumes of their respective creeds. There
were also instances of many impostors, who composed works with foul
doctrines, and, to attach importance to them, hid them under hollows of
rocks and old trees, and after the lapse of a few years, themselves brought
them out to deceive the unwary and credulous.
The legendary biography of Padma Sambhava called Than-yig
is the chief work from which many hints about the hidden religious works
were drawn out by Sangye-Lama, Da-chan and others which led to many
valuable discoveries. Similar discoveries were made by other writers, about
42 Formerly in Tibet, as now in Sikkim, people used to kill animals to appease the
wrath of evil spirits who were supposed to spread plagues and ride men or women.
They were a terror to the people. Padma Sambhava abolished the system of animal
sacrifice for which he substituted meal rice and cake sacrifices called Torma. This is
the origin of Buddhist worship with flour cakes now so common in the Himalayan
countries and Tibet.
n
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
whom no mention was made in any of the ancient predictions. The
greatest number of discoveries were made during the reign of King
Wahde who at one time invited many of the discoverers to one place
and examined their respective pretensions. The discoverers of hidden
scriptures were not required to take lessons in theology from any superior
or spiritual guide. The mere discovery of the books obtained for them immu¬
nity from pupilage. Among those who acquired celebrity by such means, Ni-
mai-hodsser of Gyal-tse and Guru Chhoikyi-Wah-ehhyug were the most
eminent. They were the arbitrators of the claims of the discoverers. Non-
sebar was a zealous Lama who discovered many volumes of hidden
scriptures and established one hundred and eight religious institutions for
the discoverers, of which the one at Ta-thah was well known. Am oner
his discoveries were four medical works which were a great boon to
the country, by reason of their diminishing human misery through their
healing efficacy.
S SAB-MO-DAG NAN.
There were some Lamas who rose high in clerical dignity in this
order. Some of them are said to have seen the face of the Supreme god
who taught them religion. This class is common to other Buddhist
schools of Tibet, but it obtained great celebrity in the Ninmapa school.
Of the Anuttara system of the Ninmapa, the Dsog-chhenpa sect
is by far the most important and philosophical. In fact it is the chief of
the surviving sects of the once most flourishing school of Tibet and Nepal.
It is well known by the name of Dsog-chhenpa Lana-me-pai gyu.
Atiyoga is its distinctive dogma. It has three divisions, Seinde, Londe
and Mannag.
There are eighteen volumes of Semde scriptures out of which five are
attributed to Yairochana and thirteen to Vimala Mitra. The Londe
scriptures, altogether nine in number, were by Yairochana and Pan-
mipham-gonpo. The Tibetan Lamas Dharma-boti of Je and Dharma
Senha were the most distinguished among the teachers of this theory.
Nin-tiiig or MAN-NAG-de is the most metaphysical of the three.
It was first taught by Yimala Mitra to king Tki-sron and to Teh-
dsin-ssan-po of Myan. The latter founded the monastery of Ui-ru-
sliva where he concealed many of his works. At his death he left
hints respecting his works to Brom-rinchhen-bar. Buddha Vajra Dhara
first delivered this theory to the Indian Pandit Galirab dorie (Ananda
Vajra) wiio left it to his pupil S'ri S India from whom Padma Sambhava
obtained it.
1882.]
Sarat Chandra Das — Contributions on Tibet.
15
V.— THE LIVES OP THE PANCHHEN-RINPOCHHES
OR TAST LAMAS.
(With 18 Plates.)
Part I. The Indian Incarnations.1
I.
Subhij'ti, the Sthavira.
Subhuti was born in the city of S'ravasti of a wealthy and accom¬
plished Brahmana father, named Bhuti. In his former birth, he is said
to have been a Naga from which he transmigrated to man. In his youth
he acquired great proficiency in the six Brahmanical Acts (Charya) and
the several sciences. Following the inclinations of his former life, he
resided in sandel-wood forests which were filled with innumerable serpents,
whence he was conducted before Buddha2 by a truth*observing god.3 He
was ordained a priest by Buddha’s spiritual power.4 By his knowledge
of the Dharma S'astras, he suppressed sins and thereby obtained the rank of
an Arhat. When, by his fore-knowledge, he saw that in his former life he
had been a Naga, his heart became greatly grieved. He, therefore, taught
morality to 500 Nagas and 500 eagles5 who fed on the former, by converting
them to the Bauddha faith. Buddha also had remarked that “ among the
galaxy of the learned, Subhuti shines like Venus (the Morning Star).”
When Buddha delivered the Prajna-Paramita on the top of Gridhrakuta
Parvata, Subhuti served him as chief catechist (the inquirer as well as the
solver of doubts by reference to Buddha).
Although, outwardly a man, yet by these means he obtained the
Bodhisattva perfection of the Mahayana and became one of the principal
disciples of Buddha S'akya Simha.
II.
Manjusri Kirti.
Manjusri Kirti was born in the opulent city of SMnbhala in the north,
of royal parents. His father, king Deva-Indra, was said to have been the
incarnation of the Bodhisattva S'unyagarbha. His mother’s name was
Kausiki. Six hundred and seventy-four years after the death of Buddha,
1 Obtained from the works of the Indian Pandits who laboured in Tibet.
2 S'akya Simha.
3 A Buddhist god^is a Bodhisattva or Buddha, Such a god is not an ordinary god.
4 Buddha said, “ let him become priest” and he became a priest. His hair and
beard were shaven miraculously, and a consecrated mendicant raiment was thrown
over his person.
5 He reconciled these two hostile races to each other.
16 Sarat Chandra Das — Contributions on Tibet. [No. 1,
according to Buton,6 in the year 159 B. C., Manjusri Kirti ascended the
throne o£ S'ambhala. His sovereignty extended over hundreds of petty
princes and a hundred thousand cities. During his youth he acquired great
proficiency in arts, sciences and magic. It is recorded that within his
kingdom there lived 300,510 followers of the heretical doctrine of the
Mlechhas.7 Among these, there were many sages whose religion consisted
in the worship of the vehicle of the sun (Nimai S'inta). Manjusri Kirti
banished the whole infidel population from his dominions, but afterwards,
on their embracing the sacred pitakas, he listened to their humble prayer
to be permitted to return to their former homes. For the welfare of all
living beings and especially of the people of S'ambhala, he explained the
Kalachakra system. At last in the year 59 B. C., bequeathing his throne to
his son, Pundarika, he passed away from the world of sufferings, and entered
the Sambhoga-kaya of Buddhahood.
III.
Leg-dan Jyad.
This great teacher was born of a Kshatriya family in Eastern India to
the east of Magadha. Being possessed of great natural talents, he v§ry
early learnt the principal systems of the Buddhist schools, promulgated by
Nagarjuna and other Indian saints, and by. his great knowledge of sacred
literature became prominent among the learned. He was ordained a
priest by Nagarjuna and wrote a commentary on the Mula Prajna of
Nagarjuna and named it Prajna dipa. Pie reduced Nagarj una’s reflections
into Svatantra and thereby founded the second schismatical sect of the
Madhyamika school, called Madhyamika Svatantra. He also found fault
with Buddha Pala’s commentary or tiled on the Mula Prajna. There
arose many followers of this great teacher, who greatly extended the Sva¬
tantra school.
IY.
Abhayakaka Gupta.
Abhayakara Gupta was born in the middle of the 9th century after
Christ in Eastern India near the city of Gaur.8 When he grew up to
6 Buddha died 2713 years ago or 833 B. C. according to the Gelugpa Chronology,
called the Ka-tan system. According to the Vaidurya karpo of Desi sangye Gya-mtsho,
followed by A. Csoma de-Korosi, the date differs by forty years. I have followed the
more correct system of the Auidoan Chronologists and, in some places, Buton.
7 These were distinct from the Brahmans, for a Brahmana is invariably called a
Mutegpa which is the same as Tirthika. He is here called a Lalo Mutegpa. Lalo
means a Mlechha or Yavana.
8 Probably the eastern districts of Magadha.
1882.]
Sarat Chandra Das — Contributions on Tibet.
17
youth, he went to the central country of Magadha, where he learned the
live sciences and became well known as a pandit. It was here that he
entered the priesthood. During his time there reigned in Magadha king
llama Pala, in whose palace he was appointed to conduct the religious
ceremonies. By his modesty and liberal accomplishments he greatly-
pleased the monarch. During the first two watches of the day he used
to write S astras. In the third watch he used to explain Dharma. Up to
midnight, sitting in the Himavana cemetery, he used to propitiate his
gods, and, during the latter part of the night, to take rest and sleep.
One morning a Dakini disguised in a girl’s habit, approached him with
presents of meat and wine. Abhayakara, a man of stern morality, did
not pay any attention to her, and the woman soon disappeared, and no one
knew where she had gone. Afterwards he became anxious in his mind as
to who and what she might have been, and searched for her in every direction,
but without success. Penitent, he now confessed his mistake, when the
selfsame girl once more made her appearance. He asked forgiveness and
prayed to be endowed with foreknowledge, whereupon the divine girl, now
resplendent in angelic beauty, thus addressed him : “ Abhayakara ! as in
your former birth you were wanting in the faculty of discrimination, so
will you continue to be during this life also ; but as you have confessed
your error, you will obtain foreknowledge during the interval between your
death and re-birth. As a step towards its acquirement you must write
many works on the Dharma S'astras.” After drawing his attention to the
practice of constructing Mandalas (in Tibet Kyilkhor) or the ritualistic
circular figures of the Tantriks, she disappeared. Following the advice of
this Khahdoma,9 he composed several commentaries,10 besides criticisms on
other commentators. Once he visited the city of Chara Simha, ruled by a
Chan dal a king, who, a believer m the foulest sort of heresy, was preparing
to make one hundred human sacrifices to his horrid god. Moved with
compassion for the sufferings of these unfortunate men who were bound
to the sacrificial pole, he prayed to god for11 their deliverance. All on a
sudden a hideous Koluber Naga coiling round his body, extended its hood
over his head. This dreadful sight so terrified the Chandala king that,
9 Fairy or in Sanskrit Dakini.
10 (1) Then-wa-korsum.
(2) Commentary on Khajor.
(3) „ Man-Nag.
(4) ,, Nema.
( 5) Sanye-thod-pai-nam-she-mi-jigpa.
11 The Buddhist triad or Katna Traya. Before the Tibetans accepted Buddhism,
they seem to have believed in the existence of G-od whom they called Kon-Chhog or
the chief of the rarities or rare Being.
• C
St
18
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[No. 1,
at the request of Abhayakara, he at once set the victims free. During the
reign of Rama Pala, under the leadership of Abhayakara, the sacred religion
of Buddha received a fresh impulse. There were three thousand monks
at the Vikramasila Vihara, and one thousand at Vajrasana (Buddha Gaya).
At great religious festivals and sacrificial occasions more than 5,000 monks
generally assembled. Out of the one thousand monks of Vajrasana, 40 of the
Mahayana and 200 sravakas who were resident members of the monastery,
received their food from the king’s store. The STavakas were so numerous
in every place, that at times of religious prayer-gatherings their number
generally exceeded 10,000. At the monastery of Otanta Puri there were
1,000 monks, including the members of the Mahayana and the SVavaka
sects. Over the former Abhayakara presided. The Sravakas also venerated
him for his great knowledge and practice of discipline (vinaya). He
wrote numerous works on Buddhism, several of which are said to be extant
even to the present day. He was succeeded in the High-priestship by
Ratnakara S'anti. King Rama Pala after a successful reign of 40 years
abdicated the throne in favour of his son Aksha Pala. Abhayakara died
before the abdication and Rama Pala departed this life three years after it.
In the city of Sukhavati there were many hunger-stricken beggars
whose sufferings Abhayakara allayed by giving them food and drink from his
mendicant platter, which was miraculously supplied from heaven. Durino* his
residence in the Vihara of Vikramasila, under the protection of the son of
king S'ubhasri of Eastern India,13 the Turushka war13 took place. In this
war Abhayakara played an important part.14 Afterwards he cured many
poisonous snake-bites and arrested numerous bandits and robbers by the spell
of his mantras. He achieved many wonders, the last of which was the
bringing to life a dead child in the great cemetery of Himavana.
<•
Part II. The six Tibetan incarnations15
(obtained from biographies) .
V.
Khug-pa-Lkas-tsi.
This great Lochava16 was born at Ta-nag-phu a town of Tsan.
Following the inclinations of his former life which he retained in this
12 Eastern districts of Magadha.
13 He invoked the Dharmapalas (the spiritual protectors of the world) by making
offerings and oblations. By their aid he converted his cornflour sacrifices into eagles
which turned out the Mlechha intruders from India.
14 The invasion of the earlier Mohammadans under the Kaliphs probably.
10 These Lamas did not possess any royal dignities. They may, therefore, be
called simply Panchhen, while the title Panchhen Rinpochhe may be reserved for the
later princely Lamas.
16 The Tibetan translators of Sanskrit Buddhist scriptures were called Lochavas or
Lo-tsa-va. I he title Pandit is applied to an Indian translator or learned man or sage.
1882.]
Sarat Chandra Das — Contributions on Tibet .
19
life also, he learned the sacred scriptures from Thog-mi Lochava and others.
He went to India where he served 72 religious teachers some of whom
were most noted. He also learnt the sutras and the mantras, more
particularly the system of Tantrik ritualism called Guliya Samaja (San-’
wa-du-pa). By these means he earned for himself the name of an eminent
scholar. After his return to Tibet he became a saint. As he had the
power of seeing the celestial mansion of the thirty-two mystical gods, he
was called Shal-ssig-pa or the “god-seeing recluse.” He promulgated
the Guhya Samaja system of Tantrikism in Tibet. He had a great many
pupils of whom four were well versed in the Matri-Tantra and Upadesa.
Having done his utmost to further the cause of holy religion and the good of
living beings, he passed away from the world in righteousness and piety.
VI.
Sakya Pandita Kungah-gyal-tshan.17
• • •
This eminent scholar was born at Sakya in the year 1182 A. D. of the
noble family of Sakya Jam-yan-gon. His father’s name was Pal-chhen-
hod-pa and that of his mother S’i-tlii-tsam, and they gave him the name of
Paldan-Ton-dub. During his boyhood he learnt the Sanskrit, Lanja, Wartu
(the language of Bactria and Kafirstan probably) and Du-sha languages. He
was admitted into the holy order by the venerable Tag-pa-gyal-tshan who
gave him the religious name of Kungah-gyal-tshan. From him he obtained
instructions in the Sutras and Tantras. Other Pandits taught him other
branches of science and sacred literature. By his great proficiency in the five
great sciences, namely the mechanical arts, medicine, grammar, dialectics and
sacred literature, as well as in the minor sciences of rhetoric, synonimics,
poetry, dancing and astrology, in short, almost all the sciences, and chiefly
by his studying and translating the theological works of the orthodox and
the heterodox schools, he acquired the name of Sakya Pandita. He obtained
a world- wide celebrity in India, China, Mongolia and Tibet. At the age of
twenty-seven he went to the great Kashmirian Pandit S'akya Sri, by whom
he was ordained a priest and instructed in the sutras and mantras. On the
return journey he visited Kyi-ron18 where he entered into disputation with a
Brahmanical S'astri, called Samkara dhvaja(?), and defeated him by his logic
and quoting of authorities. The S'astri who had staked his life, now fled
by means of his magical powers towards the sky, but Sakya Pandita by the
charms of his Mantra Vidya brought him down tied, and subsequently con¬
verted him to the orthodox faith and obliged him to promise to take the
sacred vows of priesthood. Desiring to shew the Tibetans the curious and
peculiar religious dress of the Brahmanical priests of India he brought the
17 In Sanskrit Ananda Dbvaja. 18 Kir on in Nepal.
20
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
S'astri to Tibet in his Brahmanical dress and signs, — an act which gave great
umbrage to the twelve demigods and demons who are the sworn guardians
of Tibet. They killed19 the S'astri by making him vomit blood and tied
his head to the pillar of the great temple of the Sakya monastery, which
still exists. After this, Sakya Pandita received an invitation from
the Emperor of Hor (Mongolia) whose dominion extends to the north.
He was told by his former teacher Tag-pa-gyal-tshan20 that there lived in
Hor21 a race of men who differed greatly in language from the Tibetans,
and who wore hawk-like hats, and shoes resembling the snout of pigs. This
teacher advised him not to harbour any doubts or fears about the people
in his mind, but to go straight to that country to further the cause of
religion and the well-being of living beings, in accordance with the
prophecies of old. At the age of thirty-three22 he started from Sakya for
TI or, and after a tedious and protracted journey of three years, reached
the court of Goyugan the Emperor of the Tartars. He instructed the
Emperor in religion and frequently discoursed on religion with him.
Thus the barbarians who disbelieved in the sacred tenets of Buddhism were
converted by him. The Mahayana system was introduced there.
The Naga23 princes being pacified by the beneficial influence of the
Buddhist religion, there was plenty of rain and water. Maladies of men
and murrain were prevented from raging in the country. In Hor, the people
lived in plenty and reared much cattle. Buddhism was made as powerful
as the sun in dispelling darkness. In the city of Gyu-ma, at the age of
seventy, in the year 1252 A. D., in the month of September, during the
middle watch of the day, he quitted this mortal coil and entered the mansion
of purity, solemnly escorted by a procession of fairies (dakinis).
VII.
Yun ton-dorje.
Yun ton-dorje was born at Gorma,24 a place of considerable trade near
Sha-lu in the province of Tsan, in the year 1281 A. D., in the family of a
19 The S'astri died of vomiting’ blood, probably caused by the intensity of the cold
and the dryness and rarity of the air. All sorts of diseases are attributed to the wrath
of evil spirits in Tibet.
20 It is not clear whether Sonam-tse and Tagpa gyal-tshan were one and the same
person.
21 Tartary or Hor includes Turkistan, Mongolia, and Manchu.
22 Illustrious Lamas cannot travel so fast as ordinary travellers do. At every stage
Sakya Pandita received invitations from the neighbouring princes and chiefs, which
caused much delay.
23 The Naga princes are believed by all the Buddhists to have great power over
the distribution of water and the occurrence of plagues and cattle diseases.
24 I call this place Korma ; although the 3rd letter of the Tibetan alphabet is
equivalent to Sanskrit y, yet it is pronounced as k by the Tibetans.
Sarat Chandra Das — Contributions on Tibet.
21
1882.]
Tantrik priest25 of the race of Lan. In his youth, he received instruction in
the mystic Ninma system from a learned Lama named Dub-ten-S'akya
Phel. Prom his seventeenth year he received instruction from many other
Lamas26 of the Ninma school. Becoming a powerful charmer, he subdued
the eight demigods and genii of the spiritual world. At the request of the
Emperor Goyugan he visited China. Here he was engaged in conducting the
religious services and ceremonies, by which means and more particularly by
his moral merits he showed the path of spiritual liberation to others.
Afterwards he returned to Tibet where he performed many acts of virtue.
Being earnestly pressed by his mother, he took a wife and at the age of twenty-
eight got a son. At the age of twenty-nine, seeing that worldly existence
was illusive, he broke off the bondage and went before the teacher Tag-pa-
shon-nu by whom he was ordained a priest and given the name of Dorje-pal.
He also heard sermons on Buddhism from Kanjun dorje, Wuton-shag
Khanpo-Yese, and others. He established many religious institutions, such
as Phenpo-ri-vo-chhe, Garmo-chhojun, Tasi-joh-kha, Chho-dih, and Tag-
gya-dorje-phodan,27 and wrote many books on the ancient and modern
schools of Buddhism, called Ninma and Sarma respectively. Yugde
Panchhen and others were his pupils. At the palace of Tag-gya dorje, in
the ninety-second year of his age, in the year 1376, he entered the mansion
of rest and peace.
VIII.
Kha-dttb-Geleg-pal-ssan.
This illustrious scholar was born in the year 1385 A. D. at Dag-shun.
His father’s name was Kungah Tasi, and that of his mother Pudon-
gyalmo.
He took the sacred vows of priesthood from the learned sage Sehge-
gyal-tshan and received the religious name of Geleg-pal-ssan. He obtained
the title of Master of Vidya by studying logic and sacred literature at the
monastic colleges of Sakya and Namrin. In the 16th year of his age he
commenced a controversy with the celebrated Pudon Panchhen which
resulted in the defeat of the latter. From this time Geleg-pal-ssan became
well known for his learning. He also learned many Sutras and Mantras
from Je-tsun- Kendall and other learned Lamas. At the age of eighteen
he visited the great Reformer Lo-ssan-Tag-pa,28 from whom he heard
many discourses on the vast and profound teachings of Buddha. On one
25 Tantrik priests are generally married.
26 Netan, S'akya Senge, Taton-dsijig, S'erab Bum and Chhokyon Bum.
27 Phodan means a palace.
28 Tson Khapa, the great reformer of Tibet.
22 Sarat Chandra Das — Contributions on Tibet. [No. 1,
occasion Tsoh khapa had remarked of Geleg-pal-ssan that he (the young
and intelligent novice) would one day prove a great promoter of Buddhism.
From the twenty-second year of his age for a period of thirteen years he
studied under the great Reformer and mastered the Sutras and the Mantras.
He read the excellent and most learned aphorisms, and embraced the reformed
doctrines of Tsoh khapa with unbounded faith. He was invited by Rabtan
Kunssan, King of Gyal-tse,29 to hold a disputation with the venerable
Chho-je-Rin-Chhen. The controversy, however, did not take place on
account of the latter withdrawing from the contest. Aided by the patronage
of Rabtan he succeeded in founding the great monastery of Gyal-tse, which
with its eighteen Tvasan (schools) still exists. At the age of forty-six he
was exalted to the golden throne of Gahdan vacated by the death of the
immediate successor of Tsonkhapa. He met with great success in ex¬
tending the Gelugpa system and thus promoting the work of reformation.
In the fifty-fourth year of his age, in the year 1439 A. B., he passed away
from mortal existence, to rest in the mansion of purity.
IX.
SONAH-CHHO KYI-LANPO.
This scholar was born in the year 1439 A. D. of humble parentage on
the boundary of Tsan-ron. His complexion during childhood being very
pale, his parents used to call him Pahu (calf). When he 'grew up he
was taken to the presence of Gahdan Thipa (the great abbot of the
Gahdan monastery) and other professors of religion. When the abbot demand¬
ed his name, he said that it was Pahu. The abbot smilingly said, “from
this day your name will be Sonam-chhyog-kyi-Lanpo (the bull of Fortune)
as one day you will grow to be a Lari or bull”. He then admitted him into
his monastery. At Gahdan, Sonam learnt the different branches of Buddhism,
such as Abhisheka, Vyakarana, Sutra, Tantra, Meditation, Criticism and
Upadesa. He then returned to Tsan where he got many pupils. By ex¬
plaining to them the Dharma S'astras he obtained the title of “ the Lamp of
religion.” Consulting his tutelary deities he came to know that he would
be required to construct a bell-metal image of Buddha full one cubit high.
He constructed many images and also built the Udin Gonpa. Convinced
that moral discipline and purity of conduct are the basis of all religion,
he enforced the greatest strictness in the behaviour of his pupils. In
the latter part of his life, he sent sixteen of his pupils to Tasi-lhunpo and
Gephel monasteries. With a view to accomplish the object of his life
he retired into solitude, where, free from the confusion and clamour
29 Vulgarly called Gy ah-tse. At this time Tibet was ruled by many petty kings
most of whom were called Dharma Rajas.
Sarat Chandra Das — Contributions on Tibet.
23
1882.]
of monasteries, from inattention and idleness, and all anxieties of life, he
could concentrate his attention on meditation and study. By his great
erudition, application, and reflection he composed many elegant aphorisms
and S'astras. His tutelary deities granted him several interviews. Having
obtained boundless Abhijnana he could find out supernatural secrets. At
the age of sixty-six, in the year 1505 A. D., he quietly passed away from
this world of pain and sorrow.
X.
Gyal-wa Ton-Dub.
This great scholar was born in the year 1505 A. D. at Lha-khu-phu-
pen-sa situated on the north hank of the great river Tsanpo, near the
famous monastery of Chamalin, in the district of Da-gya in west Tsan.
His father Sonam Dorje, and mother Jomkyi belonged to the family in
which some of his illustrious predecessors were born. No sooner was the
child horn than it manifested its compassion for the misery of all unborn
and migrating living beings, by uttering the six mystic syllables “ Om-ma-
ni-paclme-hum,” at which uncommon occurrence the inmates of the house,
with wonder thinking that the infant must be some saint or divine per¬
sonage, gave it the name Gonpo-kyab. From his childhood, Gonpo-kyab
had been fond of solitude. He is said to have seen the faces of Buddha
and Tson khapa, from whose hands he received benediction. When only
eight years old, he saw in a vision, that, dressed in a white satin tunic and
adorned with precious gems, he sat with a bell and a dorje in his hand on
the disc of the full moon which rose refulgent from the top of the Segri
mountain, and that the sound of the ringing of the bell filled the world.
At the age of eleven he became a pupil of Je Tag-pa Ton-dub, abbot of
Lha-tse monastery, from whom he received the vows of priesthood and
the religious name of Lo-ssan Ton-dub. He also heard sermons on
Kalachakra, Bhairava, and the Bodhisattva Marga. He received instruc¬
tions in the S'utras, Mantras and the system of mysticism called Guhya-
samaja. Thereafter coming to Tasi-lhunpo he became a pupil of the
abbot Lo-ssan she-Nen in logic, hut soon becoming disgusted with his subtle
hut trifling and useless system he gave up his connection with his teacher.
At the age of seventeen he became a pupil of the sage Chhokyi Dorje and
fully mastered the volume of precepts called Gahdan-Nen-gyud. After¬
wards returning to Tsan he resided at the temple of Pamachen near the
Panam-Ohomolha-ri.30 Here his teacher the sage shewed him the volume
30 The Chomolhari mountain, from which the river Panam or Pena nyan chhu
takes it rise and, flowing by Gyan-tse and Panamjon, empties itself in the Tsanpo near
Shiga-tse.
24
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
of illusive mysticism. Lo-ssah composed four volumes of Nen-gyud,
(pleasing Tantras). During liis residence at the castle of Ta-gya-dorje he
acquainted himself with the terminology and signification of the classical
writings both in the melodious Sanskrit and the insipid Tibetan. In this
manner when his life and sainthood were uniformly flowing onward, at the
age of sixty-five in the year 1570 he passed away from mundane suffering.
Gedundub,31 the founder of the monastery of Tasi-lhunpo.
(One of the Grand Lamas of Lhasa.)
This great Lama was born in the year 1391 A. D., at a place called
Gun-ru in the Dok-pa33 country between Sakya and Tasi-lhunpo. His
mother’s name was Jomo-namkye, and his father’s Gonpo-dorje. They gave
him the name of Pema Dorje. Unlike other children, he was very handsome
and of an amiable and pleasing disposition. When a child he used to collect
around him a number of children of his age, and talk to them gravely,
as if he were their religious teacher. His sports consisted only in making
images of Buddhas, erecting chhorten, shrines, altars and viharas. By his
command his playmates used to raise stone piles as if to repair the school
walls. He seldom engagedin such sports as other children delighted in. At
the age of seven he entered the Narthan monastery, where he prosecuted
his studies up to the fifteenth year of his age. Within this period he learnt
the Tibetan, Hor (Tartar), Chinese, Wartu and Lanja33 (ancient Buddhist
Sanskrit) languages. In his fifteenth year he was admitted into the holy
order by Dubpa-S'erab, abbot of Narthan, and given the name of Gedun-
dub-pal. He now acquired great proficiency in grammar, polite learning,
poetry, arithmetic and other sciences, and also became well acquainted
with the Sutras and Tantras. At the age of twenty he took the vows
of priesthood at the hands of the same abbot, and became famed for
his strict observance of vinaya or moral discipline. By his perseverance
and assiduity he became an attentive srava/ca, a powerful thinker, and
an excellent meditator. Unmindful of his personal convenience and
temporal aggrandisement, and always thoughtful of furthering the cause
of religion and the well-being of living beings, he went at the age of
twenty-five to the province of U' to see the great reformer Tsong khapa, from
whom he received much religious instruction, and who was greatly pleased
with his conduct, Gedun-dub also received religious instruction from
the two great Buddhist scholars Semba-chhenpo Kun-ssan and the venera-
31 The title of Gyal-wa-Rin-po-chhe was then not applied to the grand Lamas
of Lhasa. They held the position of high priests only.
32 The mountainous portions of Tibet, are inhabited by the shepherds and
yakherds who are called Dokpa.
33 Ranja of the Nepalese.
1882.]
Sarat Chandra Das—- Contributions on Tibet.
25
ble Serab-senge. Being well acquainted with theology and meditative
science he performed many religious ceremonies and observances for tho
good of all living beings. At the age of thirty-six he returned to the Tsang
province where his reputation as a great scholar in theology, disputa¬
tion and sacred literature was unrivalled. At the age of forty-three he
constructed an exquisitely fine image of Buddha Maitreya in the vihara of
Khudensa. At the age of fifty-six he was directed in a vision, by Paldan-
Lhamo (the goddess S'liDevi), to establish a religious institution. Accord¬
ingly he founded the great monastery of Tasi-lhunpo and furnished it richly
with images and books, — an act which greatly extended the Buddhist faith.
In the latter part of his life, while labouring under pressure of spiritual busi¬
ness, he succeeded in constructing several thousands of images of Buddha,
Maitreya, Tara, and the Bodhisattvas, besides working a gigantic piece of
tapestry. His reverence for the congregation and devotion to the Triad was
immense. He wrote five large volumes of commentaries on the Sutras and
Mantras. He is said to have held communion with his tutelary deities,
such as Bhairava, Tara, Sarasvati, Manju-Ghosha and STi Devi, from whom
he occasionally received prophecies. The purity of his morals made him
adored by gods and men. At the age of eighty-four, in the year 1478 A. D.,
on the morning: of the 12th month he was delivered from mundane existence.
Amidst showers of flowers and music of cymbals and drums he was
conducted before Maitreya the regent of Sukhavati, the paradise of the
Buddhists.
XI.
Pan-chhen Lo-ssan-Chho-kyi gyal-tshan.84
The important town of Lhen, containing 600 families, is situated on
the confines of Tsan-ron. It was in the house of a wealthy noble of
this town, where formerly many illustrious Lamas were born, that in the
year 1569 A. D., Chho-kyi Gyal-tshan was born. His father’s name was
Pon-tshan-tsherin Paljor and that of his mother Tso-chan. The
Abbot Tshem-ta named him Chho-gyal paldan-ssahpo. Even in his
childhood he is said to have given many proofs of his wonderful memory :
while only three years old he was found able to recite the Manju-STi
nama nidbi. At the age of thirteen he was initiated into the holy order by
Kha-dub-yese and given the name of Chho-kyi Gyal-tshan Under the
tutorship of this Lama, he learnt the mystical worship called Guhya-samaja.
At the age of fourteen he was placed at the head of Wen-gon monastery.
He propitiated Yan-chen-ma, the goddess of learning, for seven days, at
34 First Pan-chhen Rin-po-chlie.
D
26
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
the end of which he saw her face, and welcomed her by singing seventeen
hymns. The goddess in return presented him with a cup of gem-like
fruits, by virtue of which divine gift, within the course of a month, he
learnt by-heart five volumes of Tsoiikhapa’s precepts. During this period,
one night, he saw in a vision the image of Buddha, as high as a mountain,
shining with the brightness of myriads of suns, and approaching him to
confer benediction. At the age of seventeen he entered the Thosamlin.
college of Tasi-lhunpo, where he studied psychology and logic, and ob¬
tained the high degree of Master of learning. At the age of twenty-two
he was ordained priest by Pan-chhen-Yar-phel. In the latter part of
the same year, he went to U' to visit the sacred images. Here he saw
several happy and auspicious omens. Going to Gahdan he disputed with
the learned in argumentative science, and secured for himself a world-wide
celebrity. At the age of thirty-one he was raised to the sacerdotal chair of
Tasi-lhunpo, during his tenure of which he ably turned the wheel of
Dharma to promote the diffusion of the sacred religion. He was the first
to introduce the annual prayer-fair at Tasi-lhunpo, executed twenty three
satin embroidered pictures, numerous tapestries, paintings and copper and
clay images. He richly furnished the recluses’ monasteries with religious
necessaries. He ordained afterwards the Dalai Lama Yon-ton Gya-tsho
into the priesthood and taught him the Ivalachakra ritualism. As a
punishment for their internal dissensions, he employed the monks of
Tasi-lhunpo in erecting three lofty chhorten within the monastery walls.
He entertained the monks of Sera, Dapun and Gahdan several times,
distributing gold pieces among them. At the invitation of the Raja of
Guge he visited upper Tibet. At the age of forty-four he applied to the
collected body of monks to be permitted to retire from the abbotship of
Tasi-lhunpo, but their earnest entreaties dissuaded him from the resolve.
After the death of the Dalai Lama, the Gelugpa church having waned
greatly, he was invited to Lhasa where the Synod of the Lamas under
the presidentship of the abbots of Sera and Dapun appointed him to the
pontifical throne of Gahdan, which high office he meritoriously filled.
During his incumbency there arose a quarrel between the southern Mongo¬
lians and the Tibetans, which ended in the invasion of Tibet by Thingir-
tho, the nomad king of Kliokhonur.35 Thinger-tho’s armies slew 500
Tibetan soldiers. The armies of Tsah and U' consisting of nearly 100,000
soldiers assembled at the foot of Chagpori in the suburbs of Lhasa. Immense
hordes of nomad warriors reinforced Thingir-tho’s armies which were thus
enabled to besiege the Tibetans and cut off their supplies. Unable to bear the
sight of the distress of his countrymen, Cbho-kyi Gyal-tshan sued for peace
and delivered his country from the hands of the enemies by the payment of
35 Kho-kho-nur.
1882.]
Sarat Chandra Das — Contributions on Tibet.
27
a large quantity of gold and silver. At the age of fifty-three he initiated and
subsequently ordained to the priesthood the successor incarnate of Yonton-
Gya -tsho. It was during this period that he deputed Se-chhen-chho-je
to the court of Thai-tsun-bogto-khan,86 the first of the Manchu Emper¬
ors of China, praying him to assume the protectorship of Tibet. The Em¬
peror gladly accepted the offer and sent him return presents of great value
and rarity. Counting from the Emperor Shunchi, his son and successor,
all the Emperors adhered to the Gelugpa church. This wise step which
was calculated to save Tibet from the hands of the fierce and bloodthirsty
Mongols, proved a failure ; for, a few years after, the warlike Gusri-khan,
the son and successor of Thmgir-tho invaded Tibet, dethroned all the petty
princes of Tibet, of Tsan and U , and brought all its eighteen provinces
under his single sway. He greatly admired the vast learning and moral
purity of Chho-kyi Gyal-tshan, whom he afterwards appointed his spiritual
guide. Chho-kyi Gyal-tshan immediately before his death received an
embassy from the Emperor of China which brought him a letter written
in gold and many precious and choice presents. It was the noble and
generous conqueror Gusri-khan who made a present of the sovereignty of
Tibet to the fifth Gyal-wa Lo-ssan Gya-tsho, thenceforth called Dalai Lama.
Besides delivering Tibet from many political vicissitudes and clerical
crises, he did a great many acts of social and religious utility. He wrote
five volumes of sacred aphorisms, and introduced the Kham-tshan.87 He
classified the monks into orders. He received into monkhood more than
50,000 novices, and performed the ceremony of final ordination over
nearly 100,000 monks. His charities amounted to 8 lakhs of gold sans,
or 18 millions of rupees.38 Among his spiritual sons, the 1st and the 2nd
Dalai Lamas were the most eminent ; and among his lay-pupils, mostly
princes and nobles of the country, Gusri-khan was the most renowned.
At the age of ninety-three, at 12 a. m., on the lOtli of the 2nd lunar month,
in the year 16G2 A. D., he passed away from this world, after a glorious and
most successful career, one of Tibet’s most illustrious personages. The
Chhyag-Jo39 of Tasi-lhunpo and the rich patrons of religion in Tibet
conjointly subscribed 600,000 Its. (10,000 sans) to erect a gilt copper-
roofed tomb over his remains.
XII.
Lo-ssan Ye-se-pal-ssan-po.
This Lama was born of a high and noble family of Thab-gyalin a village
of some importance in the province of Tsaii. His father’s name was
36 The Emperor Shu-chi. 38 A gold sah is equal to Its. 60.
87 System of national Hostels. 3J Treasures.
28
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
De-chhen-gyalpo and liis mother’s S'erab- Dolma. Being at once recog¬
nized as the incarnation of the late Pan-chhen, he was conducted to Tasi-
Ihunpo in great pomp and procession, on the anniversary of the emancipation
of Tsohkhapa, on the 25th of the 10th lunar month. He easily learnt to
read and write, and soon became versed in rituals. At the age of eight, he
visited Lhasa, when, from the Dalai Lama Lo-ssab Gya-tsho, he received
the vows of monkhood and the name of Lo-ssab-Yese. After his
return to Tasi-lhunpo, he was made the president of the grand prayer¬
meeting called Tsho-chhen. Even in his boyhood he won by his amiable
and engaging behaviour the affection and reverence of all men. He heard
many of the Dalai Lama’s sermons. At the age of twenty he was ordained
by Kon-chhog Gyal-tshan. At the age of thirty-two he sent a congra¬
tulatory deputation to Pekin. The Emperor in reply addressed a letter to
him inviting him to Pekin, but he begged to be excused for fear of small¬
pox. At the age of thirty-five he gave the vows of priesthood to the
incarnation of the Dalai Lama and named him Lo-ssab Bin-chhen.
At the age of forty he ordained him to the priesthood, but this Dalai
having died shortly after, an incarnation was discovered who received at
his hands the vows and the name of Lo-ssab Kal-ssab. In the year
1713, he received a letter written in gold in three different languages,
Tibetan, Mongol and Manclm, from the Emperor of China couched in
friendly terms. The Imperial seal-keeper Ja-sag-Lama accompanied the
Envoy, carrying with him the Imperial Insignia and a large ThamJcct
or golden seal in which was inscribed the title Pan-chhen Erte-ni.40
The Panchhen-Einpochhe returned a suitable reply with excellent presents
for the Emperor. He subsequently ordained the 3rd Dalai, Kal-ssab
Gya-tsho, and the grand Imperial Lama of Pekin, Ckah-kya-Binpo-
Dorje41, and taught them sacred literature. By the faithful assistance
of king Lha-ssan of Tsan, Tsherin Ton -dub of Jungar and Pese-ba-dur,43
the exertions of this Panchhen in promoting the cause of human good bore
excellent fruits. In the year 1728 the Emperer sent Ali-ha Ampan to
settle the boundary between U' and Tsan. It was at this time when
the kingdom of Tibet was about to fall into the hands of prince Sonam-Top-
gye, after the abdication of king Miwan-Pbolha, that the Imperial
Commissioners requested the Panchhen Rinpochhe to accept the sovereign¬
ty of all the provinces of Tibet lying between Khambala and Kailasa moun¬
tain. The Panchhen declined the offer several times on the plea of old age.
40 Er-te-ni is Mongolian, and is equvalent to Ein-po-chhe in Tibetan or Batna in
Sanskrit. Pan is an abbreviation of Pandita, and Chken means great in Tibetan.
41 Called Changay Lama by Bogle.
42 In Mongolian Bahdur means a warrior or hero. Bahdur is probably the same as
the Hindustani Bahadur.
1882.]
Sarat Chandra Das — Contributions on Tibet.
29
He said that the government of so large a country and its responsibilities were
too great for him to undertake, and that he would content himself with his
ancient possessions. But the Commissioners insisted on his acceptance, saying
the Imperial mandate could not be disobeyed. He, therefore, consulted the
then nominal king of Tibet, as to whether his compliance with the Emperor’s
commands would not clash with his interests. The king who was a pious
prince advised him to accept the offer. The Panchhen, therefore, assumed the
sovereignty of the whole of Tibet lying to the west of Panam, in¬
cluding the districts of Lha-tse, Phun-tsholin, Namrin, Jonkha, Ki-ron,
Nari-kor-sum, and relinquished the possession of Phari, Gyai-tse, Yar-do-
tsho, and other places to the government of Lhasa. He wrote eighteen
volumes of sacred hymns and precepts. The number of monks that received
the vows from him was very great. Thus devoting his life to the good of
humanity and living beings he departed from this world at the age of
seventy -five, on the 5th of the 8th lunar month. A tomb with a gilt copper
dome, like that of his predecessor, but somewhat larger, was erected to his
memory, at a cost of 12,000 sans or Rs. 720,000.
XIII.
Pan-chhen Lo-ssan Paldan-Ye-se.43
This great sovereign Lama was born at Tasi-tse, a village of Shang44
in Tsah. H is father, named Than-Lha, was distinguished for his wisdom,
courage and frankness. His mother Jom-kyi was an honest and good Matur¬
ed woman. Previous to his birth there appeared to his father in a vision a
golden chhorten, glittering with lustre, and his mother saw in a vision Pan¬
chhen Lo-ssan Yese presenting her with a life-reviving vessel and some
consecrated pills. There appeared rainbows, refulgent with five variegated
hues in all directions, five yellow flowers growing out of a single calyx and
corn bearing five pods and three ears. All men were singing and dancing
with spontaneous mirth and joy. Amid such auspicious and happy prog¬
nostics, at dawn, on Saturday, the 11th of the 11th lunar month, in the
year 1787, Panchhen Paldan Ye-se was born. The extreme fairness of his
person, and above all his lovely face attracted the notice of all men. At
the end of the 2nd month the child lisped Om mani.45 As he grew up, he
was observed to delight at the sight of the monks of Tasilhunpo.
Whenever he saw an A chary a (Indian Buddhist) he used to say Bhala,
43 This is abridged from the Nam-thar, or biography of Paldan-Ye-se, written in
Tibetan in two volumes containing 2000 pages.
44 Name of a district.
45 The sacred Yfja of the Buddhist as well as of the Brahmans.
30
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
Eh ala46. Sometimes holding the dorje and bell and at other times with
joined palms, he used to sit in a pensive mood, as if to read or write. He
was never known to delight in or amuse himself with ordinary and
vain sports like other vulgar boys. When only three years old, he was
found continually engaged in worshipping a bright and handsome image
of Buddha. The fame of this wonderful child reached Tasi-lhunpo,
when the Don-Ner Lo-ssan Tson-du was assured by many of the re¬
appearance of the soul of the late Panchhen in the person of the said child.
Accordingly, he equipped himself with some of the personal properties
of the late Panchhen Rinpoclihe, such as the rosary, dorje, and bell, the
articles used in consulting gods, mixed with several imitation sets, and
arrived at Tasi-tse. On being subjected to the ordeal of finding out the
real properties, the princely child easily and unerringly picked out all
that belonged to the late Panchhen, and moreover called Don-Ner by
bis name though he had never heard it before. This excellent manner of
acquitting himself established beyond doubt the identity of his soul with that
of the late Panchhen. The princely child, now four years old, was therefore
brought to Tasi-lhunpo with great pomp and procession. The Dalai
Lama Kalssan Gya-tsho gave him the name of Lo-ssan Paldan Ye-se.
On this occasion the Emperor of China, most of the Mongolian princes,
the Taranatha Lama of Khalkha, the government of Lhasa with its
dependent chiefs, and the three great monasteries of Sera, Dapun and
Gahdan sent him innumerable presents of various sorts. About this time
a shower of flowers fell from the sky, which glittered with many a rain¬
bow and conical halo of light. The atmosphere was laden with sweet
fragrance. On a background of variegated clouds, the shapes of a lion, a
tiger, an elephant, a horse and a man under a canopy of radiance, surrounded
by innumerable flags, were manifest to the eyes of alb During the sixth
year of his age he was carefully instructed in aphorisms and mysticism by
his chief spiritual minister Lo-ssan Yon-dsin,47 from whom he received
the vows of monkhood when only seven years old. In the 10th lunar
month of the same year he took his seat on the chair in the grand
worship hall. On this occasion also, the Emperor of China, the Dalai
Lama, the king of Tibet Miwan Sonam-tob and the different Mongol
princes sent him presents, which amounted to more than 30,000 pieces
of horse-hoof shaped silver, 5,000 gold sans , 10,000 pieces of satin, and 20
porters’ loads of precious stones, such as turquoises, corals, cat’s-eyes,
46 In ordinary Hindi meaning “good”, “very good”.
47 His full name is Dorje-dsin-pa, Lo-ssan-sod-pa, yon-dsin. The Vajra-dhara
or the holder of the Thunderbolt.
18S2.]
Sarat Chandra Das — Contributions on Tibet.
31
onyx, amber, and pearl: so that Tasi-lhunpo overflowed with riches.
The young Panchhen gave sumptuous dinners to all the monasteries
of IT and Tsan about 700 in number and distributed alms consisting
of silver pieces to all the monks. At the age of eleven he came to
Lhasa to visit the Dalai Lama. Although he received instruction in the
S'astras from the Dalai, yet he was seated on the right hand side on a
throne as high as the Dalai’s own. After a short stay at Lhasa he returned
to Tsan. At the age of fifteen he again visited Lhasa, heard some of the
sermons of the Dalai Lama, made offerings to the two sacred images of
Akshobhya and Gautama, entertained the Sera, Dapun and Gahdan monas¬
teries with tea and soup meal and distributed a great deal of money for
charitable purposes. At the age of twenty he visited Lhasa a third time
and received ordination to the priesthood from the Dalai Lama Kal-ssan
Gya-tsho. This time his great liberality in religious donations and en¬
dowments, offerings to the sacred shrines, and alms of a silver san
(Rs. 2-|) to each of the monks of Sera, Dapun, Gahdan, Potala, Radih
and various other monasteries, numbering 118 in I / and 370 in Tsang,
made his name famous far and wide. There were few beggars who did
not partake of his bounty. He also spent immense sums of money in
administering medicines to the sick. The twenty-first year of the Panchhen’s
age was inaugurated by the advent to Tasi-lhunpo of Chankya Rin-
po-chhe, the Emperor’s spiritual guide, the greatest of the Imperial
high priests of the celestial Empire, to see the Vicegerent of Buddha in
the person of the Panchhen Rinpochhe. He made innumerable kinds
of presents among which the following were the principal ones: 6 rosaries
of pearls, coral and amber, 20 horse-hoof silver plates, 100 suits of Tartar
robes of the very best China satin and numberless scarves. Chankya
Rinpochhe stayed at Tasi-lhunpo for several months, aud received from
the Panchhen lessons in the Sutras and Tantras. In the year 1759 the
Panchhen Rinpochhe sanctified the golden tomb of the late Dalai Lama,
whose soul was reported to have appeared in the person of the child. At
the special request of the Emperor, he visited Lhasa. On examination he
found that the incarnation was unmistakeably genuine, and gave him the
name of Lo-ssan Jampal Gya-tsho. After lavishing alms on the various
monasteries he returned to Tasi-lhunpo. Three years afterwards he again
visited Lhasa to place the young Dalai on the throne of Potala He comme¬
morated the occasion by giving grand dinners to the temporal and
spiritual lords of the country. The amount of gold and silver expended
on this occasion could not be estimated. During the return journey
to Tasi-lhunpo he visited Gyal-tse the monastery of which place he richly
endowed. At Tasi-lhunpo he administered the vows of monkhood to several
thousand novices. At the £ge of twenty-eight he visited Lhasa and initiated
82
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
the young Dalai Lama into the priesthood. In the year 1766 he received a
deputation from the Emperor of China, consisting of Asakhan Kwan
Ampan, the keeper of the grand seal Nag-wan Paljor, a 3rd grade mandarin
Khi-ya-thelen, together with twenty other officials. They brought him the
Emperor’s letter written on thirteen gold tablets, each an inch thick,
3 inches broad and about 20 inches long. The following are the contents
of the letter :
“ The commands of the all-powerful Hwan48 (Emperor) derived of
old from heaven, extend over all the world. The four great oceans alone
encompass the reign of his excellent laws which are essential for the
well-being and happiness of mankind. Throughout all the quarters in all
ages, the fame of Hwan’s merciful and generous protection is proclaimed.
He adores and venerates the sacred creed of the yellow hat of sublime
precepts, whose saints, pre-eminently holy in the moral virtues, have
toiled according to the canonical rules. Thou, O precious Panchhen !
having fully comprehended the teachings of that sacred creed, sittest over
the head of the Dalai Lama. Thy illustrious predecessor has obtained
sainthood. Thou, too, during this sojourn in the world by the obser¬
vance of discipline and moral rectitude, shouldst obtain sanctity. Till now
thou hast grown more and more exalted. By this grant of a golden
diploma and seal the all-powerful Hwan respectfully appoints thee to the
dignities and offices of thy spiritual ancestors, to be the sovereign, spiritual
and temporal, of the great province of Tsan. For the propagation of the
sacred religion over all the earth, and for the spread of thy holy fame far and
wide, thou wilt as of old have a general authority over all Tibet. Vouchsafe
the blessing of thy mercy and prayers over us in this central dominion !
The 4th day of the 1st winter month, in the 30th year of the reign of
the Emperor Chhin-Lun49 (of Nam-kyon or celestial protector).”
To this the Panchhen returned a dignified reply. In the year 1770
he was invited to Lhasa to supervise the education of the young Dalai
Lama. This time also he lavished his bounties over the monks and the
beggars of the country. “ In the year 1771 he received an embassy from the
Duk-desi (Deba-Baja) of Bhutan named Shidar which brought
him presents of some value. The Panchhen in return deputed one of his
secretaries to Bhutan with a letter of advice. Being informed of the miscon¬
duct of the Deba Baja towards the Ghatika Baja ( Baja of Coocli Behar) whose
territories had been invaded by the Bhutanese and who had himself been led
in chains to the capital of Bhutan, the Panchhen sent a messenger to Bhutan
urging the immediate release of the captive Baja. The Deba wrote him
to say that he (the Deba) implicitly obeyed the command of the Lama by at
48 A Chinese word.
49 In English works on China he is called Kyen-lung.
1882.]
Sarat Chandra Das — Contributions on Tibet.
33
once setting the Baja at liberty. The receipt of this letter greatly delighted the
Panchhen. In the meantime the armies of the Ghatika Baja had applied for
help from the owner of Bangala (Warren Hastings), who having espoused the
Ghatika Baja’s cause,50 made certain proposals to the Deba, to which the latter
did not agree. This difference gave rise to something like a war between
the Lord of Bangala and Deba Shidar. It resulted in disasters being brought
upon the Deba and in the occupation of a portion of his territory by the Lord
of Bangala. To avert this calamit}/-, Deba Shidar applied for mercy and
intervention to this quarter,51 at which the Panchhen, unable to bear
the miseries of a large number of afflicted people, sent a Deputy to the
Court of the Lord of Bangala, entreating him to forgive the Deba Baja
his misconduct, to restore him his territories, and to put an end to further
hostilities. Pleased with the mild and pacific tone of the letter, the Lord
of Bangala at once complied with the Panchhen’s requests. Thus by
dispelling the causes of rancour and quarrel between the two powers,
he established amity and peace, the direct consequence of which was the
establishment of an unrestricted commercial intercourse between the different
nations.”
With a view to make offerings and oblations to the great Bodhisattva
at Dorj e-dan,53 to the sacred cavern of Gaya-gauri, to the great city of
Prayaga, and the great river Nairanjana (now called Lilajan or Phalgu), he
despatched to India Tun-rampa of Don-tse Lo-ssah tsherin,53 and three
Lamas together with nine young monks. The three Lamas, being unable to
stand the excessive heat of the country, perished on the way. The Tibetan
travellers had to encounter many difficulties and fears arising from the
immense distance of the journey, the burning heat of the country, the
venomous serpents, the wild and ferocious animals, and more especially
from the bands of robbers that infested the country at large ; and to
crown their troubles, the princes of the frontier states had stationed
guards to stop foreign intercourse. Yet, depending on the efficacy of the
blessing of their spiritual Lord,54 they succeeded in accomplishing their
object. On declaring that they were the Tasi Lama’s priests, sent on.
pilgrimage, the Bajas of the frontier states did not molest them. On the other
hand they received friendly assurances and warm receptions from the different
classes of people in India. The Bhujpdl of Varanasi (now called Kasi), named
50 Raja of Coocli Beliar.
51 Tibet.
52 Dorje-dan means Vajrasana or the diamond seat of Buddha at Buddha Gaya.
53 A town of considerable size near Gyal-tse. It is well known lor being the spot
where the spiritual prime minister usually takes his birth.
54 Panchhen Rinpochhe.
E
34
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
Chete Sing Bahadur,55 to whom they carried the Panchhen’s letter, gave them
a cordial reception. He kindly provided the travellers with passports and
letters patent which enabled them to travel in wooden conveyances,56 as
respectable parties. The same prince, having furnished them with convoys,
they reached Dorje-dan in a fortnight from Varanasi At Dorje-dan they
made grand offerings and performed divine services of five kinds before the
image of the Maha Bodhisattva, and paid reverence to the Tirtha-dharas, and
S'ivaridhi. They gave dinners to priests, beggars and other men. At this
time, hearing that the Mahaguru Tasi Lama’s offerings had reached Dorje-
dan, people from different quarters assembled near the spot to see the sight.
These spectators, full of faith, joining their palms, paid homage
to the Supreme dispenser of mercy according to their own religious
persuasions. They also made presents of edibles and various sorts of
articles to these Tibetan worshippers. The travellers, having made their
offerings at other important places of pilgrimage, arrived before the Prince
of Varanasi who, according to the Mahaguru’s commands, conducted
religious services at the Buddhist shrine of Varanasi. He showed
much hospitality and kindness to these Gelohs57 with readiness and pleasure.
At last, in order to pay homage to the Mahaguru Tasi Lama, Chete Sing
Bahadur deputed his general Lala Kasmiri Mall and two of his officers,
Gusankshi-puri and Sopa-ram, to Tasi-lhunpo. Accompanying the
Gelohs they safely arrived before His Holiness. The account of the suc¬
cessful termination of this perilous pilgrimage, the offerings and oblations
made to the sacred places and shrines, the hospitality of the natives of
India, Chete Sing Bahadur’s cordial reception of the monks and more par¬
ticularly the arrival of the Indian envoys, with presents and letters, trans¬
ported His Holiness with joj^. Chete Sing’s letter which was written in
Nagari, when translated into Tibetan, ran thus : —
“ To the most precious and exalted personage, the all-knower who
sits like the parent of all living beings that inhabit the region encom¬
passed by the heaven and earth.
“ We are in receipt of your favour, the perusal of which has afforded us
as much pleasure as could be derived from an actual meeting. The enclosure
consisting of satin and gold has been placed by me on the crown of my
head as the best of blessings. In accordance with your request, I arranged
for the comfortable journey of the Gelohs sent hither by you. They
visited all the important shrines and places of pilgrimage, such as Dorje-dan,
Prayaga and others. I provided them with letters of recommendation and
passports as required by them, by means of which they travelled from place to
65 Chait-sing, the Raja of Benares.
56 Palanquins.
37 Buddhist priests in Tibet are called Gelon (Skr. Bhikshu).
1882.]
Sarat Chandra Da* — Contributions on Tibet.
35
place, well received by all men. After fulfilling their mission they have re¬
turned here. The bearer of this letter Lala Kasmiri Mall is my faithful
minister and general. I entreat you to be kind to him as well as to his com¬
panions, Gusankshi-puri and Sopa-ram, who are also my favorite and trust¬
worthy servants. Every act of kindness and benevolence rendered to them
will be gratefully acknowledged by me. I also entreat you to bless me now
and then with your kind favours. We shall also send letters to your
Holiness. All news about this quarter will be communicated to you by
my minister General Kasmiri Mail and the Geloiis. This letter of mine
written in Nagari I despatch with the accompanying presents, consisting of
a model temple of the Maha-Bodhi-Manda of Dorje-dan, an excellent watch
studded with precious stones, a mirror, tusks of elephant, yanti (jade) and
many other curious articles.”
His Holiness was exceedingly pleased with these presents and expres¬
sions. On the 11th of the lOtb lunar month a gentleman, named Bogle
Saheb (George Bogle), with a small retinue arrived in Tibet from Bangala
(Bengal). After making presents which consisted of many curious articles
of glass and toys, he solicited an interview with His Holiness. He was well
received, admitted into the hall of audience and seated on a state cushion.
After tea was served, His Holiness and Bogle Saheb conversed together
on different topics in the Kagari language. On the day of the full moon
of the same month, Bogle Saheb’s party were entertained at a grand dinner
and received many presents. The Panchhen often entered into long dis¬
courses with Bogle Saheb and evinced great delight at his answers and
questions. His Holiness’s kind attachment to Bogle Saheb resembled that
of a spiritual guide to his disciple or of a Lama to his almsgiver. An
account of his conversation with Bogle Saheb, and his correspondence with
the Lord of Bangala will be found elsewhere. On the 7th of the 3rd
month of the following year, after a residence of five months in Tibet, Bogle
Saheb accompanied by Dagdor Saheb (Dr. Hamilton) and retinue, after
attending a dinner given by His Holiness, started for Bangala. Mak¬
ing the usual salutation by prostrating themselves before His Holiness,
loaded with excellent presents consisting of silk apparel and other
things, and furnished with the Panchhen’s reply to the letter of the Lord
of Bangala, they rode off. A few days afterwards His Holiness dismissed the
Envoy, General Kasmiri Mall, with two of his assistants loading them
with presents, and furnishing the Envoy with a letter for the Prince of
Varanasi in the A'ryavarta.
In the year 1777 the Panchhen visited Lhasa and administered the
vows of ordination to the Dalai Lama. He also distributed alms to the
different monasteries of Lhasa. At the age of forty-two, in the 1st lunar
month of the year 1779, he received an invitation from the emperor of
36 Sarat Chandra Das — Contributions on Tibet. [No. 1,
China. The letter was written on a gold tablet, and inclosed was a pearl rosary.
After compliments and enumeration of various titles, the emperor continued
“ Most precious Panchhen Erteni, I beg thee to honour me with a visit.
I long to see thy face.” The Panchhen in reply wrote thus, “ I too long to
gratify myself by the sight of the golden face of your Imperial Majesty.
Accordingly I have resolved to start for Pekin.” On the receipt of this, the
Emperor in the course of a few months sent three letters one after another,
thanking His Holiness for the promised visit. On the 17tli of the 6th lunar
month, on a Friday, at noon, His Holiness left Tasi-lhunpo for Pekin, little
thinking that he would never return to his own country. At Yah pa-chen
great preparations were made for his reception. Here the Dalai Lama, the
king of Tibet Thi-chhen Erteni Noman Khan, the two Ampan, the four
ministers of State, the Lamas, princes, nobles and householders of the
realm assembled together to welcome His Holiness and pay him farewell
honours. They all approached him with their parting offerings which
consisted of gold, silver, blankets, ecclesiastical vestments, ponies, mules,
yaks, jo,58 and countless other things. The Dalai accompanied him to a
distance of 8 days’ journey, after which he returned to Lhasa from a place
called Tasi-thah.
He met59 with his messengers on their way back from Pekin at Lhun-
dubphug, a place on the west of Chha-dan-La in the Kham country. Here
he made a halt of tfrree days which he occupied in conversation with the
messengers. The emperor, in making inquiries, is said to -have observed
“ How is the health of Panchhen Erteni ? How is that of the Dalai Lama ?
Is the Dalai Lama making fair progress in gaining accomplishments ?
Request him, in my name, not to fail to honour me with a visit next year,
by which time a great temple, like that of Potala, will have been erected
here in China. This year, also, I have raised a monastery like that of Tasi
lhunpo for him.
‘*'My mind is eagerly waiting for the day when the Panchhen Ereteni’s
advent will sanctify this place. I am occupied with that thought alone.
"When His Holiness arrives in the vicinity, I shall send Wang and the
chief ministers of state to escort him hither. My heart will overflow with
joy, when he will arrive hereto converse with me. The very sight
of his thrice-sacred face will increase my moral merits ten thousand¬
fold.”
So saying he handed over to them his portrait to be presented to the
Panchhen as a token of his deep respect for him. When the letter with the
enclosures and the portrait were laid before the Panchhen, he was trans-
58 A cross breed between a yak and a cow.
69 2 8th of the 7th lunar months 41 days after starting from Tasi-lhinpo.
1882.] Sarat Chandra Das — Contributions on Tibet. 87
ported with joy. He paid great reverence to the portrait, keeping it always
before him. Then, by slow marches he reached Ku-bum.60 Here he
stayed till the 10th of the 3rd lunar month, residing in the new palace
erected by the emperor of China at a cost of Rs. 2,50,000. Here in the
Amdo country, there were 50,000 monks in all the monasteries, whom
he entertained with food, besides distributing alms of one san to each
monk. From the date of his starting from Tasi-lhunpo to the date of
his arrival at Pekin, not a single month passed in which he did not receive
five or six letters with gold tablets and rich presents. The Emperor’s
arrangements for his comfortable accommodation and convenience were
complete. Each halting station was furnished with 2,000 pack-ponies, 100
dromedaries, 40 Mongol felt tents, 100 cotton tents, stuffed seats and
cushions, chairs, and other furniture and utensils. A daily allowance of
Rs. 3,325 was allotted from the Imperial exchequer to meet the daily ex¬
penses of the Panchhen’s party. At each station there waited a chamberlain,
a master cook, a Don-Ner,61 a store-keeper, several purveyors, a chaplain,
a Dorjelopon or master of the ceremonies, a physician, a chief of the
grooms, orderlies, cooks and key bearers. The Panclihen Rinpochhe’s party
consisted of 500 monks, 100 soldiers or guards, 800 servants, 100 clerks,
besides a few Indian Acharyas63 Mongols, Chinese and Tibetan deputa¬
tions, consisting of Le-hu Ampan, a few officers of the Ampan’s staff, Eerteni
Nomankhan, Ta-lama63 and many other officers of State. A large convoy of
provisions also accompanied them. The Emperor sent for him his own private
dress, belt, fur hat, and other necessaries of a journey. Fruits and many
sorts of dainties, and delicious dishes, and a few fish some of which were
about thirteen feet long. The latter, though considered very delicious by
the Chinese, were scrupulously avoided by the Panclihen and his party.64 All
the Lamas and chiefs of Amdo and Kham, the laity and the clergy,
together with the princes of the 106 Mongol principalities, and the gover¬
nors of the thirteen provinces of China proper, came to pay him obeisance
and receive benedictions from his hand. Even on the way he gave
the vows of monkhood to three lakhs of novices. By these kind and
generous acts he won the affection of all people. He started from
ICubum on the 10th of the 3rd month, and reached Silin fort, from which
by slow marches he arrived at a place called Pelokhc, where a deputa¬
tion from the Emperor, consisting of the High Commissioner Ta-phu,
60 Vulgarly pronounced Kumbum. The birthplace of Tsonkhapa.
61 The receiver of guests.
62 Pandits or Buddhists.
63 High rank Lamas are called Ta-lamas by the Chinese.
64 At Tasi-lhunpo fish life is considered very sacred. Although the rivers teem
with varieties of fish, scarcely do the people of Tsan kill or eat them.
38 Sarat Chandra Das — Contributions on Tibet. [No. 1,
high Lama, S'erab dorje, and others waited upon him. They brought
him the following reception presents ; a yellow sedan chair with
golden spire, a pair of yellow and red umbrellas, a pair of red and
yellow fans, embroidered with figures of dragons in gold, and nu¬
merous other things. Then slowly marching on he arrived at Taika,65
where the Imperial high priest Chahkya Pinpochhe, accompanied by the
Emperor’s Gth son, also arrived to receive him. The meeting was an event
of great joy and happiness to both parties. After exchanging presents)
the high priest presented the Panchhen with the Emperor’s letter written
on a gold tablet, accompanied by a Lama crown studded with pearls, pearl
rosaries, one of the best steeds from the Emperor’s stable, a Yah-te ( jade )
saddle, gold pots, and fine sorts of dresses.
From here he started off in advance 2000 loads of Tibetan articles)
consisting of images, blankets, shawls, &c., and travelling slowly on he
arrived on the shore of Dolonor66 where he halted for 8 days. Here
more than a million of Mongols assembled to receive benediction from his
hands. He was then invited to a big monastery belonging to the Chahkya
Hinpochke, where, after giving dinners to the monks of 12 monasteries,
he distributed alms to the mendicants. Proceeding on by slow marches,
on the 22nd of the 7th month, he arrived at Ye-hor.67 Here he was met
by the chief ministers of state, ordered to be in attendance for his Holi¬
ness’s reception. Party after party of the nobles and chiefs of the
empire arrived, all of whom dismounting from their horses, thrice pros¬
trated themselves before His Holiness. After the usual presentation of a
Iclidtag they received benediction from his hands. The procession of these
nobles was a pretty sight indeed. At midday they conducted his Holiness
to the top of a hill to show him the scenery of the surrounding country.
His Holiness was delighted with the extreme beauty of the place. The
green mountains and valleys, according as they were near or distant, resembled
heaps of emerald or sapphire. The disposition of the natural obelisks of
rocks, resembling so many piles of chhorten, and the fine verdure, with rows
of juniper and birch, round numerous gardens, ravished his eyes. On all
sides, there were bowers and orchards bearing varieties of flowers and fruits.
The green corn-harvest that filled the country, the endless springs, and
silvery cataracts that poured forth their foaming water from the neighbour¬
ing mountains, and the charming serenade from the warbling groves greatly
65 Called in Tibetan Tasi-Chhog-phel.
66 Lake Dolonor or seven lakes.
67 Visited by Col. Prijevalsky who calles it Jehole or Yehole. The Chinese call
it Ye-hor and the Tibetans call it Tshe-jole.
68 Khatag means a presentation Scarf.
1882.]
Sarat Chandra Das — Contributions on Tibet.
89
refreshed him who was so long tired by continual marches in the endless
steppes of Mongolia, and broke the monotony of his journey. The Emperor’s
palace, environed by numerous shrines, appeared like a celestial mansion.
The most remarkable of all the buildings at Ye-hor were the two monas¬
teries called Potala and Tasi-lhunpo, newly erected after their prototypes
of IT and Tsan. Their workmanship and architectural finish struck
him with wonder. Just as he was stepping to the back of this sublime
eminence, there arrived, accompanied by Chankya Einpochhe and many
high officials, the Emperor’s prime minister Ar-a-phu-gun, to conduct
His Holiness before the Emperor’s presence. First they presented him with
the Emperor’s Ichatag 68 and with tea. He was then conducted, carried on a
State sedan, towards the palace gate, the left and right sides of which were
lined with innumerable banners and umbrellas, amidst the solemn and
imposing music of drums, cymbals, and clarionets. The Emperor, descend¬
ing from his throne, came to the door of the reception-room to welcome
His Holiness. As soon as he saw the Emperor’s face, the Panchhen was
attempting to kneel down, when the Emperor stopped him. Then the
Emperor, presenting the auspicious Tchatag , softly touched his hands and
said — “ Welcome, Lama ! Is your Holiness’s health all right P On
account of the length and tediousness of the journey, I believe your
Holiness has become exceedingly fatigued ?” “ By your Imperial Majesty’s
mercy and kindness,” replied the Panchhen, “ no fatigue or weariness could
do me harm.” After a copious exchange of sincere and polite expressions,
the Emperor, holding his hand, conducted him to the top of a spacious
throne where, seated confronting each other, they conversed as intimate
friends. The Emperor added, “ Your Ploliness has arrived here at a very
happy and auspicious time. To-day is the 70th anniversary of my birth.
I am exceedingly delighted.” After a few minutes’ stay here, the Emperor
conducted him to the great palace, where seated as before, they both re¬
freshed themselves with delicious tea and engaged in conversation. On this
occasion the Emperor took off from his own neck the necklace of pearls of
inestimable value, — each pearl as large as an apricot — and put it on the
Lama’s neck. He also presented His Holiness with a yellow satin hat,
the top of which was adorned with a pearl as large and regular as a
hen’s egg. Presently, they went to the new monastery of Tasi-lhunpo
where a grand and sumptuous dinner was served. As soon as it was
finished, the Panchhen’ s presents were laid before the emperor. They
consisted of a silver mandal, images of Buddha, Tsonkhapa and
Sambhara wrought in solid gold, one thousand gold satis,69 1000 saddle
ponies, turquoises, corals, and amber, besides incense sticks,70 European
69 A gold san is equivalent to 60 Rupees.
70 Called in China joss-sticks.
40
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
broadcloth, Tibetan broadcloth, and shawls, all of which formed 100
horse-loads. The Jasag Lama’s71 presents to the Emperor were half as
much as those of his master the Panchhen Rinpochhe. The Sopon-Chlienpo
and chamberlain72 also made presents, each half as much as the above.
The Emperor, at the first meeting, had made the following presents : Man¬
uals of gold and silver, three excellent embroidered pictures of the three
Tantrik systems, Guhya-Samaja, Sambara Chakra, and Bhairava Chakra,
a few of the finest gold painted China cups, a gold mendicant’s platter, a
gold spittoon, a gold water-sprinkler, a pair of gold vases, a gold incense-
burner, a square brocade carpet studded with turquoise ; many articles of
jade and crystal, 500 scarves, 500 gold san, 50 of the very best satin robes,
9 tiger skins, 9 leopard skins, 9 fox skins, 1000 white ermine skins, 1000
beaver skins, and 1000 lamb skins of the finest fur. The Jasag Lama and
others also received suitable presents. The next day the emperor went to
return visits at the Panchhen’s residence at Ye-hor Tasilhunpo. From
the 23rd of the month for two days they met each other twice or thrice daily
and talked on various topics, each time exchanging presents. From the
25th for 12 days they spent their time in witnessing magical and illusive
feats and performances, wonderful sights, horse-racing, dances, operas and
theatricals. During his residence at Ye-hor the Panchhen did not forget
his religious duties. He initiated many thousands of monks, made offer¬
ings to all the temples and viharas, and distributed alms to the congre¬
gation of monks. All these acts of piety and virtue raised *him high in
the Emperor’s esteem. One day the Emperor presented him with a seal of
yanti (jade) and a diploma written on golden tablets. In his conversation the
Emperor expressed great anxiety for the welfare of the Tibetans — “ How
is the Dalai progressing in his studies ? What interest does he shew in
hearing religious sermons P Does he possess intelligence and talents ? Does
he show parental love and affection for his subjects ? What is his age ?
What are the religious accomplishments of the Panchhen himself?” — were
some of the points of his enquiries, to all of which excellent answers were
given by his Holiness. The Emperor, in accordance with the custom of his
ancestors, presented the Panchhen with the Imperial Diploma and seal,
appointing him the sovereign of the whole of Tibet 73 advising him to exert
himself well to promote religion and the welfare of his subjects. The
Panchhen then addressed the Emperor :
71 Jasag Lama is the prime minister of the Panchhen Rinpochhe and Lord Treasurer
of Tsah.
72 Called in Tibetan Dsimpon.
73 This does not rob the Dalai of his right, because the Panchhen and the Dalai
bear the relation of spiritual son and father, vice versa when they differ in age, and of
brothers when they are of equal age.
1882.]
Sarat Chandra Das — Contributions on Tibet.
41
“ 0 Heaven-elected sovereign, incarnate Manju-ghosha !74 Thou who art
like the parent of all moving beings inhabiting this earth and the illuminated
firmament, especially of China, Tibet and Tartary (Hor), hast vouchsafed to
show so much kindness to such a petty Lama as my humble self. Where¬
fore we shall gratefully apply ourselves to praying to the three Holies
to prolong your Imperial Majesty’s life and happiness. There is nothing
more to convey to your Majesty than the expressions of our sincere thanks
and assurance of serving your Majesty to the best of our power in all spiri¬
tual matters.” On the 28th of the 8th lunar month they hid good-bye to
Yehor. On the 1st of the 9th month the Panchhen arrived at the yellow
shrine of the Imperial palace of Pekin where he took up his residence.
The Emperor paid him a visit at the palace of Kema park. On the lGtli
he was invited to the Emperor’s palace, where he spent three days. This
time both he and the Emperor conversed in private, for 6 hours. Afterwards
he visited all the palaces of the Emperor, conversed with the chiefs and nobles
of Pekin, sent offerings to the 28 temples of the Emperor, and distributed
alms and food to about 10,000 monks. The Emperor entertained him.
with several dinners and theatricals, and at times he heard his sermons.
Even at Pekin his Holiness did not fail to administer the vows of priest¬
hood to several thousand monks.
On the night of the 25th he felt a strong headache and irritating pains
in his nose. In the morning he communicated his ailment to his servants.
Next morning Sopon Chhenpo asked him how he felt during the night.
Nothing very serious, replied the Lama. On the night of the 26th he did
not take any food and said that he ailed very much. He also complained of
colic and biliousness. All these symptoms of approaching danger alarmed
the Sopon Chhenpo who at once communicated his fears to his colleagues.
The Chankya Pinpochhe and some of the Emperor’s physicians, came to feel
his pulse. They declared, that except some disorders and bodily agita¬
tions, they saw nothing so serious in his pulse as would tend to endanger
his life. On the 27th his Holiness performed the service of Mahakala for
the Emperor’s benefit. Hearing of the illness of his Holiness from the
Chankya Pinpochhe, the Emperor requested him to take a few days’ rest.
The Panchhen himself also thought that a short cessation from labour
might do him good. After a few days’ rest, he seemed to recover. During
this time he performed many pious acts, giving alms to 7,500 beggars,
and ransoming 3,00,000 animal lives. His illness again returned. The
Emperor, unmindful of ceremonies, privately attended him with two of his
chief physicians who administered medicines to him. After this, his
sprightliness to some extent increased, and his cheerfulness revived.
74 The Emperor of China is the incarnation of Manju S'ri or Manju Ghosha., the
Lord of learning and wisdom.
F
42
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
He was always merry when in the company of Chankye Binpochhe and
the Emperor’s fifth son. Outwardly, there were no traces of indisposition,
but it was apparent that his usual temper and appearance had undergone
some change, and his friends and servants when they saw that he could
take no food at all became very uneasy at heart. Once, Sopon Chhenpo,
drawing up his sleeves, saw an eruption resembling small-pox on his arms.
He at once showed it to the Jasag Lama.
Being informed of this, the Emperor immediately sent his best physi¬
cians to attend his Holiness. Examining the pulse, they found nothing
ominous, but could not mistake the eruption as other than that of small¬
pox. They gave him some medicines, but to no effect. He soon succumbed.
On the 1st of the 11th month, he sent for the two Indian Pandits who
had accompanied him in all his travels from Tasi-lhunpo, one of whom
happened to be absent, but the other, named Purnagir, came. Seeing Pur-
nagir’s face, his Holiness’s became cheerful, and his last words were ad¬
dressed to Purnagir in the Arya language. In the afternoon, sitting up
in a cross-legged posture like Buddha Amitabha, he passed away from this
world. A few minutes after, his person, still retaining its former brightness,
contracted to the size of a boy. During this portentous interval there
appeared many auspicious omens and sights. This melancholy event
cast the whole of Pekin into mourning. The Emperor overwhelmed
with sorrow, did not come out of his chamber for many days. The Sopon
Chhenpo, Jasag Lama, Chankya Binpochhe were the chief mourners. The
Emperor preserved the corpse in a coffin of gold and made offerings to it
for 100 days. The Emperor and the government of Tsan distributed
immense alms to the mendicants and the destitute for the benefit of the
departed. Offerings were sent to all the monasteries and religious establish¬
ments of China, Amdo, Tibet and Hor for the increase of the moral merit
of the deeply lamented Panchhen, which cost 32 millions of Bupees. The
Emperor constructed a chhorten of gold at a cost of 42,000 Bupees or 7,000
gold son in which the coffin was placed. On the 12th of the 2nd month, in
the following year he sent up this massive tomb to Tasi-lhunpo, engaging
500 conveyors. The Chankya Binpochhe and the Gth prince accompanied
the remains as far as three days’ journey. Great honours were paid to the
remains of this deeply lamented and illustrious guest by all classes of men of
the celestial Empire. The arrangements for the reception of the remains
were equal to what were made for the Panchhen during his journey. At the
command of the Emperor the Ampan and many of the generals accompanied
the remains to Tasi-lhunpo. Immense offerings were made to the coffin
on the way. Headed by the Dalai Lama, all the Lamas of l T and
Tsan came to make obeisance to their late beloved spiritual guide and
sovereign whose remains reached Tasi-lhunpo on the 21st of the 6th month.
1882.]
Sarat Chandra Das— Contributions on Tibet.
43
All the earnings o£ the deceased were spent in pious services. About
200,000 silver saA were expended in alms to the poor, and all the
presents, made by the Emperor, together with those obtained from
other sources, of the estimated value of 4,15,665 san were spent in
erecting his tomb and in decorating and adorning it with precious stones
and satin flags on which were woven such mystic phrases as Ye-dharma-hetu,
&c. This was the greatest and noblest and perhaps the wisest of the
sovereign Lamas that ever appeared within the snow-girt realm of Tibet.
Equally wise and noble was his friend the great Chhinlun, the Emperor
of the celestials.
Names of the important Stages of Tasi Pal dan Yese Lama’s Journey
from Tasi-lhunpo to Pekin . 1779 A. D.
44
Sarat Chandra Das — Contributions on Tibet.
LNo. 1,
1 A mountain of low altitude.
45
1882.] Sarat Chandra Das — Contributions on Tibet.
Skull).
1 A high mountain.
2 North face.
3 South bank of Di-chu.
Upper Mongolia, Khokhonur.
*
S'o-ro-la (low mountain range).
Ur-ge-ta-tshan (a camp monastery).*
Chhu-migme-loh (streamlet).
S'a-la-thu (nomad village).
Alonbu-lag (contains many fountains).
Ta-tshantasi-gadanpal-jor-lin (monastery lo¬
cated in stone building).
Ha-tbo-lai (inner side of a mountain).
Tsho-Non-po (lake Khokhonur).
Kun-khu-re (nomad village).
Ho-yor-tlio-lo-keh (two peaks).
Khu-khulo-keh (a hill).
Tsha-gantho-lo-keh (a hill).
1 A very high and snowy mountain.
Sarat Chandra Das— -Contributions on Tibet.
47
1882.]
o cs
fo'&rs' 105.
Ni-Dai-La (the mountains of Sun and Moon).
Ton-khorgon-pa (monastery presided over by
a Khutug-tu and containing 300 monks).
. Hai-jin-ta-pa.
Ton-khorkhar (a fort and a town).
Go-kyakhar (a fort and small town).
Te-marthah (a fertile plain).
Ku-bum or vulgarly Kum-bum (a large town).
China.
Silih (fortress and town containing 300,000
men).
Shi-yan Phah-yi (a Chinese town).
Phin-tun-yi (a town).
Kau-ten-tsi (a small town).
Nen-pi (khar or fort and town with a popu¬
lation of 30,000).
La-pa-chhin (a small town with about 10,000).
Pin-ku-san (small town).
Ho khyo-u yi (town).
S'o-lan-tsi (small town).
Thoh-cho-yi (small town).
Ton-lan (khar or fort and large town contain¬
ing 60,000 men).
Phin-chhin-phu (a village).
1 A mountain of moderate elevation.
2 A low mountain.
3 Birth-place of Tsonkhapa.
[No.
1,
Alaksha, Lower Mongolia, in the sense
THAT THE MONGOLIAN PLATEAUX SLOPE
DOWN TOWARDS THE NORTn.
O O ~W
P eraser *iqt
c\
SCSOjA*!'
efgww
o
*J’T
~\r "V "V
WWQ'QS'XT
sfqY
~\r o
Mogul Prince son-in-law of the Emperor,
contains 50,000 men.
120. Ma- chliii (river Hoangko).
121. Khih-ckkih-ko-wu (small nomad village).
122. Tha-pun-au-po (contains 5 “obos”).
12f3. Ooh-khul-tshig (nomad village).
124. Tbo-tbu-le (pasture land).
125. Tbo -so-tbu-’Am (small nomad village).
120. Su-ji (pasture land).
127. On-lontbo-lo-ka (a billy place).
128. Parotlio-lo-ka (contains many hillocks).
129. Mi-lan (a pasture land).
130. Ha-rakopi (a small desert-like plain).
1882.]
Sarat Chandra Das — Contributions on Tibet.
49
a
Ool-chithu-su*mi (a monastery).
Chka-ganili-keh (a pasture hill).
Chha-ganchhu-lo-thu (a plain filled with
white stones).
Mo-tonpu-lag (a fountain with trees).
Por-su-Ha (a desert-like plain).
Chha-ganso-por-ka (a chorten built of white
stone).
Mur-ga-tshug (a mountain of low altitude).
Cher-keh-i-gol (river).
Pa-ga-na-rin Er-ge (a large landslip).
Ho-thon-gol (a large river).
Ha-tan-Ho-shu (a rocky hill).
Je-kehsu-thu-su-me (monastery).
Tan-gye-lin (monastery, 100 monks).
Thub-tan ge-phel-lin (monastery, 200 monks).
Tasi Mi-gyur-lin (monastery, 150 monks).
Mu-tai-to-kon (a tent monastery).
Pa-ri-chhi (a nomad town).
Ta-ra (a nomad town).
Dor-je (a nomad town).
Wan-pai-san (a high mountain).
Pa-ga-pi-chhai-chhi (pasture-land).
Pelo-ha (pasture-land).
Tho-ga-mod (a nomad town).
Ge-gan-ni-pee-sin. (a large monastery).
Khu-khe-ho-thu (a large fortress, 30,000 sol¬
diers and a population of 60,000).
/-v
Khar-Non-po.
Sarat Chandra Das — Contributions on Tibet. [No. 1,
C\ c\
172. Ha-ya-tu-wai-suma (a large monastery con
o
taining 500 monks).
173. Jib-ha-lan-thu (a range o£ hills).
W 174. Er-teni-tog-shin-O-pa (contains “obo”).
1882.]
Sarat Chandra Das — Contributions on Tibet.
51
s
Nar-thu-su-me (a small monastery).
Gun-Nvura (a small lake).
Sil-ge-khu (a nomad village).
Shan-tui-gol (a small river).
Chha-gan-lag (contains a well).
Tsho-dun (contains a large Lamasary with
3,000 monks, a place of commerce with
20,000 people).
To-lon-nor (Dolonor).
A’la-than-tu-shi (a nomad town).
Po-ra-un-der (contains pasture hills).
Chog-to (a valley with pastures).
Yah-su (a small stream).
Nol-chhin (a nomad village).
Sai-han-ta-pa (ahighmountain which cannot be
crossed in one day, — a shelter for robbers).
Sai-kan-O-pa (contains an “ obo”).
Chha-gan-ho-ro (boulder-plains and undu¬
lated valleys).
San-ta-pa (a low hill).
Thai-ji (low hill). [mountains).
Ker-chhi-lan-ama (a saddle between two
Kur-gun-hara (a rocky valley).
Mu-ran ta-pa (a high mountain).
Theme-ha-ta (contains a huge rock).
Lei-pa-sumi (contains a small monastery).
•a*?]-
y\r ^
China.
201. Ko-ko-ge-ther (Chinese town).
202. Shin-kuh (contains a Mogul and Chinese
population).
52
Sarat Chandra Das — Contributions on Tibet. [No. 1,
1 Contains Emperor’s palace.
1882.]
Sarat Chandra Das — Contributions on Tibet .
53
VI.— LIFE AND LEGEND OF TSON KHAPA (LO-SSAN-TAGPA),
THE GEEAT BUDDHIST EEFOEMEE OF TIBET.
Tson-khapa was born in 1378, A. D.1 in the town of Tson kha
(or Onion valley) in Amdo in Eastern Tibet. His father’s name was
Lubum-o-e, and that of his mother Shin-ssah-a-chho. The house in
which he was born was overhung by a sandal- wood tree rich in foliage.
It is said to have borne a hundred thousand leaves, on every one of which
was visible the naturally grown picture of Tathagata S'enge-na-vo (Simka
dhvani). There having spontaneously appeared on the bark of that
wonderful tree the mantras sacred to Manjusri, the protector of the three
classes of beings, viz., men, suras and asuras, the men of the place
erected a chaitya at its foot. A large monastery containing 10,000 monks
was established near it and called the monastery of Kuburn Chamba-
lin. It is said that the marvellous leaves of the selfsame sandal tree
are even at the present day observed by pilgrims to bear the Tathagata’s
image inscribed, as it were, by nature.
When three years old, Tsoh-khapa received the first initiatory
sacrament from the celebrated Karmapa Lama Bolpai-dorje, who gave him
the name Kun-gah-ninpo. At the age of seven the young novice is said
to have been miraculously visited by Vajrapani and the Indian saint Dipan-
kara S'ri-jnana (called Atisa in Tibet), from whose hands he received benedic¬
tion. Having attained his eighth year, he received the second sacrament of
novices from the sage Ton-dub Binchhen who changed his name to Lo-ssan-
tagpa or Sumatildrti in Sanskrit. From the same Lama he received
instruction in the Sutras and Tantras. His study-room is said to have
been filled with sacred volumes, the lustre of which served him for light.
At the age of sixteen he visited Tibet proper, where in the principal monas¬
teries of U and Tsan, such as Dewa-chan &c, he studied the sacred literature
of the Buddhists under such eminent scholars as Lama Wumapa, Je-tsun
Ken-dah-va, the hermit of Lho-brag named Lakyi-dorje, Tasi-senge
&c. At the age of twenty he took the monastic vows from Tshul-thim
Einchhen, when he manifested a very powerful memory. He was able
to recite at a time about 553 sloJcas of the Dulva without a mistake. He
was afterwards initiated into the vows of Bodhisattva and others of the
strictest kind appertaining to the Tantras. He now acquired the right
to confer benediction on others. He also propitiated the divine mother
Tara called Dolma in Tibet, Dugkar-samaja Guhya, Sambara, Bhairava
and others of his tutelary dieties. The great Indian teacher, Nagarjuna,
S'ri Saraha and the all-knowing Buton, besides many other Indian and
1 On the 10th lunar month of the year, bearing- the name ‘ fire-bird,’ of the 6th
cycle in Tibetan chronology.
54
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
Tibetan Buddhists miraculously visited him at the time of his studying
their metaphysical works. Of all these divine visitors Manjusri, the god
of learning and wisdom, was his greatest friend. In fact he acquired
great proficiency in all classes of science then known in India or Tibet.
In the whole of Kanchan or the Himavat countrv, he was unrivalled
amongst the learned. Gonpo-chhag-dug or the six-armed Bodhisattva
(Yajrapani), Pehar Gyalpo, Vaisramana, the lord of death called Tam-chhen
S'injese and other guardians of the world became his friends and helped
him uninterruptedly in the work of Dharma and the preservation of
moral discipline and purity among the clergy.
Even from his boylfood Tsoh khapa used daily to commit sixteen
pages of his text-books to memory. In Tibet he studied up to the thirty-
sixth year of his age, when he mastered the Tibetan translation of the Sans¬
krit Buddhist scriptures and the sdstras, the greater and* smaller vehicles of
law, the ancient and modern versions of Buddha’s precepts, and the
philosophies of the various heretical and Buddhist schools. By these
accomplishments he became matchless in learning in Tibet. After
finishing his studies he devoted himself to writing various commentaries
/N
and works, such as aphorisms, Lam-rim, Nag-rim, Tantras, Yinaya,
Paramitas and logic. At the time of his commenting on the Tantrik work
called Sambara-mula tantra, the god Sambara is said to have miraculously
appeared before him and remarked — “ Tsoh khapa ! even in India such
excellent commentaries and synopses as yours were never made.” At the
time of his commenting on the “ Kalachakra,” its reputed author, the
celebrated Chandra Kirti, Emperor of S'ambhala, is said to have inspired
him. The Yeshe-khadoma (the fairies of learning) are said to have
miraculously transported him to S'ambhala before the presence of that
deified emperor.
At the age of thirty-seven he bethought himself of paying a visit to
India and invoked Manju-sri to advise him on the matter. Manju-sri
personally appeared before him and said, “ If by remaining in Tibet, through
the medium of yoga, you invoke the Buddhas and Boclhisattvas, great good
will accrue to living beings. If, for that particular purpose which can as well
be attained by residence in Tibet, you visit India, your life will be shortened,
consequently you will ultimately do less good to the world. I therefore
exhort you to follow Nagarjuna and Chandra Kirti in doctrinal theories, and
Atisa in meditative science, and Upaii in ritual and religious observances.
O saintly Tsonkhapa ! let your school be diffused over the whole of Jambu-
dvipa and let mankind abide by its teaching !” On hearing this, Tsongkhapa
gave up the idea of visiting India. After thirteen years of meditation (yoga
in solitude) he obtained samddhi, after which he saw several of his tutelary
deities. Even the fairies of learning came in visible form to pay their
respects.
1882.]
Sarat Chandra Das — Contributions on Tibet.
55
He acquired great proficiency in argumentative philosophy and vya-
karana. Once, in the course of twenty days, he finished reading 100 volumes
of Sutras and Tantras, and in thirty days he unravelled the intricacies of
those books. His acquirements in the Alankara Vidya (rhetoric) and
in Upadesa were considerable, for he was found capable of explaining three
volumes of such works daily. He was possessed of rare gifts of elocution.
In fact, being an inspired orator, in the midst of a crowded assembly con¬
sisting of several thousand men, he could make himself heard to the
satisfaction of all. His delivery is said to have been uniform and engaging,
being without variation in the pitch of his voice. Being free from any
kind of disease either of mind or body, he preached with untiring zeal in the
daytime and during the night time. He used to sit in yoga in communion
with Buddhas and Bodhisattvas. “ Such rare talents and assiduity”
remarks a Tibetan author2 “ have never been noticed in any of the
Tibetan Lamas of ancient or modern times.” The works composed by
Tsonkhapa are replete with sense and profound reasoning. Excellence
of style, perspicuity and conciseness are their never-failing attributes. Few
authors can boast of such excellencies as embellish his extraordinary writings.
They are scrupulously free from errors and blunders of any kind. Arrange¬
ment and judicious order are no unimportant characteristics of his writings.
His works are faultless in the qualities called anga, pratyanga and vnula ,
in consequence of which they a, re easy and intelligible to the general
reader. In Grammar and Dialectics his reputation stands unrivalled
in High Asia. He held long discussions with the learned philosophers
of Tibet and Amdo. The well known Dharma Rinchhen and Ge-leo'-
pal-ssang were forced to acknowledge his superiority. He discussed the
merits of the prasanga mddliyamika school with the celebrated Tag-tshang-
Lochhava and Sherab Ein-chhen whom he vanquished by his powerful
logic and obliged to compose 80 slokas or verses in his praise. From
that date his fame spread all over the country. The pride of rival
savants was humbled when they came in contact with him, and they
prostrated themselves before him in reverence and awe. These were
the causes which led to the wide diffusion of his reforms. Prior to his
advent, Buddhism, though widely spread in Tibet, had greatly degenerated
through having assimilated much of the Bon heresy, and especially
on account of the clergy having shewn some disregard for moral discipline
and the teaching of Buddha. Every one behaved as he pleased under
the shelter of its corrupt doctrines, and practised diabolical acts in the
name of the Tantras. There were few among the Tibetan clergy who
abstained from women and wine. It was Tsonkhapa who preached strict
2 sGyal clY an mKhanpo, the late abbot of the Sera monastery who wrote a
voluminous life of Tsoh-khapa.
56
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
observance of the laws of the Dulva (vinaya or moral discipline), and by thus
conforming to the precepts of Buddha, he revived the purest kind of
Buddhism. Tsonkhapa introduced reforms in every direction. In his
reformed school was to be found the essence of the Sutras, Tantras and
Dharanls of the Mahayana and Hinayana schools. One who is well versed
practically in the Yinaya teaching of the Hinayana school, and who
acquires the Mahayana or Bodhisattva dharani, can become a good
Gelugpa.
After S'akya Simha, no teacher of Buddhism was so eminent as Tson¬
khapa. Even in the Arya-desa, no such refined school as that of Gelugpa
was known to exist. In Tibet, Tsonkhapa is called the second Buddha,
a title which Nagarjuna, the founder of the Madhyamika philosophy,
enjoyed in ancient India.
At the age of fifty-three, in the year 1429 A. D., he founded the great
prayer assembly consisting of 70,000 monks well known by the name of
the Monlam Chhenpo of Lhasa. It was held annually, and the practice
continues up to the present day. Tsonkhapa on that occasion adorned the
head of the image of Jovo (lord) S'akya Muni with a diadem of lapis-
lazuli, pearls, rubies and other precious stones, at a cost of 500 gold sran
(or 30,000 Bs), and prayed that the sacred religion might continue for
ever without being corrupted or degraded. Immense offerings were
made. A hundred thousand edibles were placed in heaps to the height of
a man’s stature. A hundred thousand lamps, fed with butter ill huge caldrons,
with wicks as big as the largest handkerchiefs rolled up, were lighted, so that
the whole city of Lhasa wTas illuminated. The glare was so great that the
residents of Lhasa could hardly distinguish the stars in the sky. Frank¬
incense, joss-sticks, myrrh, and flowers were offered in great profusion.
There were present on the occasion, under human guise, all the gods and demi¬
gods, Nagas and yakshas that were friendly to Buddhism, together with
the four classes of genii called Gyalpo with the great Pehar at their head.
All these, disguised in human shape, took part in the proceedings. Tsoh
khapa observed similar ceremonies in subsequent years. In the same year,
the great reformer founded the famous monastery of Gahdan. In the course
of the next ten years, he turned the wheel of Dharma with unprecedented
zeal.
In the sixty-third year of his age, knowing that his end was drawing
nigh, he entrusted his principal disciples Gyal-chhab- je, Kha-dub Chho-je,
Je-serab-senge, Jam-vyah Chho-je, and Chyam-chhen-chho-je, with the
charge of protecting Buddhism. He also charged the lord of death,
called Tam-chhen-sinje-chhoikyi-Gyalpo, with the defence of the sacred
creed, thus exhorting him : — “ O thou, the lord of Dharma, in this country
of Kan-chan (Himavat), may thy religion so long as animal life
1882.]
Sarat Chandra Das — Contributions on Tibet.
57
remains unextinct, be defended by thee ! Thou, together with thy retinue,
shalt drive away all enemies, whether internal or external, and the warlike foes
of the border lands ; thou shalt extinguish all kinds of heretics, who may try
to injure the religion.” The statue of this dreadful lord of death, who is
the sworn guardian of Gahdan inspires terror in the minds of sinners who,
even to the present day, tremble at his name. It was, according to the
popular belief, by the might of this dreaded deity that the progress
of the Gurkha armies beyond the boundary of Tsah was arrested. On the
25th day of the 10th lunar month of the same year, Tsonkhapa’s person
having been contracted to the size of a boy of eight, and placed in a
mansion encompassed by the radiance of the rainbow, prepared to start
for the land of bliss. On that occasion innumerable Suras, Asuras, fairies,
gods and goddesses played instruments of music in his honour, showered
flowers, and with flags and umbrellas joined in a pious dance for full
seven days. On the morning of the seventh day, when by the act of
his will he was lost in yoga, his soul, leaving its mortal frame, was absorbed
in the Sambhogakaya of Buddhahood. Thence forward Tsonkhapa,
under the name of Jampal Ninpo, sits by the side of Maitreya the
Regent of Tushita (Gahdan). His remains, wrapped in cloths inscribed
with texts from the Dharanis,3 were preserved in a Chaitya of gold. His
tomb is a lofty edifice, with a gilt roof, and a golden Chaitya inside.
The Tibetans have the following account of Buddha’s prediction
respecting Tsonkhapa : — In ancient times, when Bhagavan S akya lived,
a Brahman boy prayed to him after presenting him with a crystal rosary.
Bhagavan, in return, drew from his right side a white conch shell and gave
it to him, saying, “ Oh Brahman boy, in time to come thou shalt work for
my religion ; when it shall spread in the Himavat country, thou shalt be
the president of the Dharma.” The same conch shell was then concealed in
the hill called Brogri, in Tibet. It is now to be found in the Dapun
monastery and is said to be possessed of miraculous powers.
3 The mystical writings, called Dharanis, were brought from India during the
Sakya hierarchy in the 10th and 11th century A. D. The inscriptions were prepared in
Tibet.
IT
58
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
YW?f*’a&T
<v*r^vi
*xD
"v*
VII.— RISE AND PROGRESS OF BUDDHISM IN
MONGOLIA (HOR).
Tibetan Text.
1 \th Book of Bub -th ah S'elkyi Melon }
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Sarat Chandra Das — Contributions on Tibet.
[No. 1,
Translation.
The three wheels of the Buddhist doctrine spread over various
countries, large and small, such as Kashmir, Nepal, Persia, Champaka, Kis-
kinda. Sermig, Gyugma, Panama, Siam, S'ingala, Priyanku, Yamuna,
Chandra dvipa, Makha, Kasa, Gy i- Jan, S'han-S'htin, Brusha, Hash a,
Sumpa, Sah or Minug or Burmah, Jan-yul, Yugur, Thogar, Orgyan,
Doclipa, Lodpa, Chola, Kalinka, &c., &c. Various accounts are given of the
rise and decline of the sacred creed in these countries in converting all
living beings universally and partially, according as Karma permitted. In
those countries many heretical doctrines also existed, which will not all be
described here. It will be enough to describe the propagation of Buddhism
in Sog-yul (Mongolia). # # #
There is no account of the introduction of Buddhism in Hor by any
Pandits or saints from India. The first light of Buddhism came from
Tibet — and that from the Sakyapa school. Chhingis Khan who turned
the wheel of might (became a mighty conqueror) visited Tibet. After
subjugating Nari-kor-sum, U' and Tsan, Lho, Kbam and Gan, he
sent an envoy to Tsan, offering large presents to the learned Kun-gah-
Ninpo, the hierarch of Sakya, and appointed him his spiritual guide,
and subsequently invited him to visit Hor. He obtained from Tibet some
images, sacred volumes and Cbaityas, from which the Mongols imbibed
faith in Buddhism and commenced to adore Kon-chhog or the Supreme
Being. During this time some Mongols also took the vows of Upasaka
&c., whence they got hold of Dharma. This took place in th q fire -hare
year of the 4th cycle or 2041 of the Buddhist era, if Buddha’s Nirvana
were calculated from the year of the same name ; but if it be calculated from
the iron-clragon year, the introduction of Buddhism in Hor must be placed
in 2097 B. E. From the fire-bare year to the iron-dragon year of the
10th cycle 503 years elapsed. During the reigns of Goyug and Gutan,
the two grandsons of Chhingis Khan, Buddhism was formally introduced into
Hor. Gutan whose capital was in Lan-du, hearing the fame of Sakya Pandita,
sent an envoy to Tibet with rich presents to invite him to visit Hor.
Sakya Pandita had been previously told by his tutor Sonam-tse-mo about
a prediction, that he should be invited to propagate Dharma by a border
race who wore hats like falcons and shoes like a hog’s snout. The prophecy
being now realized, Sakya Pandita accepted the invitation. Accom-
pnied by his nephew Phag-pa and Chhyagna he set out for Hor and met
the king in the year fire-sheep of the 4th cycle (this date corresponds with
A. D. 1248). The king was laid up with a disease called sadag (leprosy),
1882.]
Sarat Chandra Das- — Contributions on Tibet.
67
of which Sakya Pandita cured him by the mystical invocation of the
Simhanada dharani. The king and his ministers heard from him the
mystical worship of Gye-va-dorje.
He secured to himself their sincere faith by performing various miracles.
Prior to this period the Mongolians possessed no written language. Sakya
Pandita became desirous of designing a new alphabet for them. Once
he observed a certain woman rubbing (softening) a piece of hide with a
piece of timber of the shape of the teeth of a saw. He shaped the Mongolian
characters after the teeth of that implement. By arranging the letters,
divided in masculine and feminine characters, # with hard or tight, loose or
slack, and weak or soft powers he invented the system of writing of the
Mongols. In the year iron-hog (corresponding with A. D. 1252) both Sakya
Pandita and the king died. The remains of the former were deposited in the
Chhorten of Dulpai-de outside the fortress of Lah-ju. Subsequently in the
reign of Munkhe, Karma Bakshi and others from Tibet visited Hor. Mun-
khe’s younger brother named Khublai became very powerful. He conquered
China, Tibet, the whole of Hor, and about half of India up to the furthest
boundary of Kashmir. He invited Phagpa-Lodoi-Gyaltshan,f the nephew
of Sakya Pandita, from Tibet. On his coming to Hor in the year
water-ox , the Emperor met and held long discussions on religious matters
with him, and imbibed much faith in him. Previous to this, he had showed
much attachment to Karma Bakshi. Although Phagpa’s acquirements in
grammar and sacred literature were great, on the other hand the acquire¬
ments of the bearded Lama, as Karma Bakshi was called, in judicious
learning were eminent, Once under the secret advice of the Emperor, the
Empress, named Jema-ssahmo, who revered Phagpa above all, asked him
to enter into competition with Karma Bakshi in the performance of
miracles. This was done with a view to amuse the Emperor. The parties
having agreed to the proposal, the Bakshi, in the presence of the Emperor
and his ministers, mounted the sky where he sat cross-legged, as in yogctJ
and passed right through mountains, &c. Phagpa also performed miracles
by decapitating himself, then severing the five limbs and turning them
into five Dhyani Buddhas. He afterwards accomplished their re-union
to restore to himself his own body.
* Of the consonant characters, every individual was formed by the combination
of a vowel and a consonant, such as —
Ka pa gha la ta
Ne pe ghe le te
Ni pi ghi li ti
and so on.
t Ary a Mati Dvaja.
OS
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
Within the fortress of Lanju (or Landu) there is a tomb called the
Chhorten of Karma Lisi which is identified with the tomb of Karma
Bakshi, Karma Lisi being a mere corruption of the name Karma Bakshi.
In the face of this account, the Debther Nonpo and other works say that
Karma returned to Tibet where he died.
Previous to the Emperor’s taking spiritual vows, the Empress ob¬
served the mystic ceremonies of Kaidorje. He inquired what kind of vows
were to be taken. When the Empress uttered the words of the vow,
he remarked, “ Although I might take some of the vows, yet being a
sovereign, I cannot say that I will not violate the words of my spiritual
guide ” The Empress removed the objection by observing, that in worldly
matters the Emperor’s authority should be supreme, whereas in spiritual
affairs the Lama’s command should be paramount. The Emperor, satisfied
with the suggestion, observed 24 ceremonies, called Thub pai Khor, together
with the invocation of Gyeva-dorje. On the occasion of initiation, Khublai
presented the Lama with two large mandalas (circular heaps of precious things)
of which the one on the right-hand side was full of pearl balls without pin¬
holes and as big as sheep’s droppings, placed in bundles ; the other on the
left consisted of heaps of gold. Besides these, immense presents consisting
of horses, mules, camels, silk robes, silver and gold, &c., were made to
him. He decorated him with an exalted order which in Chinese is called
“ Smsin takausri,” meaning the spiritual king of the three worlds, and con¬
ferred on him the city and country of Lisliim and subsequently the entire
sovereignty of Tibet and Tsholkha (Khokonur). Although the Emperor
ordered that all the JBande of Tibet should adopt the Sakyapa theories, yet
the most estimable Phagpa, thinking it fair to let them pursue their anciently
adopted doctrines, showed toleration. He returned to Tibet in the year tree-ox
and in the year earth-serpent of the 5th cycle revisited Hor. In the year
iron-horse he framed the square shaped form of the Mongolian characters,
and introducing the system of worship, meditation, and propitiation
among the Mongols, furthered the cause of Dharma and living beings.
The Emperor having obtained the sacred relics of Buddha, images and
sacred books and chaityas from India, erected temples and monasteries
by which Buddhism was greatly promoted. The square shaped charac¬
ters, called Khorig, having failed to answer the purpose of transla¬
ting the sacred books, the Mongolians made use of the Yugur character in
writing their language as a medium for the expression of the sacred hymns.
During the reign of king Olje, the Sakyapa Lama named Chhoikyi-hodsser
came to Mongolia and perfected the saw-teeth shaped characters invented
by Sakya Pandita b}r adding tails to the letters. The Mongolian characters
were thus fit to be used in writing translations from foreign languages.
Subsequently in the reign of Hai-san-khulug portions of the Kah-gyur
Sarat Chandra Das — Contributions on Tibet.
69
1882.]
and grammar were translated into the Mongolian language. In the reign
of Poyanthu, Jam-yang the pupil of Eigral the Prefect of Narthan,
who during his visit to Narthan had incurred the displeasure of his Lama
by appearing before him in a mask, paid a visit to Hor. Subsequently
Jam-yan pleased his master by sending him large presents for a copy of
the Kahgyur collection. Among the presents there was a small box full of
Chinese ink which delighted Eigral very much. On his return to Narthan,
Jam-yan resided in the house where the Kahgyur was copied and which
was called Jam-yan Lhakhan.
In this manner, the way being opened, the copies of the Kahgyur gra¬
dually increased. After Jam-yan, Karma Kan-Ju-Dorje visited Hor and be
came the spiritual guide of one of the Hor kings, who, it appears, was named
Chiya-thu. Thogan-themur (the last Emperor of the Mongol dynasty),
the well-known descendant of Chhingis Khan, invited Karma-Eolpai-dorje
who accordingly in the 19th year of his age in the year earth-clog came to
Hor. During the fourteen reigns from Chhingis Khan to Erteni Chhogthu,
many Sakyapa and Karmapa Lamas visited Hor, some of whom received the
honour of the order of Ti-sri. The introduction of the Gelugpa church in the
spiritual relation of Mongolia commenced at this time. During the reign of
Thumer-kyi Althan Khan, the third Gyal-van (Dalai) named Sonam Gya-
tsho visited Hor and abolished the worship of Oh-gvad (the chief Demon)
and the practice of offering animal sacrifices to demons. He introduced the
Gelugpa (yellow-hat) school of Buddhism in Hor where he died, and his
incarnation named Gyal-van Yonton Gya-tsho appeared in Mongolia, for
which reason Buddhism became greatly diffused over that country, and all the
Mongols were converted to the Gelugpa church. Afterwards Shere-thu-gusri
translated the three yum (vulgarly called bum) into the native Mongolian
language. In the days of Chhahar-leg-dan Khuthog-thu several trans¬
lators headed by Kungah Hodsser translated the whole of the Kahgyur into
Mongolian. The last of the descendants of Chhingis Khan named San-
thu-gusi (called Legdar in Tibetan), a petty prince, was so degenerate that
he failed even to rule over his own country and his dynasty passed off
from power. In the reign of Sunchi (De-Kyi) the translation of the
Kahgyur in Mongolian was revised and partially printed. It was in
the reign of the Emperor Chhinlun (Kyen-long), the incarnate Manjusri,
that the entire Kahgyur and Tangyur were for the first time printed
in the Mongolian language. Then also the all-knowing Chankya-
Eolpai Dorje prepared the Khapai- Junne, a compendious grammar of the
Mongolian language, which was indispensably necessary to facilitate trans¬
lations (lit., which served as an eye to the future translators.) Asuthu, king
of Khalkha, had met the Gyal-van (Dalai Lama) Sonam Gya-tsho
during his sojourn in Mongolia and erected the temple of Erteni Jovo.
70
Sarat Chandra Das — Contributions on Tibet.
[No. 1,
At that time the incarnation of Tara Natha (Je-tsun-dampa) named
Lo-ssan-tanpai Gya-tsho in the person of the son of his grandson Dorje
Thushi-ye-thu Khan, was acknowledged as the supreme head of the seven
Khalkha Khanates. The Emperor of China greatly exalted his position by
conferring on him high distinctions. The great monastery of Urga called
Rivo-ge-gye-lin was founded, and from that time the incarnations of Tara
Natha successively appeared. Jaya Pandita Lo-ssan-thin-leg, who was the
pupil of the fifth Gyal-van and Panchhen-Lo-ssan Chho-gyan, and Erteni
Pandita Lo-ssan tan-dsin founded many monasteries and promoted the
spread of Buddhism in Hor. From this period the land of the Khal¬
kha became filled with priestly congregations, sages and saints of imma¬
culate birth, and sacred study and saintly communion were greatly diffused.
The Prefect of the Goman College of Dapun, named Ton-dub Gya-tsho, who
was famed to have attained the 2nd stage of Bodhisattva perfection,
introduced Buddhism into the Thorgwod country, the progress of which was,
however, impeded by the surrender of the country to the Russians (Orrus).
Subsequently, when the country was brought under the Emperor of
China, the chiefs were re-instated in their respective states and the
practice of the precious religion revived. Hashag-chhe-chhu Khan, the
reigning chief of the four great tribes of (E-loth, also called Orod, was
defeated and dethroned by Boshog-thu Khan of the tribe of Tshoru who
had grown powerful, in consequence of which the whole of the (E-loth
kingdom came under his possession. He established many schools for the
instruction of monks in the Sutras and Tantras (aphorisms and mysticism).
Thereafter Erteni Jorig-thu khun tho-che-Tshe-van-rabtan encouraged
Buddhism in general and especially the Gelugpa church. He by turns invited
the Mahamantri of Tasi-lhunpo named Geleg-rabgya, and Paljor-gya-
tshog, and latterly by inviting Tampa-rabgya of Wasliul from the Dapun
monastery and many others, introduced domestic priesthood and service (like
that of the TJpasakas) among the Mongols. He founded the monasteries of
*
Nam-tse-din and the system of imparting instruction to neophyte monks,
and established moral discipline and training. Although he failed to esta¬
blish schools for the study of dialectics, yet by teaching the higher and lower
(simpler) Lamrim of Tsonkhapa,he introduced the secret way to Bodhisattva
(perfection). Like the celebrated Ralpachan sovereign of Tibet, he allotted
three families of tenants, G camels, 40 cows and horses and 200 sheep &c.,
for the maintenance of every monk or neophyte. After him his son
Gahdan-tsherin Wanpo invited the celebrated professor and sage Paldan-
Yese, the learned principal of Thosam lin of Tasi-lhunpo, the Vinayic ascetic
Lo -ssan Phun-tsho from Dapun, who held the office of the Prefect of
the Goman College, and Ge-dun-leg-pa the Prefect of the Sera monastery,
of whom the last succeeded in opening classes for the study of metaphysics
1882.] Sarat Chandra Das — Contributions on Tibet. 71
and dialectics. He erected many monasteries and filled them with images,
sacred volumes, and chaityas by which he filled the Chungar country.
By conferring distinctions and endowments on the scholars of philosophy,
he greatly diffused Buddhism.
Afterwards when the kingdom was overthrown by internecine wars,
all the religious edifices were demolished, the effect of which even now survives
in the desolate aspect of the country like the fields of autumn (after harvest).
From one of the four famous tribes of Orod, the celebrated king, the up¬
holder of religions, called Gusri Khan, son of the Khan of the Hoshad,
was born in the year water-horse. His name was Thorol-ba-dur. According
to the prophecy of Ti-me Lhun-dub the obtainer of sacred treasure , he is said
to have been the miraculous emanation of Chhyagna Dorje (Vajrapani),
and according to the revelation of the Kahgyur, he was a religious king who
obtained one of the Bodhisattva perfections. At the age of thirteen he
assumed the command of the army of the Gokar (white heads), numbering
10,000, and went on an expedition against Hoi-Hoi (Tangyut). He
gained a complete victory in the fight, for which he became eminently
famous. During this time Buddhism was not spread in the Oelotli
country. In other Mongolian countries the Gyal-van (Dalai-Lama)
Sonam-gya-tsho, at the invitation of Althan Khan, had visited Khalkha.
By reason of their spiritual relation Buddhism flourished there. Gusri-
khan, on only hearing its name, imbibed faith and veneration for Buddha.
Fie made many salutations by repeated prostrations towards that sacred
country (Tibet), thereby hurting his forehead. When he was twenty-five
years old, his mother died. In order to celebrate her funeral and for her
salvation, he distributed a large quantity of gold and silver as alms
to the poor. On a certain occasion there arose a dispute between the Orod
and Khalkha. Being overpowered by compassion, he came before the
Khalkha assembly to plead for the amicable settlement of the matter,
removed their differences and, having brought the contending nations
to terms, returned to his own country. At this Ton-khor Chho-je and
the princes and ministers of Khalkha became greatly delighted. They
gave him the title of “ Tai-kausri.” During the Dalai Lama Sonam
Gya-tsho’s visit to Mongolia, an Orod came to reverence him. He saluted
and presented him a book called Serhod Tampa. On being asked the
name of the book, the Orod replied, “Lord! this is called Althan-kerel.”#
The Gyalvan (Dalai), then accepted the man’s alms and predicted that in the
land of Orod after twenty years Buddhism should be introduced. Accord¬
ing to this prediction, Gusri-khan introduced Buddhism by translating
Serhod- Tampa and many other volumes after a lapse of twenty years.
* From althan, gold, and keral (Sanskrit Icirari), ray of light, golden light.
72
Sarat Chandra Das — Contributions on Tibet .
[No. 1,
During this time king Chha-Har having embroiled the six great prin¬
cipalities in internal wars, one of the princes took refuge among the
Khalkha tribes. The Khalkha princes not agreeing to shelter the refugee,
fell out among themselves. One of their chiefs named Chhog-thu, banished
from his own country, took possession of the Amdo province. No sooner
had he established his power over the Amdo people, than he began to injure
Buddhism in general, and more particularly the Gelugpa church. When
the report of his evil doings reached Gusri-Khan, he became greatly enraged.
In order to succour particularly the church of Tsonkhapa, he left his
native place at the head of a large army, and in the year fire-ox
arrived near Khokhonur where he inflicted a signal defeat on Chhog-thu
and slew 40,000 soldiers in the field. The whole of Amdo now passed
under his power.
He then started for 17 to pay homage to the Dalai, Tasi and Gahdan
Thipa of whom the last was the spiritual father of the other two. He had
an interview with the fifth Gyal-van (Dalai-Lama) and Panchhen-Lo-ssan
Chhoi kyi-gyal-tshan whom he greatly venerated. At the time of his
visit to the Gahdan monastery which took place during the night of the
new moon, he saw the interior of the monastery by the light emitted
from luminous pebbles on the floor and through the avenues. This event
he considered very auspicious. In the year fire-ox during the winter
season he returned to Khokhonur. In the mean time king Beri of
Kham commenced to persecute the Buddhists, having himself become
a proselyte to the Bon religion. Hearing this, Gusri-Khan marched towards
Kham in the year earth-hare with a large army, commenced hostilities
and annexed Kham to his dominions. King Beri was captured in the year
iron-dragon , on the 25th of the 11th month and was thrown into a prison in
Kham, while all the Lamas and chiefs of the Sakya-pa, Gelug-pa, Karma-
pa, Duk-pa and Taglun-pa sects were liberated, and sent to their respective
monasteries. After defeating Beri, Gusri Khan turned his attention
towards the conquest of Jah, the king of which country submitted to
him without hostilities and agreed to pay him homage and tribute.
During this period the whole of Tibet was ruled by king De-si-
Tsahpa whose fort was the castle of Shi-ga-tse. Having adopted the
teaching of the Karmapa school, he tried to exalt it above all others and
evinced much disregard towards the Gelugpa school. Gusri Khan took
umbrage at this. Accordingly, to raise the prestige of the Gelugpa
church, he invaded 17 and Tsan at the head of his army, defeated all the
armies of Tsan and sent the vanquished monarch and his ministers
captives to the prison house at Nehu, in 17, and brought the whole of
Tibet under his power. He was now acknowledged as the sovereign of
the countries Tibet, Kham and Amdo. He organised an enlightened
1882.]
Surat Chandra Das — Contributions on Tibet.
73
government. He extirpated all enemies and rivals of the Gelugpa
church. The Indian king Habo Sin, the king of Yambu (Nepal), and
the Baja of Nari and many other border kings sent him presents according
to their national custom. Afterwards he made a present of the whole of
Tibet proper to the fifth Dalai Lama in the year 1615 A. D., and thereby
laid the foundation of the fame and dignity of the Court of the Dalai
Lamas. Even at the present day their earthly mansion Potala or
Gahdan Phodan is believed to be a counterpart of the celestial mansion
of Gahdan or Tushitapuri (Paradise). Gusri Khan (Kausri Khan)
had ten sons, of whom Tayen Khan and his grandson Lha-ssan ruled
successively in Tibet. Gusri’s son, Tha-akhu-tasi Bathur, became king
of Khokhonur. Thus the descendants of Gusri Khan, though they ruled
separately as independent princes, did not require to be directed by
others, but, subsequently, on account of the war raised by Tan-zing
Wan, they were weakened, when the Emperor of China subjugated them
all and annexed their countries to his dominions. But he allowed
them to retain their respective possessions, and permitted them to
follow their religious observances, according to the Gelugpa principles.
It became customary with a great number of Mongolian Lamas to enter the
different monastic colleges of Tibet, to study sacred literature. On their
return from Tibet they shewed themselves capable of teaching the
sacred religion. They founded schools in their respective native places.
Holy personages from 17 and Tsan, Amdo and Kham, having come to take
their birth in Mongolia, the country of Hor has now become flooded
with monasteries and chhortens and religious congregations. The study of
dialectics also has been introduced there.
With the exception of Solonpa, Bargwad and a few other savage tribes,
all the Mongols are Buddhists. The heretical Yavana (Lalo) religion
decayed and passed away. The old schools of Sakyapa and Karmapa
Lamas were abolished, and in their place the Gelugpa school flourished
encompassing the land.
A GENEALOGY OE THE MONGOLIAN MONARCHY.*
(Ancestors of Jenghis-khan).
Thengir-khu-borta Chhi.
i
Bada-chhi-khan.
i
Tham-chbag.
. i .
Chhi- Jimer-khan.
K
* Obtained from Tibetan sources
71
Sarat Chandra Das — Contribution on Tibet.
[No.l,
La-u- Jan-bhere-rol.
I
Pagu-ni-dun.
I
Sem-dsa-Ji.
r I
La J u.
Du- pun-mer-khan.
I
Podon-chhar-mu-khan.
l .
Gai-chhi.
I
Bi-khir.
I
Manan-tho- Jan.
I
Gai-tho-khan.
I.
Bai-shin.
i
Khor-thog-shin.
i
Dum-ba-khai-khan.
*
Go-len-la-khan.
Bar-than-BA-DUR, ( Badur or Bathur a hero, from which the
| word Bahadur is probably derived.)
Ye-phur-ga badur,
married to
Huu-lun.
l
Chhingis Khan or Jenghis Khan (born 1182 A. D., reigned
| 23 years, and was killed by his wife).
Ankoda. (reigned G years)
Goyug (reigned 4 years) Gogan or Goyugan (also called
or Gutan).
Koyug.
I
Oita or Aulta (reigned 6 months)
Munkhe Khan (reigned 9 years)
Khublai Khan (reigned 35 year, died at the age of SO)
Sechhen.
1882.]
Sarat Chandra Das — Contributions on Tibet.
75
Yesun Themur (reigned 5 years)
O-Wah-Je or Olje (reigned 13 years)
i
Haisan Khulug (not known)
l
Poyanthu (reigned 9 years)
i
Siddhi Pala Yen (reigned 3 years)
Ju- tki
I
Yesun thumer (reigned 5 years)
i
Ra-khyi-Phag (reigned 40 days).
l
Kuskala- go-thin (reigned 30 days).
I
Thog-thumer Chi-ya-thu (reigned 5 years).
!
Erteni Chhog-thi (reigned 1 month).
i
Tho-gan Thumer* or Themur (1333 A. D., he sat for 35
years on the Imperial throne of China, and fled
from Pekin in secret to save himself from the
conspiracy formed by the Chinese nobles against
his life).
The Min Dynasty superseded the Mongol Dynasty in China.
* From Thumer or Themur the name Timur is probably formed.
76
G. H. Raverty — Memoir of the Author
[No. 1,
Memoir of the Author of the Tabakat-i-N&siri. By Major
G. H. Raverty, Bombay Army (Retired).
Few materials exist for a notice of this author, and these are chiefly
furnished by himself.
The first mention he makes of his family is to the effect that “ the
Imam, ’Abd-ul-Khalik, the Jurjani, having, in his early manhood, dreamt
a dream on three successive occasions, urging him to proceed to Ghaznin
and seek a wife, set out thither ; and, subsequently, obtained in marriage
one of the forty daughters of Sultan Ibrahim of Ghaznin,” who was in the
habit of bestowing his daughters, in marriage, upon reverend and pious
Sayyids and ’Ulama, like other Musalman rulers have continued to do,
down to recent times.
By this wife, ’Abd-ul-Khalik had a son, whom he named Ibrahim,
after his maternal grandfather, the Sultan ; and he was our author’s great¬
grandfather. He was the father of the Maulana Minhaj-ud-Din ’Usman,
who was the father of the Maulana Saraj-ud-Din Muhammad — who is
called Ibrahim by some — who was known by the title of ’Ujiibat-uz-
Zaman or “ the Wonder of the Age.” He was the father of the Maulana
Minhaj-ud-Din # Abu-’Umar-i-’Usman, the author of the History entitled
the Tabakat-i-Nasiri, who thence often brings in his father’s and grand¬
father’s name, styling himself Minbaj-i-Saraj-i-Minhaj, the two izafats
being used to signify son of in place of the Arabic bin .
Our author’s ancestors, on both sides, for several generations, appear
to have been ecclesiastics of repute and men distinguished for learning.
He states that he possessed, among the misdl or diplomas granted to his
maternal ancestors by the Khalifahs, one from the Khalifah Mustazi
B’illah, conferring the Kazi-ship of the fortress, or rather, fortified town,
of Tulak, described in his work, together with that over the Kuhistan, and
the Jibal — Highlands — of Hirat, upon his maternal grandfather, in con¬
formity with the diploma previously held by the latter’s father before him.
His paternal grandfather also received an honorary dress from the same
Pontiff ; and our author says that he himself possessed the diploma which
was sent along with it.
In the oldest copies of the text, and in several of the more recent, our
author almost invariably styles himself ‘the Jurjani’ as I have
from the outset rendered it ; but those MSS. noticed in the Preface to
the Translation, which appear to have been copied from the same source as
that from which the India Office Library MS. was taken, or from that copy
* The title, Saraj-ud-Din, means “The Lamp, or the Luminary of the Faith,
and Minhaj -ud-Din, “ The High-road, or the Way of the Faith.’' See “ Translation,”
note3, page 1295.
I
77
1882.] of the Tabakdt- i-lSTd s iri.
itself, generally have Jvzjdni and sometimes Jurjani as above
If the point of j z be left out, as is very liable to be the case, like the
points of other letters, by copyists, it is but simple j r. Words con¬
i’
taining long u j are often written with the short vowel zammcih or
9 9 m ... 9
pesh — — instead of j ; and hence, in some few copies, it is
Jurjani, while sometimes it is written both ways in the same MS.
Since writing note7, at page 321 of my “ Translation,” giving an
account of the Amir Mas’ud’s inroad into the northern parts of Ghur,
when on his way from Ghaznin to Hirat, I have considered that the word
given by our author referred to the tract of country described in that note
as the Guzganan, or the Guzgans, by Tajziks, but which Arabs, and
people of Arab descent, who usey ^ for the Tajzik g ^ , turn into Juzjanan,
and that the word he uses in connexion with his own name refers to
one of the Guzgans, and that he should be styled 4 the Guzgani’ or 4 the
Juzjani.’ As the most trustworthy copies of the text, the best and most
correctly written, had Jurjani, I considered it necessary to follow them as
I had begun, and to mention the matter more in detail in the Memoir of
the Author’s life.
Guzgan, as the native inhabitants styled it, and Arabs Juzjan, is not
the name of a single town, village, or fortress, but of two or more of the
small districts or tracts of country among the mountains, on the north¬
west frontier of the country of Ghur, and north of Hirat, beyond the
Murgh-Ab — the Jibal of Hirat, as he himself styles it, — but its exact posi¬
tion, and the localities of most of the great fortresses mentioned by our
author in the last Section of his work, are at present unknown to us. The
Guzganan, or Guzgans, were the appanage of the Amir Muhammad, brother
of Mas’ud ; and it was from thence that he was brought when he assumed
the throne of Ghaznin after the death of his father. Notwithstanding the
details which our author gives respecting the great fortresses of Ghur,
Gharjistan, and other parts, including the fortress of Tulak, which appears
to have been his own place of residence at the time, and also the home of
his maternal relatives (see 44 Translation,” page 1066 and note5), which he
helped to defend against the Mughal invaders, and which must have been
situated in one of the Guzgans, he never once, throughout his whole work,
refers to Guzgan or Juzjan, except in connexion with his own name. See
also notes to pages 186 and 232.
After the Ghuris obtained possession of Lahor in 582 H., and they had
seized the Sultan, Khusrau Malik, the last of the Sultans of Ghaznin, our
author’s father was made Kazi of the Ghurian army stationed at Labor,
under the Sipah-Salar, ’Ali-i-Kar-makk ; and twelve camels were assigned
him for the conveyance of the establishment of his office, his tribunal, etc.,
on the line of march.
78
G. H. Raverty — Memoir of the. Author
[No. 1,
Our author was born after this, in the year 589 H., the very year in
which Dibit, of which, and of which Musalman kingdom, he was subse¬
quently to become the chief Kazi and Sadr, was made the seat of the
Musalman government in Hindustan by the Turk Mamliik, Kutb-ud-Dm
F-bak, who was, in after years, to become its first Muhammadan Sultan.
That our author was born at Lahor, as the Daghistani, referred to farther
on, asserts, cannot be correct ; for, from what he himself states respecting
his arrival at Uchchah in 624 H. [see pages 541 and 722], that was the
first time he set foot in Hind. Had he been born at Lahor, he would,
doubtless, have mentioned it, and he would probably have been styled and
known as the Lahori in consequence.
The next mention he makes of his father is, that, when Sultan Baha-
ud-Din Sam, ruler of Bamian and Tukharistan, succeeded his father on
the throne, he desired that our author’s father, the Maulana Saraj-ud-Dm
Muhammad, should take up his residence in his kingdom and enter his
service. With the sanction of his own sovereign and patron, and Balia-
ud-Din Sam’s suzerain, namely, the Sultan of Ghur, Ghiyas-ud-Din Mu-
hammad-i-Sam, the Maulana proceeded to the Court of Baha-ud-Dm Sam,
and was made Kazi of the kingdom of Bamian and Tukharistan, with the
judicial administration over its forces, was made censor, with full powers as
regards ecclesiastical law, and entrusted with the charge of two colleges
and their funds. This happened in 591 H., when our author was in his
third year. He states that the diploma conferring these offices upon his
father, in the handwriting of the Wazir of the Bamian state, was still
contained in the kharitah [a bag of embroidered silk for holding docu¬
ments] containing his own diplomas, his banner and turban of honour.
The mother of our author was the foster-sister and school-mate of the
Princess Mah Malik, the daughter of Sultan Ghiyas-ud-Din Muhammad-
i. Sam, mention of which lady will be found in several places in his History ;
and his mother appears to have continued in her service after her marriage.
Our author distinctly states that his early years were passed in the Haram
of the Princess, until the period of his entering upon adolescence, when,
according to Musalmam usages, he had to be sent elsewhere. He speaks
in terms of much gratitude of the fostering kindness and protection he
received while dwelling in that Princess’s household. Under these circum¬
stances, Labor can scarcely have been the place of his birth.
As early as his seventh year our author began to prosecute his studies ;
and used to attend that eminent teacher and Imam ’All, the Qfiarmani,
for the purpose of acquiring the Kur’an by heart.
When Sultan Takish, Khwarazm Shah, withdrew his allegiance from
the IChalifah Un-Nasir-ud-Din-Ullah, and the latter’s troops had been
defeated by him, lbn-ur-Rabbi’, and Ibn-ul-^hafib, on two different occa-
1982.]
of the T a baled t - i-JSfd s iri.
79
sions, came as envoys to the Courts of the Sultans of Ghur and Ghaznin
to demand aid from those monarchs against Sultan Takish. In conse¬
quence, the Imam Shams-ud-Din, the Turk, and the Maulana Saraj-ud-
Din Muhammad, the Tajzik, our author’s father, were directed to proceed
to Baghdad, to the Khalifah’s Court, along with the envoys.* They set
out for Baghdad by way of Mukran ; and, in some affray into which they
fell on the road, they were attacked by a band of robbers, and our author’s
father was killed. Intimation of his death was received in a communica¬
tion from the Khalifah to the Sultan Ghiyas-ud-Din Muhammad-i-Sam,
in these words : “ Furthermore, Saraj-i-Minhaj perished in an affray on
the road. The Almighty recompense him !”
Another of our author’s relatives, his mother’s brother’s son, was
Ziya-ud-Din Muhammad, son of ’Abd-us-Sallam, Kazi of Tulak, who was
left in command of the fortress of Tabarhindah, with a force of 1200
Tulakis, by the Sultan Mu’izz-ud-Din Muhammad-i-Sam, when that
Sultan was about to retire from Hind before the hot season of 587 H ,
intending to return after it was over and relieve him. The Kazi of Tulak
was to hold the place for seven months ; but as the Sultan, just after this
arrangement was made, was defeated by Pae Pithora and severely wound¬
ed in the battle, and an expedition into Khurasan soon after intervened,
he was totally unable to come to the Kazi’s relief, as agreed upon, in the
following season, and, consequently, after having held out over thirteen
months, the Kazi Ziya ud-Din Muhammad had to capitulate.
At the time Sultan Ghiyas-ud-Din Mahmud, son of Ghiyas-ud-Din
Muhammad-i-Sam, was assassinated by the Khwarazmi refugees, in Safar,
607 H., our author was dwelling at Firuz-koh, and was then in his
eighteenth year.
In 611 H., the year preceding the surrender of his capital Firuz-koh,
by the last of the Sultans of the Ghuri dynasty, our author proceeded
thither. Two years after we find him in Sijistan, at Zaranj, the capital,
where he remained some time. At this period the whole of the territories
which had formed the empire of the Ghuris, including the dominions of
Ghaznin, and extending east of the Indus into the upper part of the Sind-
Sagar Do-abah of the Panj-ab as far as the Jhilam, had fallen under the
* He was despatched on this mission by Ghiyas-ud-Dm Muhammad-i-Sam, Sul¬
tan of Ghur, the elder brother and suzerain of Mu’izz-ud-Din Muhammad, Sultan of
Ghaznin. The latter is mentioned in a paper in this Journal, Part I., No. 1, for
1880, page 28, by Mr. C. R. Stiipnagel, who, is at a loss to know why the elder brother’s
name appears on his younger brother’s coins, and informs us that “of Sultan Ghias-ud-
din scarcely anything is known.” Some in formation respecting him will be found in the
Translation of the author’s History, and in note 5, page 472, and 2, page 489. See also
Part I., No. II., page 84, of the “Journal.”
80
G. H. Raverty — Memoir of the Author
[No. 1,
sway o£ the Khwarazmis. These events most, in some way, have been the
cause of his sojourn in Sijistan for seven months, but he is quite silent on
the causes which led him there. See page 195.
In 617 H., during the first inroad of the Mughals into Ghur and
Khurasan, before the Chingiz Khan himself crossed the Oxus with his
main army, our author was living at Tulak ; and, shortly after, in the
same year, took part in the defence of that fortified town against the
invaders, who kept prowling about it for about eight months. During a
period of four years, from the above mentioned year up to the close of
620 H., during which the Mughals made several attempts upon it, he helped
to defend it.
In 618 H., the year in which he says the Chingiz Khan crossed the
Jihun into Khurasan, and he was in his thirtieth year, he married the
daughter of a kinsman of his own ; and, in 620 H., he determined, as soon
as circumstances permitted, to leave his native country, and proceed into
Hindustan, not liking, apparently, to dwell in a country overrun by the
Mughal infidels. In 621 H. he was despatched from Tulak, where he was
then living, and in the defence of which against the Mughals he had just
taken part, by Malik Taj-ud-Din Hasan-i-Khar-post to Isfizar, after
Khurasan had become clear of Mughals, and from thence into the Kuhis¬
tan — the Chingiz Khan had, at that time, returned homewards — to endea¬
vour to arrange for the re-opening of the Jcarwan routes, which, during the
Mughal invasion, had been closed, and the traffic suspended.
On a second occasion, in 622 H., he again j)roceeded from Tulak into
the Kuhistan for the same purpose, at the request of Malik Rukn-ud-Din
Muhammad, son of ’Usman, the Maraghani, of Khaesar of Ghur, the
father of Malik Shams-ud-Din Muhammad, the first of the Kurat dynasty,
as the Tajzik — not Afghan, I beg leave to say — rulers of the fiefs of Hirat
and Ghur and their dependencies, who were the vassals of the Mughals,
were styled. The following year he again set out on a journey into the
Kuhistan, on the part of Malik Rukn-ud-Din Muhammad, that the
kdrwdn route might be re-opened. From Khaesar he first went to Farah*
and from thence proceeded by way of Sijistan into the territory referred to,
and returned to Khaesar again.
In 623 H., our author, who appears to have left Tulak and was resid¬
ing at Khaesar, with the permission of Malik Rukn-ud-Din Muhammad
went to Farah in order to purchase a little silk required by him for his
journey into Hindustan. Having arrived in the neighbourhood of Farah,
Malik Taj-ud-Din Binal-Tigin the Khwarazmi, who then ruled over
Sijistan, and was engaged in war with the Mulahidah of the Kuhistan,
induced him to undertake a journey into the latter territory, to endeavour
to bring about an accommodation between himself and the Mulahidah
1882.]
of the Tahakat-i - Ndsiri.
81
governor of that part, the Muhtashim, Shams-ud-Din. Our author was
accompanied by the son of Malik Rukn-ud-Din Muhammad whose name
is not mentioned, but, in all probability, it was the identical Shams-ud-Din,
Muhammad, the founder of the Kurat dynasty. Our author succeeded
in effecting an accommodation, but it does not appear to have been
on terms acceptable to Malik Taj-ud-Din Binal-Tigin ; for he wished
him to return to the Muhtashim’s presence and declare war again. This
he declined to do, as he had several times put off his journey into Hind,
and was now desirous of departing without further delay, and before
the Mughals should again appear. Malik Taj-ud-Din Binal Tigin was
wroth at this refusal, and shut him up within the walls of the fortress
of Safhed of Sijistan. There he was detained for a period of forty-three
days, but, Malik Rukn-ud-Din Muhammad having interfered in his behalf,
he was set at liberty.
He did not allow the grass to grow under his feet after this ; and in
the fifth month of the following }rear — Jamadi-ul-Awwal, 624 H., [in
another place he says it was Rajah, the seventh month, while in another
place — page 612 — he says it was in 625 H.], by way of Ghaznin and
Banian, he reached U'chchah by boat ; and, in the following Zi-Hijjah,
Sultan Nasir-ud-Din Kaba-jah, ruler of U'chchah and Multan, placed him
in charge of the Firuzi College at U'chchah, and made him Kazi of the
forces of his son, ’Ala-ud-Din Bahrain Shah.
Our author could distinguish the winning side, and preferred it ; for,
no sooner had Sultan Shams-ud-Din I-yal-timish, ruler of Dihli, Kaba-
jah’s rival, appeared before U'chchah, than he deserted Kaba-jah and the
Firuzi College, and went over to his rival. In the first place, our author
presented himself before Malik Taj*ud-Din, Sanjar-i-Gajz-lak Khan, who
was in command of the van of I-yal-timish’s forces ; and, a few days after,
I-yal-timish himself having arrived, he waited on him. He was favourably
received, and was appointed to officiate, in his priestly capacity, within
that Sultan’s camp. After the fall of U'chchah, he accompanied I-yal-
timish to Dihli ; and reached it in Ramazan, 625 II.
He subsequently accompanied the Sultan, in his priestly capacity, to
Gwaliyur in 629 H. ; and, in the following year, after that stronghold was
taken possession of, was made Kazi Khatib, and Imam of Gwaliyur and
its dependencies, under the governor, Rashid-ud-Din ’AIL In the early
part of Sultan Eaziyyat’s reign he returned to Dihli, but he was not re¬
moved from office, neither was he a <£ forgiven rebel and, during his
absence from Gwaliyur, his Deputies acted for him. On reaching the
capital, in 635 H., that sovereign added to his offices that of Superinten¬
dent of the Nasiriah College at Dihli.
* See Translation, page 1285, and Thomas’s “ Pathdn Kings of Dehli,” page 105.
L
82
[No. 2,
G. H. Raverty- — Memoir of the Author
In the year 639 H., in the reign of Sultan Mu’izz-ud-Din, Bahrain
Shah, our author was made Chief Kazi of the Dihli kingdom, and of the
capital as well. In the disturbances which arose between that Sultan and
his Amirs, our author, and other ecclesiastics, endeavoured to bring about a
peaceful accommodation, but without effect. In Zi-Ka’dah of the same
year, the Khwajah, Muhazzab-ud-Din, the Wazir, bribed a number of vil¬
lains to murder him ; and, after the conclusion of the Friday’s prayers, on
the 7th of that month, they actually attacked him in the Jami’ Masjid, but
he escaped without hurt.
Soon after, on the accession of Sultan ’Ala-ud-Din, Mas’ud Shah, on
the Khwajah, Muhazzab-ud-Din, being re-appointed Wazir, our author, in
610 H., resigned the Chief Kaziship, and in Rajab of that year left Dihli
in order to proceed into the territory of Lakhanawati. There he remained
about two years, and there he acquired his information respecting it and its
rulers. While residing in that country, he accompanied Malik Tughril-i-
Tughan Khan in his expedition against the Rae of Jaj-Nagar, and was
present at the attack on the frontier post of Katasin, in Shawwal, 611 H.
On the removal of that Malik from the government Lakhanawati in 613
H., our author accompanied him on his return to Dihli, and, in Safar of
that year, presented himself at Court. Muhazzab-ud-Din had in the mean¬
time been put to death by the Amirs ; and, through the interest and efforts
of his subsequent munificent patron, Malik Ghiyas-ud-Din, Balban (after¬
wards Ulugh Khan-i-A’zam, and subsequently Sultan of Dihli), who held
the office of Amir-i-Hajib, three days after his return, he was put in
charge of the Nasiriali College once more, and entrusted with the admin¬
istration of its endowments, the lectureship of the Jami’ Masjid, and the
Kaziship of Gwaliyiir, according to the previous grant. Subsequently, in
the same year, he accompanied the army which advanced to the banks of
the river Biah for the relief of Uchchah when invested by the Mughals.
In 611 H., at Jalhandar [in the Panjab], on the return of the army,
on the occasion of performing the services prescribed for the ’I'd-i-Azha
in the hall of the College there, the new Sultan, Nasir-ud-Din Mahmud
Shah, to whom his History is dedicated, and after whom it is named, pre¬
sented our author with a cloak, a turban, and a richly caparisoned horse.
In 615 H., he wrote a description, in verse, of the expedition against
Talsandah, entitled the “ Nasiri Namah.” The Sultan rewarded him for
this with a yearly stipend, and Malik Ghiyas-ud-Din Balban, the hero of
the poem, and commander of the expedition, give him the revenues of a
village in the Hansi province, which was that Malik’s fief at that period.
In 619 H., for the second time, the Chief Kaziship of the Dihli kingdom
with jurisdiction over the capital as well, was conferred upon him ; but
when, two years after, in 651 II., the eunuch, ’Imad-ud-Din-i-Rayhan,
83
1882.] of the Tabakdt-i- Nd s iri.
succeeded in bis conspiracy for the removal from office of our author’s
patron, who had been raised to the title of Ulugh Khan-i-A’zam in 647
H., and he was banished the Court, our author, like others of the Ulugh
Khan’s clients and supporters, was removed from the office of Chief Kazl?
and it was conferred upon one of the Rayhanl’s creatures, notwithstanding
our author stood so high in the estimation of the weak and puppet Sultan.
In 652 H., matters improved a little : a new Wazir succeeded ; and, while
in the Kol district, whither our author appears to have accompanied the
Sultan’s Court, the title of Sadr-i-Jahan# was conferred upon him.
At the close of the following year the Rayhanl was ousted from office,
the Ulugh Kban-i- A’zam again assumed the direction of affairs, and our
author, who, for months past, had been unable, for fear of his life, to leave
his dwelling, even to attend the Friday’s service in the Jami’ Masjid, was
in Rabl’-ul-Awwal, 653 H., for the third time, made Chief Kazl of the
Dihli kingdom, with jurisdiction over the capital as before.
With the exception of his remark at page 715 of his History in
winding up the events of the year 658 H., that if his life should be
spared — he was then in his seventieth year — and aptitude should remain,
whatever events might subsequently occur would be recorded, our author
henceforward disappears from the scene, and we hear no more of him.
At the end of his account of the Ulugh Khan-i-A’zam farther on, he
does not renew that promise, nor does he do so when finally closing his
History. The munificent rewards he received on presenting copies of his
work to the Sultan and to the latter’s father-in-law, the Ulugh Khan-i-
A’zam, are mentioned at page 1294. He refers to his family casually,
now and then, in his work, but, with a single exception, enters into no
particulars whatever. At page 820 he says, with reference to the Malik-
ul-Hujjab [Head of the Chamberlains], ’Ala-ud-Dln, the Zinjani, that he
is “his son, and the light of his eyes but he could not have been his
son from the fact of his being styled “ the Zinjani,” that is to say, a native
of Zinjan in Khurasan. He may have been his son-in-law, or an adopted
son.
When the emissaries from Khurasan were received by the Sultan,
Nasir-ud-Dln Mahmud Shah, as related at page 857, our author composed
a poem befitting the occasion, and this, he says, was read before the throne
by one of his sons. He also, in one place, refers to a brother.
Between the time when our author closes his History in 658 H., and
the Ulugh Khan-i-A’zam succeeded to the throne of Dihli under the title
of Sultan Ghiyas-ud-Dln, in 664 H. — the date generally accepted, although
Fasih-1 says it was in 662 H. — is a period of about six years ; and, as no
other writer that we know of has recorded the events of that period, it is a
* See “Translation,” page G98, and note3.
84
[No. 2>
G. H. Raverty — Memoir of the Author
complete blank in Indian History, which, I fear, cannot be filled up.
Ziya-ud-Din Barani, in his Tarikh-i-Firuz-Shahi, which is not much to be
depended on, says he takes up the relation of events from the time our
author left oft, but this is not correct, for he begins with the reign of
Sultan Ghiyas-ud-Din Balban.
Our author died in his reign, but when cannot be discovered, neither
can the place of his burial. Possibly some inscription may hereafter turn
up which may tell us, but there is no record available in any of the works
I have waded through in search of the information. Whether his health
failed him ; whether he grew out of favour with his old patron, the new
Sultan ; or whether circumstances arose which, as regards the Ulugh
Khan’s conduct towards the weak-minded, but amiable, Sultan Nasir-ud-
Din Mahmud Shah, would not bear the light of day — for there are vague
statements of foul play on the part of the Ulugh Khan, but no proofs —
who shall say ? Some writers state that the Sultan died a natural death,
which is most probable, and some further add that he, having neither off¬
spring nor heir, nominated his father-in-law, the Ulugh Khan-i-A’zam, his
successor, which was but natural, seeing that, for nearly twenty years, he
had virtually ruled the state. That the Ulugh Khan-i-A.’zam poisoned
him appears unworthy of credence, since, had he desired to supplant him,
or get rid of him, he might have effected either object many years before.
See “ Translation,” note5, page 716.
The only mention I can find, after much search, respecting these
years, between the closing of our author’s History and the accession of the
new Sultan, is the following from Fasih-i. “ Sultan Nasir-ud-Din Mah¬
mud Shah died in this year 662 H., and great anarchy and disorder
arose throughout the territory of Hindustan. At last, since among the
great Amirs of Hind, for prudence, counsel, wisdom, munificence, dignity,
magnificence, and power, the Amir Ghiyas-ud-Din [the Ulugh Khan-i-
A’zam] was preeminently distinguished, and as he had obtained his free¬
dom previously — a matter never alluded to by our author — he, with the
unanimous accord of the great nobles and grandees of the kingdom, ascen¬
ded the throne of Dihli in the beginning of this year, 662 H.”
The Daghistani, previously referred to, in his Tazkirah under the
letter s has the following : — “ Saraj-ud-Din-i-Minhaj is the author
of the Tabakat-i-Nasiri, which he completed in the name of the Malik
of Hind, Nasir-ud-Din. His birthplace was Labor, and his origin was
from Samr-kand.”
This last sentence of the Daghistani’s is sufficient to show that he is
not entirely to be depended upon, in this instance at least. Our author’s
family was not from Samr-kand. The Daghistani also gives the following
as a quatrain of our author’s ; —
1882.]
85
of the Tab akdt-i-Nd s iri.
il That heart which, through separation, thou madest sad ;
From every joy that was, which thou madest hare of;
From thy disposition I am aware that, suddenly and unexpectedly,
The rumour may arise that thou hast broken it.”
In the “ Akhbar-ul-Akhyar”— - a Biographical Collection of Notices of
Saints — of ’Abd-ul-Hakk [he died 1052 H. = 1642 A. D.], the following
will be found respecting our author : — “ The Shaikh, Kazi Minhaj, the
Jurjani, the author of the Tabakat-i-Nasirf, was a saint, and one of the
most learned and excellent of his time, and one of those who would become
filled with religious ecstasies on hearing the singing at Zikrs or Tazkirs.
When he became Kazi of Hindustan, that office assumed integrity and
rectitude. The Shaikh, Nizam-ud-Din,# states: — “I used, every Monday
to go to his Tazkirs, until, one day, when I was present at one of them, he
delivered this quatrain : —
“ ‘ The lip, in {he ruby lips of heart-ravishers delighting,
And to ruffle the dishevelled tresses essaying,
To-day is delightful, hut to-morrow it is not —
To make one’s self like as straw, fuel for the fire.’
“ ‘ When I heard this verse,’ says the Shaikh, Nizam-ud-Dfn, ‘ I be¬
came as one beside myself ; and it was some time, before I came to my
senses again.’ ”
Our author appears to have been deeply imbued with the tenets of
Sufi-ism, for a brief essay on which, see the Introduction to my “ Poetry
of the Afghans.” Professor Sprenger tells me that he was a notorious
Sufi. A good account of these Zikrs, or Tazkirs, will be found in the
notes to the Third Chapter of Lane’s “ Thousand and One Nights.”
In the Preface dedicating his work to the Sultan Nasir-ud-Din Mah¬
mud Shah, our author mentions the reasons which led him to write it, and
this will appear as the Preface to the Translation of his History.
* This, probably, is no other than the celebrated saint of Dihli.
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LOSSAN PALDAN YESE
JOURNAL
OF THE
ASIATIC SOCIETY OF BENGAL.
Part I.— HISTORY, LITERATURE, &e.
No. II. —1882.
Contributions on the Religion , History dfc., of Tibet. — By Baboo Sarat
Chandra Das, Deputy Inspector of Schools , Darjiling.
(Continued from page 75).
VIII.— RISE AND PROGRESS OF JIN OR BUDDHISM IN CHINA.1
CHAPTER I.
BlIDDniSM INTRODUCED FROM INDIA.
Me-tse religious sect. — Previous to the spread of Buddhism in China*
there arose certain religious sects which possessed something in common with
Buddhism. One of those sects was called Me-tse after the name of its
founder. It enjoined every man to devote himself to the service and
welfare of others even at the sacrifice of his own interests, life and body ; it
also taught that the nature of the soul from the beginning is pure and
immaculate, and that only at times it suddenly becomes perverted by ad¬
mixture of impurities produced by evil thought and action.
Li-ye-tse religious sect . — The second in importance among the non-
Buddhist religions is that of Li-ye-tse, who taught that all things depend
for their existence and development on mutual coherence and support.
During this period, there having existed no communication with India,
not a word of Buddha’s name or religion was known in China. But
Li-ye-tse, by his power of foreknowledge, wrote in his own work that in the
West there would appear a self-created noble sage, the performer of
great deeds, capable at will of engaging in the highest degree of meditation,
and passing beyond the region of speech, who would be called by the name
Translated from Difb-tliah selkyi Melon, See Vol. L, p. 187, note 1.
M
l
88 Sarat Chandra Das — Rise and Progress [No. 2,
of Buddha. By this prediction he first made known the sweet name of
Buddha in the country of China.
Chwan-tse. — Again the founder of another religious sect, called
Chwan-tse, saw in a vision that he was metempsychosed into a butterfly.
After awaking from sleep, he reflected on the meaning of such a transient
and empty dream which lavishes all on you and at last vanishes as a
phantom, and inferred that life was an illusion.
Yit-s'i. — Again another teacher named ‘ Yu-su’ (meaning the lord
of the world), who was famed as born of a rose, preached a religion which
forbade the destruction of human lives and instituted the taking of vows for
observing ten moral acts, similar to those of the Buddhists. It also taught
that, the results of virtuous actions being multiplied, the jfious should be
born as gods to enjoy eternal happiness ; that on the other hand, the
perpetrators of sinful actions should be plunged in hell, to be afflicted
with everlasting pains ; and that despite their repentance or confession of
sins, greater damnation would await those who had knowingly and deliber¬
ately transgressed.
All these different sects prevailed in China as can be gathered from
the religious histories of China. They did not spread all over the country,
nor did their influence guide men for any considerable length of time, but
they paved the way for the reception of Buddhism in that vast country.
In the 26th year of the reign of Chou-Wan, the fifth of the Tehu
Dynasty, there appeared, towards the south-western boundary of the king¬
dom, a halo of golden light, the lustre of which illuminated the realm.
The king having witnessed this wonderful spectacle asked the astrologers
what was meant by it. They declared that it presaged the birth of
a saintly personage in that quarter, whose religion, after one thousand
years, should be known in their own country (China). The king recorded
this wonderful phenomenon in the Imperial debthers ,2 It was in that
very year3 that Buddha was born. Some authors believe that it was
the 24th year of the Emperor Chou-wan’s reign. At the age of
twenty-nine Buddha entered on the life of a mendicant, on the 8th
of the 2nd lunar month ; he turned the wheel of Dharma between
the 30th and 49th years of his age, and last of all it is mentioned in the
works of Chinese Buddhists that he obtained nirvana4 in the 79th year of
his age, on the 15th day of the second month.5 Buddha died in the 53rd
year of the Emperor Moo-wan’s reign. In the 8th year of the reign of the
Emperor Mindhi-y un-phan of the great Han dynasty, 1013 years after
2 Records.
3 The year 1882 A. D. = 2835 A. B., after the birth of Buddha.
4 Died.
5 This does not tally with the more correct account of the Indian historians, as
may be collected from several Tibetan chronologies.
1882.]
of Jin or Buddhism in China.
89
the birth of Buddha, Buddhism was brought to China. On an auspicious
day, in the third year of his reign, Mindhi saw in a vision, that a saintly
personage with a golden complexion, bright as the sun, full three fathoms
high, approached his throne from the direction of heaven. In the following
morning Mindhi communicated the night’s dream to his ministers, one of
whom named Eu -ye informed him, that there existed a certain prophecy about
the appearance of a great noble sage in India, of the description that the
king gave, and he begged to ascertain if it was not so. The king referred
to the ancient records, and computing the dates, found that just
1010 years had elapsed. Exceedingly delighted with this remark¬
able coincidence, he despatched a messenger of the name of Wah-
tsun to India, in search of the doctrine of Buddha. During that time,
there lived in India two great Arhats, one called Matanga who was
born of the race of Kasyapa, and the other named Bharana Pandita.
The Chinese messenger besought them to visit his country, in order to spread
the benefits of Buddhism among the teeming millions of his countrymen.
The Arhats welcomed the invitation and equipped themselves for the journey.
A few volumes of sacred scriptures, chiefly of the Mahayana school,
several portraits and some sacred relics, all of which they packed on a
white horse for conveyance, completed the church necessaries with which
they marched towards that distant land. They entered China by the
southern route and were received by the Emperor at a place called Lou-yo-
khyi in southern China. Accompanied by Wan-tsun, the messenger, they
arrived at the palace, while the king, with the greatest demonstration of
reverence, approached to receive them. They presented to the king all
that they had brought from their country. The king expressed himself
well pleased with the presents, and especially with the image of Buddha
which bore a striking resemblance to what he had seen in his vision. The
Indian Arhats performed some miracles which served to strengthen the
monarch’s faith in Buddhism. He built a large temple called Peima-ssi
and engaged his two Indian guests for conducting religious service therein.
Seeing this, the priests of Lo-u-kyun,6 whose religion was then prevalent in
China, remonstrated against the king’s encouraging the new doctrine. They
said that it would be improper to introduce an alien creed dissimilar to the
ancient religion and practice of the country. They also exhibited many
prodigies to convince the king of the superiority of their religion over Bud¬
dhism. The king, wavering much, at last decided that he should test the
merits of both, by casting their respective religious scriptures into fire :
whichever passed the ordeal successfully by being untouched by the fire,
should have his patronage. It so happened that all theTo-u-se6 books were
burnt and the Buddhist volumes remained undamaged. The king being
convinced of the impositions of the To-u-se priests, ordered that their high
6 [Referring to the Bon religion of China, see p. 112, Ed.]
90
[No. 2,
Sarat Chandra Das — Rise and Progress
priests Selou and Chhushen should be burnt alive. The two Indian Pandits
were extolled to the skies. The king with his ministers and a large number
of subjects embraced Buddhism.
On this occasion of the triumph of Buddhism over the To-u-se religion,
the king uttered the following verses :
In a fox are not to be found the virtues of a lion,
The torch cannot enlighten like the sun or moon,
A lake cannot encompass the earth like the boundless main,
The splendour of Sumeru is not to be seen in a mountain,
The blessed clouds of religion encompassing the world
Will rain upon and quicken the seed of universal good ;
All that existed not before, will now appear.
From all quarters, ye moving beings, draw near the Victor (Jina) !
In the great fortress of He-nan-fu, the king erected seven temples, of
which the temple of Peimassi7 was the principal one. He also established
three convents for the use of nuns. The king himself took the vows
of an Upasaka (a lay devotee). More than a thousand men, headed by the
ministers of State, entered monkhood. Once the king addressed the Indian
gacres thus, — “Venerable Fathers, within the environs of my kingdom,
is there no saintly Being residing for the permanent good and protection
of all living beings”? Matana replied: “Yes, Arya * Man jusri dwells in
Kevo-tse-na on the top of Panchagra parvata.” He then gave an account
of Manjusri’s chosen land, which, accompanied by his friend Pandit Bharana
he now prepared to find out. After much search he reached the enchanted
spot which he distinguished from others by his saintly knowledge. He
then reported it to the king — “ During the days of Buddha Kasyapa there
lived a king of the name of Asvakala who, with the help of demons,
constructed 81,000 chaityas, one of which exists on Kevo-tse-na con¬
taining a fragment of the genuine relics of Kasyapa Buddha.” The Em¬
peror, in order to preserve the ancient chaitya, built a lofty temple over it
which is now called by the name Tabotha clihorten. Near it he erected
the great monastery of Shen-thun-su. Among many other religious edifices
that were built by this pious monarch, one is the “ white chhorten” of
Pekin (Pechin). The monastic establishment of Ilevo-tse-na consisted of
620 monks and 230 nuns. The learned Arhat prepared an abridgement of
the Idinayana Aphorisms and Sutrantas in the language of China. This
work, the first Buddhist work in Chinese, is extant to the present day.
Pandit Bharana also translated the five Sutrantas, such as Dasa-Bhumi &c.
but unfortunately they are lost. In course of time Arhat Matanga and
Pandit Bharana died. JMindhi’s successor invited several other Indian
Pandits. Among the first batch Arya-kala, Sthavira-Chilukaksha, Sramana
Suvinaya, and five other Pandits were well-known. In the second batch
7 That is, ‘ the Lord of the white elephant.’
1882.]
of Jin or Buddhism in China.
91
Pandit Dharma-kala and several other Pandits, well versed in Mahay an a,
Hinayana and Vinaya Dharma (discipline), were o£ great note.
The third batch of Indian Pandits, Ganapati, Tikhini and others,
propagated Buddhism in Kinnan and other provinces of southern China,
These, with the Pandits who appeared during the reign of Napo Naan, were
the most learned translators and best linguists. Thereafter, during the reigns
of the thirteen kings of the Han dynasty, fourteen kings of the Jin dynasty,
several kings of Jin-Yugur Su and other dynasties, the Than dynasty of
twenty kings, and eighteen kings of the Soong dynasty successively, Indian.
Pandits and sages were invited to China, all of whom exerted themselves to
increase the stock of Chinese Buddhist scriptures. There also appeared a host
of learned Hwashan8 (Chinese monks and S'ramanas), some of whom visited
India to study Sanskrit and Buddhism. There were others who acquired
great proficiency in Sanskrit without going to India. They were all pro¬
foundly read in Buddhism and wrote numerous elaborate works in the
Chinese language, besides translating many volumes of Sanskrit Scriptures.
They also 'wrote the lives of eminent Pandits of China, who laboured with
wonderful energy for the diffusion of Buddhism. These are to be found
in the Chinese works called “ Histories of religion.”
CHAPTER II.
Buddhism introduced from Tibet.
From the time of the establishment of the Tartar (Hor) supremacy in
China, many Tibetan sages visited China and contributed more and more
to the propagation of Buddhism. The number of translations of Buddha’s
teachings and S'astras increased. Those that were translated after the
reign of king Wendhu of the dynasty of Su were analyzed and
catalogued. Twice during the reign of the Than dynasty and twice
in that of the Soon dynasty, the scriptures were revised, and additions
made to them. All the books that were subsequently written were
furnished with tables of contents and indexes. Last of all during the
reign of the Tartar Emperor, Sa-chhen, the Chinese scriptures were
compared with the Tibetan collections of the Kahgyur and Tangur.
Such treatises and volumes as were wanting in the Chinese were translated
from the Tibetan scriptures. All these formed one complete collection,
the first part of which consisted of Buddha’s teachings (Kahgyur).
To the second part 21 volumes of translations from Tibetan, the Chinese
S'astras, and the works of eminent Hwashan, comprising 153 volumes’
were added. The whole collection consisted of 740 volumes. An analytic
catalogue of all these books was also furnished. In this collection many
S'astras were found which did not exist in the Tibetan collections.
8 The same as Tibetan Lamas.
92
Sarat Chandra Das — Rise and Progress
[No. 2,
In China there were five Buddhist schools :
I. The Vinaya or Hinayana school.
II. The Mantra or Tantrik school.
III. The Mahayana school.
IV. The Gabhira Darsana school.
V. The Sarartha Tantra.
I. Vinaya or Hinayana School.
The Indian sage Matanga who first carried Buddhism into China was
the first of this school in China. His successors, for a length of time
maintained his school, but latterly it dwindled away when Kumara STi was
invited to China. Kumara STi was a great scholar and deeply read in the
sacred literature of the Buddhists. He had also a great fame for
prodigies and foreknowledge. During this time Chandana Prabhu9 was
also invited. King Hun-shi showed great reverence to him. Che-u-
Hwashan and 800 other pupils of the Prabhu were engaged in the great
work of translating the sacred scriptures into the Chinese language. Sermons
and instructions in Mahayana philosophy were copiously given, and more
particularly the vows of monkhood and of the Bodhisattva order were taken
by many. Henceforth the Hwashan of China introduced the system of
entering into the Bodhisattva order — a stage which is only attained after
fulfilling the duties of asceticism of the first order. Kumara STi, together
with Buddha Jnana, professor of Vinaya, Vimala Chakshu, and Dharma-
ruchi and the most eminent of his colleagues, translated the four Vyakaranas
of the Vinaya portion of the sacred literature, and thereby succeeded in
enhancing the teaching of the Hinayana philosophy to the monks.
Sthavira Sanga Varma, another illustrious Buddhist teacher, came from
India to this country (China). The system of the Vinaya school, introduced
by Kumara STi and matured bjr Sanga Varma, still prevails in China.
There is an account of the arrival in China of a famous Sinalese nun
named Devasara, accompanied by ten nuns from India. It is not known
whether she was successful in her attempt to organize the convent system
and of extending the vows of chastity and religious devotion to females.
In the four fundamental truths of religion and in works respecting the
solution of disputes and doubts about them, the Chinese do not differ
from the Tibetans. From among the large body of books of instruction
they selected those which suited them most in respect of their habits and
ways of life ; in consequence of which they differ in some external obser¬
vances from their co-religionists in other countries. They have their own
9 The Chankya Lama, the spiritual guide of the Emperors of China, is believed
to be an incarnation of Chandana, one of the disciples of Buddha.
1882]
of Jin or Buddhism m China.
93
peculiarities. Animal food is forbidden according to their custom. They
do not ride nor drive such animals as are naturally intended for those
purposes. They prefer the smallest kind of mendicant’s platter to the
larger sizes. The mendicant’s raiment is sewn with depressions and
loopholes, in the order and arrangement of birds’ feathers. In China, in fact,
there is but one class of Buddhists, in consequence of which there is no
necessity for the Hwashan to put marks on their dress, like the Tibetan
Lamas of the present day and the Indian STamanas in ancient times,
to distinguish the followers of one school from those of another.
According to the established laws of China, yellow is the sign of
royalty, red being the colour reserved for the ministers and nobles. The
kings of that age, not liking to alter the ancient usage and also to
give a distinctive appearance to the monkish dress, prescribed scarlet
for the clergy. In China, people consider it a shameful matter to appear
in public with naked arms. So they did not choose to adopt the mendi¬
cant’s raiment as prescribed in the sacred books. Unlike the Tibetan
monks who are forbidden to use sleeves, the Chinese Hwashan wear
them.
In later times when Tibetan Lamas visited China, the question of
uniformity in clerical dress arose. The Tibetan Lamas succeeded in
preserving their own uniform, owing to the supremacy of the Tartar10
Emperors over China who tolerated national practices. Up to the present
day, those customs remain unchanged. The Chinese Hwashan dress in
scarlet with sleeved jackets, and the Tibetan Lamas dress themselves in
red and yellow, each according to their national practice.
II. Tantrikism.
The first of all the Tantriks who came to China from India was
Sthavira STi Mitra. He diffused the knowledge of Tantrikism by translating
the Mahamayura and other Dharanis into the Chinese language. Although
contemporaneously with him many other eminent Indian Tantriks came
to China, yet very few books on Tantrikism were translated for the public.
The sage Kumara STi also did not communicate his Tantrik lore to the
general public, but only to one or two of his confidential disciples, so that
Tantrikism made very little progress in China. The little progress that
it made, was due to Yajra Bodhi, a learned Acharya of Malava, and to
his pupil Amogha Vajra. These two arrived together in China during
the reign of the Emperor Than-min hun. Yajra Bodhi instructed
Shi-ye-she-thah-ye and Sherab-thah-ye,11 the two great Hwashan, in
mysticism. Amogha Yajra performed the ceremony of Yajra Garbha
10 Mongol.
11 These are Tibetan translations of Chinese names.
94
Sarat Chandra Das — Rise and Prrogess
[No. 2,
Mandala for the benefit of the king who, on account of his devotion
to Buddhism, was given the religious name of “Repository of wisdom
and knowledge of the triple pitaka.” The astrologers having found that
malignant stars were ascendant on the king’s destiny, he averted the evil
by performing a yajna as prescribed in Buddhist mysticism. Amogha
Vajra also propitiated one of the guardians of the world called Vaisramana
and thereby enabled the king to triumph over his enemies. Being pleased
with him for his eminent services, the king made him a gift of a piece of
land supporting three thousand tenants. He translated seventy- seven
principal treatises on Tantrikism. After installing his pupil, Huilan, in
his place as the high priest, or Vajracharya, he retired to the region of
peace. Although both these two great Tantriks and their pupils passed
for saints and sages, yet Tantrikism did not flourish long but soon declined.
During the reign of the Soon dynasty, Pandit Danaraksliita, Dharmabhadra
and other Indian Pandits visited China, but, being very jealous of their mystic
operations being known to the public, they only communicated the mantras
to a selected few, under solemn promise of not revealing them to the
people. The later Hwashan were taught in only a few of the Tantrik
rites, such as the ceremony Amoghapasa. It was owing to these several
restrictions that mysticism made no progress in China.
III. Vaipulya Daesana (Mahay ana School).
The founder of this sect was Thah-san,13 one of the most famous
Budddist teachers of China. He was a descendant of Tun-kun, the
chief minister of Than kin. He was admitted into the order of monkhood
at a very early age. Being of saintly origin, in intelligence, quickness,
sharpness of mental faculties and aptitude for learning, he was unrivalled
by any boy of his age. While only 11 years old, he committed to memory
t he Yimala-kirti sutra of the Tangur and the Saddharma Pundarika of
Kahgyur, both of which he could reproduce from memory. He first
mastered the Abhidharma pitaka and then studied all the volumes of the
Kahgyur and Tangur collections. At the age of twenty-nine he became
acquainted with the Prakrit language of India, and with a view to travel
in that country, secured for himself a passport from the Emperor. Passing
through different countries, he reached India, and travelled all over
its central and border provinces, such as Kashmir, in all of which he
visited numerous places of pilgrimage. He learnt many of the higher
and lower yanas from several Indian Pandits. Jetari, an illustrious sage,
was his chief preceptor. At the noble monastery of Nalendra, he learnt
the Yogacliarya philosophy from one of its most learned professors,
Danta Bhadra or Danta Deva, who was then in his lOGth year. Some
12 Contraction of Than-Ssen-tsan.
1882.]
95
of Jin or Buddhism in China.
writers identify him with the Acharya Dantasena, the pupil of Vinaya
Deva. He met his chief preceptor Jetari a second time, from whom ha
again received instructions on the Yogacharya tenets. Besides Jetari and
Dantasena, there were other Pandits from whom he received instruction in
Buddhist philosophy. He devoted one year and three months to hearing
lectures on Maitreya’s series of Dharma sastras. In the remaining nine
months of the second year, he completed his study of Nyaya (Logic) .
Since then during a period of three years he studied Indian philosophies
of various schools, and vanquished a certain Brahmanist king in disputa¬
tion. In refutation of heresies, he wrote a work based on Mahayana
principles, called “ The Extinguisher of Heresy,” containing 6800 slokas— -
the excellence of which struck all Indian wise men with wonder.
Again Pandit Haraprabha having written a treatise in refutation
of the Yogacharya tenets, Thah-Ssan-tsah also wrote a volume con¬
taining 8000 slokas, called Ekantasiddha, which he presented to his teacher
Danta-bhadra. All these works being written in the Sanskrit language,
the Chinese philosopher became eminently famous. The people of Arya-
varta gave him the name Mahayana Deva. Some of the Indian Acharyas
became his pupils in Buddhist philosophy, and king S'iladitya and
Kumara, and the king of Southern India called Dhatubhalra and several
other princes treated him with great reverence. Among the numerous
Hwashan teachers who visited India, Than-ssan-tsan was the only one
who obtained the high dignity of Pandit and enjoyed the veneration of
Indian kings. After an absence of seventeen years of which three were
spent in the return journey, he returned to China. The reigning Emperor
of China, Chen-ku-an, received him with the greatest demonstration of
reverence and respect, and Thah-Ssan-tsah -presented him with more than
600 volumes of Sanskrit manuscripts written on palmyra leaves, relics of
Buddha, images, portraits and different sorts of Indian articles. The king
placed him at the head of the monastery of Hun-fussi, where he
employed him, together with other learned Hwashans, in translating 607
volumes of Buddhism including the Sherchin Ashtasahasrika, chiefly of
Maitreya Dharma, also in revising many of the ancient translations. He
rebuilt the monastery of Tshi-ain-ssi or in Tibetan Chambalih. During
that period there were 3,716 religious establishments in China, from all of
which he recruited intelligent and well-behaved monks for his new
monastery. He also admitted new monks. By these means he was enabled
to establish a grand monastic establishment, containing 18,630 monks of
which he became the abbot. After the death of Chen-ku-an, his son Ka-u-
tsun became Emperor. He greatly patronised Thang-ssan-tsang and his
monastery. To every fifty principal monks of Paimin-ssi he supplied four
servants, namely, three apprentice monks and one neophyte. He made
Sarat Chandra Das — Rise and Progress
[No. 2,
96
excellent arrangements for the support of the clergy and appointed the
illustrious sage as bishop of the three great monasteries, Paimin-ssi,13
Hunfussi and Tshi-an-ssi.
Than-ssan-tsan introduced the three orders of priesthood and the
five methods of meditation among the clergy, and wrote commentaries on the
S'at'a-sahasrika, according to the Yogacharya method, eight treatises on his
own system (Vipulacharya), the Lankavatara sutra and many other
sutrantas.
He also wrote many sastras in general, such as Nyaya Sangraha,
Ivriya Sangraha, &c., &c., and devoted all his attention and energies to
diffusing the Mahayana and Yogacharya schools. He erected a lofty
chaitya called Arya Pantha to the south of the monastery of Tshi-ain-ssi,
in which he deposited palmleaf MSS. in Sanskrit of Indian scriptures and
some sacred relics. He collected one million sacred images from various
sources, ransomed 10,000 animal lives, distributed alms to 10,000 men and
offered ten millions of lamps to sacred beings. Having worked for a period
of nearly forty years to promote the well-being of all living beings, at the
age of six,ty-five he was emancipated from mundane sufferings. The
Vipulacharya doctrine of Buddhism, taught by him, was obtained by him
from his teacher Danta Bhadra. The following were the illustrious pro¬
fessors whom he followed :
It was Than-ssan-tsan who first introduced this system of Buddhism
into China. The name Than-ssan-tsan means “ the knower of the three
Pitakas in the kingdom of Than.”14, Prom one of Than-ssan-tsan’s pupils
named Khuhu-ki-fusi, Ti-yan-Shi-han-shehu (teacher of the S'unyata
philosophy) and other learned Hwashans received instruction, and handed
down the system to posterity.
IV. The spread or the S'unyata philosophy.
Buddha delivered this philosophy to Manju Gliosha15 who in turn
delivered it to Nagarjuna. The following were the eminent teachers of
this philosophy : —
1, Nagarjuna. 2, Arya Deva, also called Nila-netra, on account of his
having two spots, as large as the eyes, on both his cheeks. Plis real name
was Chandrakirti. 3, Svami Prajna-rasmi. 4, the Chinese sage Yese-pal
who was miraculously visited by Nagarjuna. 5, Yese-Lodoi, from whom
13 Variously called Pai-massi or Piman-ssi.
14 He was a member of the Than royal family,
15 The same as Manjusri.
1882.]
of Jin or Buddhism in China.
97
it
Ti-chi-tasi learnt it. The last was an eminent scholar who first introduced
this philosophy into China and by his piety and excellent accomplishments,
jDromoted the well-being of his countrymen. In the knowledge of the
Abhidharma, there was none in China to equal him. In the practice and
observance of Vinaya, he is said to have been like a Bodhisattva (saint).
He became spiritual guide to the second king of Thengur in Southern
China and also to king Wendhi of the Su dynasty. In moral merit he was
incomparably great. He erected a monastery called Kw-chhih-ssi, on
mount The-an-tha, and another on the hill called Yu-khyu-wan. In these
two he founded thirty-six schools, and furnished them with complete copies
of the Kahgyur and Tangur. He constructed 800,000 images of Buddha
and Bodhisattvas and miniature chaityas, in gold, silver, brass, sandal¬
wood, &c. He ordained 14,000 monks and had 32 principal disciples, all of
whom were versed in the S'unyata philosophy. He wrote numerous com¬
mentaries on the various branches of Buddhism, besides notes on Buddha’s
precepts delivered at the Mrigarshi grove, the Mahavaipulya sutra, Prajna
paramita and Mahanirvana tantra. He also introduced the study of a
series of books called “ The sacrament of offering obeisance by prostra¬
tions,” “ Tun-min,” “ Tse-yanmin,” “ Beema,” a treatise on mysticism,
Ma-ne,” and “ Sutranta Yidya,” a complete analysis of Dharma and
perfection.
At the request of Kin Wen-dhi, he wrote forty religious treatises and
fifty synopses of the Prajna-paramita, Sadharma Pundarika, Mula Prajna,16
&c., for the use of students of Buddhism. After labouring for thirty years
in endeavouring to propagate the Madhyamika philosophy of Nagarjuna, at
the beginning of the sixtieth year of his age,17 in the 17th year of Khai-hu-
an’s reign, he sat absorbed in deep meditation to pass away from this
life. He vanquished the “ great god” of the Chinese, named Kwan-yun-
ckhan,18 or “the lord of clouds and thunder,” and bound him under a solemn
oath to defend Buddhism in China. He had thirty- two principal disciples
of whom the following were the most remarkable for their learning and
purity of life :
(1) Tan-an-tsun-che.
(2) Fu-hu-wa-tsun-che.
(3) Tun-yan-the-an-tsun-che.
(4) Cho-shi-lah-tsun-che.
(5) Kin-shi-tsun-che.
Among his spiritual successors, one named Tha an-thai-tsuh who
spread his system in the southern province of China called Kin-nan, became
16 Commentary by Nagarjuna.
17 On the 24th of mid- winter month,
18 Also-called Kwan-lo-yu-yer.
98
Sarafc Chandra Das — Rise and Progress
[No. 2,
very eminent, while the northern part called Tun-yu-an, adopted a differ¬
ent school. Commencing with Ti-che, spiritual father and son, and during
the five spiritual successions — viz., (1) Dhi sin-fu-sun-da-shee, (2) Yun-hu-
wa-ti-yan-da-shee, (3) Shi-an-she-hu-fa-tsan-dashee, (4) Chhin-li-han-
chhin-kwa-shee, and (5) Ku-hi-fun-chun-meedashee, the study of
t( Phal-chhen” was chiefly pursued by Chinese Buddhists. The same
practice has come down to the present day and it must be admitted
that Phalchhen is the favourite scriptural work of the modern Chinese
Buddhists. The fourth chief Hwashan, named Chhin-li-han-kwashie
also known by the name of Then-kwan, meaning Vimala-drishti or
“ clear sight” became the abbot of Revo-tse-na, for which reason he wras
called Chhin-li-han-kwashie. He flourished during the reign of Than.
Min-hu-an, and was well versed in the ten branches of sacred literature
as well as in the science of government. Through the religious sanctity
and purity of his life, he obtained sainthood. Although he did not visit
India, yet he had mastered the Sanskrit language and could fluently
converse in it, nor did he require any interpreter to explain Sanskrit works.
He had a gigantic frame, nine cubits high ; his hands hung to his knees ;
he possessed forty teeth ; his eyes were scarcely seen to wink ; and the
very sight of his monstrous person struck men with awe and reverence.
Th roughout the country of China he was famed as a Maha Pandita,
who had no rival. The illustrious Chankya Binpochhe Rolpai dorje, the
spiritual guide of the Emperor Chhin-lun, in his hymns, on the story of
Revo-tse-na describes this great Pandit as an incarnation of Maitreya
Buddha. Other writers believe him to have been an emanation of Manju
Gliosha. Among the Chinese, he was the greatest scholar in Phal-chhen,
on which subject he wrote three large commentaries. Among his principal
works the following are well known: — (1) “Vows,” (2) “the Mirror
of Dharmat,” (3) “the Mirror of Lamp of S'astras,” (4) Bodhisattva
Pancha Marga, and other synopses of the triple pitakas, (5) three hundred
detached treatises of Sastras. It is universally admitted that a greater
scholar in Phal-chhen never appeared in China. He lived one hundred
and two years, during which time he became spiritual guide to seven
kings in succession, and taught the sutrantas several times. His school
is known by the name of “ S hi-an-she-hu.” Its tenets differ very little
from those of Than-ssan-tsans, the difference being in the ways
prescribed. The 21st spiritual successor of this great teacher named
Khu-an-fu thai-fa-shee became celebrated for his learning. Pie is said to
have been miraculously visited by Maitreya, while going on a pilgrimage
to llevotse-na. Although the school founded by Pfishi, and his spiritual
son, continued for a long time, yet it wrought very little change in
the religious persuasion of north and south China.
1882.]
99
of Jin or Buddhism in China .
V. Fifth Sarartha-vadi School.
This is the most ancient school of India, derived from Buddha and
handed down to his spiritual successors directly. The following is the
order of succession in which it has come to posterity :
Buddha, Mahakasyapa, Ah i an da, Shanabastri, M a d h y am ah n a , U p ag u p t a ,
Dhitika, Arhat Krishna, Sudarsana, Vibhaga, Buddhananta, Buddha Mitra,
Panasha, Asva Gliosha Mashaba, Nagarjuna, Aryadeva, Rahula-bhadra,
Sangananta, Arhat Ghanasa, Kumarata, and Sha-ya-ta.
IX. ANCIENT CHINA, ITS SACKED LITERATURE, PHILO¬
SOPHY AND RELIGION AS KNOWN TO THE TIBETANS.1
The name of this great country in its own language is S'en-te-hu
(S'en = God, Tehu = land) or the celestial country. Some authors
identify it with the fabulous Continent of Lu-phapa.
The people of Aryavarta call it Maha China, where Maha means
great and China is a corruption of Tshin. Among the sovereigns of China
She-’hu-hun, king of the province of Tshin, became very powerful. He
conquered the neighbouring countries and made his power felt in most
of the countries of Asia, so that his name as king of Tshin was known
to distant countries of the world. In course of time by continual phonetic
change, the name Tshin passed first into Tsin and then into Chin or China,
whence the Sanskrit designation Maha China or Great China. The
Tibetans call it Gya-nag, (Gya “ extensive” and nag “ black”) or people
of the plains who dress in black clothes : for all the Chinese dress in blue
or black. So also the Tibetans gave the appellation of Gya-gar to the people
of India, on account of their wearing white dresses. According to the
ancient historical records, many religious schools and customs originated
in China. Of these, three were the most important, viz., She-hu, Do-hu
and Jin. The first, She-hu, partakes more of a literary than of a religious
character. We shall therefore treat it as literature. According to Sam-
bhota, the father of Tibetan literature, letters are the origin of all science
1 Translated from Dub-thah-selkyi-Melon. See Vol. L, p. 187, Note 1.
100
Sarat Chandra Das — Sacred Literature , etc.
[No. 2,
and speech : they are the rudiments of words and their significations : to
the formation of letters, religion owes its success : but for the principles
of reading and writing, the progress of work, knowledge and science in the
world would have come to a standstill.
The first sovereign of China, King Fold, was a very accomplished
prince, possessed of an intellect quick, powerful and discerning. With the
aid of his wise minister Tshankye he first invented the art of writing and
gave to the letters their form, power and inflection or orthography. He in¬
troduced the system of writing on bamboo slates with waxen pencils. His
characters were of a rounded shape called Ton-tse, and it was during
the reign of Tshin-slii-huh that his minister Li-si invented the running
hand which were called Li-si after his name. His General Minthe-yan
invented the brush pen made of hare’s hair, and with ink prepared from the
smoke of pine-wood painted the characters on silk cloth. Afterwards
Tshai-wan of Nag-rum invented paper. Then, by the invention of a
neater sort of characters called khya-i-si (and the cursive called Tsho-u-si)
a more convenient and easy method of writing was introduced which gradu¬
ally displaced the earlier systems. Many works were written which illustra¬
ted the simple and childish character of the earlier people. . Li-si and Min-
the’s systems of slow and quick handwriting were found unfit and rude and
so fell into disuse.
The first king Fo-hi wrote a large treatise on the art of divination
and astrology called Khyen-shan which is the earliest work of the
kind known. He also wrote a book on Ethics, called “ The perfect and
judicious behaviour.” Then appeared the five literary and moral works
called by the general designation of Ookyins, viz. Yeekyin Shee-kyin.
Skoo-kyih, Lee-kyih and Chhun-chho-u. The authorship of Yeekyin
is attributed to Fohi, the writers of the remaining four being unknown.
She-hu is also a well-known term for that science which treats of the re¬
gulation of the customs and manners of a nation.
CHAPTER I.
Ethical philosophy.
The works on this subject are very interesting. The founder of this
philosophy was the famous sage Khuh-fu-tse (in Tibetan Kon-tse, the
latinized Confucius). He was born not long after the birth of Buddha.
In the latter period of the Te-hu dynasty, during the reign of Te-hu-
win, Khuh-fu-tse was born in Shan-tu one of the thirteen great divisions
of China. His biography is well known every where in China and he is
universally believed to have been a particularly sacred personage. The
present laws of China and the ethical works, so well suited to the welfare
1882.]
of Ancient China.
101
of all classes of men, are all founded on the Code of laws first drawn up
by this great philosopher. From that time to the present day, for a period
of more than two thousand and five hundred years, during which time China
has witnessed many political changes and revolutions, the downfall and growth
of many dynasties, the laws of Khun-fu-tse have continued to regulate
and govern the manners and customs of the whole community from the Em¬
peror to the meanest subject. So wise and excellent are those laws that
they have undergone little change in the course of time. Being the first
and wisest preceptor of the monarchs of China, the portrait and name of
Khun-fu-tse are adored and venerated by every sovereign who succeeds
to the celestial throne. This ceremony handed down from generation to
generation has got the sanction of antiquity as a heritage to the Emperors
of China. The descendants of Khun-fu-tse enjoy the second order of the
Empire as an hereditary honour, in token of the high regard due to the
memory of the wisest man born in China. The Tibetans believe that
their celebrated Sron-tsan Gampo was an incarnation of Khun-fu-tse — -
one of miraculous birth — in whom was manifest the spirit of Chenressig,
Some authors conjecture that Khun-fu-tse was the inventor of astrology
from the few verses bearing his name and praise, which head almost all
the astrological works of China and Tibet. He is also believed by some
people to have been the inventor of handicrafts, manufacture, techno¬
logy &c. It was Khun-fu-tse who first taught philosophy and literature
in China, but he wrote only a few works on those subjects. His pupils and
followers made copious additions to and improvements on his works, which
were revised and annotated. The works so annotated and revised which
served as guides to the scholars of China, are four in number, viz. : — Ta-
she-u, Chun-yun, Loon-yu and Men-tse. The outlines of Ta-she-u,
drawn up by Khun-fu-tse himself, were enlarged by his pupil named Chon-
tse from hints taken from him. The second work Chun-yun was composed
by Tse-se. The third work Loon-yu was attributed to the joint authorship
of Tse-le-u Tse kyan and Tse-sha. The fourth work Men-tse derived its
name from that of its author. These writers were either Khun-fu-tse’s
pupils or pupils of his pupils. From the time the Te-hu dynasty was founded,
literature made rapid strides in China and the number of literary works
greatly increased. There grew up during this time, (as afterwards), a number
of scholars (not less than 100) who interpreted these works and wrote com¬
mentaries on them. The statutes and laws which uphold the government
were drawn up during the reign of Hwanku by a learned scholar named
She-u-hu, on the basis of Khun-fu-tse’s works. A few years afterwards,
Tse-u-fu-tse, a great philosopher, wrote many original works which, even
at the present day, are considered as great authorities and works of refe¬
rence. Again, there are five other works, called Kan- che n, which resemble
102 Sarat Chandra Das — Sacred Literature , etc. [No. 2,
the Deb-thers or Historical records of Thibet in subject matter ; besides
they contain many literary and philosophical notices which come more
properly under the heading of She-hu, Astrology or the art of Divination.
The earliest written encyclopaedia of Astrology is the chief repository
of Yeekvin, the first of the Uhu series. The art of divination called
• j *
Porthan which was brought into Tibet during the reign of the Than
dynasty was obtained from this great work. In early times, as stated
above, there reigned in China the Hun dynasty of three kings and that
of Dili of five kings. During the reign of Fohi (whose name is also written
as Hpushy), the first of the Hun kings, there came out from the great river
He in the province of Henan (modern Ha-nan) a monster called Lun-ma
having the body of a horse and the head of a dragon. On the back of this
hideous monster there were eight figures or Mudras (called Pakwas in
Chinese), curiously inscribed. The eight Pakwas being multiplied to
64 by permutation, a work was written under the name of Lyan-shan
(chief work). The figures on the back of the monster were called
He-tho-hu ; tho-hu in Chinese meaning “figures” and He being the
river from which the monster issued. This earlier account of the origin
of the Pakwais called the “ First Heavenly System.” Afterwards a learned
man by the name of S'en-non wrote a work on the Porthan, called
Ku-hi-tsan, based on the first work on divination. It is also said that
it was brought down by an eagle from the mountain called Swan-ywan.
It is related by some writers that there is a work which was composed
from the cry of an eagle. The third monarch of the Hun dynasty named
Yee-khyun (written as Yihi-shyin), by accurate observation of the heavenly
bodies and by assigning the distinctive signs of male and female to the five
elements, formed the ten fundamentals3 (and gave the names of mouse, bull,
&c., to the twelve concatenations or Denclals 3 named the divisions of time,
viz., — years, months and days). All these were represented on a globe,
2 The five elements of astrology —
1. Tree, Male and Female.
2. Fire „
3. Earth „
4. Iron ,,
5. Water ,,
3 The Sanskrit words corresponding to the 12 Dondals of the Tibetan astrology
or causal connection on which the existence of the human soul depends are : —
103
1882.] of Ancient China.
called Hun-thyeu-yi constructed by him for the purpose. The clocks (Tse-
men chin) and watches (Pe-yo-hu) of modern China are prepared after
those illustrations. Moreover, the invention of chariots, boats, forts, ten
sorts of musical airs and the use of arms were attributed to him.
The later heavenly system .
The fourth king of the dynasty of Te-hu named Yo-hu-tho-hu-
than-shi, was, in the year tree-dragon (the first of the heavenl}7- years
according to this system of calculating time), presented with a wonder¬
ful tortoise by a man from the south named Yui-shan-she. By carefully
observing the figures and marks on the tortoise’s shell, which were supposed
to expiess the names of divisions of time, the king improved the former books
on astrology and the art of divination. From that year to the fire-dragon
year of the 12th cycle when the Emperor Chheu-lun ascended the throne,
there elapsed 4092 years. There are legends which relate that a subject
presented a wonderful tortoise to king Yo-hu, but there is no record of
his utilizing the marks on the shell for the purposes of astrology. It is
stated that king Shi-hu-yohi obtained a wonderful tortoise of miraculous
origin from the Iliver Loo of Hanan, and by reading the astrological symbols
and marks known as Pakwa, found on its shell, wrote a large treatise on
“ divination.” He gave the name of Loo-tho-u4 to it, from Loo, the river
whence the tortoise came cut.
The period during which the heaven and earth remained one and undi-
vided,5 was known as Nam Na, and the period when they became separated
and distinct from each other, as Nam Chhye. During these two periods,
and also previously, the science of Pakwa or astrology and divination is said
to have existed in itself, in consequence of which it is considered as ever
unchangeable. It is not stated in the Chinese books that the “ great
tortoise” is the prime cause of all things, as is fabled by Tibetan writers
on astrology and the black art, after the above account of the wonderful
tortoise of the Chinese from whom undoubtedly they have derived their
knowledge of astrology and divination. The following are the verses on
which the Tibetans, after the Chinese, base all their knowledge of astrology
and of the position of the earth.
4 Tho-hu meaning the book of symbols .and signs.
5 From this it must not be understood that the first work on divination written
from the figures on the horse-dragon, was composed before the formation of the IJeaven
and Earth from chaos. The name Nam Na is used to distinguish its priority to that
which immediately followed it.
O
104
Sarat Chandra Das — Sacred Literature , ete.
[No. 2,
The principal root of astrology.
Is the great- golden tortoise.
The tail to the north and the head above.
The right and left sides lie east and
west.
The limbs extend to the four quarters
On which lies supreme
The world Jambudvipa and rests.
Tsug-lag-tse-kyi-tsa-va-ni
Ma-ha>ser-gyi-rus-bal-de.
Go- vo Lhor-dan Jud-ma
Chyan.
Shog-yeshar-la-shog -yen-
nub.
Yau-lag-shes-po-tsham-zi-
knan.
Gan-kyalne-pade-ye teng.
Dsam-lin Jig-ten Chhag-
par-dod.
Wen -wan father of the first king of the Chigur dynasty who was a
saintly personage revived the first work on astrology written by Fohi. The
later heavenly system of astrology, based on the symbols and marks on
the tortoise’s shell, was revised and improved by Che-hu-ween. Altogether
there were three great works on astrology written at three different
times, the first being Le-an-shan’s, the second Ku-hi-tsan’s and the third
Wen-wan’s — all well known in China. During the latter period of the
Te-hu dynasty, the wicked and stupid king of Chhen-gur in utter ignorance
of the worth of astrology, and apprehending danger from the existence of
astrological works which in his eyes appeared ominous and fraught with
evil, ordered them to be burnt. The first two works were destroyed,
but fortunately Wen-wan’s work survived, and it is *on this that the
modern astrological works of China are chiefly based. Wen-wan’s son,
Chi-hu-kyun, revised and illustrated his father’s work. Khun-fu-tse
is said to have improved upon the writings of his predecessors, but this is
questioned by some writers who doubt if he ever wrote on the subject of
astrology and divination. Another painstaking author wrote a small treatise
on astrology, based on Che-hu-kyun’s work. One of Khuii-fu-tse’s
pupils is said to have drawn up some astrological formulae under the name of
Ski-chin, which were ascribed by some to Khun-fu-tse himself. Probably
people mistake this book for Khun-fu-tse’s. Among the ancient writers
of China, Fohi Wen-wan, Chi-hu-kyun and Khun-fu-tse are famed as
four saintly authors. Old men of Tibet believe that the art of divination
was first discovered by Manju-sri, the god of wisdom, on the summit of
Revo-tse-na. Other accounts, stating that it was given to the world by the
goddess Namgyalmo (S. Vidya) and by Padma Sambhava, also obtain credit
in Tibet, but are mere fabrications, having no more truth in them than those
ascribing the origin of astrology to Buddha.
1882.]
of Ancient China.
105
Medical Works.
The second king of the Huh dynasty named Yan-dheu-shen-hun-shi
was the first who wrote on medicine. To feel and understand the pulse
and to divine human destiny by an intimate knowledge of the fundamental
elements were the principal subjects of his works. This latter science6
was unknown in India and other countries. The four great classes of
Tibetan medical works are said to have been based upon the above named
early Chinese works. The five fundamental elements of the Chinese are
quite dissimilar to those of the Indians, being tree, fire, earth, iron, and
water, while akasa has no place. Tree probably supplies the place of wind,
but it is not easy to understand how iron could be imagined to be a subs¬
titute for akasa.
Music .
Yu, minister of King Shun, discovered the use of the five Khin or
Sanskrit Tar and the twenty-five tones of music called Shee in Chinese or
Sur in Sanskrit. He wrote a book on songs and musical performances
called Sho-hu. The Tha-shi dance of Tibet of the present day was based
upon this Chinese mode. There also appeared many original works on
rhetoric (Alankara Vidya) in both the periods. The number of figures of
speech in the Chinese language is greater than in Tibetan.
Works on history, technology, selection of lands, physiognomy, and
prognostication existed from an early age. The number of works on
these subjects increased in latter times, but they are not classed as great
works.
She Am or an exposition and vindication of the Confucian philosophy.
With regard to religious faith among the She-hu scholars very few
persons possess the “ predisposition to piety” (according to Buddhistic
principles). The majority of them, content to limit their aims to this
life, are careless whether their future after death be one of happiness or
damnation, while others look upon this life as the consequences of Karma and
Phala. They argue that had it been true, Khun-fu-tse and King Fo-hi
would have mentioned it in their works, which contain no such account.
Both King Fo-hi and Khun fu-tse who were distinguished for their pro¬
found wisdom and learning were, no doubt, aware of those religious principles,
but omitted them in their works, owing to the people of the age not having
been so far advanced as to comprehend the triple pitakas of Dharma. The
6 The science of predicting human destiny by marking the pulsation is different
from palmisty which was known in India.
106
Sarat Chandra Das — Sacred Literature , etc.
[No. 2,
works called U-hu-jin and Ssi-shi-hu, &c., treated of such matters of
worldly utility as would meet the requirements of the age they lived in,
and would pave the way for the future reception of Buddhism. Fo-hi and
Khun-fu-tse did not speak a single word against Buddhism like the
unprincipled Charvakas who reject the theory of the transmigration of
souls and the inevitable consequence of Karma and Phala. Once, one of
Khjan-fu-tse’s pupils asked him what would be the state of man after
death. Khun-fu-tse answered that he could not say that there was no
future existence : that it was so mysterious and unknown, that he could not
hazard any opinion on it : but would presently explain all that was conceivable
and open to cognition. Again once while he was explaining some meta¬
physical points respecting the supreme being, one of his pupils, Wuen-fu-hu,
questioned him thus, “ Sire, if there is a great being as you mention, what
and where is he ? Is he so and so ?” Khun-fu-tse having replied in the
negative, the pupil asked if he (Khun-fu-tse himself) was not that being ;
“ No, how could I be like that supreme being ?” replied Khuh-fu-tse. “ If
so” retorted the pupil, “where must he be?” Khuh-fu-tse said, “ such a
being is born in the western quarter” (by which he evidently meant Buddha).
In the works of these two personages there are some mysterious passages
which appear like the aphorisms of Buddhism, capable of a higher
signification than the mere earthly objects they are taken to mean-
The text of Yee-kyin in some respects resembles the Tantrik philosophy
of the Buddhists, as has been explained by the most learned Lama Chan-kya
Rolpai Dorje. During the supremacy of the Jin dynasty, two eminent
Chinese scholars named Hwa Shah Fo-shen and Dhu-hu-min, wrote com¬
mentaries on both She-hu and Dohu, in which they pointed out many striking
resemblances to the theories of Buddhism. In a later work called “ The
History of the rise and progress of religion (or Chhoijun)” being an
exposition of the works of the great She-hu teacher Khuh-fu-tse, it is
found that his teachings were akin to those of Buddhism. Khung-fu-tse’s
works avowedly treat on ethics and on public utility for the benefit both
of individuals and of nations, but essentially they point to saintly wysa.
Those who have studied Buddhism critically, can easily perceive the similarity
between Khun-fu-tse’s teaching and that of Buddha, but the general
readers of Khun-fu-ste may not form any sound judgment in this respect.
Of the classes which go by the name of U-hu-chin, five viz., Yin,
Yee, Lee, Kyi, and Sheen, are the principal works. In the Chinese language
they are called U-hu-chhan or one’s own doctrine, behaviour or morality.
The first, Yin, inculcates mild and gentle behaviour ; the 2nd, Yee,
treats of affection, cheerfulness, and good humour; the 3rd, Lee, of
manners and customs; the 4th, of wisdom; the 5th, of a calm and firm
mind. The four well known ethical works called Ssi-she-hu are mere
1882.]
of Ancient China.
107
applications of these five subjects. Those who in China carefully master
these five subjects are regarded as sages, those who can practise them, as
saints.
Origin of Heaven , Earth and Men according to the u Ye-Jcyin ”.
In the beginning, before the formation of Heaven and Earth there
existed nothing but “ Hun tun” or void, which evolved of itself and was in
a state of chaotic agitation from eternity, until it fell into utter confusion and
disorder. In this state of chaos, the order, distinction, cognition, classifica¬
tion and nomenclature of things were unknown. The Chinese account bears
a striking resemblance to the account as to the origin of the world in all
Tibetan works on mysticism that in the beginning there existed nothing
except void from which the world arose. In that chaotic state there was
the virtue of “ The-ji” that is, the supreme nature, matter and self-existent
energy. Just as we have the innate power of distinguishing different
things in ourselves, so the primeval chaos possessed the virtue of giving
rise to distinct existences. From its internal agitation, it produced first of
all Namha (species), and nature, which were like male and female. Again
these being endowed with a virtue like the germination of the seed by
the union of the male and female elements, divided themselves into the
“ Tsha-shin,” i. e., the fourfold distinction into (1) great male, (2) little
male, (.3) great female and (I) little female. Afterwards from the union
of those two species sprung the Pa-kwa or Tibetan Parkha and Choo-gun
or the nine mansions with forty-five gods residing in them. Thereafter
from the virtue of these two, light and clearness came forth. All light
substances flew upwards from the ocean of chaos, the thin and at¬
tenuated things resting on the surface. When this separation took place
the upper region or Heaven (or Thain) was produced. This was called
the age of the formation of Heaven (Nam Nama). All heavy (Sanskrit
guru), thick, unclean and ponderous substances sank to the bottom and
formed the Earth called Tee. This is called the age of the Earth’s
closing. When Heaven and Earth were produced, the shining lustre of
the former radiated from above and the bright effulgence of the latter rose
upwards. These two, united together, produced “ Man.” This age was
called the period of the formation of Man. Heaven, Earth and Man
are possessed of three virtues or potential energies and three aims
(designs). In works on mysticism a similar description is given. Heaven
is said to have been anciently the father and Earth the mother. These
two meeting together produced a sound, whence emanated Man. The
Tibetan “ Nam” or Chinese “ Thain” means both Heaven and potential
Energy. Tibetan “ Sa” or Chinese “ Tee” meaning Earth is purely matter
that has productive powers.
103
Sarat Chandra Das — Sacred Literature , etc.
[No. 2,
Parkha or Pakwa or Mudrd Symbols.
Chinese Chooguh or Tibetan Mevagu. English nine mansions of the 45 gods.
Tibetan cbikar ninag sum thin shijun naser tugkar dunmar gyatkar gumar
English white black blue green yellow white red white red.
No. of Mansions 1 23 4567 89
Again, the blue sky (or the middle illuminated atmosphere), and the
Earth are both called the world. Vulgar people say that the Heaven is
of dark blue colour and the Earth four-sided. According to this system
only nine heavens are mentioned without a word about their disposition.
The Tibetans alone hold that there are nine strata of earth, one above
another and nine heavens in regular succession. The great period counted
from the beginning of the formation of Heaven, Earth and Man till their
destruction is called Yi-yvan (iEvum). The measure of time in one
Yi-yvan is equal to 129,600 human years of the Hindu system or “ kalpa.”
After the destruction of Heaven, Earth and Man, Huntun and Theji will
be convulsed to form a second chaos, from which there will be a renewed
formation of the world.
Man is like the effulgence or the essence of all conglomerate matter.
The Chinese do not recognize the theory of the four ways of birth, viz.,
from the egg and the womb and the manner of production of insects and
plants. According to them, man was not born in tlie beginning but
formed after the manner above described. The earliest writers do not
appear to hold that the Heaven, formed after the dissolution of Chaos,
possessed any visible appearance or magnitude, nor do they explain what
will be the state of man after death. They neither enumerate the six
classes of living beings, nor describe how they were produced. Latterly an
eminent Chinese writer called Chou-tse, who was acquainted with the
works of the Buddhists wrote as follows : — After death, those portions
of the mind and soul or the spiritual effulgence, obtained from the Father
consisting of the Three Pranas (called Sanhaon) fly towards the skies and
became absorbed in S'en (divinity), while the six parts (consisting of
spiritual emanations) obtained from the mother (Lehu-pho) go down
towards the earth, and mix with the spirit called “ ku-hi” or the devil.
All the Chinese authors attributed the happiness and sufferings of this
world to The-han (Thain) or Heaven. The same theory prevails now all
over China, the Heaven of the Chinese bearing some resemblance to the
idea of the Supreme Being. According to them, pigs, sheep and other
animals (as well as herbs and vegetables) being designed for human
1882.] of Ancient China. 109
consumption by The-han, there is no harm in killing them. The Chinese
adore many gods endowed with a visible shape among whom Yoob-Hwan
is well known. They also worship a multitude of devils. They pay
homage to dead bodies and, under a belief that the manes of the dead,
though in Hades, can enjoy earthly pleasures, offer them meats and other
edibles. Some of their customs are formed by affinity with those of their
neighbours the Lalos and To-u-se. There are also some customs which
are e vidently borrowed from the Buddhist creed.
Khuh-fu-tse>s teaching compared with the doctrines of Buddhism.
Khun-fu-tse in his work on the fundamental formulae called Ta-she-hti
while describing the manners and attributes of a “Teacher” says, that
liberal and enlightened accomplishments depend much upon clear judgment
and understanding. The doing of good and contributing to ennoble others
depend first on one’s own goodness and excellencies. After the acquire¬
ment of knowledge it should be retained, when it is comprehended it
should be practised. When it is practised it will produce happiness,
when it has imparted happiness, it can be utilized in teaching others, when
it is communicated to others, knowledge is acquired. Thus by progressing
further and further from the origin or beginning of learning, the ultimate
object can be obtained. It is easy to understand the apparent meaning
of his words which generally relate to the enumeration of moral virtues
pertaining to this life, but a mystic and deeper meaning pervades them all,
which may be interpreted thus : — By enlightened knowledge he meant,
the clear knowing of what the true and false ways (of religion) are, which
he exhaustively illustrated in his chapter on the “ duties of a Teacher.”
By ennobling others and leading them to good &c. he meant that, in order
to be able to do good to all animate beings and to lead them to the real and
true end of existence, one must first himself arrive at perfection. When
he has first become good, others will follow him. Having himself obtained
happiness, he will be able to conduct others to happiness, who have not
already obtained it. After reaching perfection himself and bringing
others to it, right discrimination is attained when he will know the
means of emancipating himself from transitory existence. Thus by
progressing further and further he will see the beginning and end of
all knowledge. From this, it is evident that Khun-fu-tse’s doctrines
were akin to those of the omniscient Buddha. The maxim, “ First mature
yourself and after you have done so, try to mature others” and others of a
like nature correspond with those contained in the Mahayana philosophies.
Although the name of Buddha was unknown to Khun-fu-tse, yet
in saying “ gone to the extreme limit of knowledge” he must have
meant an exalted state of being, closely resembling that of Buddha.
110
Sarat Chandra Das — Sacred Literature , etc.
[No. 2,
Thus he approached very near to Buddhism in that twilight of civiliza¬
tion. The Chinese scholars who, by critically studying Khun-fu-tse’s
works became learned, are given the title of “ Shyan-shen.” lor having
mastered the ancient classics, they are called wise men. Above all, when they
have mastered the. above -mentioned five classical works and can elaborately
elucidate the formulae and riddles, they are styled Sho-hu-tsha or Chwan-
ywen. Thus by studying the classics they become learned, and then by
acquiring a knowledge of the laws of their country, they become possessed
of a knowledge of things. Having acquired both kinds of knowledge,
they discharge the duties of the administration of their country. Such
learning qualifies them for preferment in the government of their country.
Learning alone opens to them the chances of reaching the highest offices
in the land including those of Governor and Minister of State. It is
such literary distinctions that raise men in China to rank and position in
utter disregard of birth or riches. All public offices in China are in fact
open to competition.
Among the theological distinctions of China the three highest are —
Shyan-shen equivalent to Tib. Ge-she = neophyte.
Sho-hu-tshahi ,, Tib. Kahchu = monk who has observed the 10 Command-
Chwah-ywan „ Tib. Eabchyam = superior monk. [ments.
As by proficiency in classical studies men are raised to governorships
in China, so in Tibet scholars of sacred literature are placed at the
head of all religious institutions as prefects and high priests. But
now-a-days the number of such erudite scholars is very small both in
China and in Tibet. There are some Khun-fu-tsist saints who being
profoundly read in the great classical works of China, regardless of high
preferment in government service, of commercial emoluments and of the
pleasures and allurements of a worldly life, betake themselves to ascetism
and a life of seclusion in caverns of hills or in the solitudes of the
wilderness. They take such students as are willing to accompany them,
and do not care if they get none. These men are like Buddhist hermits
who pass their days in solitude, devoting their lives to study, meditation,
and asceticism, but it must be admitted that there are few such in both
countries. It appears from his writings that Khun-fu-tse had veneration
for Buddha although Buddhism was not in existence in his age. In his
works he neither remarked as in prophecy that Buddhism was good or
bad. Chau-fu-tse, another writer of fame, evidently had some knowledge of
Buddhism. In his writings he speaks in commendation of it rather than
with any dislike. Subsequently one Cho-u-tse wrote blasphemously of
Buddha. He was happy in his discussions on other matters but not in
those on Buddha. He argued thus: — As the prosperity and happiness
of a nation arise from the king’s virtue, it is the king’s first and
1882.]
of Ancient China.
Ill
prime duty to treat his subjects kindly. One’s own body being derived
from bis parents, they are bis great benefactors. Among bis subjects
those who are intelligent, industrious, learned, able and powerful should
help their king in the administration of the State and in war. The people
generally should in return help him with tribute, revenue and presents.
Again it will be the duty of all men to respect their parents besides sup¬
porting them and ministering to their wants ; and after their death
to honour and pay homage to their manes and bones. — Thus his moral
sayings are excellent, but at the end he rushes into blaming Buddha : —
“ Afterwards one S'akya Muni, unmindful of his duties towards his king and
parents and forgetful of their kindness, quitted his home and preached a
religion of which selfishness is the leading feature, inasmuch as it enjoins
on each man separation from the world and care for only his own
food and clothing. This religion being introduced into China during the
reign of the Emperor Hwan-min-yun-phih, many a family became
destitute and extinct. The excellent creed of ancient times faded away
as the new one progressed.” But, indeed, the religion of Buddha does not
specify one’s duties towards his parents and the king, but aims at a wider
good, — the good and well being of all living beings of the world by freeing
them from miseries and sorrows not only of this present life but also of
all transitory existences. The aim of Buddhism is to know how to lead
all living beings from misery and grief to a state of endless beatitude.
So that there is a vast difference between the doctrines of Cho-u-tse and
those of Buddha, the aim of the former being as small as the point of a
needle, while that of the latter is as wide as the immeasurable Heavens. The
writings of Cho-u-tse with the exception of some vilifying expressions to¬
wards Buddhism contains not a word of argument and refutation. They
only contain some erroneous views besides some commonplace principles.
Since the introduction of Buddhism into China to the present day all
the monarchs, with the exception of one or two, were devoted followers
of the Buddhist faith in consequence of which such insane observations
as those of Cho-u-tse and other profane writers, have been as ineffectual in
their aims as echoes returned by rocks. Nowadays there are some among
the vulgar classes who obstinately follow these stupid writers who can
show no reasons but bark like old dogs.
p
112
Sarat Chandra Das — Sacred Literature f etc.
[No. 2,
CHAPTER II.
To-u-se or the Bon (Pon) religion oe China.
The chief god or teacher of this most ancient religion of China was
Lo-u-kyun. He is both god and man. As a god he is called by the
name “ Thai-shan Lo-u-kyun” which in Tibetan means the chief lord
of goodness. He is said to have appeared when, according to the Chinese
account, Heaven and Earth were first formed. Some writers identify him
with the god Brahma, which conjecture is accepted by many. In the begin¬
ning of the formation of the world the great Brahma formed the superb
mansion of the gods and thereafter the Earth, which accounts agree with
those given of Thaishan Lo-u-kyun as well as with the signification of
his name “ Brahma built the world.” Lo-u-kyun from that period to
modern times is said to have sent forth 81. emanations among which
the great teacher Buddha is counted as one, just as the Brahmanists
reckon him (Buddha) as one of the Avatars of Vishnu. The human Lo-u-
kyun was an incarnation of the divine Thai-shan Lo-u-kyun. He is
believed to have been contemporary with Khun-fu-tse. After a stay
of 82 years within his mother’s womb he was born when all his hair had
turned grey, for which reason he was called by the nickname Lo-u-tse or
the grey-haired old man. His followers addressed him by the name “Lo-u-
kyun” the honorific equivalent for Lo-u-tse. Having obtained 72 chap¬
ters of what are called “ heavenly scriptures,” from a certain cavern of a
hill, he became a religious teacher and preached the religion called “ To-u-se.”
The famous Chankya Rinpochhe Itolpai dorje observed that this Lo-u-
kyun is identical with S'en-rab of the Tibetan Bonpo7. In Chinese a sage
is called Shyan-shen of which the first syllable shyan by the phonetic laws of
the Tibetan has been changed into sliyen, whence “ sen ” ; sen means rah or
“ excellent.” Ywon-shi-then-tsun another celebrated teacher of the To-u-se
religion who appeared after the founder, is also considered as one of the
81 incarnations of Lo-u kyun. The pith of To-u-se doctrine as originating
from Thai-shan Lo-u-kyun is similar to that of the religion of the god
Brahma. The To-u-se religion obtained its greatest diffusion under two of
Lo-u-kyun’s incarnation called Lo-u-tse and Ywon-shi-then-tsun.
To-u-se religious theories.
The supreme being is immaterial (Arupa), shapeless and invisible.
He is self-created and matchless and most noble.8 In the abridged
To-u-se scripture there are mentioned many gods possessing a shape, being the
7 [See Vol. L, p. 187 ; also ibidem , p. 195, note 5. Ed.]
8 The writer did not .see the chief of the To-u-se scriptures for which reason he
could not describe what views they had respecting the state of the soul and transmigra¬
tion and emancipation.
1882.]
of Ancient China.
113
presiding deities of the five great mountains of China, of the four great
rivers and of wind, rain and lightning, besides many powerful demons, for
whom several ceremonies are prescribed. At the time of propitiation
.(ascetic performances) the To-u-se hermit is required to purify himself by
washing his body, mouth and tongue, before beginning the mantras. Puri¬
fication of the body by ablution is the principal feature of the religious rites
of the To-u-ses. Having prepared for the ceremony by careful ablution &c.,
the devotee sits and regulates the exhaling and inhaling of his breath.
He then extols and praises his own rambling “ spirit,” abstracts his mind,
absorbs himself in deep meditation and chants the sacred mantras. In
this way there grew eight saints who obtained the power of working miracles
according to their will. They are called Pa-dud-shyan-shin or the eight
saints. Another saint named Tan thwen-shi by skill in mysticism subdued
many demons and evil spirits, all of whom he hound by solemn oaths to guard
the Imperial Palace of Pekin. These demi-gods and demons even at the
present day are found to stand sentry round it as of old. The descendants
of Tan-thwen when they approach the palace walls, are politely received
by these spirit sentinels. There are also accounts of many who acquired
superhuman powers such as that of performing miracles and illusions.
There are mantras and incantations for performance of the lowest classes
of samadlii. But notwithstanding all these, there is not found in their
scriptures the true way of emancipation which can be obtained in Bud¬
dhism alone. Witchcraft, rites and ceremonies of mysticism and con¬
catenation of time and circumstance, besides those which are used by gods and
sages in the way of Tantrikism are numerous among the To-u-ses. Among
them there are two classes, the lay-people and the monks. The latter take
vows of piety and discipline which they scrupulously observe.
An Episode.
During the reign of the great Han, a heretical Pandit of Singala-dvipa
called Maha Brahmana arrived in China. He was warmly received by the
king Yo-hu-chhan, whom he exhorted to introduce his doctrine all
over China. During this time the celebrated sage Hwashan Dha-hu,
who was versed in the Vedas of the Tirthikas was present. He held
long discourses in most of the heretical S'astras of the Tirthikas witli
the Singalese Pandit. The controversy was conducted in the Sanskrit
language in which the Chinese sage debated with fiuency and facility.
The heretical Pandit was defeated, which he publicly acknowledged
by prostrating himself before the learned Hwashan. The king greatly
rejoiced at the Hwashan’s triumph over the Singalese who was ignominiously
expelled from the country. It was for this reason that Bralimanical
doctrines obtained no footing in China. They are not known there even at
the present day.
Sarat Chandra Das — Ancient China.
[No. 2,
114
CHAPTER III.
Ho-tt-se or Hoi-Hoi religion of China.9
During the reign of the Than dynasty in one of the wars, a large army
was brought to China from the country of Tho-kar (Sita or Turkistan)
which, unable to return to their homes, settled in China. Their descendants
gradually multiplied and formed a large tribe who were known by the
appellation of Housi or Hoi- Hoi. Again, the great warrior Jengis Khan
after conquering the countries in the West when returning home brought
with him a man of the country of Siyang which is an Island. This man,
being versed in a kind of religion in which The-yau-nu the lord of Heaven
was adored by all, taught the principles of the Hoi-IToi which became
their adopted religion. Their descendants followed this religion and much
of the Chinese religion came to be mixed with it, but the Chinese though
dwelling with them did not become a whit connected with them in their
religion and manners.
Religious theories of the Hoi- Hoi people.
They believe that all happiness and misery, good and evil, are the
doing of The-han. The god The-han dwells in Heaven and in all things.
The Hoi-Hoi people will never act contrary to the word of The-han. They
do not take refuge with any worldly gods nor worship nor bow down before
them. The souls of all the dead are collected by The-han, who ordains
their second existence. They are to be re-born when this world will be
re-created by him after destruction, and within this interval the souls of the
dead will remain mixed with the void space of Heaven. Some among them
also believe that men are born very often, and that all their senses and
faculties are lost at each break of existence. They send the spirits of all
animals killed by those who belong to their faith to The-han who takes
charge of them. The spirits of those that are killed by others, who are not
Hoi-Hoi are damned. A Hoi-Hoi will not eat the flesh of an animal that
has been slain by outsiders. If they remain unclean The-han becomes
displeased. It is therefore of great importance to them to wash and keep
aloof from unholy things. Besides these they have no knowledge of the
transitory state of existence, the misery, and the confinement and eman¬
cipation, of the soul. They possess not the learning of the Tirthikas, or the
materialists, but resemble the Yavanas (Lalos). These wicked people cer¬
tainly turn into pigs after their death for which reason they do not touch
pork, the touch of which brings defilement, and the eating of which
destroys their intellect and understanding.
9 This is a form of Muhammadanism.
1882,]
Sarat Chandra Das — Life of Nag dr juna.
115
X.— LIFE AND LEGEND OF NAGARJUNA.1
When the dynasty of Asoka waned and gave place to that of the
illustrious Ckandras, Nagarjuna was born in Central India destined to play
an important part in the religious history of Buddhism. According to
the Tibetan historians who wrote on the authority of Indian historians, ‘ he
was born a century before Chandra Gupta’s accession to the throne of
Magada. But to conform his age to the conjectural chronology of the
occidental orientalists one would be required to bring that date more than
a century later than Alexander’s invasion of India. Nagarjuna’s age must
remain a positive uncertainty as long as we cannot get hold of the histori¬
cal works of the Indian authors of the Buddhistic period. I am sanguine of
being able to bring to light much about Buddhistic history from the works
about Nagarjuna and other Indian philosophers. For the present I will
only mention certain legendary accounts of Nagarjuna which I have gather¬
ed from detached sources.
A rich Brahman of the Yidarbha country to whom no son had been
born for many years, once saw in a vision, that if he gave alms to, and
entertained one hundred Brahmans, he could get a son. Accordingly he
made offerings and prayers to the gods and entertained one hundred
Brahmans. After ten months his wife gave birth to a son. The rich man
invited learned astrologers to predict the fortune of his child, but they
found that it would not live more than a week. In all other respects the
child was calculated to be fortunate. In consequence of this sad intelli¬
gence, the minds of the parents were overwhelmed with extreme sorrow,
and in their deep anxiety they urged the astrologers to discover some
remedy to save the child. The astrologers assured them that if they
observed some religious ceremonies and paid money for virtue’s sake, read
religious books, and entertained one hundred Brahmans, the child would
live seven months, and if they entertained one hundred Bhikshus, it would
live seven years, beyond which its life could not be prolonged by any
means whatever. They accordingly underwent all sorts of ceremonies and
observances calculated to prolong the child’s life. When the seventh year
was about to expire the parents were overwhelmed with grief.
To avoid the painful sight of their son’s predicted death, they caused
him to be removed to a certain solitary place in company with a few retainers.
As the boy was passing his mournful days, on,e day the Mahabodhisattva
Avalokiteswar Khasharpana visited him in disguise and advised him to
go to the great monastery of Nalendra in Magadha as the surest means of
escaping from the hands of death. He accordingly repaired to that famous
Vihara and arriving at the gate recited some gatkas. During that time
1 The great Buddhist reformer of ancient India and founder of the Madhyamika
Philosophy.
116
Sarat Chandra Das — Life and
[No. 2,
the great sage STi Saraha Bhadra was the high priest of Nalendra. Hear¬
ing the gatha the sage sent for the boy who was accordingly brought to
bis presence. Saraha asked him who he was and what brought him there,
on which the boy gave a faithful account of his life and the melancholy
aspect which overhung his fate and which he was painfully anxious to
escape. The sage advised him to enter the holy order of monks, which
act alone could deliver him from the hand of death. The boy took the
vows of monkhood, Saraha, then invited him to the worship and service
of Buddha Aparimita Ayusha and secured him his blessings. He required
the boy to recite holy mantras and gathas in honour of that Buddha from
sunrise to sunset, within which time the fatal moment was predicted to
arrive. The boy remained engaged in reading sacred books and reciting
gathas without falling asleep. The fatal moment passed. The messenger
of death did not arrive or could not sieze his victim. This happy news was
conveyed to his parents whose hearts now overflowed with joy. The great
high-priest Saraha then ordained him a Bhikshu of the Nalendra Vihara.
Here he prosecuted his religious studies under the tuition of that great
sage. After a few years service he obtained the subordinate office of
head steward of the congregation. During the first part of the tenure of
office, Nagarjuna is said to have propitiated the goddess Chandika, by
whose agency he succeeded in providing the great body of priests with the
necessaries of life. The propitiation took some time, after which the god¬
dess presented herself before him in obedience to his call. Enslaved as it
were by the force of the propitiatory rites of Nagarjuna, she submissively
asked if she was to carry him to heaven. So saying .she prepared to
transport him thither. The sage not caring for his own happiness and ever
mindful of his duties, exclaimed, “ Bold goddess, I will not go to the celestial
regions, I called you to help me in the propagation of Dharma on this earth.”
He then built a lofty stone temple in honour of Bodhisattva Manju Sri, in
the court of which he pitched a thick pointed wooden club to fix the goddess,
as it were, to her appointed terrestrial duties by the spell of mystic charms.
He then addressed the goddess Chandika, — “ 0 thou divine nymph, I bid
thee to look to the supply of provisions for the great congregation. Thou
shaft not leave thy post till this club becomes reduced to dust.” Chandika
accordingly, in the guise of a beautiful damsel began her homely work.
During her temporary residence within the environs of the monastery, the
chief cook of the congregation was enchanted with her personal charms.
He spared no pains or means to win her favour, with the sensual object
of enjoying her person. The maiden refused his addresses several times, but
at the end consented on the condition that he should reduce the said club
to dust. The deluded cook not knowing the secret connected with the
club, instantly burnt it to ashes. The maiden now set free from this
117
1882.] Legend of Nag dr j unci.
bounden duty assumed her celestial shape radiant in angelic glory that was
too strong for mortal eyes to bear, and ascended to her ethereal home, leaving
the disappointed lover to stare at her with surprise. No sooner did this affair
take place than Nagarjuna by dint of his divine eyes came to know of it. In
order to retrieve the loss, he visited the courts of kings, princes, and nobles of
Magadha and other Buddhist countries, from whom he obtained annuities
and donations for the support of the great body of monks at Nalendra.
He constructed a gigantic image of of Mahakala whom he charged with
the defence of his religion. During the latter part of his office the country
was visited by a famine in consequence of which the monks fell into great
distress. The manager became very thoughtful about the terrible effects
of the natural calamity. Distress and scarcity compelled the congregation
more keenly to feel the necessity of money. The monks now determined
to devise some means of acquiring treasurer for the support of the
famished congregation, and Nagarjuna accordingly started on an expedition
to yisit an island in the great ocean where lived a great saint well versed
in the art of alchemy. As the sea could not be crossed by any earthly
means, he, by dint of his divine learning, got two leaves of an enchanted
tree, by means of which he crossed the ocean and miraculously visited the
island and presented himself before the sage who was greatly surprised
to see a human being arrived at his abode deemed inaccessible to mortal
beings. The sage earnestly inquired how he succeeded in achieving
this wonder. Nagarjuna replied respectfully stating to him the reasons
of his visit and the circumstances that brought him thither. He also
showed him one of the enchanted leaves, concealing the other in his
mendicant’s platter. He begged him to teach him the art of turning
metals into gold. The sage consented to the proposal, but not liking to
let the wonderful art be known in Jambudvipa, he determined to detain him
for ever in the island by depriving him of the enchanted leaf. To effect
this, he said that he could teach the art of alchemy provided Nagarjuna
consented to part with his leaf. Nagarjuna consented, and was taught the
art. When it was fully mastered he flew towards the Indian Continent by
the help of the remaining leaf. Beturning to Nalendra, by means of his
easily acquired wealth he supported the whole body of monks. By his
religious practices he obtained siddhi (perfection). He refuted the theo¬
ries of S'ankaracharya and imparted religious instruction to the monks
of Nalendra. The Nagas used to attend his sermons in the shape of
young boys. They were so much interested in his teaching that they
invited him to their abode where he spent three months. They entreated
him to settle permanently in Naga land (the nether world) which offer
he declined on the ground of his being required to preach the sacred
religion in Jambudvipa, and erect religious edifices for the good of living
Sarat Chandra Das — Life and
118
[No.
beings. At the time of his departure he promised to return there some
time in future. He returned to Nalendra loaded with costly presents and
gems of inestimable value and also with the religious volume called Naga-
sabasrika. It was for this connection with the Nagas that he obtained
the name of Nagarjuna.
In the country of Radha he erected many chapels and chaityas. On
bis way to Uttarakuru, in the city of Salama or Salamana, he met with
a boy named Jetaka, by examining the marks of whose palms, he predicted
that the boy would one day become a king. Arrived in Uttarakuru he
went to bathe in a river after placing his raiments on a tree. As he was
making his ablutions he saw a native taking his clothes away, at which he
stopped him begging him not to remove his raiments. The native greatly
wondered that Nagarjuna should claim his clothes. For in Uttarakuru
there is no distinction of * individual property. There all property is
common. In Uttarakuru Nagarjuna stayed for three months and
instructed the people in the sacred religion. On his return he found
that the boy Jetaka had become a king as he had predicted. Jetaka, having
great faith in his saintly character, presented him with costly treasures.
Nagarjuna returned to his country and erected many chaityas and temples,
composed many works on science, medicine, astronomy and alchemy. After
the death of Saraha Bhadra, the office of high priest fell upon Nagarjuna
which he managed with great ability and indefatigable zeal. He matured
the Madhyamika philosophy which was only conceived by his illustrious
teacher Saraha.
Although he was the head of the now wide-spreading faction, of the
Mahayana school, yet he did not fail to exert himself for the well-being
of the STavakas or the followers of the Hinayana school, by which
name the STavakas henceforth came to be distinguished. They equally
enjoyed the bounties of his saintly character. He established discipline
among his own congregation by expelling eight thousand monks whose
character, nay purity of morals, was open to suspicion. By these acts
he became the recognized head of the whole Buddhist church. About
this time the germ of a third schism was manifested among his followers
which eventually developed itself as the Yogacharya school.
During the presidency of Nagarjuna, Vajrasana (Buddha Gaya) was
the head quarter of the STavakas or the followers of the Hinayana (little
vehicle) school, but having fallen into decay, Nalendra in wealth and
splendour eclipsed the seat of Buddha’s hermitage. Once a wild elephant
was found to damage the sacred Bodhi-druma (tree of wisdom), when Nagar¬
juna caused two stone pillars to be erected for its support. This expedient
answered well for several years, when, on the repetition of a similar injury,
Nagarjuna surrounded the great temple Mahagandhola or the mansion of
IS82 ]
Sarat Chandra Das — Legend of Nag dr] mm.
110
fragrance with a stone railing which he furnished with Vajragavaksha or
the precious niches, and outside of which he erected 108 smaller chapels.
He also surrounded the great shrine of STidhanyakataka with railings.
Again, there having occurred an encroachment of the river Nairanjana
on the east of Yajrasana which threatened the safety of the most holy
spot, Nagarjuna constructed seven huge images of Buddha hewn from
rocks, and placed them facing the river in order to make the river, out
of fear, change its devastating course. During this period, Manja king of
Otisha (Orisha) with one thousand of his subjects embraced Buddhism.
In the west, in the country of Malva in the city of Dhara, king Bhojadeva
with many hundreds of his subjects embraced Buddhism. These conversions
are attributed to the saintly influence of Nagarjuna who wrote many
volumes on the Madhyamika philosophy, such as Mula Jnana, sixth
assemblage of Yidya, Dharma dhatu strotra, Sutra sangraha, &c. He
erected many viharas in Pratapesa, Otisha, Bangala, and the country
of Ikshuvardhana. In the latter part of his life Nagarjuna visited
Dakshina (Southern India), where he did many things for the preserva¬
tion of the Southern congregation (of Buddhists). In the country of
Dravida there lived two Brahmans of the name of Madhu and Supra-
madhu, the fame of whose opulence had startled even the kings and
princes of the day. They held a series of discussions with Nagarjuna
on the four Yedas and the eighteen sciences of the Brahmans, in all of
which they found themselves infinitely inferior to the Buddhist disputants.
At the end they remarked that they really wondered how a SYamana
of S'akya Simha could possess such profound knowledge in the Yedas and
S'astras. Nagarjuna replied — It was very easy to master the Brahmanical
S'astras, but the sacred Dharma was too profound to be comprehended. Ho
at last succeeded in converting them to Buddhism. Madhu having pro¬
pitiated the goddess Sarasvati, acquired great knowledge in the sacred
literature of the Brahmans and Buddhists ; Supramadhu by propitiating
Lakshmi, the goddess of wealth, obtained immense wealth with which he fed
the Buddhist congregation. The former prepared many copies of Prajna
Paramita. One hundred and fifty monks conducted religious service in
their chapels. Thus the great teacher Nagarjuna being eminently versed in
all the classes of sciences and the S'astras, filled Jambudvipa with trophies
of his pious deeds. His assiduity in asceticism, erudition in science, faith
in Dharma, profundity in Yoga, acuteness in disputation, liberality in
giving alms, constructing shrines and chaityas, and furnishing of food to
the congregations were all incomparable. He is given the appellation of a
second Buddha ; for he consolidated what Buddha had only commenced.
Nagarjuna is said to have been a great friend of king De-chye (Sankara)
of Southern India, whom he had converted to Buddhism. Both the friends
120
[No. 2,
Sarat Chandra Das — Life of Nagarjuna.
took vows o£ meeting a common lot, i. e., to live and die together. Nagar¬
juna being a saint, no messenger of death ever ventured to approach him.
The friends therefore attained to unusual longevity, during which time the
king witnessed successively the death of his many wives, children and grand¬
children. In his old age the king got a son who alone fortunately survived
him. Once the mother of this prince (named in Tibetan Zon-nu-den-chye, i. e.,
“ the throat-cutting young prince”) prepared a handsome robe which she de¬
sired him to wear. The prince did not use it, saying, that he would use the
robe when he became a king. The mother, with a deep sigh, exclaimed —
“Son, how vain is that hope ! Thickest thou, my darling, that the king
thy father will ever die. He has obtained immunity from death, which awaits
all mortal beings but himself.” The prince replied, — “ Mother, must I not
rule as a king since I am born as a prince ? Live or die, I shall be a
king.” Seeing the son’s resolution, the mother revealed to him the secret
of her husband’s death and said, — “ Go and beg Nagarjuna’s head, and that
shall quicken thy succession to the throne.” The prince accordingly
went oft at once in search of Nagarjuna and found him on the top of
Sriparvata. Approaching the venerable Sham ana, he asked him to present
him with his head. Nagarjuna, knowing what brought him there, con-
sented.
The prince tried several strokes of his sword to cut the saint’s throat,
but in vain. Nagarjuna, seeing the ignorance of the prince, shewed him
the secret which could effect the cutting off of his head, by saying, — “ Prince,
hundreds of such swords would not sever my head from the body, but go
and bring that husa grass, which alone will effect it.” In one of his
former births Nagarjuna is said to have killed a worm by cutting its
throat with a husa grass. On account of the inevitable consequences
of Karma in this life, that very worm was born as the prince who severed
his head from his trunk with the Jcusa grass. At the time of death
Nagarjuna told the prince that he would rise again in a future time and
his head would again be one with his body. As the prince was carrying off
the head, it was snatched away by a Yaksha who threw it to a distance of
five miles, where the saint’s remains turned to stone. It is mentioned in the
Book of Prophecies that the head is now in the course of drawing every day
nearer the trunk to effect its junction. Verily it may be said of Nagarjuna
that when the junction takes place, the city of Gaya will be blown up by
Gayasura or the demon of Gaya. It is said that Nagarjuna will again
appear in India, and live one hundred years, to teach the sacred Dliarma to
men and gods.
1882.]
Sarat Chandra Das — Buddhist Schools of Tibet.
121
XI.— DETACHED NOTICES OF THE DIFFERENT BUDDHIST
SCHOOLS OF TIBET.
All the Buddhist Tantras that were translated into Tibetan under the
auspices of king Khrisron-ede Zdsan and his successors till the advent of
Pandit Smriti into Tibet, were designated ^San-snago sna-Agyur of
rNyin mahi-rgyu(7 or “ the anciently translated Tantras.” All the Tantras
translated by Rinchhen-ssanpo and the generations of translators who
followed him, were called ySan-snags phyi-Agyur or Sar mahi rgjud.
For this reason it will be evident that the difference of rNin-ma and
ySarma schools lies in the Tantras only, while the Sutras are the same in
both.
The Tantras of tlie ySarma school are clearly analysed in the ZYCali-
7/gyur, and the original of the rNihma Tantras composed in Xryavarta were
rendered into Tibetan purely and faithfully. They are the following :
(1.) Bigs pahi-Khu-Vyug.
Tsal-ckhen-cZKrugs-kyi-rgyu<7.
Khyun-chhen-Zdiug-vahi-rgyur?.
rDo-la-yser-shun-rgyal mahi-rgyud.
Mi-nule-rgyal-w^tshan-gyi „
rTsemo-byun-rgyal-nam-mKhai-rgyalpo.
JDe-va-Aphrul-5kocl rzogs pa-spyi-Chhins.
Byan-ckhub-Sems tig.
Z>De-va-rab-7;byams.
Srog-gi-AKhorlo.
Thig-le-drug-pa rzogs pa-spyi-y,cho(7.
Yi(7-Z>shin-norpu.
Ivun-Mus rig-pa.
rJe 7>tsun dam pa.
<7Kon byec? rgyalpo.
rMacZ byuh rgyalpo.
7UChor-va-dbh-spugs.
Bya bral-mec/pai-rgyuc?.
Nam-mkhah-i-Tdon-yahs kyi rgjud.
Padma-7don-^sal-gyi-rgym7.
Padma-(7van-rvgal.
Yuf-Ashin-tog gi-rgyurf.
The following are the Tantras which appertain to the rTsogs pa
chhen-po in general.
Sems nyi J bya-rtson-las Adas pa-nam-mkhah-chhi-vai-rgyurf.
De-nid fiams su-ilans pa-nam mkhah-chhe-phyi-mai.
(2)
(3.)
(4.)
(5.)
(6.)
(7.)
(8.)
(9.)
(10.)
(11.)
(12.)
(13.)
(14.)
(15.)
(16.)
(17.)
(18.)
(19.)
(20.)
(21.)
(22.)
(23.)
(24.)
Y
These sixteen be¬
long to the Sems-
sde or Yoga class.
These three belong
to the 7rLen-sde
class.
These three belong
to the Man-nag
or Upadesa class.
122
Sarat Chandra Das — Detached Notices of [No. 2,
(25.) De-nirZ yon s rzogs Zebras len-nam-^khah-chhe-phyimai rgyud
yo ns su-sgro-va.
(26.) Sems hi d 7*pho-7/gyur-mecZ pa chhos nhZ rgyalpoi-rgyu<A
(27.) Sems nkZ thig-16-hag-ychig-ston-pa-byuh-sems thig lei rgyud.
(28.) Sems ni d ran-byun gi-ye shes su-ston-pa yeshes thig lei rgyud.
(29.) Sems ni^Z thams Cha d kyi-rtsa var 7>stan pa-man-nag phreh
vai-rgyucZ.
(30.) Sems nk/-kun-khyah-chhenpor Sstan pa-sans va-rgyal po-rgymZ.
(31.) Sems nkZ rah rig-tu-Z>stan pa-ye-shes dam pai rgyud.
(32.) Sems hkZ kun-tu 5ssan poi rol-par ston pa nam-mkhahi dvyms
rnam dag-gi-rgyurZ.
(33.) Sems hhZ-kun-gi-shin por-ston pa-man hag min poi rgyud.
(34.) Sems hitZ ran-rig-tu zi d chhes pa shin po-ysan vai rgyud.
(35.) Sems nbZ kun-gi-rtsa-va nam-mkhak chhe rtsa va chan gi-rgyud.
(36.) Sems hid ychig tu Mus pa hag ychig dgohs pai rgyud.
(37.) Sems ji-Sshin par-Z>sliag-pa-Z>sam-ytan chhen poi-rgyud.
(38.) Sems hid rgyun chhags su goms pa Z>sam ytan rgyun chhags
kyi-rgyud.
(39.) Sems hid thams chad dn ysuns pa sgo man wdoi rgyud.
(40.) Sems hid dvan dan sbyar va chhe-dvan gi-rgyud.
(41.) Sems hie/ dv ah sgra tsliig las Adas pa nam-wkhah-ehhe med
pai-rgyud.
(42.) Sems hid ydo d mai-ynas su ston pa nam-mkhah-chhe yshi hi
rgyud.
(43.) Sems hi d hod ysal du 5stan pa rinchhen Mear vai rgyud.
(44.) Sems hid yontan lhur grub-tu-Z>stan pa rinchhen phreh vai-
rgyud.
(45.) Sems hie/ khams ysum du ysal va khams ysum sgrol mai rgyud.
(46.) Sems hie? span Man las /Mas pa-ston pa has pa-shin poi-rgyud.
(47.) Sems hid ^pho-Agyur med par-ston pa rdorje-ysah vai-rgyud.
(48.) Sems hid yi-nas sahs rgyas par ston pa-ye-sans rgyas par ston
pai rgyud.
Besides these 48 Tantras there are others which claim an indigenous
growth. They are the following :
(1.) sKu-ysuh-thugs yon-tan Aphrin-las kyi-rgyud.
(2.) AD o r j e- p h ur - p ai - r gy u d.
(3.) rT&-mgviu-gyi-rgyud.
Also —
ySer-yid-chan ; yyu-yig-chan ; dun-yig-chan, &c. of modern origin,
make up thirty-five in number. Six volumes of Z>Kah-7*gyur treating of
Tantras are also claimed by the Ninmapas.
Besides the above-mentioned there are said to be other Tantras which
being concealed by ancient sages, are not known at present.
1882.]
Sarat Chandra Das — Buddhist Schools in Tibet .
123
All these Tantras are said to have been delivered by Dharma Kaya ,
Kuntu-ssangpo (Buddha Samanta bhadra), Yajra Sattva, and Vajradhara,
&c.
The Ninmapas who all belong to the Yogacharya school of ancient
India observe Tantrik ceremonies exclusively. They have nine series of
Jnana, and speak of thirteen Bhumis or stages of sainthood, while the
Gelugpa (or the reformed sect) speak only of ten Bhumis.
The Ninmapas have various ceremonies for propitiating their tute¬
lary deities who are divided into two classes called SI (the mild) and Phro
(the wrathful) Yi-dam-kyi-Lha. They have various other kinds of rules
and ways of asceticism. All the Ninma Tantras being based upon the
Man-nag scriptures, by their means numberless Indian and Tibetan (male
and female) saints are said to have obtained the lowest class of perfection
called “ Thun-moh-gi-c/nos grub.”
In ancient India Acharya Kama Yajra, Buddha Guhya, S'ri-siddha,
Padma-sambhava, Yimala-mitra, &c., many Pandits, many kings headed by
Indra Bhuti, and many fairies were the most important personages ; and in
Tibet, king SronAtsan sGampo, Khri sron-edeAtsan, together with his
25 saintly subjects, 108 yter-ston or discoverers of sacred treasures, Bali
7d)yams pa the professor of 7rLoh- scriptures, Dharma gri the great trans¬
lator, ylruh-s'ton-rDorje-<7pal, sLe-lun 6sha<i pai-rDorje, mGonpo rdorje
of Yu-thog, Ka-thog rigAzin-chhen mo, ?\Dor-brag-Big him, LhaAtsun-
chhenpo, and others. Many sages of the Sarma school also had turned
Ninma religionists.
The Ninma sages, who had fully studied the above mentioned Tan¬
tras, had prepared commentaries on them and left their own observations
in works written b}^ them for the benefit of coming generations. It was
the sage of Orgyan1 who wrote volumes on the rZogs chhen or Atiyoga
sect of the Ninma school. It is mentioned in the histories of religion
that that sage, having written his profound interpretation of the Buddhist
Tantras, in a kind of fairy language, unintelligible to man, had concealed
these books securely under rocks and pillars for the benefit of future genera¬
tions of Buddhists. He had also left predictions, respecting the name and
date of birth of the man by whom those books were to be discovered. After
completing all that was necessary for the continuance of the Ninma
school, he retired to the land of cannibals on the south-west. Afterwards
in regular succession, as was predicted by him, a host of yTer-stons appeared
and greatly contributed to the propagation of his school and the swelling
of the Ninma scriptures, which altogether exceed five hundred volumes
in number.
1 Padma Sambliava.
124
Sarafc Chandra Das — Detached Notices of [No. 2,
For these reasons ifc is believed that the rest of the Ninma school is
extremely pure. But latterly some persons, calling themselves ^Ter-ston
to gain notoriety and to be called sages, mixed many spurious and false
theories with the ancient ones. Those pretended yTer-stons not agreeing
among themselves, out of envy and enmity to each other, enjoined many
obscene observances under the garb of religion. They gave out that the
Tantras prescribed unrestrained libertinism as the easiest and surest mode
of salvation. Female modesty was no consideration to them at all. For a
time, by their influence, the teachings of the Sutras (Amdo-scriptures) were
set aside in preference to those diabolical Tantras which were considered to
be the direct means of Nirvana. For this reason the monks gave up
taking the vows of celebacy and moral discipline. The laws of Dulva
were entirely neglected. Particularly after Lan-darma’s persecution of
the Buddhists of Tibet, some Tantriks, in the heat of debauchery and
drunkenness, had composed many spurious Tantras, putting into writing
the ravings of their intoxicated brains. Again during the revival of Bud¬
dhism, when the Sarma system of schools was about to be diffused in Tibet,
certain Tantriks composed several works in which many strange elements
were introduced. In them the Thin-rje-chhenpo of the wNinmapas,
the Brahma Tantras of the Brahmans, the mysticism of the Bonpo were
mixed together, in consequence of which those works no longer resembled
the ancient works on Tantras. From these sprung the ceremonies of
Khregs chhoc? and Mun khric/, &c. Those who practised the magical sorceries
founded on them were notorious for their arrogance and wicked impositions.
When their wickedness was exposed by the great Reformer, the two
Ninma Lamas, named Pesna Linpa and Shakya-mchhog eDan, jointly
conspiring against him, gave out to the world that Tsonkhapa was a real
demon incarnate, whose sworn mission was the working of the downfall
of Buddhism in Tibet.
The same two Lamas also wrote a volume of about 500 leaves about
the reformations, charging Tsonkhapa with many kinds of blasphemies.
They even went so far as to say that the crown which he put on the
image of Jovo (Lord) S'akya Muni, was rivetted on its head with copper-
nails, that the flowers that were daily showered on it fell owing to the
sorceries, as so many thorns. They predicted that on account of these
impious acts, the Buddhist religion was destined to collapse after 500 years
from that date, and that shortly the sun, moon and stars would fall a
hundred (Tibetan) miles below their ordinary paths. To this work they
gave sanctity by declaring that it was discovered to be a book of ancient
prophecy, classed under Ninma Terma scripture. Many right-thinking
and honest Ninma Lamas question the validity of this work, although
the uninformed and the ignorant Ninma followers believe in its pre-
1882.]
Sarat Chandra Das — Buddhist Schools in Tibet.
125
dictions and do not hesitate to slander the Gelugpa school. The Gelugpa
writers successfully refuted all the charges contained in that work and
exposed the malice of its blasphemous authors.
From that time, on account of the doctrinal differences between the
Ninma and Sarma schools, especially between the former and the re¬
formed school (Gelugpa), disputes and controversies commenced. Most
of the eminent writers of Tibet are of opinion that the great body of
Ninma scriptures were alloyed with strange and spurious writings, and
there are very few books which have any pretensions to originality or
antiquity. Among those which are said to be very pure may be classed
the following :
(i) <7Kon-?»Chhog-spyi 7*Dus, 6 vols.
(2.) wKhah-AGro sNyin-thig.
(3.) Lho-yTer.
(4.) Bima sNin-thig.
(5.) 7rL6h-Chhen-sNin-thig.
(6.) ^Yu-thog sNin-thig.
(7.) Byan-y'Ter-gyi Chhos skor.
(8.) yTer-^Dag-yLih pahi-chhos skor.
(9.) Nam-chhos kyi-skor.
(10 ) rGyal-va-eNa vahi-rNin-vahi-chhos kyi skor.
(11.) rTa -mgrin chhos-skor &c., and many others.
The study of the above-mentioned books is believed to be very effica¬
cious to ascetics, in obtaining sainthood. In profundity of import these books
are unrivalled by other religious works of the same school. Among the best
and purest of Ninma monasteries are (1) sMin-grol yLin, (2) rDorje-
brag, (3) Kham-ka-thog, (1) S'ki-ckhen-rtsogs chhen, &c. and many others
of less fame. In these monasteries, moral discipline and religious strict¬
ness are greatly observed, in consequence of which their resident monks are
said to have great pretensions to purity of life.
The Nyingmas schools have voluminous works called Upaneshas on
the subtlety of rites.
In the Sarma or modern school are included the following sects, 6 Kali -
yDams pa, 5Kah-7>rGyiu7 pa, Sakya-pa, Karma pa, Jonah pa, c/Gelug-
pa, &c. The principal theories and rules of these sects are :
(1.) Constant meditation about the attainment of Bodhisattva-hood
(sainthood).
(2.) Uninterrupted attention to compassion towards all living beings.
(3.) Beverence and adoration to the great and precious Holy Being,
called (UvoN-mCiLHOG.
(4.) The renouncing of worldly enjoyments and business, and residence
in solitude to limit the sphere of doing and desires.
Sarat Chandra Das — Detached Notices of
ilivj
[No. 2,
(5.) The external observance and conduct of life to accord with the laws
of Dulva (Vinaya teachings.)
(G.) Internally, the full comprehension of the metaphysical portion of
the Tantras called bskjed rim and rtsogs rim.
(7.) The practice of the meditative science or yoga, holding the theories
of universal illusiveness and voidity (S'unyata).
(8.) The comprehension of the essence of the Madhyamika philosophy
by which the attainment of sainthood is ensured.
5KAH-yDiMs pa Sect.
This sect was founded by the great Indian Pandit Dipankara Shu
Jnana (Jova-rje-^Pal-edan Atisa of the Tibetans). There are records
of over three thousand Lamas of eminence and learning in the annals
of this sect. Among them /^Brom-ston-rgyal-vai-Abyun-yna Potopa the
philosopher, and $ Py a n - m N a h - v a , &c. were very celebrated.
5Kah -br&rud pa Sect.
Of this sect, the sages rDoje-^Chhah-chhen, Telopa, Naropa, Marpa,
Mela Dvags po Lha-rje, &c. were the successive presidents. Marpa having
obtained a good deal of religious instruction from Atisa, mixed the Z>Kah-
5rGyu<i theories with those of the JKah-yDams sect.
The Darsana of this sect is called Maha-mudra (Phyag-rgya-chhenpo;.
This is divided into two classes called Sontri-Maharmjdra and Tantri-
Mahamudra, the latter of which they reject. On the whole the significa¬
tions of the Mahamudra resemble those of the S'unyata theories.
Its meditative science is similar to those of the Prasanga Madhyamika
school of ancient India.
The chief Yedam or tutelary deities of this sect are the Lord of Guhya
Samaja-s&Demchhog (Sambhara) and rDorje-Phagmo, &c.
Its guiding instructions called Man-nag were drawn up by the sage
Naropa, for which they are called Naro-chhos-eTug. Anciently this sect
possessed the greater number of sages, ascetics and scholars, many of whom
had obtained sainthood. At one time its monks numbered several
hundreds of thousands. The Lamas of this sect pay more attention now
to the meditative science, and less to Vyakarana and other branches of
sacred literature. Although at one time JKah-Jrgyu^ pa Lamas were
eminently famous for their knowledge of metaphysics and Darsana, yet
now-a-days there are not many who can fairly claim the distinction of
sages. In fact they more resemble the shadows of their predecessors. They
generally mix with the Ninma Lamas in perverse and forbidden con¬
duct, such as female company, drinking intoxicating liquors, &c.
1882.]
Buddhist Schools in Tibet.
127
Sakya Sect.
This sect derives its name from the name of the place of its origin.
It is an offshoot of the 5Kah-5rgyu^ pa sect in a reformed state.
The tutelary deities, generally invoked by the followers of this sect,
are Kye-rdorje (He Vajra), Phyagna ADorje (Yajra Pani) &c.
That rotatory existence and emancipation from it are inseparable, is
its chief theory. Leading instructions are taken from the works called
^Ser-ckhos-5Chuyvsum. The Lamas of this sect are tolerably learned in
sacred literature. The ancient monks of this sect are said to have
obtained sainthood by propitiating the fairy Naro-??ikhah sphyo^ma. The
monks in general are known to be little strict in the observance of the laws
of Dulva. They drink, and mix and live with women.
Gelugpa School.
This is at present the dominant school of the Buddhists in Tibet. It
was founded by the celebrated reformer Tsohkhapa and obtained great
diffusion under his chief disciples, one hundred and fifty in number, among
whom the Regent Darma Rinchhen, the sage Gelegpalssan, Gedundub, &c.,
were most eminent. Tsohkhapa found that by the eccentricities of the
Tantrik (Ninma), Buddhism in Tibet had greatly degenerated, so much
so that it could hardly claim the name of Buddhism at all. Its divergence
from the tenets of Buddha was too wide to enable any student of Buddhism
to reconcile it with any sort of Buddhism that then prevailed in the north.
W ith great pains he succeeded in organizing a reformation which struck
the older schools by the root. His works on the different branches of the
sacred literature were in accordance with the Kahgyur and Tanyur.
The Lamas and monks of his school were very accomplished in
tenets, the observance of ceremonies and the science of meditation. Their
moral discipline, behaviour and attention to study were exemplary. They
were also experts in argumentative philosophy. Under Tsonkhapa’s
direction they made new annotations on the important portions of Kahgyur
and Tanyur and the various works on Tantras. The great monasteries
of Tibet, Sera dapunj, Guhdan Tashilhumpo, and those of Kham, Amdo-
Mongolia and China, altogether numbering more than one thousand, adopted
the reformed creed. Under his disciples and their disciples within a few
years, more than 10,000 monasteries adopted the reformed tenets. The
largest of these monasteries contained 10,000 monks, the smallest respect¬
able ones not less than 800. In these Gelugpa monasteries, the study of
Tantras, Mantras, Kalaehakra, medicine, &c. was greatly encouraged.
The Gelugpa religious ceremonies were conducted according to the prescrib¬
ed directions of the sacred books. Such extraordinary success as attended
128
Sarat Chandra Das — Ancient China .
Tsonkhapa’s reformation was not known, not to speak of Tibet, in the annals
of Ancient India since the Nirvana of Buddha.
The Emperor of China, Princes of Mongolia, and other great patrons
of Buddhism paid tribute to his honour. Tsonkhapa is said to have ap¬
pointed under a solemn covenant a great number of gods, demons, demi¬
gods and fairies to defend the sacred religion. In the other sects, when
an enemy invaded the sacred precincts, the monks generally used to escape
by flight. Some of these sometimes killed their enemies by propitiating
demons and evil spirits, and by the practice of sorceries and the black art.
But such proceedings being contrary to the precepts of Buddha, the
cursed perpetrators eventually had to go to hell.
The followers of the Sakya sect and the Gelugpas were free from
the guilt of such infernal practices.
18S2.]
G. A. Grierson — JSlanbodld s Haribans *
129
JHaiibodhds Haribans , — By G. A. Grierson, C. S.
PABT I. — Text.
The following poem is in the Maithili dialect of the Bihari Language.
It was written by a poet named Man’bodh, or Bholan Jha, the four¬
teenth and last of his race. He lived at Jam’sam, close to the well-known
village of Pandaul in the Madhubani subdivision of the Darbhanga-
District. He married a daughter of one Bhikhari Jha, and died without
issue about the year 1195 F. S. (circ. A. D. 1788), This date is borne
out by the fact that a grandson of this same Bhikhari Jha died only four
years ago, a very old man. Beyond the details of the names of his
ancestors, which are kept by the Maithil genealogists, I have obtained no
further information concerning him. He is said by tradition, to have
translated the whole of the Harivamsa into Maithil verse, and extracts
from the translation are current and extremely popular throughout north¬
ern Mithila. I have never met with a complete copy of the whole work,
and I fear the latter portion of it is lost beyond recovery. After some
years’ search I have been able, through the kind assistance of Babu STi
Harayana Simha of Jogiyara, to obtain accurate copies of two MSS,,
which I shall designate as A and B, A, which I have taken as the
foundation of my text, is much the more correct of the two, and contains
the first ten adJiydyas. B is not so carefully written, has one or two
lacunce, and only contains nine adliydyas , the tenth being missing. A is
therefore, my only authority for that portion of the text. With the
exception of the lacunoe above-mentioned, the two MSS. agree very closely.
Any important differences will, however, be duly noted.
The poem is deserving of special attention, as an example of the
Maithili of the last century, affording a connecting link between the old
Maithili of Vidyapati, and the modern Maithili of Harkh’nath and other
writers of the present day. It contains some forms which have survived
from times prior even to Vidyapati, and which hence have especial interest.
I purpose at an early date to publish a translation, with notes illustra¬
ting and explaining the many grammatical difficulties which are found in
it. I shall, therefore, not deal with the subject of Manbodh’s Grammar at
present, and, with regard to the subject matter of the text, it will be
sufficient now to say that it contains the usual familiar legends of the
incarnation and life of Krishna, from the first promise of Vishnu to be¬
come incarnate, to the first defeat of Jarasandha. It thus corresponds
roughly with a little more than the first half of the tenth book of the
Bhagavata, or with chapters 57 to 93 of the Harivamsa.
R
130 G. A. Grierson — Manbodli s Haribans. [No. 2,
The metre of the poem is uniform throughout. It is a variety of the
Ghaupai Glihancl , containing fifteen instants in each half line, with a break
after the sixth. The last three instants in each half rhyme with each other,
and usually take the form of one long syllable, and one short, thus —
Sometimes, however they take the form of three short syllables, thus
^ 'j'j; but in every case the last syllable must be short. Usually but not
always, the eleventh and twelfth instants also consist of two short syllables.
I have used the signs TF, and for the short vowels e, di , o
du, peculiar to Eastern Gaudian languages. Their non-initial forms are
'*■' e ^ di, o, and \ cm respectively. These signs have already been used by
me in my grammars of the Bihar dialects now being published by the
Government of Bengal, and are not new, having (with the exception of J£)
been used by Dr. Hoernle for similar purposes in his Gaudian Grammar.
The use of the sibilants was very uncertain in the copies of the
poem which were available ; ‘Sj; and ^r, and again and being freely
interchangeable without any system. I have therefore in every case taken
customary pronunciation as the surest guide : — always altering uncom¬
pounded to % and uncompounded ^ to In a few foreign words
like fjJK ‘ outcry,’ n has been retained ; and, out of deference to strong
prejudice, I have allowed the customary spelling of the words ^t?r, and
1S$!T to remain, though the present Maithil pronunciation, is certainly
and respectively.
The vowel m is never pronounced in Maithili, the sound being used
instead ; in fact, ^ is, as often as not, not only pronounced but written Dc.
Under these circumstances, I have adopted the less pedantic, and more
rational spelling.
As regards the quantity of vowels for the purposes of scansion, with
the exception of ^fr, they all tell their own tale when before a single con¬
sonant. may be either long or short for metric purposes, but in the
termination of the preterite it is always short.* There are many
examples of short throughout the poem : an example of the 1st class is
(1, 10), in which the ^UT«r is short : an example of the second class
(n, 2).
Short vowels can become long by position, but this is not an invariable
rule. They are always short before the compounds ^ ( e . g.,
hi, 8) and ^ (e. g., ii, 32). Before the nexus of a nasal and
another class-consonant, they are common, — Example, long in vn, 42,
but short in vn, 53. Examples of vowels short before this kind of nexus
are very common ; and, in order to help the reader, when the preceding
syllable is short I have denoted it by anuswdra , and when it is long by the
class nasal. -Thus in the first syllable will be read long’, but in it
will be lead shoit. bo, will be read with the first syllable long, but
* So also in Vidyapati.
G. A. Grierson — Manbodlis Haribans.
LSI
1882.]
with it short. Of course, it must he understood that tins anuswarct
is merely a compendium scriptnroe , and that whichever way the word is
spelt, the pronunciation is the same. Vowels before a nexus of the semi-
vowel ^ and a consonant may also be short, — example, (i, 24).
Before other conjuncts the vowel is generally long, but I have noted
the words (i, 35), fqfq (v, 51), (vi, 25), and (vii, 26) as
exceptions, and there are not impossibly others which have escaped my
notice. 4
Anunasika never affects either metre or rhyme. For an example of
the latter, see viii, 41.
The first syllable in the word is always long. As already men¬
tioned it should be spelt
The word ‘ any,’ is frequently written qlt.
The verbal termination of the third person f^r, is frequently written
as a separate word ; e. y., (n, 53) dehhala anhi for
delchalanhi (delchalonV) . This termination can also be used with the 1st
or 2nd person ; e. y., (viii, 45).
With the aid of the above remarks I hope that no difficulty will be
found in reading and scanning the poem.
stfiroure srer, i
^ i
SRffWT* I % 5f5T ^flf% II \ ||
1 Hsl §51 Sf® life | OT! 3T5T37 qftsiJF *tff WV II
qrfaqft cl^ I 5J3T^f^ '5RTfT II
■§cf ^fgcT Tf ^ I 5tf? Tt' cRITT ?qri #?i II
5T ^ U*T Hf?5t I fftlR 'fH yfc^l || 1 II
Nj Sj >) ^ ^
Hr?; ^TfPn nf% i v ^r?: irf% u
crass qrcar hi h^t i t}?^rar hi? sra ii
src^rr nr wm I n^ros! sfi>s% n
H'Sf H5T WT3J I clp^rf HT^f 5ITJJ- II
^ hh i *r% yf?- %5j s \o ||
5?:cre 3>T*ra 5rf i ^rf%r?TT^;T^J?ir ii
f%i=g ^ffsrr 5iTjr i cnf%f ^rer?: q?«fr ^tjt ii
^1K cR ^ ^ ^Tq | q^fcT ^ II
| ^TcT*f II
# B. I f B. Wtf^ 1 t B. omits this line I
132
G. A. Grierson — ManbodW $ Haribans.
[No. 2,
^jsr htr sra stur i *r-5Rtr qpRR tr ll vr u
s» N c\ 1
'trot =ff%RiR3i HR I fJtft 3<RH SR*TP % HR II
pf%* «rrn %f ^rt I hir i?n soreral qra ii
hr ^hrht hrjt mf% i hrh HRHRfrrt snfS n
hrhth? qrr wit m i *R5! ^ct jRfij qrr ll
•^vS
TThS} fRT *R5T TRH I =fH sqsrcRSf HR HR iiHR II V II
hrh;t sret %qfSi ^i^sr i ctP^T wr ^r*r*r ■?« %q n
t gfS HIVR 3RT3W1 *RR | ’S^Rf^cf H'<3 SitHJRR \\
Sr nfR§ 5rh sm % iR i ireSq< hhrt iRRfS wr n
3HR ’3*^ sqSH 3RHR I Hfa^ll «5t W fJTR II
sjfqf?s?; «8ir %sr l *srafS f hr h^r hrS^ n m ii
ifc ^pm?r hr t hr wt I cUsr ^jr sqjRRfS ii
%JT SR §RR WtfS | cRIH HTRJT Xllfif II
srrw SiC gts qsR i ^R'f Sts ^rw hr ii
Sr Sr JW S? ?rar I ^rf S’? nfScrar ii
htcr ^NRfrgcr =rj %«r I %T StftOr is S5* ll v ll
IRTsT ^RTcT^T TRH ^R I =5 «TTR ^RcTR ||
wsh hjf 'fn w^r i =t?h «rh <r S^h HHRfte u
J v»
SfHTfafcT *HR 3RH Hr? 1 St?" =??T H^Ht 3RW q^S^T ||
TIRT H^HS % cl | SiRcT 3TT5 qj?r cftf ^n?cT ||
HR ^T9 ciW %cT <33T5 | 3R %T IR^cT R'SIR R3TTR II ^ ||
SR Jiff "3ff cftf? HITIR SSSiR I t qff? TTT WSH ^cf 3Rf ||
TTfPf I % ST^ITTWT ^|f^** filler Srff ||
^ ^ t cTR ^Tf% I ^fqcT qR qq? qitf%r ||
HftSty w I =R'®3T HT-TIf ^I3T IfH qj'fol )| 3d ||
?fcf H^wfS@S ^fftSlT HT^Rt TmHtCTR: II \ ||
S^JT^: I
gn f%qqr ?:^r i ^tHirqRqt q^cifi- ftr^R u \ n
HRR=5 fqHRR ^TTR HfsT I TT^T^f ?RR ^JIT SJSfi ?jfq ||
* B. omits pff I t B- «RTO I t B- qqftj I § B. ^ I
|| B. ’S'T I If B. '«jf i #* B. wfq I ff B. qi |
1882.] G. A. Grierson — Manbocltis Haribans. 133
sft5 533 it «5 I % 53 fWlfe zf? 35 ||
5315 51 % 51133 315 | % 1p3 3151 cff’fK f33 515 n
^f35=g 55! 5(5155 3lfe I % f3? 3>?5 g51?5 ^lTf% II 3. ||
y -gfft 55! ^gjt % 3ii? I Per ffer ^3fe f53 3? tttts ll
?ifg f353*3 3fe 3W grer i msjic 33 *5^31 53ft 5H3 ll
55 sflfe f33f3 SR^f^T 3XJ33 I fe3? f355> 33 313131 53 II
51331 f5R 31 333 3313 I % 53 % f55 % 3fe 313 II
3f3 35? Tf3 3355 31T3I | 3lf*3 3f53 33 3*3t 3T3 || \ ° 11
59! 3(331* 3^33 f3315 I 313331 f31§3 333 % 315 ||
33\3p3 35! f33131 ww I 3^5 3 53? 5513 f35^ II
3^t 5131 3X3 3(f% 33 I ^51 31313) 5135 3f% 55 ||
5135 555 313 55 9!T5 I % 3155 35 5>ff f? 3t5 ||
sft3 f3R f51| 3)5 35TT5 I 5135 535 535 513315 II \UL II
3133 3(3!! 333t 3lfe I 5lfe 5=fl 35 31355 3lf3 ||
555 331 55 55f%5 5^ I 3fe 33f5 53 5355 3vf II
55 3^33 33f5 55 3Tf5 I 55 313 53 =?f53t irtfe II
^3 53555 3 33 5lf% | 3153 33 JT?f 353t 5lf5 II
<f[35 313 53135 313 I 3135 533 555 ^5 513 II 5° II
• 5f? 3f5 533 351 3g 55 I 3133 5*315 353 33t 35 ||
5135 3(5t $33 33 fell I 33 3*^t 33 355 ^fewi ||
35 55 3f35 3lf35 313 I 515 5f33 31 5T3f5 513 ||
353 35f5 53 3f55? 3lf5 I 3 5f*T3f3 35 531 33lf5 II
3t53 35 33335 3lf5 I JTff 5 5 5f5 3515 ffelff II 3'i II
33135 5513 553 35 5lf% I 3fh?f3 33 5^31 Jflfe 3lff II
33fefe ^3f5 3fe f*T3 HTf3 I 535 335 H5 ^cffeff 5tf3 ||
t 551 55 W31 3f5 I % §131 5f53t 5f5 ?fe ||
% f%5 W133 3153 3f3 I 535 5*5 555 % 3f3 ||
^ C\
f33 533f5 35T %5 55tf5 I 3fe 535f5 35T 3331 3lfe || ^®|l
3H 155 5f5 591 55 Wife | 3155 535 5f35J 53 5lfe II
55 55 3553 3155 515 I 3133 55153 3p§ 3ff 51? II
* B. 535 55 1 + B. 355f5 I { B. 3 I
134
G. A. Grierson — Manbodtis Haribans.
[No. 2,
XT5RT Xt «r? HXT%T3 I ^IXXfV XpXX! HjftxX Z 13 II
§ gx xrx xrxa? pt I xtx tr?7? xrrtx spj n
fxsr xixpx gw xttx txnx i xsxx xin ifa xuxrttx n n
t Xift HTtPst fxfxi X^XX I XTpr X t«X fxtTcTT ?X ||
xpraft xxxm % gx* xiq I fxxr erf?; x^r % n
xitstxt it gxr tfxxft x vta i % xfx xr^x xftfx xftx'N n
W«i xixx xixftx «5t i I; xift ^3T ^sr xx xt g
5H?X sreftflffr §T fxg ZZ* T I XX flfx XI5 XXX XX 5J35T || 8 ° II
^TSTq st^Xi ST XTXTPf I tXS§X» xtx XPX xffexiTPt ||
TX HTX «5T sir tXiTX I XJ5XXT TXSX XJtP § XIX II
xxr fasgx xh f^pTT xftxrrfx i tfx tfx tx xxt jftarfx n
J ^
tlx XftXT Xit^XT xff sgifir I 3X?X XX JTXT fxsqx XTTfjT ||
XX tfSfXT gwfx | ifi 3TfT tfaXiW XTP JrtXTfx II Si. II
xrftx jiix wtx xxrxrxrt i xfxxft snp xx xfxxfs u
■vj nJ »
XTt XTIW XW XXtXi WX | xjqx XPTX XX XtH XCf Xt II
pxr fqx wtofa fift xr^xip i Tjfx xtftt tfx fipqp xtjiip n
x=g ntfx €r ^xxit snfx | xxxt xsqx g^rr^ft <xifx g
xtx xrx § xx xxiftT tip l txrfxr fro gx gxPx frrxrp g y = g
tfx wfx P3 fTT35T ^X txfxg I %TfxX X)f?X XXIX XTC! q\xf% II
PITXX XTX X^X XtXTP I X5X5TT XX 5}Xt J§5 -ggXTP ||
xrq^ qT55T^lpt % ^5T 5TTJT5T | cTIX^T ciX Sjfx cR^t 5TTJI5T ||
•s^ <p*^ ^
qffe tfx i xsnfxre g tfx fwVjf «niit|| g
pxf fqx w Jit fqfgqr xrirrir I wtnfx xtp jtfg wn %jt g «j.y. g
xfTxft wtsrfar ^Tff% wfxr i xntqT tg tosp Jiftr g
Ptx xtx tw ^ftxx fxxi3 1 z* sxr %xftr xtqisqnr fx^ g
* B. f f t i t B. -if tsrpqr i % B. srfc ^ip^r i § B. ^ 1 1
|| B. omits this line | B. |
1882.] G. A. Grierson — Manbodli s Haribctns. 135
^333 3133 333 5«r sft i ^333 333 sra3 ^si ift il
w ira Ira sra iw zz* t i ??33«3 ^mz ^w,z 3tn 533* ii
qf? ^f*T ^ *F§ 3T?r | 3Tp£ iff ^ STTO 5 ^3*EJT^t*T II < 0 II
"fiT I ff *T STCSTOfa ^fe^Pl II
^xS WZ ^flfi UTZ ^3TcT | 3it% ^THtJlpT pT^T ^JcT ||
n?r 3qcffx^ m^srfa l ^ *ifwr ^hr ll^u
sfcr *R5r^Pra?r ^fbit wsisi II R II
*m ^t^iswr^* i
tRcft wfi ft33 sraw ftfi ira i tft S3 t«tji3 ifftire: ira \\ \ g
Sj * *
% sift zm st% 3ft snft i % if?: ^iresf %f 3=t 31ft n
3T3 sir?: sff 3ft 3ft srtft i T3f%3 f 3ft srefftft 31ft l
$ ift its 3?:? 3 srift 1 t ift "33 ?ftt 3ft ?gift 11
%T?ra Traps Tiift *ss Tfra i sraftft m ift ftssi srara 11 it. 11
*1 ift sgift ^ra itr aft=T 1 ^ 5ft ssrar? 5t*r 11
snpafts ftw? ^J?3ft sift I 3Tf= ?vtft^ it tm 3ST 31ft |
3 Sift 3*33^3 3?gft 3JI15 I 3f?3ft> S3 ftjr 5f[3 3T 3315 ||
itftrf ft®!7 33? lift srarN 1 =fft wft sra 3?=rft sft-iprrafft h
5-333 ftpfsra 315 I 335 3t5 ^3 3315 II t,° II
3331 3t33 SffiSIT 313 ! 31jfcf ^TSR3 ^33 3 =f 13 II
?313 33T 33 ^33 ?J3tf3 I W3 3313 333 3331ft II
333 333 13 3T33 3?3 I 5ft 33 JIT5 33T 33 3?3 II
3t 33 1333 ft^Tft 3 ?It5 I 3T3 Tft3 flft S13T 313 ||
5Trff3 ^3 3T% 353 3t3T53 | 33tflf3 31 fW3 313 f 3153 II \yj|
3t 33 W3 nfft 533 33Tft I 3ft |fe 35?gft 3ft 5ft ilft II
33% Slltflfi S^3f% 315 I 33 333" 3t3§ 33 315 II
Ni
3F3 315 tft ft?5 3313tft I 333 3tft S33tf3 33131ft ||
^Ni •V
*RTfq vm*\ ^tf% I ^*T ww H
•s
w^m?: ii^r i f^f^r ^15^ ^11 11 11
# B. ^rl'X <rp3- ^ w^-^r | f B. srsrt«r I 1 B. omits this line |
§ B 5t l || B. omits vv. 18 — 20, and substitutes ^35
fn^ wi*ftf% 1 11
136 G. A. Grierson — Manbodh's Haribans . [No 2,
54 544ft f5 4154 55X4 | 4543 413 JXtfs554? 4314 II II
sft 544ft4f4®3 4T314X S3t4XS*JH3i II ^ ||
^^swr: i
541 fft 44 f35J 3?3 4lffe I ftjl 3'?ft 3%X4T 3lft II X ll‘
* *
artful % 335X3 f43ift i 55 333 35 3ft ^ 4ixf5 »
^r? fjtf% ftfft 53j sft i 55 5ft34 335ft ^jnjfa n
3413 5^ ftiftr f43X5 i %T3tf%g* 3554 4i5J4i5 ii
4J4 pftf 3X3 3ft3 4p| 4X5 | 35f3 4fft5 pj^xpij tjx5 || y. ||>
4ftft 3X3 Rift 3ftS4 Wf> I J4T5X 3X % 3X5ift 431 II
C\
ftftft f44 35 3533 Bufs i 3f4 ^4 3 >4 4x§t 3i5t 35ft n
*ftft 4xr5t %t ftu fft 33 i sft 'fft^ 55t 3ft ft n
«^\ ^ ^ ^ ^
3X3 4515 ^ft 434; 33 i 3a? xi4 x§4 4fi jgffti ii
4i3? 134 4T3f3 JU4ft Tift I 5431W55ft % 5535 4ft || \° ||
53 fft 'tft ^355 ^ 3T5 i ^ 3153 33 33P3 3315 n
4tw4 4141 wft5 fit?; i 44ft ftre 3541ft ii
X354ftt 4531T ft[4 34 3lft | 3f44tX 4?4 ^rtn^f 354Tft ||
ift =5335 %m ^feci ft i 3 4^ 3x^x ii
4iJtft jftf 4 4i435f3 I 44 gjjt vrcft -sqfr? jrcft n t 1 ||
%43 33 41T ®35! 3ftlft | 515 444 45 43?3 4lftrft II
45ft 4p| 5X45 3X3S41 =535 I 343S41 34a? 4 4ift 3T ^33 ||
53 f44 4144X5 5t? 55 3X3 | 34[4X =§54ft 33 334X3 ||
4?4 5ft ftft: fi?45 ft'415 I 5ft 5ft 4iT3t ifift 454X5 II
<\ «^\
5J14X ?3 f4<@45 5 srrft I 55 54^t 44T f44 4 5Tf4 II 4° II
4t54i f44 5455 5ft 45 I ftx§ff 5 5lft fttUX 5P 55 ||
•^s • *N
4JT4 4ift5 414 545 3515 I 4f54J 4ft 53 5t%5 515 II
4454 35 3ft «33Eg 4Xft I 4|ffxg 5f4 43? f 43 55Xft II
# B. has I f B. T l
G. A. Grierson — Manhodh’s Haribans.
137
1882.]
•rFfif ^ j h
5ffir | 5ft wft wft gft u II
^^TcT *ET*T x?ift ^ itfUffiTC I V^XIX STJT *rfl 3i*T tfftm H
^ si ^ ^ ^
nann n aa a^ai JTTcT I ara^a nnai am 5Ta II
niai «n mama | XTlfsr IJHv aft maft nTR ||
aft pai nan ai a;n matn i mn am an aw aararta n
% 5fn ^'w ani an aftifa i n ns? mn nftift amita n n
man an a%raft tin i nmgn aft if n nm g
ailf! « a*t iftna IT? | ®RT«rf%T altflfct flfa nftT? ||
pmzi < an aa? in mf i fern ftnn aft afa a am n
JrTWl If la mamft I Pm 55; aftl! WUFK aift II
C\ ^ v'*
sna fin ajft aftn aift i fnanif 5 in ift an aaift 11 31 g
fta aft fta fta afa fta lift 1 fft: fta an afa pm n!fa 11
fan 51*1^1 % an nr? 1 fan fan ana am an aij 11
aas? aftm aim ^5 an? 1 ?ft ai ana otj an ni? 1
an pm fa>i| amiss aft? nia 1 aft pm ajnii ainn am 11
fnai afr aft ift ajnmn 1 ffn ifi afrfn ftai «ft an?n ns «g
aftm inn namitft an 1 mat ana ma fft an g
mm im aw nfpn anft 1 nun fans ai an anft n
mnisr w aicr inaw a?;a 1 % nft tsft nif m jfte ax:a g
fstfh nfwaft aift W5t arc 1 i 5a am nre 11
5fn i^fnn an 5=5 nfnn 1 aft pm an fta niftn ftn g ai. g
•S^ * ^
nftaft am 5^a m ann 1 nfa if na na iifaa nnn g
%xfaa a^a gfta aft itn 1 niax 53ft unfa in g
aiftfa wwp aaa « aift 1 mft ara fan man mfa 11
naama aaaf mfw aia 1 fta naa an an naata «
nJ
na am ai nfa an am 1 na nna na nnaft ma 11 >1° »
a ifa ifa aa in maatn 1 aim? nrnn mnt am g
#fai ifan ntaft afa afn l ia naara an afaam g
aaarna afa mr na afan 1 fa fan «ns nftn 1 nfan g
nanar aa fa uft sra aftn 1 nftn a aaf asa ^n aft 1 s
f aa naa nnafa lit ana l faaaa aa a=a mp nna g l i g
na ?ft jra a aifa faan 1 ftn aft a aft* mna nil g
9
138 G. A. Qa'iQYBon—Manbodh's Haribans. [No. 2,
cTc? i wct ^*rr ^rtfa ^ u
fai^ srf^cr ^ftf% snare: iNr i qpsrsre wt ^ w*t H
^%T3lfh Sf«T I «lfa Wfa ^ift II
SfiT^Tt ^R*T m£cT % ^5Tc[ | S? SR ^ fan «Tcr iff 3RcT || ^ o ||
nfa ^fan un^rnni* fairer i mrer ngnisfa nrer 11
*qn ;Fre«ffa sw ^fecT afa | aftn fa^ cftfefa sin afa 11 ^ h
xfH ajnnfa^fai m ifhrit wi ^g^wn: 11 » u
tN^T SWT^TJ I
y^n f^r =fft =?<5raK «i5 i tjjt fas im ?n: ^rr? il ^ n
ctx^ srfcw my i *ii?ra *h5pr »fs 3^15 ii
JKS'fT ^Tisf i ?jtc *r 7§ir ?g§ gw %3 n
% tf?3 35TJI3I I fbt fWPSTN 3ITW II
yjpfi 3f?3f? fntfK I 73?; 33 cR SR 3t?r 3733Tfr II li II
«?: v?; gffr ^ist Ten Ssn^i l snjra 11
STJT £iP ^TTcT WTP I f^Rre 3H ntt^TpST n*TTP ||
sjtre nfa n^fi nanp i snre^ t ire nre snnp ii
nJ Sj >*
^^re m ^ aq*r w mp 1 fare facre fa^rewf ^ip ii
^n ^ ntfar wmH ifa i 5 mm hzw t m*t u \° n
nun sot fa fa a§ip*r cfT^: 1 ^T^n pmifa hr u
P^fi fan nn ST^? Sfa *T*T ifas; | ni*T cRfiR facR S^T^TT ifa*; II
»VN
^ifc aftfa *ftf? mt^ t%5Tf i i} fsjcr fra?: m?; % -33? 11
Xjfa ^ ^TP^T I %T % §f% §^Tp^r ||
^?3TP ^u3T | cR3*T JTl"^ jq^f || ^ ||
=w^r rft^ifa; ^tjitp 1 i\^u ir\f^ ^jp u
'wft OT ;ct^ S[^R^T5T I 3^i^T ^Tip RRT^f II
SJ ”
^ ^if^ Pl^ ' PTT ^iT ^Rcf 1 gfa p^ ^ ^x§r ^[Rcf II
cT^T^f ^q[»T I P^f% ifR^T^t ^T^fT^T ||
# B. ^ffR 7rfH3\ I
139
1882.] G. A. Grierson — ManiocW s Haribans.
% ffe ^ | Jl*T TO ^ TO mV. \\*K° II
SficTt' !TO f^TO TO | 3^ ^ 5TT fTO TO ||
cRTO tr^Tp^ ^ TO I PfiTO STTO Wf II
TOT cf®f TO I ^TOl TO II
\j
^qqfq qqq qq fqq sElfl I % qq qqTCT qrafalf? ||
^ ^ ^5* _
jfrq qqfq qt qq qfq ^q I *rrq wif% ?tt fjrfqqq %q ll Rl ll
%TfqcT qqqq qq qqqTq I qtq fqpf qq yfi: qq qiq II
qYq qqn fqq w? q’sq I % ifq *qqq qqi q^q ii
qxqT qfiq qfq® ft?fq qqq | qqq qip iftqjfq qpqq n
Cv
to c\t§*\ ^itoto i toto %f tny gto ll
^tct xft^p^ *rof^ sw to i 3tNst % TO*Tr^ ^stto \\ \\
^ «N ^ ^
qq q =ffq qprrcf?q «q i qqj qf?q q« qni?q qq ii
qxqq ^qq ^qqfq mq i gfs qq qnfit q?fq Sq qrw ii
jqqqr qiffiq %7#t qq l ^fitr qrq hi1 q qq ii
qxqq qqq qq 5ra qqre i qr« q qq qpq jftaq qr? ll
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140
G. A. Grierson— -Manbodh’s Haribans.
[No. 2,
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G. A. Grierson — Manbodh's Haribctns.
141
1882.]
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112
G A. Grierson — Manbodh's liar {bans.
[No. 2,
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G. A. Grierson — Mctnbodh's Haribcins.
143
1882.]
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144 G. A. Grierson — Manbodh's Haribans. [No. 2,
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G. A. Grierson — Manbodh? s Haribans.
145
1882.]
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146
G. A. Grierson — Manbodh's Haribans.
[No. 2,
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1882.] G. A. Grierson — Maribodh's Haribans. 147
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148
G. A. Grierson — Manbodh's Haribans.
[No. 2,
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1882.] G. A. Grierson — Manbodlis Haribans. 149
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150
G. A. Grierson — Mcinbodh's Haribcms.
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JOURNAL
OF THE
ASIATIC SOCIETY OF BENGAL
Part I.— HISTORY, LITERATURE, &e.
Nos. Ill & IV.— 1882.
Some Hindu Folksongs from the Punjab. — By Lieut. R. C. Temple,
B. S. C., F. R. Gr. S., M. R. A. S., &c.
I have a small collection of 64 songs and catches popularly sung in
the Pan jab, especially in the Hill District of Kangra and in the neighbour¬
ing small Hill State of Chamba. They are, as far as I can gather, genuine
Panjabi Folklore and have not been previously reduced to writing. As
they contain many strange idioms and apparently hitherto unrecorded
phrases and words they appear to be worthy of a place in the pages of this
Journal.
The language in some of them is Hindi, but many of them are in the
current village Panjabi of the day. Those from Kangra and Chamba,
though containing dialectic words and forms, do not differ in the main in
language from those from the plains of the Panjab.
In the “ Calcutta Review” for the present year I have treated these songs
from a sociological point of view, giving metrical renderings of them all
and endeavouring to show how they explain the manners, customs and
thoughts of those who composed and sing them. I will therefore here
confine myself to viewing them as specimens of language.
I give them here in the Roman character, being that in which they
were recorded. I have been moved, moreover, to this course because of
the unsatisfactory nature of “munshis’” ideas regarding the “improve¬
ment” of the vulgarisms of folklore, which render it unsafe to entrust any
of them, even natives of the neighbourhood, with the task of recording
songs in Nagari, Gurmuklff, or Persian characters. #
* In this paper adjunct consonants are distinguished from, conjunct consonants by-
being divided by an apostrophe, thus mil’na = but unha n = [See
Hoernle’s Gauclian Grammar, §§ 3-6. Ed.]
TJ
152
R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
These catches and songs refer to the following subjects, (1) religion,
(2) religious customs, (3) love, (4) marriage customs, (5) home customs,
(6) nursery rhymes, (7) localities, (8) riddles and faeetice , (9) politics. I
have divided them for convenience into the above heads, merely signifying
at the foot of each song where I got it from.
Circumstances have obliged me to rest content with this small collec¬
tion for the present, but I hope some day to be able to send the Society
the fruits of extended researches in this direction.
To each song is attached a rendering and as full notes grammatical and
linguistic as I am able to give ; but before giving the songs themselves, I
will add a few words on the more prominent points in grammar that occur.
A short vocabulary also of the more important words to be found in the
songs will be added. With regard to the grammatical peculiarities, how¬
ever, I will not do much more than merely collect them and point them
out. The numbers which will be found attached to the quotations refer
to the numbers of the songs whence they are gathered, and will enable the
reader to read the context at once.
A few quotations in their appropriate places will also be found marked
R. R., which I have added from a MS. lately placed at my disposal,
through the kindness of Mr. Delmerick of the Panjab Commission. This
MS. relates, in a series of disconnected tales, the legendary sayings and
doings of Raja Rasalu (R. R.), son of Raja Salivahan of Sialkot and brother
of Puran Bhagat, a personage of wide renown in Panjabi legends. The
tales purport to have been taken down direct from the lips of Panjab
peasants, unfortunately by an ignorant munshi. They consist of prose
stories interspersed with bits of village Panjabi verse. These last luckily
the munshi could not mar and they are of great linguistic value, but the
prose he has so injured with attempts at Urdu, very much Persianised,
with which language he was apparently not very familiar, that it is useless
for any scientific purpose. My notes were taken from the verses as my
reading of the MS. proceeded.
Also a small tract on Panjabi grammar by a member of the Ludiana
Mission, 1851, will be quoted occasionally as the Panj. Gram.
Grammatical Notes.
(a) The following pronominal forms occur :
Asa n, we, I. 18, 60, etc , etc., this is ordinary Panjabi.
Appu, thou, you. 20 : for ap.
Mora, my. 36 : also found in Hindi.
Tew, thou, passim : this is ordinary Panjabi.
Take, thou, passim. According to the Panj. Gram, tarn is the inflec¬
ted form of the case of the agent and = tu lie ; thus,
153
1882.] It. C. Temple — Some Hindu Folksongs from the Punjab.
maiw, I. Ag. maiw, by me : asiw, by us.
tun, thou Ag. tai n, by thee : tusiw, by you.
uh, oh, he. Ag. un, on, by him : unhiw, onhiw, by them,
ih, eh, this. Ag. in, en, ain, by this : ini/z, inhiw, enhiw, ainhiw,
by these.
jo, who. Ag. jin, by whom, (see also song No. 11). jini n, jinhiw,
by whom.
so, correl. Ag. tin : tin in, tinhiw.
kaun, who ? Ag. kin, by whom ? kinhiw, by whom ? Cf also
Kellogg’s paradigms : Hindi Gram. pp. 126 — 135.
sada, our, my, 48 : common Panjabi,
uh' he. 11. ordinary Panjabi,
unhaw, those, them. 45. Panjabi,
eh, this. 9, 56. Panjabi.
tinhaw, correl 45, these, those, the. Panjabi.
seh ( — uh) that, he. 19, 45. There is also a Panjabi dialectic form so.
kuni (= kaun), who? 56.
Of the above, tarn, unhaw, tinhaw, mora should probably be looked on as
inflections. The following are instances of inflected forms
maite, from me, 56: the Panj. Gram, gives mete and maithow as the
regular inflections.
mainuw, to me, 50. ordinary Panjabi,
min’jo, (maiw + jo). See below (<?), to me. 56.
os, that, 29 : according to the Panj. Gram, us and oh are the ordinary
inflected forms.
jit, which, 25, 60. Similarly it, ut, kit ? in the Kangra Hills,
jih’te, from which, 50 : ordinary Panjabi : Cf Kellogg. Hind .
Gram, p 132.
kit, which? 25 See above jit.
kus, which? 56: for kis ?
kusi, any one, 56: for kisi.
Examples of pronominal adverbs are — -
jahlu — tahiu, 15 : when — then,
kihaw ? how? 21, 56, etc., ordinary Panjabi,
kudhi, whence ? 23.
kuthu, whither ? 27.
kithe, where ? 51 : Panjabi,
tithu, there, 59.
kityo, wherever, 25 : = kiti, Panjabi.
* [Divide mai-te, me-te, mai-thon, mai-nun, jih-te ; these are not inflected forms
hut contain the ordinary postpositions te, thou, nun ; see Hoernle’s Gaudian Grammar,
§ 374. Ed.]
154
R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
kajo, why? 34: = (?) Hindi kaheko? Thus, Hindi kya in infl.
becomes kahe: kya Hindi = Panj. ki or kia, which in infl.
becomes kali or kas. Then kajo — kah -f- jo (see below
(c) — Panj. kah’nuw, — Hind, kaheko.
The change of i to u in the words kus ? kusi ? kuni ? kudhi ? kutliu ?
is noticeable.
(h) The forms which occur in the songs of the inflectional postpositions of
the genitive for the da, de, di, dia n and diaw of Panjabi are :
masc. da, de, passim : dew, 21, 45, 59: diye, 22 : diyaw, 23.
fern, di, passim: diya, 18 : dya n 38 : diya n, 40.
These do not differ essentially from the usual custom, which is this :
Masc. sing, da : obliq. de : voc. de, dia : plu. de, diaw : voc. dio; Fem.
sing, di : voc. di, die : plu. dia n : voc. dio.
( c ) A remarkable inflectional postposition of the dative and objective
cases is jo, perhaps connected with da, de of Panj. through the forms dia,
die. It has been already seen in min’ jo, to me, occurring thus in song 56. #
Hun minjo kiha n mil’ne ? How can they meet me now ? Also in
kajo, why ? occurring in song 34, thus
tarn kajo lai thi is kane prit ? why did you bring your love to this one ?
1 collect every other instance that occurs. Thus —
(1) tot ejo main dudh-bhat din him, maina n jo ghyo cliuriyaw : I give
milk-and-rice to the parrot, (and) gin and crumbs to the maina. 5.
(2) Sadasibe jo munai lah : bring blandishments to the Eternal
Shva 15.
(3) Asaw Gugge diya jatra jo jana, we must make a pilgrimage to
Gugga. 18.
(4) Ammaii jo puchhani : asking my mother. 23.
(5) Sassuyo puchhani : asking my mother-in-law. 23.
(«) j awghawyo jikk : shampoo my thighs. 23.
(7) Asa n jo kusi diyaw nahiw gar’ jaw ? There is no necessity
of any one to me (I love nobody) 31.
(8) Kuttya n jo pawghi churi : I will throw cakes to the dogs. 45.
(9) Hataw jo daurya : ran to the shops. 46.
(10) Aggi jo daurya: ran to the fire. 46.
(11) Unhaw jo pai-gai ap’ni: to them had befallen their own (trou¬
bles). 47.
(d) The postpositions of inflection are used, but are as frequently
dropped : see Kellogg, sec. 152, pp. 78, 79. I am assured that in the
K angra Hills this is as common in every day speech as in the poetry. The
agent with ne is by many ordinarily omitted, as ghorew khadha, the horse eat :
* [Compare the Sindhi genitive postposition jo masc., ji fem. On their derivation
see Iloernle’s Gaudian Grammar, \ 377, p. 239. Ed.]
1882.] R C. Temple — Some Hindu Folksongs from the Punjab. 155
ghoria n khadha, the mare eat. The Panj. Gram, says that the agent with
ne and the postpos. of inflection are frequently omitted in ordinary Panjabi.
(e) The following cases of nominal singular inflection are worthy of
record :
Masc. in e.
bapue pucbhani, asking father : 2?.
ghare bich, in the house : 22, 38, 59.
bage diyaw, of the garden : 23.
mimbue da char, pickle of limes : 40 ; (but cf. nimbua, 4G).
ghiue da, of ghi (gliiu), 47.
rukkhe par, on a tree (rukkh), 63.
muse, in iye and ye .
pawsariye clew hat, the shop of the druggist : 21.
daruye diyaw katoriyaw, cups of wine : 41.
but compare here bhaiya, brother, 48 and chirebalia, gaily -tur-
baned, 60.
fern, in iyd.
daliya, in the hedge, 5.
thaliya, on the plate, 23.
pag’riya, 20. objective : turban,
barya, of a year, 32.
goriya dew hath, the hand of the beauty, 21,
pakhiya, on the fan, 31.
chhamaya, of six months, 32.
larhia satya, threw it into the field, 47.
Voc. masc in iyd, and fern, in e.
The masc. occurs in 35 and the fern, in 23, 25, 32, 45, 48, 49, 58.
They are all ordinary Panjabi forms and require no further remark
here.
(/) The ordinary Panjabi plural inflection of masc. nouns ending in
a consonant in the oblique cases is aw or iaw ; for those ending in a vowel
it is aw and for those ending in u it is waw. Of. the Marwari, Mewari
and Kumaoni custom : Kellogg, p. 80.
This custom is borne out by the plu. forms occurring in the songs,
even in those cases where the agent with ne and the appropriate postposi¬
tions are omitted as above noted. See 22, 23, 39, 43, 44, 45, 46, 60.
As in standard Hindi, Panjabi nouns ending in nasalized vowels pre¬
serve the anuswara throughout the declension : otherwise masc. nom. and
objective plural usually end in e. This is an exception.
khayaw, be bira, bare bare grahew, eat, O brother, large, large
mouthfuls, 44.
It is probably, however, to be referred to the nasalized declension
noticed below.
156
11. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
(g) The ordinary Panjabi plural inflection of fem. nouns ending in
a in the oblique cases is ia n : for those ending in u it is wa ft, and for all
others it is a ft. In the songs the fem. plu. forms are usually regular, even
when the inflectional postpos. are dropped. See 5, 20, 23, 4L. Here is an
exception,
ratift bariyaft, (the) nights (are) long 5.
But like graheft above, this should probably be referred to the nasaliz¬
ed declension.
(h) The usual rule of declension appears to be in Hindi and the
allied tongues that anuswdra is preserved in the singular inflected forms
only when it is present in the nominative. In the Kangra Hills, however,
there appears to be a regular form of nasalized declension. We have seen
signs already of it in ghore/i khadha = ghore ne khaya, masc. and in
ghoriaft khadha = ghori ne khaya, fern. ; also in d eft = Panj. de, of : and
in rat in, nights, fem. and grab eft, mouthfuls, masc.
All the instances of masc. nasalized inflection are in eft, perhaps a
form connected with the infl. in e, above noted and it is to be noted that
in nearly every case of it the agent with ne or the inflectional postpos. has
been omitted.
bahi-ja pin] ’reft, sit in the cage, 15.
jayaft tuft panieft, go thou for water, 23.
tere muftheft dikhi-kari, seeing thy face, 26.
chacharueft ditta tak, the tick gave a bite, 38.
bageft gajar muli, carrots and radishes of the garden, 39.
Rameft dari, Rama’s wife, 39.
peteft tumb hoi, there has been a pain in (her) stomach, 40.
bharo thand’reft panieft ! fill with cold water ! 44.
muleft liya, ordinary Hill expression for mol lia, = Panj. mul lia,
(I) bought, 46.
kotheft charlii, climbing on to the roof (kotha = bala khana), 46.
soh’reft pak’ri daftg jetheft muftg’ri, father-in-law seized a stick,
brother-in-law a mallet, 47.
chalya mundheft sab’j kuman, walked with a green bow on (his)
shoulder, 48.
Gaddieft anda air, the flock of the shepherd came, or (?) the
shepherd brought his flock, 56.
Anjaniyaft deft meleft, at Anj ana’s fair, 59.
khinnueft di, of the ball, 60.
Bhauneft diyaft, of Bhaun (Kangra), 60.
hatheft sothi, a stick in (your) hand, 60.
* [The so-called nasalized inflection in ew, as well as the inflection in e, are simply
relics of ancient case-terminations : so also the ablative inflection oft (p. 157) ; see
Hoernle’s Gaudian Grammar, pp. 230, 212, also p. 208, et passim. Ed.]
157
1882.] P. C. Temple — Some Hindu Folksongs from the Fanjab.
The ordinary masc. voc. in Panjabi ends in id or a, but in the songs
in the case of an imported Arabic corruption anuswdra is added,
muhimiyaw be ! O my brave one, 23.
The fern, nasalized infl. end in a n, in and ikn, perhaps connected with
the iya above noted. Thus,
of cm.
mainara jo, to the mama, 5.
amma n jo, to (my) mother, 23.
arnma^ d en pas, near ( my) mother, 45.
of in.
gali n kaddhe, should they cast out abuse, 22.
sar’km sar’km jana, going along the road, GO.
of /an, tyan, iydn, etc.
larya^ marl mirk, the wife made a sign, 38.
lariyaw khada, the wife eat, 40 (khadha, kah’da and khada are
common Panj. forms of the perf. indef. of khauna, to eat),
billiajz chhikkya, the cat sneezed, 47.
Anjaniya^ d en mele?z, at Anjana’s fair, 59.
The following are instances of similar nasalization of fern. voc. inflec¬
tions. The usual rule is in Panjabi that the voc. infl. has no anuswdra
unless it occurs in the nominative also. The fern. voc. sing, usually ends
in e : the plu. in o.
soh’niew ni, 0 beauty, 15, 18.
bo bhainen, O sister, 45.
tun najo yanien, thou young beauty, 23.
bliaino^, 0 sisters, 46.
(?) The Panjabi ablative inflection on is. well known and is well
exhibited in song No 46.
dhuro^ Lahorow nimbu aya, the limes came from Lahore from
afar.
It is commonly added to postpositional forms in an abl, sense; e. cj„,
andarow, from within; uppuro??, from above; sah’m’nio^ (^T^f%^f),
from in front of, &c. In song No. 58 it occurs in a very notable word as
an intensive termination, nah inon, altogether not.
Gaddi tera ajj marhe bicli nahi/?o?z, to-day thy husband (shepherd)
is altogether not in the house, 58.
( j) A connected nasalization of postpositional forms (Kellogg’s
prepositions, pp. 272-274) is exhibited in kanew, with, 22 : age??, in front,
45 : pichhe??, behind, 60.
And of enclitics and conjunctions in mhk (*ff == bhi), also, 20 :
akhew, indeed, 59.
(k) The ordinary adjectival inflections in Panjabi, where they occur,
158
R. C. Temple — :Some Iltndu Folksongs from the Fanjdb. [No. 3r
are masc. sing, e ; fem., i : masc. plu., ia n ; fem., ia n. But in these songs
the fem. infl. in iya above noted in the nouns is found in the adj. as welt
Thus,
bariya parati, a large plate, 41.
merya nimbua, my little lime, 46.
Nasalized forms of this inflection are
fem. sing, bhukiyaw, hungry and na^giyaw, naked, 22.
ap’niyara sassu, thy own mother-in-law, 45.
In song No. 25 two remarkable nasalized adjectival forms occur,
gher’wa?* and pher’waw, which appear from the context to be indeclinable ;
as also perhaps garib’nazz, meek, 48, should be considered. Thand’reza
panics, with cold water, 44, is a clear case of masc nasalized inflection.
The ordinary infl. in Panjabi for numeral adjectives is n and a n, as
usually in Hindi. Thus, .
barazz barhiyaw, twelve years, 23.
(1) Mr. Kellogg, sec. 473, pp. 253-254, derives the modern Hindi
diminutives in ak, ka, ika, Id ; iya, i ; va, wa ; from the Sanskrit affix aka.#
In the songs gad’wa, a little pot, 41, and nimbua, a little lime, 46, occur,
but also several undoubted diminutives occur ending in zi, which are (?)
probably connected with the above.
chhok’rii (a little son) a widow’s son, an orphan : used also in
depreciation, 15.
gadokh’ru, a little goat, a kid, 15.
eholu, a little cloak, 19.
topu, a little cap, 19.
khinnd, a little ball, 51.
To this class also should probably be referred
chacharu, a tick or flea, 38.
mauftg’nu, a bug, 38.
bhandoru, a bee, 59.
Perhaps in the same connection should be classed the nouns denoting
familiarity or terms of affection, such as the names Ramii, Par’su, Chhajju,
<fcc., &c., and the Panjabi words pin, father ; mauM, mother ; bharau,
brother, &c. In these songs occur —
man-rakhu, keeper of the heart, lover, 25.
chit-rakhu, keeper of the heart, lover, 27.
appu, thou, 23.
sassu, mother-in-law, 23.
bapu, father, 23.
* Many of Mr. Kellogg’s statements are due to Dr. Iloernle’s discoveries. I quote
Mr. Kellogg because I have not Dr. Hoernle’s works by me to refer to, [See his
Gaudian Grammar, §§ 195-206, pp. 97-104. Ed.]
159
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab.
In the Panjab there is a tendency to change nouns ending i to iii or
io. Thus,
ghi to ghiu, gheu and ghyo, 5.
ji, life, to jiu, 25.
In R. R. occurs ghiu for ghi : guru jiu for guru ji : dhiu, daughter,
for dhi. Piu, father, in ordinary Panjabi is sometimes also pe or pi, as
mape, mapi and mapiaw, parents.
In song No. 25 there is also a similar remarkable change in a pro¬
nominal adverb.
kityo for kiti, wherever, 25.
(in) The dialectic verb must always be difficult of treatment. The
following are attempts at solving some of the forms that occur in these
songs.
Mr. Platt, Hindustani Grammar , p. 329, remarks that Panjabi regular¬
ly uses the gerund or verbal noun, (practically the infinitive in the modern
Aryan languages of India), as a gerundive or verbal adjective, and that
Sindhi has a distinct gerundive. Mr. Kellogg, pp. 308-310, sec. 595 (1) (2),
shows the infin. being used both as a gerund and as a gerundive. In both
works the infin. is the only form of gerund or gerundive.* The Panj. Gram,
gives two distinct forms of gerund, (or gerundive according to syntactical
use): one following the form of the infin. and the other usually that of
the perf. participle. F. g ., root, ghall, send ; infin. or gerund, gJialVna, to
send ; gerund, gliallia, sending, to send. The two forms of gerund proba¬
bly really exist, and for the present purpose I will call them the gerund in
nd and the gerund in id.
As instances of the use of the gerund in tia the Panj. Gram, gives—
kachichia n lainiaw hon’gia n, lit , gnashings of teeth will be (to be)
taken.
khabar kar’ni, to make news (announce),
dur ho jani, to be removed (lit., to become far).
All of which show its use as a gerundive and curiously enough the Panj.
Gram, gives no instances of its use as a pure gerund, though this is as
common as in Hindi.
Of the use of the gerund in id it quotes
mera bharau men jamin utte haweli pai chah’nda hai, my brother
wishes a house to be built (pai, gerund in ia, fern, form from
pauni, Panj., to place, build) on my ground.
* [See Hoernle’s Gaudian Grammar, §§ 308-314, 315-321, pp. 145-154, where the
identity of the so-called infinitive, gerund, gerundive and verbal noun in the Northern
Indian languages is fully shown. Ed.]
X
160
B. C. Temple — Some Hindu Folksongs from the Panjab. [No. 3,
asa^ pothiaw parhia kar’de ha n, we are in the habit of reading
books.
In the former it is apparently used as a gerundive, in the latter as a
gerund. An example of the gerund in id in the songs is
mam puri. chhaki lia, I took the cake to taste, (eat) 47.
Here chhaki agrees with puri as a gerundive.
The above analyses may be thought wrong and the verbs merely look¬
ed on as compounds, like paya chah’ta hai, parha kar’te ham and chliak li,
as they would appear in Hindi. But see Kellogg’s doubts on the partici¬
pial nature of the first terms of such compounds at p. 192, note, where he
inclines to the belief that there is a gerund in a as well as in nd in Hindi. #
His observation (c) on the next page 193, that chah’na and kar’na with
jana take jaya in place of gaya and with mar’na take mara in place of mua,
exactly bears out the analysis of the Panj. Gram, which makes jaia the
gerund and gia the perf. part, of jauna and maria the gerund and muia the
perf. part, of mar’na. However, below will be exhibited many instances of
a conjunctive participle in i in these songs and perhaps the above forms
pai chah’nda hai and chhaki lia should be looked upon as instances of it.
Lastly I would quote the following every day idioms, which exist also
in Hindi and Urdu, from the Panj. Gram, in support of the argument of
the existence of the gerunds in nd and id.
mete khara hona nahm janda, I cannot stop ; lit. to stand still
does not go (is not) by me.
mete khaia nahm janda, I cannot eat, lit. eating does not go
(is not) by me.
(n) The usual terminations of the perf. and imperf. participles in
Panjabi are imperf. da or ndd and perf. id, but the imperf. has also a form
nd, f which, according to the Panj. Gram, differs so far from the infin. in
that it is always nd, whereas the infin. is nd and alternatively nd. F. g.,
imperf. ghall’da or ghall’na, sending : perf. ghallia, sent : whence present
imperf. tense, mam ghall’da h in or mam ghall’na turn, I am sending and
oresent perf. tense, mam (or mam ne) ghallia ha n, I have sent. A good
instance of the imperf. part in nd is in song No. 60, where the same word
occurs three times.
* [These doubts are unfounded, the participial nature of the first term of such
compounds, being clearly shown by the Prakrit; see Hoernle’s Gaud. Grammar, § 539,
p. 389. Ed.]
f [These forms in nd (or and ) are probably nouns of agency. They occur in the
Apabhramsa Prakrit (H. C. IV, 443). See also Hoernle’s Gaud. Grammar, § 321,
p. 153. Ed.]
1882.] R. C. Temple — Some Hindu Folkson gs from the Punjab . 161
pani ha n mam kura, I am throwing rubbish,
pani haw- bhamiriyaw, I am throwing whirligigs,
pan! haw bhuariyaw, I am throwing brooms.
In each of these cases pani is for paundi (== Hind, form pati).
The usual participial inflection is, nom. sing, d, obi. e, fern, i ; nom.
plu e, obi. iaw, fem. idn. And hence the following otherwise apparently
inexplicable forms :
motiyaw chog chuganiyaw, (I) feed with bird’s food of pearls, 5.
(gallaw) je kar’niaw, (as many words) as I make, (say), 18.
kotbi taw paniyaw, I (fem) indeed build a house, 25. Unless,
however, we look on this last as honorifically plural, it should
be according to strict grammar kothi taw pani.
(o) A set of very curious forms occurring again and again in song
19 should probably be referred to the gerundive or participial construction
in id. They are formed from bigs’na (Hindi bikas’na) to be pleased. Thus,
muse, in id.
big’sia seh nai-bhai, pleased (is) the good barber,
big’sia seh Jas’rat Rae, pleased (is) Jasrat Rai.
big’sia seh P’rohit, pleased (is) the Parohit.
fem. in i.
big’si Kausalya, pleased (is) Kausalya.
big’ si seh dai-mai, pleased (is) the old nurse,
big’si seh naan, pleased (is) the barber’s wife,
big’si seh bua-rani, pleased (is) the royal aunt.#
( p ) Kellogg, p. 188, sec. 347 (a), notices the tendency to add y to
the root in causals in such compounds (?) as phenka dena. In Panjabi in
the conjunctive participle of such verbs, whose infin. form is auna (not ana
as in Hindi), this y or i is regularly alternatively prefixed to ke, the usual
termination. F. g., auna, to come ; ake or aike, having come : banauna,
to make ; banake or banaike, having made. In R. R. in one line the ke
is dropped and we have pai or pae, having obtained. Six instances of this
form occur in song 19 viz., nahaeke, lagaeke, bulaeke, laeke, lutaeke,
paeke : and one instance in song No. 11, banaeke. This ike or eke may,
however, be a double termination, like the kar’ke or kar’kar of modern
times, formed of the old conj. part, terminations i and /re, of which more
anon.f
* In the Hill Districts also thfa — tha : thf = thi. Also o=hai and aiw=ham.
f [The latter explanation is the correct one ; the termination i or e being- the
older form of the ending of the conjunctive participle ; see Hoernle’s Gfaudian Gram¬
mar, §§ 490, 491, pp. 328, 329. Ed.]
162
R. C. Temple — Some Hindu Folksongs from the Panjab. [No. 3,
( q ) The above forms take us imperceptibly to the conjunctive parti¬
ciple in 7, which occurs so often in the songs from Kangra as to show that
it is dialectic, and indeed, it is as common in every day use as in the songs.
It is probably nothing more than the old termination i of the conj. part,
in the Famayan lengthened dialectically just as that used to be metri
gratia* See Kellogg, p. 217, sec. 415. The Panj. Gram, notices it, but
wrongly ascribes it to the idiomatic use of the perf. part, in the feminine
form. Thus,
ikk manukkh bojh lai turia janda sa, a man was going along with
a load.
char kuli manja chukki khare se, four coolies stood holding up a
bedstead.
The following are all the instances that occur in the songs :
(1) bahi-ja pinj’reft, sit in the cage. 5. Hindi, baith jao.
(2) Makadeb russi baitha, Mahadeva being angry sits (is angry). 15.
(3) bahi kare gallaft, sitting let us make words, (talk). 18.
(4) motiyaft run-jhun lai, having made (brought) a rattle of pearls
(rattling pearls). 20.
(5) chali rah’nge, we will remain going. 21. Hindi, chal raheftge.
(6) pran taji jana n, losing my life I must go. 22.
0) andar bahi-kari khanaft, continuing to sit inside I must eat. 22.
Hindi, baith-kar’ke khana.
(8) ta n suni-kari rah’naft, then continuing to hear I must remain. 22.
(9) Amb charhi-kari koel bole, the cuckoo sings continuing to sit in
the mango-tree, 23.
(10) n’hoi, bo, dhoi, sej bichhai, ai-ja, 0, having bathed and washed
and spread the bed, come, 23.
(11) jahlu soi maift jangha, when I shall go to sleep, 23. Hindi, jab
'mam so jaunga.
(12) tere muftheft dikhi-kari, continuing to see thy face, 26.
(13) tuft hasi pai (paina, Panj. = par’na, Hindi), you fell a-laugh-
ing, 26.
(14) pakhi loch di lai de, having brought the fan of my desire, give
it, 31. Lai de = Hindi, la do.
(15) ai mili-ja, come and meet (me), 32. Hindi, akar miPjao.
(16) nimbu ai bikya bajar, the lime having come was sold in the
bazaar, 46.
(17) kotheft charhi-kari hakkaft maryaft, climbing on to the roof he
called out, 46.
* [The form i is simply a contraction of the Prakrit termination ia, while the
form i is a curtailment of the same termination; see Hoernle’s Gaud. Grammar,
§ 491. Ed.]
163
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab.
(18) sas ai-rahi, the mother-in-law had come, 47.
(19) nei kune satya, taking it (nena for lena) I threw it into a cor¬
ner, 47.
(20) ai-baitha thande bag, having come he sat in a cool garden, 48.
(21) muri dekh ! having turned look, 60. (Turn round and look !)
(r) The following forms of the honorific imperative are worthy of
notice.
Kahana, bariyaw lakhara hoyau putraw saheta !
Be, 0 Kalian, lakhs of years with thy posterity ! 20.
Juga n tainjtyan, Kahana! Live, thou 0 Kahan, for ages ! 20.
Hhaydn be ! O do thou eat ! 23, 44.
Tahluyayan t un ! then do thou go ! 23.
Ghariya^, lohara, diura ! make, O blacksmith, a brass-lamp ! 44.
(s) The contingent future in Panjabi is thus conjugated.
root : ghall, send.
Singular.
1st person ghall an
2nd person ghallen
3rd person ghalle
Plural.
ghallye
ghallo or ghalle
ghallan.
Instances of it occur in songs 25 and 27.
(£) The plural form of the indef. perfect in Panjabi is well exhibited
in the following :
Rupe dariyan gallan kitiyan, Rupa’s wife made words (spoke)
41.
daruye diyan katoriyan pityan, (she) drank cups of wine, 41.
hakkan mariyan, (he) called out, 46.
ghar ghar d’rekan phuliyan, (where) the drek trees flower at every
house. This is an instance of the use of the indef. perf. for
the indef. imperf., which is common.
( u ) Future forms are numerous and very irregular in dialectic Pan¬
jabi. The following are noteworthy specimens from the songs.
(i) jah’ng (it) will go, 15 : dili’ng, (he) will give, 15. I have
also met with hog and howag, (he) will be.
(ii) rah’nge, (we) will remain, 21.
(iii) jangha, (I) will go, 23 : panghi (I. fern.) will throw, 45.
(iv) bik’ge, (we) will be sold, 21.
There is in the Northern Panjab a very common future form sdn ;
infl., si, san JE. g., hojasan, they will become : hosaw, 1 will be : hosi, he
* [It also occurs in the old Panjabi and in the Marwarf ; see Hoernle’s Gaudian
Grammar, § 509, p. 356. Ed.]
164
R. C. Temple — Some Hindu Folksongs from the Panjab. [No. 3,
will be. In the songs occur, bal’sara, I will burn, 44 ; ghol’sa^, I will knead
or mix, 44 ; awasi., she will come, 44. In R. R. occur the following forms,
tur’sa?«, I will go ; desaw (twice), I will give ; lesim (twice), I will take ;
kar’sa^, I will make ; banasaw, I will make ; ban’saw, I will be made ; kha-
saw, I will eat. Also laisi, he will take ; mar’si, he will beat ; khar’si, he
will take ; war’si, he will enter ; awasi, he will come ; asi, he will come.
(i>) The tendency to nasalise final vowels in nominal declension has
been noticed. Instances are not wanting of it in verbal terminations.
E. g.,
je koi sunew, if any one hear, 20. See (s').
mam ghar thamyaw, I watched the house, 47.
awask, she will come, 44.
kar’sm, she will do, 44.
khinnuew di ram-jham lam chirebalia, the gaily-turbaned man
brought the bouncing ball, 60.
mam dudli-bhat din’nm, 1 (fern) give rice-and-milk, 5. din’nm is
for din’ni = dindi, a common form of the imperf. part of
dena, = deti in Hindi : din’ni is the alternative form ; see
(n) above.
A set of curious infinitive forms nasalized occur in song 22 ; jana w,
rah’na 72, lanaw, kat’naw, all in the sense of I must go, must stay, must bring,
must bear with.* A stronger instance is to be found in song 47 : matha
tek’nim, I had to make my bow.
(to) The tendency of Panjabi is to nasalize vowels before consonants ;
e. g., aunda = ata; janda = jata. In these songs several instances occur
of the opposite custom of dropping anuswdra, where it exists in Hindi and
usually in Panjabi as well.f
hasi for haws’kar, laughing, 26.
lias’na for ha^s’na, 56.
pakhi for pankhi, a fan, 31, 48.
khich’da for khainch’ta, drawing, 43.
uchiaw for uncha, tall, 44.
* [These nasalized forms in na n correspond to the forms in nanw in the Braj and
non in Marwari. See Iloernle’s Graudian Grammar, § 320, p. 153. Ed.]
f [These two cases are not parallel. The n of the pres. part, is a consonant, and
it is organic, i. e., it forms an original element of the Sanskrit and Prakrit participial
suffix anta ; it is preserved in Panj., hut dropped in Hindi ; see ibid. §§ 300, 301, 143,
146. But the n in haws’na, etc. is not a consonant, hut a mere nasalization of a vowel,
and it is inorganic, i. e., forming no element of the original Sanskrit or Prakrit word.
These nasalizations are common to all Gaudians, and are especially frequent before s
and h; see ibid. § 67. Ed.]
165
1882.] R. C. Temple — Some Hindu Folksongs from the Fanjdb.
dughiyaw for dunghiaw, deep, 45.
chhikkya for chhinka, sneezed, 47.
akha n for ankhara, 50.
gawaya, 3, and gawwaya (= dala), 5.
The absence of anuswdra in the above words is very puzzling to the
ear.
In R. R. nagi occurs for nangi, naked : and sas and s’was for sa^s,
breath.
(a?) The insertion of r and r after t and t is not uncommon in the
Panjab. # In the songs occur
thand’ri for thandi, 42, 45.
thand’rew for thande, 44.
at’ra for ata, flour, 44.
In R. R bet’ra for beta, son, occurs several times ; and weh’t’ri, wedded
wife, for byah’ta, dialectic beotar. Instances of r after other consonants
are
mukh’ra for mukha, face, 42.
prahunaw and pahunaw, guest, 44.
In R. R. occurs raj’ra for raja, king.
VOCABULARY.
A.
Aho ! hill dial, oh ! oh you !
Ageta , Panj. before the time, prematurely.
Akh, ( = anJch) the eye.
Aklie n, hill dial, indeed, verily ; (?) connected with Panj. v. dkldna^ to
say, tell.
An, a form of general inflection in the hill dial.
Anand pand, to be paid fees or dues.
Appu for dp, you.
’ Arab lea pani, sweet or pure water; (?) corrup. from adrale led p ani.
Ati, (Skr.), very, very much.
A fra for atd, flour.
Awasin, hill dial. fern. fut. form, I will come.
* [This r or r is the very common pleonastic suffix ra or rd, in Prakrit da ; see
ibid., §§ 209, 216, 217. The example prahunaw does not belong to this class ; it is a
semitatsama for Sanskrit prahuna, while pahunaw is a tadbhava form. Ed.]
166
R. C. Temple — Some Hindu Folksongs f rom the Panjab. [No. 3,
B.
Bactina, Panj. to read.
Batina , to put on the fire, to put to bake, to cook.
Batina and bdtina for baittind, Panj to sit.
BdVsaw , hill dial. mase. fut. form, I will burn.
Barhi for bar or bdfi, a fence, hedge.
Barhi , hill dial, a year.
Bari , hill dial, over again, da capo, as applied to singing.
Bari, hill dial, an enclitic, indeed, verily, surely, moreover, also, alto¬
gether.
Bari, hill dial, a year.
Bat for bat , hill dial, a path, road.
Battd for bat, hill dial, a path, road.
Bedan, hill dial. love.
Bekali, fern, ill at ease.
Bes, hill dial, best, the best.
Bhain for bahin, sister.
Bh amiri, a toy consisting of a small stick with paper fixed round the
top so as to twirl quickly in the wind, a twirly-whirly ; hill dial.
Bhandoru, hill dial, a bee.
Bliafnauli , hill dial, a squirrel (?).
Bhatoi, hill dial. mad.
Bhuari for buhdri , a broom.
Bhufktina , to scratch, make a noise, pull at (of a mouse or rat).
Bibi (?) for English baby ; a baby, male or female, in English nurse¬
ries.
Bich (for Panj. vich), hill dial, in, inside.
Big'1 si, hill dial. fern, verbal inflect, form, she is pleased. Cf Hind.
bikas'nd.
Big ’ sia , hill dial. masc. form of above big’ si.
Bo ! hill dial, oh ! oh you !
Bo muiye ! hill dial, oh ! come here ! I say ! oh you ! my dear ! Also
sorrowfully, alas ! ah !
Brahmaneti. hill dial, female Brahman.
Biindd , a tassel, silken drop.
C.
Chacharu, hill dial, tick, flea.
Chak’clial, hill dial, clever, sharp, tricky.
Chamareti , hill dial, female Chainmar.
Char for achar, pickle.
167
1882.] R. C. Temple — Some Hindu Folksongs from the Panjdb.
Chatord, a libertine.
ChhamJc’nd for chliaunF nd, to fry spices in butter.
ClihiJcJdna, Panj. (= chhtnfc’na), to sneeze.
Chhok'ru , hill dial, a widow’s son, orphan. Also a term of abuse^
Cf. Hind, mur'Tid.
Chhuta for clihota, hill dial, small.
Chhutiyan lar'jan , hill dial. (lit. small fringes) : the small leaves of a
young plant.
Ghirebalid , hill dial, for cliirewald , a man with a gay turban.
GhiPna for ehliiVnd , to peel.
Chit-raJchu, (lit. keeper of the heart), lover.
Cholu , dim. form, a little cloak.
D.
Dari, hill dial. wife. See lari.
JDar'na (= daVna). intensive verb, as in gJiis-ddro for ghis-dalo, rub
away.
Haru, hill dial, for darim, a pomegranate.
He n, hill dial, of: (for Panj. de).
Hharyayd , hill dial, thirsty.
Hhuron, Panj. from afar.
Hih’ng, fut. form, hill dial, will give.
HWek (= bakayan) the Melia comjposita , (?) the Persian lilac.
Hubh for dub, dub grass.
Hut Frangi (lit, the English Messenger) the Angel of Death.
E.
Ex\, general form of masc. inflect., hill dial.
Fti, hill dial. fern. term, to proper names of tribes and castes.
G.
Gaddi, the shepherd caste in Kangra.
Gadeti , a female Gaddi.
GadokhWd, hill dial, the large hill goat.
GadoJcFru, hill dial, a kid.
Gad'iva, Panj. a small brass drinking vessel, (lotd).
Gajuli, (lit. itching), wanton, hill dial.
Gali JcaddFna, Panj. (lit. to cast out abusel, to abuse.
Ganwana, Panj. to lose, spend; also = Hind, dalna in comp.
Gar'j, hill dial, for (Jcj & gharaz, necessary.
Gawand, see ganwdnd .
Y
168 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
Gbasutari, bill dial, a slide down the snowclad hillside, a slide in
the snow : toboganing.
Gber’wd, hill dial, large, commodious (of a house).
Gheii, Panj. = gin.
Glim = ghi.
GboVsan, masc. fut. form. I will knead, hill dial.
Gbota for gbota, a dip, plunge.
Ghyo , hill dial. = ghi.
H.
Uakkan mar'nd , hill dial, to shout out, call out.
Hast paina, hill dial, to laugh.
Uas’na for bans’ nd, to laugh.
Hetb , hill dial. with.
Uitbu , hill dial. here.
I.
Tim, see in.
Ik'tiyo , in one place, together.
In, hill dial, general form of fern, inflect.
It for is, inflect, form, this.
lyan, see in.
J.
Jablu , hill dial. when.
Jab’ng, hill dial. fut. form, will go.
Jangbd, hill dial. fut. form. masc. I will go.
Jbir, hill dial. (= Panj. jhinwar) the carrier caste.
Jbiinjd, hill dial, fruit.
Jbut’nd for jbul’nd, to swing.
Jib’te, Panj. ( = jis se ) from which.
Jit for jis, inflect, form, which.
Jiii for ji, hill dial, life, heart.
Jo y hill dial. (= ko ), to : objective postpos.
K.
Kacbcba darn, hill dial, this world, this life.
Kag'li, hill dial, turban ornament, aigrette : (for kalghi).
Kajo ? hill dial, why ?
KaVja for kalijd, liver, heart.
Hand for kanth, husband.
Kar'sin , fem. fut. form, hill dial. I will do.
169
1882.] R. C. Temple — Some Hindu Folksongs from the Panjab.
Kafnd , Panj. to bear with, put up with.
Kawwa (= alch), the large swallow- wort, Saccharum officincirum (?)
Kharond for Jchalond , Panj. to stand still.
Khatreti , bill dial, female Khattri.
Khiclind for khainch' net, to draw.
Khinux i for Panj. khinnux i or khiddu , bouncing ball or plaything, a
child’s ball.
Kihan? Panj. how?
Kit ? for kis ? inflect, form, which ?
Kithu ? hill dial, where ?
Kityo , (for Panj. kiti) ; hill dial, anywhere.
Kudhi ? hill dial, whence ?
Kuna , to speak, Panj.
Kuni ? hill dial, who ?
Kus? (for kis?) hill dial, inflect, form, which?
Kusi (for kisi) hill dial, any one.
Kuthu ? hill dial, (for Panj. kithe ?) where ?
L.
Lahlri, hill dial, the field adjoining the house, the home paddock.
Lap lap kar'na, hill dial, to twist in and out, to wriggle along.
Lar for lad , love, affection, fondness,
Larhi , see latiri , hill dial.
Lari , hill dial, a wdfe.
Lari , see Idh'ri , hill dial.
Larj , hill dial, a fringe.
Loch , Panj. desire, wish.
Lokan , the people.
Luohi for luclidi , a soft thin cake fried in butter,
M.
Maite (for Panj. maiton and maithon ) from me.
Majuri for maf duri = mazduri , a labourer’s pay.
Man bofna, to desire, want.
Man-rakhu (lit. keeper of the heart), lover.
Mark, hill dial, a monument or temple on top of a hill, a house, hill¬
side hut. (= Panj. marh, a Hindu temple.)
Maung'nicn , hill dial, a bug.
Mhiu, hill dial, also, too (= bhi).
Min’ jo , for main -f- jo (q. v .) to me, hill dial.
Mirlc jndr'na, hill dial, to sign to, beckon.
Mughaldni , a nurse.
R, C. Temple— Some Hindu Folksongs from the Fanjdb. [No. 3,
Muhimi , a warrior, brave man.
Muiye ! Panj. (to women only) oh ! hi ! I say ! oh you! come here !
my dear !
Mule n (= mol) lend , to buy.
Mung'ri, hill dial, a small-wooden mallet used for patting earth.
Mutydr , Panj. a fully developed girl, a girl at puberty, a grown-up
girl.
N.
JSfabaj for nahz, the pulse.
Naen for nam, name
Nena , Panj. ( = lend), to take.
Hindi for nind , sleep : in English nurseries.
Nir mohira, unloving, heartless.
O.
Os, ordinary Panj. pronunciation of us, that.
P.
Faina, Panj. to fall.
Fakhi for pankhi, a small fan.
FdVna, a swing-cradle.
Fana, hill dial. (= daPnd), to cast, throw : place, put: build.
Fanghi, fut. form. fern, hill dial. I will throw.
Fan'sar , hill dial, watery, thin.
Fares' ni for parosan, a female neighbour.
Fatr'kd for patri, almanac, scripture, holy book.
Fdwand for Panj. paund (== pana), to receive.
Fhafkar, blame.
Fher'wd , hill dial, having doors from room to room (of a house).
F'rdfri, hill dial, a paring knife.
Q.
Qaid F’rangi, (lit. English imprisonment) complete imprisonment,
imprisonment from which there is no escape.
R.
Fachhyd for rakslid,. protection.
Fdiyan, hill dial, for Panj. rain, a market-gardener.
Bam-jham , hill dial, the bouncing up and down of a ball with the
hands.
Barnd , hill dial, to fall (of fruit).
1882.] R. C. Temple — Some Hindu Folksongs from the Panjab. 171
Fas’ lid for rasild, juicy.
J Uiyona, to weep involuntarily.
Bun-jhun, a tinkle.
Bussi for ros or rosd, anger.
Bussi baith'nd , bill dial, to be angry.
S.
Saddsibe, bill dial. ( = $ 'add Siva) tbe Eternal S'iva.
SagWa for sard , all, the whole. #
Saheta , bill dial. with.
Sahi, bill dial. like.
SammaJc-rdti, Panj. all night.
Safna, bill dial. (= Panj. sitfna ,) to throw.
Seh, bill dial, be, tbe (== Panj. so).
Shalcal for sakal, all, tbe whole.
Sodh , Hind, and Panj. news.
Soya , for soaf fennel.
Sund for sond, gold.
T.
Tallin, bill dial. then.
Tak, bill dial, bite of a flea or tick.
Tarna for tal’na , to put off, remove.
Tar'na for taVna , to vanish, disappear.
Tar-Wkld na, f very hot, burning.
Thanfra , cold.
Tifju for tarn + jo (q. v.), to thee, bill dial.
Tinhan , Panj. they, those, the.
Tithu , hill dial (for Panj. tithe) these.
Topu , dim. form, a little cap.
Tulc, Panj. a religious catch or ditty.
Tumb , Panj. touch, feeling.
U.
Tit for us, inflect, form, that.
Tithu, bill dial, for Panj. uthe , these.
* [ Sag’rd is tlie Sanskrit sakala ; but sard may be derived from it through an
intermediate Prakrit saara. Ed.]
f For a good note on this Panj. nominal and adjectival termination na, ni, nan,
see Sirdar Gurdial Singh’s (C. S.) note in Leitner’s Sketch of the Changars, Lahor,
1880, pp, 19-21.
172 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
Y.
VekJdna, Panj. to see.
W.
Wadd, Panj. (= Hind, bard) great.
Waddru , Panj. an ancestor, a wise man.
Wader a, Panj. see waddru.
We ! for be ! oh ! alas !
WekJdna, Panj. to see. See vekVna.
Wich for Panj. rich , in, inside. See bich.
Y.
Yad mew , in the search after.
RELIGIOUS SONGS.
1.
T An bhaj-lai Ram da Nam,
Jithe tarn jana hai.
Til n kar’nl kar-lai nek,
Phal hath auna hai.
Punjab.
Repeat thou the Name of Ram,
To whom thou hast to go.
What is to be done do thou well,
And the fruit will come to thy hand.
Notes.
Pam da Nam. Ram represents the deity in the Sikh religion : vide
Trumpp. Adi Granth xcviii. Here the expression would be in Christian
phraseology ‘ Pray alwajrs to God.’
Jithe . Panj. where : here it means ‘ to whom.’
Tain. Panj. thou.
2.
Tere bin kaun harega meri pir ?
Tere bin kaun harega meri pir ?
Mam papi din him Tere dar ka,
Nir’dhan aur faqir.
Punjab.
Without Thee, who will take away my pain ?
Without Thee, who will take away my pain ?
I am a sinful servant at Thy gate,
Without wealth and poor.
1882.] R. C. Temple — Some Hindu Folksongs from the Panjdb.
173
J Votes.
This is an obvious address to the Deity : perhaps traceable to some
Bhagat. It is in Hindi.
Faqir : here in its proper sense of a poor man, a beggar.
3.
Ram’ji ka bhed kisi ne nahift paya,
Sara janam us’ki yad men gawwaya.
Ram Ram ke karan, sadho,
Dhundat shakal jahan :
Rishi, muni aise hi hogae,
Kho diye ham ap’ne pran.
Panjdb.
No one has found the secret of Ram,
(Though) his whole life be spent in the search.
For Ram’s sake, my friend,
They search the whole earth :
Sages and saints have gone thus
And lost their lives.
Holes.
Ftdmji — Ram, the Sikh name for the Supreme Deity : God. See
former song.
Ydd, search, lit., remembrance, calling to mind.
Gamvagd ; gawwana, gawana ; Panj. verb, to lose, to spend ; also used
as an intensive like dalna.
Sadho > my friend : sadh, a holy man, saint.
Shakal = sakal, all, the whole = (?) Sag’ra, q. v
4.
Dware mere ayo bahman’ji,
Subh bachan sunayo bahman’ji.
Bahman bache patr’ka,
Aur subh subh sodh sunae :
Jo chinta man me?i rahe,
So sunte hi mit jae.
Bahuti chinta kar gae
Aur kat gae din rain :
* [The identification is correct ; see footnote on p. 170. Ed.]
174
R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
Dekhat dekhat mar gae,
Aur andhe kar liye nain.
Bipr rup ka bhes kar,
Jo ay a mere pas :
Mam char ’now par gir para,
Jo puran hogayi as.
Bahman babman karat hai n,
Jo bahman uttam jat :
Jo us’ka sim’ran kare,
To sang rahe din rat.
Alla Alla karat ham
Jo zat us’ki bai pak :
Bina prem rijhe nahm,
Jo ghis-daro sab nak.
A'l Muhammad hogayi,
Aur kuchh nabm hul aulad :
Jo qismat men likh diya,
So sab pawew dad.
Jo likha hai bhag m ent
So pabile bi pahunchae :
Balak rab’ta pet men,
Aur dudh cbuncbi mew ae.
’Ali Muhammad hogaye
Jo bahut tha un’se lar :
Akhir ko we bbi mare,
Aur mitti mew diye gar.
A brahman came to my door,
Glad tidings the brahman told me.
The brahman read the scripture,
And told me good news :
What care was in my mind
Disappeared on hearing it.
Much care have men taken
And spent their days and nights :
Watching they have died
And made their eyes blind.
He put on a brahman’s form
Who came to me :
I fell at his feet
As my desire was fulfilled.
They call him brahman
*
Panjab.
175
1882.] It. C. Temple — Some Hindu Folksongs from the Punjab.
Who is brahman of the highest kind :
Who worships him,
With him will he remain day and night.
They call him God (Allah)
Whose nature is good,
He is not pleased without love,
Though you rub away your whole nose.
Muhammad had female posterity
And no male posterity.
What is written in fate
Will all obtain justly.
What is written in fate
Is already arrived :
(As) the child lies in the womb,
And the milk comes into the breasts.
’Ali and Muhammad have been,
Who were much loved by him (? God) :
In the end they too died
And were buried in the earth.
Notes .
This is a remarkable song in its way. It came to me as a Brahman
song and was given me by a Brahman from Kangra. It is remarkable for
its cosmopolitan nature and allusions to Muhammadanism. It is in pure
Hindi excepting the Panjabi word bach’ndf to read, and is therefore proba¬
bly a wholesale importation from Hindi literature, perhaps straight from
the writings of some free-thinking poet or Bhagat.
Bache : Panj. bach’na, to read.
Sodh : Hindi, news : not in the Dictionaries.
Patr'ka = patri ; almanac, scripture, holy book.
Jdt, zdt. These words are now synonymous in common parlance to
mean ‘caste.’ Jat is Sansk. in origin from root jan, to be born, and zat
is probably a Munshi’s corruption of the word to make it fit in with the
Arabic oti essence, which, however, in Persian also means ‘ tribe, clan,
sort.’ Here we have both senses : jat applied to the Brahman and zdt
applied to Allah, God.
Jo us'kd sindran kare : (?) ought this to be translated “ who worship
him (God) in the Brahman’s form.” ?
Bind prem etc., i. e., Allah (God) is not pleased with mere outward
show.
* [The word bdch'nd or bdncli'na is a very common pure Hindi word ; in fact
parh'na is more Urdti, than Hindi. Ed.]
z
176 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
Jo gliis-ddro sab ndJc is in allusion to the Musalman custom of touch-
ng the ground with the nose (or forehead) in prayer. Daro = dalo.
Al auldd : progeny. Al , female descendants are not looked upon as
so honorable as male descendants, hence the point here is — whatever is
fated will ensue, for even Muhammad left no male line.
dad , justice.
lav = lad ; love ; fondness ; affection.
5.
Ambe daliya tota hole ; maina bole barhijA??.
Bhajo Ram’ji : din thore, ratm bariya^.
A, mere toto, bahi-ja pinj’rew, motiyaft chog chuganiya^.
Tote jo mam dudh-bhat din’nm ; mainaw jo ghyo churiya^.
Kangra.
The parrot screams on the branch of the mango tree ; the maina
chatters in the hedge.
Repeat the name of Ram : the days are short, and the nights long.
Come, my parrot, sit in the cage, I feed you with pearl-food.
I will give milk and rice to the parrot ; and crumbs and ghi to the
maina.
Notes.
barhi , fence, hedge, = bar, bari.
din thore , rati 'n bariydn. This may be explained thus. The days
(time for prayer) are short : the nights (no time for prayer) are long :
hence utilize the time for prayer.
bahi-ja , bah’na and bah’na, common Panj. = baith’na, to sit. See song
No. 18.
niotiyaw chog , lit., bird’s food of pearls, i. e., the very best of food.
The superstition is that the hansa swan (mentioned in another song q. v.)
feeds on pearls by the sea-side, which is therefore considered the very best
of food.
Tote jo; mainanjo ; jo in the hill dialects of Kangra and Chamba
*= ko, to.
• dudh-bhdt : milk-and-rice is the usual food given to caged parrots.
ghyo churiydn : balls made of bread crumbs and ghi. Churi is the
broken grain from a mill : crumbs, ghyo — Panj. gheu == Hind. ghi. cf.
song No. 25. This is the usual food of caged mainas.
Pinj’ren, motiyan, mainan. This nasalisation of such final syllables is
very common in Panj. village poet: dialects, especially in the hills, en,
idn or iyan are respectively the masc. and fern, form of general inflection
common m these songs : an is in mainkn another form of van. *
182. J 11 C. Temple — Some Hindu, Folksongs from the Punjab. 177
6.
Mam ta n hogai swami ka charan’har :
Turn pap karo mere sag’re par.
Kdngrd.
I have become indeed obedient to my lord :
Save me from all my sin.
Notes.
'I he story goes that a woman went to a temple to pray, but the god
said she must first learn to obey her husband : whereon she went home and
presently came back to say she was now very obedient and wished to be
forgiven ; whence the above song.
swcnni ka. This makes chararChar masc. which as the singer is a
woman, must be explained by her being compared to charan'har garland
of the feet.
charan'har : obedient. The deriv. given me is charan , the foot -fi har ,
a garland of the feet, sag'ra = sard , the whole.
par kapna : the trans. form of par hond , to be forgiven ; lit., to be
across (into the next world).
7 .
Re, kacbche dam ka nahm hai bharosa.
Re, kachche dam ka nahm hai bharosa.
Ay a na ay a : ay a na ay a.
Re, kachche dam ka ! ( lari )
Kdngrd.
Alas, there is no confidence in this life.
Alas, there is no confidence in this life.
It comes and it comes not ; it comes and it comes not.
Alas, this life ! (da capo )
Notes.
Kaclichd dam is a very curious expression : lit., it is deficient breath
or life. It is used in the hills for this life, this world.
lari : again, da capo. The word as used in the hills I cannot find in
the Diets. ; it has two senses, one as an enclitic, indeed, surely, verily and
one in music, ‘sing again from the beginning,’ in which it is found
at the end of verses or songs as here. It differs from our ‘ da capo’ which
is merely a musical direction, whereas ‘ bari’ appears to be actually sung :
thus they will sing through the song and then sing ‘ bari’ and commence
again. The deriv. is obvious, cf. bari, a turn : bari- bari, turn by turn,
alternately. $ee song Nos. 24, 59.
178 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
8.
Karam-gat tari nahm tare :
Karam-gat tan nahi n tare.
Rawan Kans sab’hi hogae Lari,
Akhir sab’hi mare.
Dusht ko mare pbir us se tare ;
Bhagat Id rachhya kare :
Karam-gat, be, tari nahiw tare.
Punjab.
The decree of fate moves not for putting away :
The decree of fate moves not for putting away.
Havanas and Kansas have all indeed been,
And in the end they all died.
He (? God) kills the wicked and then saves him ;
The saints he (? God) preserves.
Oh, the decree of fate moves not for putting away.
Notes.
Karam-gat, the decree of fate : the order of fate, gat is lit., state,
condition.
tari, tare — tali, tale, tal’na is to vanish, disappear : tal’na, to put
off, remove.
Kdwan , Kans : typical tyrants in Hindu mythology. Havana was the
demon king of Lanka or Ceylon who abducted Sita and was finally killed
by Hama. Kansa was a tyrannical king of Mathura and was eventually
killed by Krishna. He performed Herod’s feat of a general massacre of
male infants.
bari, enclitic, indeed. See song No. 7.
tare ; to save, give salvation.
rachhyd — raksha, preservation.
KELIGIOUS SONGS. TUKS.
9.
Tur’na hai, rah’na nahm :
Eh jag kura wekh.
Bhag da likhya pawana,
Mite na karam di rekb.
Panjab,
179
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab.
One must go hence, one cannot stay :
This world appears to he vanity.
What is written in fate must be received,
The lines of fate will not be blotted out.
Notes.
Wekh or velili , Panj. to see, to seem. Hind, pekh’na.
Paw and or paund, Panj. form of the infin. pana, to receive.
Pekha , rekh. The lines on the forehead (Fallon’s New Hind. Diet.
says on the palm of the hand) supposed to be the lines^of fate ( karam ).
10.
Satt Nam ik mantar hai ;
Jape soe phal pae :
Kot jatan kar’ke mare,
Likhya bhag da khae.
Punjab „
The True Name is a charm ;
Who repeats it will reap the fruit :
Making innumerable plans they die,
And obtain (only) what is written in fate.
Notes.
Satt Nam , the True Name : the Name of God. A Sikh expression.
Not = karor, lit., ten millions, innumerable.
11.
Jin sue hare kite han,
Ate sauwle kite kag,
Dhaule bans banaeke
Sabh rang mor, ate rag :
Uh Swami ik satt hai,
Ate kura sabh Sansar.
Jo kar’ni manas kare,
To par utaran’har.
Punjab .
He who made the parrot green,
And made the crow black,
Made the swan white
And the peacock many-hued and their song :
He is the one true Lord
And the whole world is vanity.
If a man do his duty
Then will he be saved.
180 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
Notes,
Sdunla, properly dark-brown : dark complexioned : swarthy : here evi¬
dently black.
Hans : a swan, goose, but with the majority of Panjabis a mythical
bird which lives by the sea-side entirely on pearls and on no other kind of
food. It is said to be the whitest thing known, as we say ‘ white as snow.’
See song No. 5.
Ate rag : a very elliptical expression, the verb being left out ; the
sense is ‘ gave to each bis song.’
Far utdran'h&r : much used idiomatically in the sense of ‘ will obtain
salvation’, ‘ will be saved.’
12.
Hona hai, so ho riha !
Ate an’hona nahm hoe !
Wade wadere jatan kar
Pran gae han khoe !
Fanjcib.
What is to be, is now going on !
What is not to be, could never have been !
Great forefathers make plans
And lose their lives.
Notes .
Hona liai etc. Cf Fallon’s New Hind. Diet. art. an, an’honi hoti
nahm, aur honi howan’har, what is not to be is not, and what will be is
being. The doctrine of fatalists.
Wade wadere: Panj. words. Wada = bara, great: wadera (also
wadaru) an ancestor, forefather ; said to mean also ‘a wise man.’
RELIGIOUS SONGS, CUSTOMS.
13.
Ajji mam ne Ganga nahane jana ;
Suno, mam ne Jam’na nahane jana.
Ganga nahana,
Jam’na nahana,
Sar’ju me» ghota lagana.
Punjab.
1882.]
R. C. Temple — Some Hindu Folksongs from the Punjab. 181
To-day I must go and bathe in the Ganges ;
Listen, I must go and bathe in the Jamna.
Bathe in the Ganges,
Bathe in the Jamna,
I must dip in the Sarju.
Notes.
This is a pilgrim’s song sung in the mornings on the road to the
sacred rivers.
The Sar’ju River is in Audh ; but it is here said to be used for the
Ghag’ra River in Audh which runs past Faizabad, etc., and is very sacred.
The son^ is in Hindi.
ghota , Is a corruption of ghota Aby; Arabic, ghota Iagana is to
dip, dive. The usual word in this sense is jhakola. See art. jhakola in
Fallon’s New Hind. Diet. Gota jf^T is the usual Hindi form of this word,
but ghota is what the singer said was correct here.
14.
Ud, ud, kunjariyo ni, ha n !
Ani Mae, Sawan mahina aya ;
Ani Mae, Sawan mahina aya.
Ani meri Ma n, ho !
Ud, ud, kunjariyo !
Ani Mae, ping haw jhutan jana ;
Ani Mae, pinghaw jhiitan jana.
Ani meri Maw, ho ! (bard)
lidngrd.
Fly, fly, 0 wagtails, yes !
O mother, the month of Sawan has come ;
0 mother, the month of Sawan has come.
O my mother, ho !
Fly, fly, 0 wagtails !
O mother, we must go and swing ;
0 mother, we must go and swing.
0 my mother, ho ! (da capo)
Notes.
This song, very popular in Kangra, is only sung during the month of
Sawan (July- August). The festival of the Doll Fair (minjarou or gurion
led meld) is held in Sawan throughout Northern India. Local customs re¬
garding it differ. In Kangra, they are as follows : every man, woman and
child goes to the river-side near the fort at Kangra, at least once during
Sawan, on a Sunday, Tuesday or Thursday, which must have been previously
fixed on by a kind of mental vow. On this occasion they must wear a doll
182 R. C. Temple — Some Hindu Folksongs from the Fanjdb. [No. 3,
at the breast which is thrown into the river while the above song is frequent¬
ly sung. The object of the custom is to procure ease of mind during the
coming year ; for, as the doll is cooled by going into the water so is the
mind cooled (eased) by the act.
The custom of the Sawan swinging, which is done for luck and is
alluded to in the song is of course well known. One of the signs of Sawan
or the very wet weather, are the kunjaris, which I believe are our £ water-
wagtails.’
Kunjdriyo : kunjari or kunjari, a bird said to appear only in Sawan, the
rainy season. The word appears to be local in Kangra : cf. Hind, khan -
jan, a wagtail, and the wagtails do appear with the rains in the hills. Kunj
is the coolen goose, but that can hardly be meant
Ni, ant : Panj. vocative exclamations used towards women, = Hind,
ri, ari.
Han, yes, here apparently merely enclitic.
Pinghdn jhutan, to swing. Hind, pmg or piragh, is the act of swing¬
ing high ; Panj. a swing suspended. Jhutan, to swing ; cf Hind, jhul’na,
to swing: jhot, a swing, and Panj. jhula, the sweep of a swing. The
festival here alluded to is called the jhuV nd-jdtra in the North-West
Provinces and Fallon, s. v., jhul’na, has a very pretty song about it, (q. v.),
besides others under the same article. Under art , ping, he quotes some
more something to the same purport as that here given.
bari ; da capo, over again. See note to song No. 7.
15.
Mahadeb russi baitha,
• 7 »
Mangada gadokh’ru :
Tahiti rosa mitti jah’^g,
Jahlu dih’wg chhok’ru.
Tu n ta n Sadasibe jo
Munai lah, soh’niew ni.
Chambd.
Mahadev is angry,
And demands a kid.
When his anger has vanished,
Then he will give you a boy ;
So do you to the Eternal S'iva
Bring conciliations, 0 beauty.
russi, rosa, anger :
Sansk. v/' rus, \/ rush,
Notes.
cf. Panj. rossa, ros anger : Plind. ros, rasa
\/ ris, \/ rish, V7 rukh : Hind, and Panj. rus’
183
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab.
na ; Hind, ruth’na, to be vexed, angry. Russi baith’na ; hill dialect, to be
angry.
man'gadd = mang’ta, desires.
gadolcldrd , the large bill goat : dim. gadokh’rii, a kid, bill dialect.
j alilu-tahlu, when-then, bill dialect.
jdJdng = jahang = jave(w)ga : dih'ng = dibang = deve(«)ga; cf.
Panj. forms such as hosan, jasan, bog, bowag, etc. all future forms. See
song Nos. 23, 44.
ckhoFru , bill dialect, a widow’s son = orphan. It is used as a
form of abuse among women and children. The bint is that the speaker
wishes the other’s father to die. It is the same as the Hindi mur'Tia , about
which Fallon quotes ‘ Mur’ha gari dai gayo, giiiya^ ; kaun nate ?’ May
he become an orphan, my dear ; what relative was he P i. e ., that he should
jest with me.
Sadasibe = Sada Siva, the Eternal Siva.
jo = ko, the objective case. See song No. 5.
mundi lah , bring coaxings, conciliate.
16.
Stri. Andar bahar ek’hi lit,
Kya jane duje ki prit P
« Togi. Tu hai sundar banki nar,
Kyo n kar’ti jogi ko fchwzir ?
S\ tri. Mai^ dar’shan tere ko ai :
Hiiji bat nahm kachhu chahi.
Jogi. Tu mere karan lai mitliai,
Jis se kam mera barb jai.
Stri. Mujh ko duja nahi^ hai kam ;
Kaho, to lu^ Bhag’wan ka nam.
Jogi. Baitho yaha n, karo bis’ram,
Sim’ro nit Bhag’wan ka nam.
Stri. Yehi to hai is jagat ki riti :
Koi kisi se kare nah in priti.
Jogi. Jo dekhe, sab ham matlab ke :
Koi nahm kam awe sab ke.
Dhiraj kar, turn karo yeh kam,
Japa karo Bhag’wan ka nam.
Orak us’ke nikat hi jana,
Kisi ne nahm is jag m en bacliana.
Mat bhulo, turn kar lo sudh,
Is’hi ke karan mili hai budh.
A A
184 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 8,
Sab begane, koi nahiw ap’na ;
Yeh jag sara rain ka sap’na.
Jo kar’ni kar lo, hai sangi,
Dut jab a pak’rega Frangi.
Woman.
Jogi.
Woman.
Jogi.
Woman.
Jogi .
Woman.
Jogi.
His mind and body are the same :
What does he know of other’s love ?
You are a skittish beauty :
Why do you disgrace the Jogi F
I (only) came to see you,
I do not wish for anything else.
You brought sweets for me,
That my lust might increase.
I have no second object ;
Say and I will take the name of Bhag’wan.
Sit down here and take your rest,
Call always on the name of Bhag’wan.
This is the custom of this world :
No one has love for any one.
Every one desires what he sees,
No one is of benefit to all.
Have patience and do you thus,
Repeat the name of Bhag’wan.
In the end you must go to him,
No one can be saved in this world.
Forget not, keep him in remembrance, *
For this you have reason.
All are strangers, no one is a friend ;
This world is all a dream of the night.
Your duty is your companion,
When the Angel of Death takes you.
Panjab .
Notes.
This song is purely Hindi, but is known everywhere in the Pan jab.
Andar bahar eld hi rit : lit., inside and outside he is one custom : his
mind and body are the same.
Khwar kar'na, to disgrace ; bring into disrepute.
Jis se Mm mera barhjai : that my lust might be increased, kam,
lust : Kama, Cupid, the Hindu god of love.
Bhag'wan, the Blest : the Supreme Being : God.
JJd he nikat : lit., near him.
1882.] R C. Temple — Some Hinau Folksongs from the Panjab. 185
Jo karni kar lo ( yeh ) liai sangi : elliptic construction and therefore
difficult to analyse. Do what you have to do (this) is your companion.
The first sentence is treated as a noun in apposition to the last words liai
sangi. Jo kar’ni kar lo, is now always almost a noun in the sense of ‘ duty,
but more especially ‘charity.’ The idea of the sentence is ‘your charity is
your companion, when’ etc.
JDut Frangi , lit., the English messenger : a curious and notable phrase.
1 Frangi’ here means ‘ the all-powerful,’ a metaphorical sense given the
word in allusion to the overwhelming power of the British : the ‘ all-
powerful messenger’ is the ‘ Angel of Death.’ Frangi or English is now
constantly used in common current phrase for what is irresistible, all-
powerful. Angrez Bahadur di dohai ! the protection of the all-powerful.
Quid Farangi , imprisonment from which there is no escape.
17.
Chhama chhama pujan chali Mahadeb ko ;
Chhama chhama pujan chali Mahadeb ko :
Tel Id kachauri charhai Mahadeb ko ;
Tel Id kachauri charhai Mahadeb ko :
Ghi ki kachauri khilai banke yar ko !
Kangri.
Tinkling she went to worship Mahadev ;
Tinkling she went to worship Mahadev :
Cakes of oil she offered Mahadev ;
Cakes of oil she offered Mahadev :
Cakes of ghi she offered to her lover.
Notes .
The point is that the girl goes with her offering of cakes to the tem¬
ple, but the choicest she offers to her lover.
The song is purely Hindi.
tel ki kachauri ; glii ki kachauri : kachauris made with oil are indi¬
gestible and unpalatable, whereas those made of ghi are the reverse and
much more choice.
Chham chham is the noise made by anklet-bells of the women in full
holiday dress.
18.
Asa« Gugge diya jatra jo jana, soh’niew ni !
Asaw Gugge diya jatra jo jana, bo !
Batta bich bald kare galla/i, bo, je kar’niaw,
Sara dukh chite da mittana, soh’niew ni.
Asaw Gugge diya jatra jo jana, bo !
Kdngra .
186 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
I must make a pilgrimage to Gugga, my beauty !
I must make a pilgrimage to Gugga.
Sitting by the roadside I will talk, and while I talk,
All the sorrow of my heart will disappear, my beauty !
I must make a pilgrimage to Gugga.
Notes.
The jdtra or pilgrimage to Gugga is performed only in honour of some
vow being fulfilled and not otherwise. The successful suppliant collects as
many people as he can afford and takes them on a pilgrimage to one of the
numerous shrines to Gugga in the Kangra valley, where he entertains them
at his own cost for some days. As may be readily imagined the more
frolicsome of the women, when tired of the monotony of home life,
invent a fulfilled vow for the sake of the outing. Guru Gugga or Goga
seems to have been a Rajput hero who died in his attempts to stem the
last invasion of Mahmud of Ghazni in 1026 A. D. He is now a sort of
saint with miraculous powers over snakes and able to give sons to the
barren, and is much believed in by the lower orders of the Panjabis. (See
my not.es to ‘ Folklore in the Panjab’ — No. XII, Indian Antiquary , 1882.)
Asa n, Panj. we, used like the Hindi ham , for I.
jo — ko, to, also the sign of the objective case.
bo and abo, hill dialect = Panj. vo, an exclamation ; oh ! you! my
dear, my friend.
battd = Hind, bat and bat, a road, path, hill dialect.
bieh — Panj. vich, in, ef. Hind, bich, between.
galldn kar'nd , lit., to make words, to talk, gall, Panj. a word =
Hind, bat, in all its numerous idiomatic senses.
bald, sitting. Of. Hind, baith’na, bithana, bais’na, baisana, baisaeb,
to sit, set. See song No. 5. To sit by the roadside and talk to passers by
is about the most outrageous thing a native woman can do. See song
No. 11.
19.
Aj to badhai bajl Jas’rat Rae ke !
Aj to badhai baji Jas’rat Rae ke !
Big’si Kusalya Mai Ram Chandar jae ke.
Big’si seh dai-mai lalan nahaeke.
Aj to badhai baji Jas’rat Rae ke !
Aj to badhai baji Jas’rat Rae ke !
Big’sia seh nai-bhai diibh lagaeke.
Big’si seh naan nagar bulaeke.
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab. 187
Aj to badhai baji Jas’rat Rae ke !
Aj to badhai baji Jas’rat Rae ke !
Big’si seh bua-rani cholu topu laeke.
Big’si Subbadra bahin kanth lagaeke.
Xj to badhai baji Jas’rat Rae ke !
Aj to badhai baji Jas’rat Rae ke !
Big’sia seh Ja’srat bap lanka lutaeke.
Big’sia seh P’rohit ghar da anand paeke.
Aj to badhai baji Jas’rat Rae ke !
Aj to badhai baji Jas’rat Rae ke !
Kangrd.
To-day are sung congratulations for Jas’rat Rae !
To-day are sung congratulations for Jas’rat Rae !
Kausalya mother of Ram Chandar is pleased ;
The nurse is pleased to wash the child.
To-day are sung congratulations for Jas’rat Rae !
To-day are sung congratulations for Jas’rat Rae !
The barber is pleased to plant the dub grass :
The barber’s wife is pleased to call the city.
To-day are sung congratulations for Jas’rat Rae !
To-day are sung congratulations for Jas’rat Rae !
The royal aunt is pleased to bring the little coat and cap ;
Sister Suhhadr.i is pleased to embrace him.
To-day are sung congratulations for Jas’rat Rae !
To-day are sung congratulations for Jas’rat Rae !
Jas’rat the father is pleased to distribute to the poor :
The family-priest is pleased to be paid his dues.
To-day are sung congratulations for Jas’rat Rae !
To-day are sung congratulations for Jas’rat Rae !
Notes.
This song or hymn is sung at births by Dorns and also by Hijras, a
class of eunuchs, who dress up as old women and obtain a living by singing
such songs at births and marriages. They are I think dying out. They
go about generally three together with a drum.
The song purports to congratulate Jas’rat Rae, i. e , king Dasaratha
on the birth of Rama Chandra ; there is, however, a mixture of mythology
in it, as Subbadra was not the sister of Rama but of Krishna. But the
legends of Rama and Krishna are often mixed up in popular song.
188 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
Padlidi baj'nd , to make congratulatory music : to congratulate.
Big'sia , big' si : Cf. Hindi bikas'na , to be pleased. Observe peculiar
masculine form big'sia, and the peculiar fern, big'si.
Kausalya was the mother of Rama Chandra.
seh, hill dialect, he, the = Hindi woh , Panj. so. See song No. 45.
dicbli = dub, the dub grass, synoda dactylus. Cf. sab and sabh, all.
Dub grass, is presented at weddings and auspicious occasions by the lower
orders for luck.
bud-rani, the royal aunt, father’s sister.
cholu, togu, dim. forms ; the little cloak and cap. Friends or rela¬
tives always present and put the first clothes on to a baby. Parents never
do so, as it would be unlucky.
j Kanth lagaeke , embrace, lit., apply the throat or neck.
lankd lutdeke : lit., rob the store : distribute gifts among the poor.
dnand pdeke, lit., receive pleasure; to be paid fees or dues.
20.
Pahila phul’ji t mi Naew ka !
Duja n am N a ray an a.
Pahila Chait suhauna,
Je koi sunew ageta.
Appu siye, Kahana, p&g’riya
Motiya^ run-jhun lai,
Juga n tarn jiya n, Kahana ; bariyaw lakhaw
Hoy a n put raw saheta.
. Kdngrd.
The first flower is thine, O Name.
The second name Narayana.
The first of Chait is lucky
If any one hear it first.
Do thou, O Krishna, with turban sewn
With rattling pearls,
Live on, 0 Krishna, for ages and thousands of years
With thy posterity.
Notes.
This is a notable song as illustrative of the worship of ‘ The Name’.
Narayana or Rama is here used for the deity as is usual in Sikh countries.
Nd m, Pam Nam , Pam dd Nam, the name of God is generally held to be
greater than Rama (God) himself.
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab. 189
The custom is to dedicate the first spring flower seen on a tree to
Nam, and the second to Ram, thus giving Nam the first place. Observe
the canonized form phul-ji for this first flower.
This song is sung by Dorns, as they wander from house to house on
the first of Chait (March- April), which in many parts is considered New
Year’s Day in the place of the first of Baisakh (April- May). It is con¬
sidered very unlucky to mention the name Chait on this day, until one has
heard it from the Dom.
The worship of Rama and Krishna is again mixed up in this song.
Naen = ndm = Panj. na n. The Name : the Name of God.
Ageta, Panj. before the time, prematurely. If he hear it before (he
speaks it) : if he hear it first.
Appu = ap, mayest thou
Bun-jhun , rattle, tinkle. Cf Panj. run-run , tinkling, rattling :
jhanjhanand , Hind, and Panj. to rattle.
Bariyaw, year, ban, vare, barhi, Panj. hill, dial = Hind, baras a
year. See song Nos. 23 and 32.
Saheta , with ; also heth, Panj. hill. dial. = Hind. sath. Sansk,
sahita.
LOVE SONGS.
21.
Dhiip pai tar-tikh’m,
Rae Mamoluwa ho,
Kihaft kari handani bat ?
• • •
Mera man tarn liya bo.
Turn ghora, ham pal’ki ;
Rae Mamoluwa bo,
Chali rah’nge ik’tiyo sath :
Mera man tab? liya bo.
Turn sisa, ham ar’si ;
Rae Mamoluwa bo,
Bani rah’ndi goriya de^ hath :
Mera man tarn liya bo.
Turn champa, ham mal’ti ;
Rae Mamoluwa bo,
Khare rah’nge ik’tiyo ba gh ( p sath) :
Mera man tarn liya bo.
190 R, C. Temple — Some Hindu Folksongs from the Fanjdb. [No. 3
Turn long, ham ilayachi ;
Rae Mamoluwa bo,
Bik’ge pansariye d en hat :
Mera man tarn liya bo.
Kangra.
The sunshine is growing hot ;
O Rai Mamolu.
How shall we go along the road ?
O you have captured my heart.
You be the horse, I the carriage ;
0 Rai Mamolu,
We will go along together :
O you have captured my heart.
You be the looking-glass, I the looking-glass ring ;
0 Rai Mamolu,
Looking pretty on beauty’s hand :
O you have captured my heart.
You be the champ a, I the maVti flower ;
O Rai Mamolu,
Standing together in the garden ( ? only together)
0 you have captured my heart.
You be the clove, I the cardamom ;
0 Rai Mamolu,
We will be sold in the druggists’ shop,
O you have captured my heart.
Notes.
The point of this song lies in the antithesis of the masculine and
feminine terms used by the girl to herself and her lover. This is
very finely worked out ; thus, ghora is masc. and pctVki , fern. : sisa,
masc., and dr'si fern. : champa, masc. and maVti , fern. : long, masc, and
ildyachi, fern.
pai = pari, fell: common Panj. form. See song Nos. 26, 47.
tar-tikh’ni, very hot, burning ; used of spices. It probably means
fresh and hot ; tar, fresh, + iiktina, Panj., hot, pungent. Cf Panj. and
Hind, tiklia. Here it is applied to sunshine ( dhup ).
191
1882.] II. C. Temple — Some Hindu Folksongs from the Punjab.
Ede Mamolu , apparently a fanciful name attached only to this song.
Perhaps for the common name Mdlu(Mall). Mamold is the pied wagtail.
bo : see song No. 18.
rah'nge , rah'ndi ; cf. jdting, diJdng ; see song No. 15.
ik'tiyo, in one place, together. Cf Panj. ik’thaur, ik’hatta, ikattar :
Hind, ik’hatta, ik’tha, ik’thaura, ek’tho. The deriv. is ek, one 4- thaur or
thdon , place.
dr'si, the ring worn by women on the thumb containing a small
looking-glass.
bani rah'ndi : ban rah’na, to look pretty, to be nice, to look well.
JBan'nd can itself have this sense. See Fallon, art. ban'nd , 17.
den = de, Panj. ; cf nasalized inflection. See song No. 5.
goriyd , a beauty, belle. Poet., lit. fair.
chained , a shrub with yellow-scented flowers : Michelia champaca.
(?) yellow oleander.
rnaVti , a white highly-scented flower. Agctnosma roxburghii , (?) fran¬
gipani.
ik'tiyo bagh , I am nearly certain from the rhyme of the song that this
is wrong, and that the line should run hhare rali nge ik'tiyo sath.
22.
Piya mera baid, sara jag rogi ;
Na jane nabaj, kiha n jfye rogi ?
Lag rain chot,
Sajan, mere man mew
Lag rahi chot.
Piya mera chalya, mam mhm kanew janaw,
Kaddh kaleje, pran taji janaw.
Lag rahi chot,
Sajan, mere man mew
Lag rahi chot.
Mah’nga bike, taw bhukhyaw nahiw rah’naw ;
Missa-kissa andar bahi kari khanaw.
Lag rahi chot,
Sajan, mere man mew
Lag rahi chot.
B B
[No. 3
B. C. Temple — Some Hindu Folksongs from the Fanjdb.
Mah’nga bike, ta n nangiya^ nahm rah’naw ;
Mota-sota andar bahi kari lana n.
Lag rabi chot,
Sajan, mere man men
Lag rahi chot.
Galim kaddhe, tan sum kari rah’naw,
Chup-chap ghare bich bahi kari kat’na^.
Lag rahi chot,
Sajan, mere man men
Lag rahi chot.
Kangra*
My love is a physician, all the world is sick ;
He knows not the pulse, how will the sick live ?
I am wounded,
My friend, in my heart
I am wounded.
My love goes away, I too go with him :
Casting out my heart, giving up my life.
I am wounded,
My friend, in my heart
I am wounded.
If (food) be dear, I will not remain hungry ;
Sitting in the house I will eat leavings.
I am wounded,
My friend, in my heart
I am wounded.
If (clothes) be dear, I will not remain naked ;
Sitting in the house I will wear coarse cloths.
I am wounded,
My friend, in my heart
I am wounded.
If they abuse I will remain listening ;
Sitting silently in the house I will bear it.
I am wounded,
My friend, in my heart
I am wounded.
193
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab.
Notes.
nabaj = nabz, the pulse : it is a curious word to use here when ndri
and ndryd baid , a pulse-doctor, are available terms.
mhin, hill dialect = bln, also, too, = Sansk. api : Panj. vi.
mhm, kanen, jdndn, bhukhydn, rali'ndw , etc. All specimens of the
nasalized inflection. See song No. 5, etc.
icaddh’nd, Panj. to cast out. See song No. 33.
taj'nd , Panj. to give up.
missa-kissa, lit. mixed, food made from the leavings of various
grains : frugal diet : coarse food.
bahi , sitting, see song No. 18.
gall kaddldnd, Panj. to abuse : lit. to cast out abuse.
Jcafndn, to bear with: put up with: Panj. Gf. the expressions,
din kafnd, to pass the day : kaid kafnd , to bear imprisonment.
bich = Panj. vich, inside. See song No. 18.
23.
Amb charhi kari koel bole, bol’da sabad suliauni.
“ JBaga n diye koele,
Bara n tin barhiyara gori da kand ghar aya,
Mang’da soyaw da sag, asa n kudhi ddiye P
Ammaw jo puchhani, bapiie puchhani, jani hara
Raiyaw de bag, bage diyaw Balyas, be.
Sassu jo puchhani, mam soli’re jo puchhani, jani ha n
Raiyaw de bag, bage diya n llaiyaw, be.”
“Babe the soe, goriye, ckhutiyaw lar’ja^ lage the,
Motiya^ de jhunje, asB* kihtm toriye ?”
“ Lucliiyaw pakauni, thaliya pauni, upar soy Be da sag,
Khayaw be, muhimiyBi be.”
“ N’hoi, bo, dhoi, sej bichhai, ai-ja, tu n najo yanieee !
Janghaee jo jikk, jahlu soi mam jangha, tahlii jaya n tu n panierc.”
Kdngra.
The cuckoo called, sitting in the mango tree, making a sweet call.
“ 0 cuckoo of the gardens,
The beauty’s husband has returned home after twelve years ;
He asks for fennel ; whence shall 1 give it P
Asking my mother, asking my father, I will go
To the market-gardener’s garden ; O to the market-gar¬
dener’s garden.
194 R. C. Temple — Some Hindu Folksongs from the Panjab. [No. 3,
Asking mother-in-law, asking father-in-law, I will go
To the market-gardener’s garden ; 0 to the market-garden¬
er’s garden.”
“ The fennel is sown, my beauty, the leaves are small,
The fruit is like pearls ; how can I cut it ?’'
“ The thin cakes are cooked and placed on the plate, the fennel
on the top :
O eat them, O my brave one 1”
“ Bathe, my dear, and wash, spread the bed, and come, thou
young and graceful one !
Shampoo my thighs : when I go to sleep, then go you for water.”
Notes.
This is a difficult song to follow, owing to the confused way in which
it is put together. The woman first addresses the cuckoo about her hus¬
band’s return : the market-gardener then addresses her, then she her
husband, and lastly her husband answers her.
Sabad, sab'd, Panj., a word, speech.
bagdn, bag , bage , common corruptions of high, a garden.
dig e, dig a, dig cm, Panj. inflected forms of da, di, de = ka, Id, ke ; of.
bardn , sogan , ammdn etc., all specimens of the nasalized inflection
above noted. See song No. 5, etc.
bardn barhigdn, this term of twelve years is a sort of conventional
expression to mean ‘ a long while.’ It had its origin in the twelve years
apprenticeship supposed to be undergone by saints and jogis. barht , Panj.
a year. See song Nos. 20 and 32.
hand — Jcanth , a husband.
sogan da sag = soa, fennel, anethum sowa, a much-valued relish.
kudlii ? hill dialect: whence? See song No. 27.
ammdn jo, sassu jo, soldre jo, janghan jo, in all these cases jo =
ko, to. See song No. 5.
rdigan = rain = arain, Panj. a caste of Muhammadans who are
market -gardeners.
chhutigan larjdn, lit., small fringes (chhutiya = chhota), used for
small leaves of a young plant.
motigdn dejhunje ; jhunjd or jhunja, dialectic = fruit. ‘ Fruit like
pearls’, means that the fruit or flower is still white and beaded, looking like
beads on the plant, i. e., the plant is still very young.
kihdn? Panj. how?
luchigdn = Hind, luchai, a soft thin cake fried in butter.
1882.] It. C. Temple — Some Hindu Folksongs from the Fanjdb. 195
pauni (also pana) in Panj. = commonly Hind, pana to get ; but also
frequently in these songs = dal’na, to place, put, cast, throw.
muhimiydn , muhimt , a brave man, a warrior ; a village word corrupted
from muhimm , Arab., a difficult thing. In Hind, it means a military ex¬
ploit, a brave and difficult accomplishment.
bo , my dear, my love. See song No. 18.
ndjo ydnien , young and delicate beauty ; ndjo is a Hind. poet, cor¬
ruption of ndzuk , Pers. delicate.
jahlu-tahlu , when-then. See song No. 15.
janghd , fut. form ; I will go, cf.pdnghi. , I will throw (pana) in song
No. 45. See also songs Nos. 15, 21. soi main jdnghd, I will go to sleep.
Cf song 44.
soi, seems here, as in several other places, to be a termination of
.the conjunctive participle.
The address to the cuckoo commences with “ bagtm diye koele” : the
market-gardener speaks at “ bahe the soe” : the woman addresses her
husband at “ luchiya?z pakauni and the husband answers at “ n’hoi, bo,
dhoi.”
24.
Pan’ghat ko jal bharan jat thi
Bat m en man-rakhu an mila :
Dukh mera sara janda riba bari,
Kal’ja phule sahi babot kbila.
Kdngra.
I was going to the watering-place to draw water,
And my lover met me on the road :
All my trouble went away altogether,
And my heart blossomed greatly like a flower.
Notes.
Fan' ghat = pani-ghat, the place by the river or well side, where women
go for water.
jat, common vulgar Hindi form = jata, jati.
bat = bat = Hind, bat a road, see song No. 18.
man-rakhu , lit., keeper of the heart, lover : cf. chit-rakhu song’ No
27. ■
bari, enclitic, indeed, altogether : see song No. 7.
kdVjd = kalija, the heart (liver).
sahi, hill dialect = sa, like.
196
R. C. Temple — Some Hindu Folksongs from the Fanjdh [No. 3,
25.
Kotin ta n paniyaw gher’waft, bo,
Jit pher’waw rakhaw diwar, piyare.
Kit baraw, kit nikalara, bo muiye,
Kityo nahm lag’da jiu, piyare.
Kangra.
The house I have built is large, my dear,
In it I have built walls with doors all round, my love.
Wherever I enter, wherever I go out ; ah, my dear,
Nowhere is any one for me to love, my love.
Notes.
tan = ta, Panj. = to, Hind, indeed.
tan, panigan, gher'wan , pher'wdn , etc., observe the nasalization. Cf.
song No. 5, etc.
panigan ; kothi pana (or pauna), hill dialect, to build a house: cf.
Panj. word pana and pauna, to place, put, throw. See song No. 23, etc.
gher'ivan, pher'wan. Gher'wdn = ghera, gher’wa or gher’dar, in Panj.
and Hind, lit , surrounding, enclosing, as applied to a dress means large,
ample, full ; in the hill dialect it is applied, as here, to a house or dwelling,
to mean large, commodious. Fher'wan, lit., surrounding, hill dialect, is
applied to a house whose doors open from room to room all round. Thus
a European bungalow in India would be described by a Kangra hill-man
as gher'wa , large and pher'wa, with doors to every room. The point here is
that “ the house I have built is large and comfortable.”
ho, my dear, see song No. 18.
jit-kit, inflected pron. forms Panj. = jis-kis : it and ut = is and us
are similar ones.
ho muige , also muige ho and muige. In the hill dialect used by
women as an exclamation, hi ! come here ! I say ! oh you ! Also used
sorrowfully, ah, my dear ! alas, my dear ! The Ludiana Panj. Diet, gives
the following curious explanation of this word : “ muige , 0 dead one !
spoken to a woman chidingly.”
kitgo = Panj. kiti, anywhere.
jiu = ji, life, the heart. Cf. Panj. forms ghyo and gheu = ghi (see
song No. 5) and kityo = kiti, above. Ji lag' net is an idiom, to be fond
of, to be enamoured of, to love.
26.
Tere xnnrihnn dikhi kari
Mam bbatoi gaya.
Tu n ta n hast, bo, pai
Maite riyoi gaya.
Kangra.
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab. 197
Seeing your face
I became mad.
Then you laughed, my dear,
And tears fell from me.
Notes.
muwhew, a strong example of the final nasalization frequently noted
above.
bJiatoi , mad. (?) = Hind, bhutaha, possessed of a devil.
hast pai ■= hawsi pari, laughed. See song Nos. 21, 47.
riyoi, it is said that there are two verbs : rona, to weep, riyond , to
weep involuntarily.
maite = maitow and maithoft : Panj . from me.
27.
Kya kanm ! Ja n mam kuthu ?
Mera dhag’ra mil’da hai nahm.
Dbund’kar sare hi dekha :
• • • 7
Chit-rakhu mil’da hai nahm.
Kangra.
What shall I do ? Whither shall I go ?
I cannot find my love.
Searching everywhere I have seen,
(That) the keeper of my heart is not found.
Notes.
Jaw, a notable form — ja nasalized.
Kuthu ? = kithu ? hill dialect, whither ? cf. kudhi? where ? in
song No. 23. In the hills tithu is in that place ; uthu , in that place ;
kithu? in what place? etc. The Panj. forms are ethe, kithe, etc. Cf.
also the form kusi (hill dial.) = kisi, any one : song No. 31 : and kus ?
song No. 53.
Cliit-rakhu, lit., keeper of the heart, a lover. See song No. 24 where
the expression is man-rakhu , with precisely the same meaning.
28.
Re jadu kar’ke mera man mohya :
Re jadu kar’ke mera man mohya :
He jadu kar’ke mera man mohya,
Ap’ne begane se khoya.
Re jadu kar’ke mera man mohya :
Re jadu kar’ke mera man mohya.
Kangra.
198 R. C. Temple — Some Hindu Folksongs from the Fanjab. [No. 3,
O with bewitchment my heart he fascinated :
0 with bewitchment my heart he fascinated :
Ah with bewitchment my heart he fascinated.
I have lost my friends and acquaintances.
O with bewitchment my heart he fascinated,
O with bewitchment my heart he fascinated.
Notes.
Afne begane : ap'ne , one’s own people ; begane , people of other castes :
the expression means ‘friends and acquaintances.’ Of song Nos. 16
and 36.
29.
Os papi ne mujhe dekha ek najar :
Tan man ki rahi nahiw kuchh bhi Mabar.
That wicked one gave me hut one look :
And no recollection even of myself remained.
Notes.
Os, common Panj. pronunciation of us.
Tan man , lit , body and mind, i. e., one’s self.
Kdngra.
30.
Nir’mohira, turn se kabhi na bolungi ;
Khake katara, mam ap marungi
Nir’mohira, turn se kabhi na bolungi;
Khake katara, mam ap marungi.
Kdngra.
You heartless wretch, I will never speak to you ;
Stabbing myself with a dagger, I will kill myself.
You heartless wretch, I will never speak to you ;
Stabbing myself with a dagger, I will kill myself.
Notes.
Nir'molnrd — Hind, nir’mohi, heartless, unloving : the root is moh ,
Sansk. and Hind., love : Panj., mohur.
31.
Pakhiya lagiyaw sune diya^ lar’ja n ;
Pakhiya lagiyaw sune diyaw lar’jaw :
Asaw jo kusi diyaw nahiw gar’jaw.
Pakhi loch di lai-de.
1882. ] R. C. Temple — Some Hindu Folksongs from the Fanjab. 199
Pakhiya lage sune de bunde ;
Pakhiya lage sune de bunde :
Asaw ban kusi kane natiin kdnde.
Pakhi loch di lai-de.
Kangrd.
The fan with the golden fringes ;
The fan with the golden fringes :
No one (else) is loved by me.
Bring me the fan of my desire.
The fan with the golden tassels ;
The fan with the golden tassels :
Indeed I will speak to no one (else).
Bring me the fan of my desire.
Notes.
pakhi, pakhiya, Panj., pakkhi = pankhi, a small fan. Cf. Sansk.
paksha, a wing, side of anything.
lagiyan, diydn, larjan, garjdn, strong specimens of nasalized inflec¬
tion. See song No. 5, etc.
sune , suna, hill dialect, gold. Cf Hindi forms sona, sauna, sunna,
son, gold.
diydn, see song No. 23 : of.
Asanjo. Asa n, Panj. (we) I. jo, to. See song No. 5.
kusi— kisi, inflected form, any one. See songs Nos. 23, 27 and 34.
lar’jdn, hill dialect, fringes = jhalar.
gar’jdn: corruption of gharaz , necessary. Lit., no one is
necessary to me; I love no one else.
loch, Panj., desire, wish.
lai-de, lai, conj. part. See song No. 23.
bunde, a tassel, silken drop hanging from a fan ; property an earring,
ear-drop Cf Hind, bund, (a drop of water) a drop ; Panj. bunda, a
drop : Hind, phund’ra, a tassel. Sansk. vindu, a drop of anything.
hart, enclitic, indeed. See song Nos. 7 and 24.
kunde, kuna, Panj. to speak : also kahina = Hind., kah’na.
32.
Asaft, bo, sunya
Tera byah, bo, kita :
Jani, kya, bo, kita ?
Mutye bo, Phulamim.
c c
200 E. C. Temple — Some Hindu Folksongs from the Panjdb. [No. 3,
Barya chhamaya di pheri j
Bedan hundi teri ;
A'l mili-ja, bo.
Muiye bo, Phulamuw.
Kangrd.
My dear, I have beard
They have married you off, dear :
My love, 0 what have they done P
Come to me, Phulamuw.
There is the return after the year and the six months :
My love is for you :
Come and meet me, my dear,
Come to me, Phulamuw.
Notes.
The custom in the Panjab is for the bride to return home to her
parents awhile, after she has been married six months, and again after a
year. The lover here reminds Phulamiiw (a common hill name for girls)
of this custom, and says it is nothing to him that they have married her
to another, if she will come to him when she comes home again.
bo , my dear. See song No. 18.
kita, common form of the past tense of karna in Panj.
muiye bo, come here. See song No. 25.
barya, of a year. See song Nos. 20 and 23. bari and barhi , a year =
Hind, baras, Panj. var, vare. Of. Sansk. varsha, Prak. variso, varihu#
Panj. variha.
bedan, love, hill dialect. Gf. Sansk. root vid, to perceive, feel,
possess, acquire, marry. Panj. vedhna, to contract an amorous friendship.
Hind, bedna and bedhna, to ache, pain.
hundi, Panj. form of hoti, is.
di, mili, conj. parts. See song No. 23.
33.
Mai?z tere nal bhulke nihora laya.
Lay a, taw janam gawwaya.
Main tere nal bhulke nihora laya.
Kaddh be kaleje maiw hajar karni ;
Akhir putar paraya.
Maiw tere nal bhulke nihora laya.
Chun chun kaliyaw maiw sej bichhana ;
* [Varihu is a conjectural Prakrit form. Ed.]
1882.]
R. C. Temple — Some Hindu Folksongs from tlic Punjab. 201
Khol tani gal lay a
Mam tere nal bhulke nihora laya.
Punjab.
I was mistaken in bringing favours to you.
I brought them and I was ruined.
I was mistaken in bringing favours to you.
I took out my heart and I gave it you :
In the end you were a stranger.
I was mistaken in bringing favours to you.
Taking young flowers I spread a soft bed ;
I opened my dress and I fell on your neck.
I was mistaken in bringing favours to you.
Notes.
nal , Panj. with == se.
nihora, Panj. and Hind, nihora, favour, kindness.
gawwand, gawauna, Panj. to lose, waste. Janam gawwand = Hind,
janam bigarna, to spoil one’s life, to be ruined for life. See song No. 8.
Kctddh kaleje, Panj. lit., casting out my heart, giving up my heart.
See song No. 22.
hajcir karni, ( hazar = hazir, present) to make present ; give up.
putar paraya, lit., a stranger’s son, a stranger, estranged.
chun chun kaliydn , etc. It is not uncommon for the rich to have
bela (jasmine) flowers picked and spread into a bed, over which they spread
a sheet. This is done in Sawan (July-Aug.) when these flowers are plenti¬
ful. Similarly rose leaves are used in Phagun (March- April.) Fallon
New Hind. Diet. art. sej, gives a riddle which commences exactly as this
verse.
Chun chun kaliyaw sej bichave,
Kadhi na pi ke nere ave ;
Jab dekhe pi ankh ughar,
Chawchla chdli, awchla jhar.
gal laya, idiom, I fell on your neck : I embraced you.
34.
Tam kajo lai thi is kane prit ?
Eh taw hai sare jag da chatora :
Kusi da nahm hoya mit.
Kdngrd.
Why did you give your love to him ?
He is indeed a world- wide libertine :
He was never a friend to any one.
202
[No. 3,
R. C. Temple — Some Hindu Folksongs from the Punjab.
Notes.
kajo ? hill dialect, why ?
chatora , a libertine, properly an epicure, one who lives on the best
of things.
kusi = kissl. See song Nos. 23, 27, 31.
MARRIAGE CUSTOMS.
35.
Be mundiya, ta in nu n
Chira rangawaw gule nar da t
Ten kagli di ajab bahar, we !
Be larke, be larke,
Kanjar-Mane da jana chhor de !
Kdngrd.
Ah my boy, for thee
I will dye a turban like a pomegranate flower:
Ah ! the wondrous beauty of thy aigrette !
Ah my boy, ah my boy,
Leave off going to the prostitute’s quarter !
Notes.
This song is sung by the young women attending the barat or mar¬
riage procession, and is addressed by way of chaff to any man, young or
old, they may happen to meet. It is said that the use of such children’s
terms as be, mundiya, and larka to grown men is a severe hit.
be, Panj. women’s expression used to young children — Ah! Oh you, O.
chird, a fine turban of many colours.
gule nar, gulnar, pomegranate colour, is a favourite dye — see Leit-
ner, Linguistic Fragments, Panj. Secretariat Press, 1882.
kagli, hill dialect, the brush-like ornament used in turbans, an
aigrette. It is a corruption of the Turki word kalghi . Kagli is used to
mean also a reward of honour from the old practise of giving aigrettes as
a military reward : in this sense too it is used ironically, thus ; tijju bard
kagli lagi gayi ! (hill dial.) a fine reward you have got ; a fine thing you
have made of it.
kanjar , kanjar, a mat- weaver ; in the Panj., however, the prostitute
class (kanchan). Kanjri, Panj. a prostitute ; this sense is said to have
arisen from the very loose character of the Kanjar women.
1882.] B. C. Temple — Some Hindu Folksongs from the Punjab. 203
36.
Babal mora re, naiyar chhuta jae ;
Char kahar mori ji, doliya le-ao, re :
Apna begana chhuta jae.
Kdngrd.
Ah my father, I must leave my house ;
Four bearers, dear, have brought my palanquin ; alas !
I must leave my friends and acquaintances.
Notes.
This song is sung when the bride leaves for her husband’s house.
Fallon New Hind , Diet. art. apna quotes from the North-West Provinces
this song in words almost identical with the above. He calls it the
Departure Song or ehali ka git .
Apna bigana chhuta jae !
Babal re, mora naiyar chhuta jae !
naiyar , Hind. poet, for naihar, the father’s or parent’s house, one’s
home.
apna begana , friends and acquaintances. See song No. 28.
37.
Bedardi swami ne mujhko
Phulchhariyoft se mara, re :
Chhariyo^ se mart na marungl ;
Bolan se ati mara, re.
Kdngrd .
My hard-hearted husband
Beat me with flower-sticks, alas !
Beaten with flower-sticks I will not die ;
(But) he beat me much with words, alas !
Notes.
On the 4th day after the marriage it is the custom for the bride and
bridegroom to fight a duel with light sticks covered with flowers.
Phulclihari , chhari , a light stick covered with flowers used for the
purpose of this duel. The duel is of course a sham one and has led to a
proverb quoted by Fallon, New Hind. Diet. art. chhari, Mai n ne is ke
phul ki chhari bhi nabm marl, I never touched him at all.
ati is pure Sansk. very much, much, = Hind, atka, atki.
201
R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
38.
Chacharuew ditta tak,
Ki maungnrm khiib larya ;
Sube dyaw laryaw mail mirk,
Keb yar ghare bieh barya.
Kang r a.
The tick gave a bite,
At the same time the bug bit well ;
(So) Suba’s wife made a sign,
So that her friend entered the house.
Notes.
In the Kangra District, when the bridegroom goes to claim his bride,
it is nearly a universal custom for his bride’s female relatives to sit him
down to a dinner. They then sit round him and proceed to chaff him
about his relatives. Among the rich nothing that is considered indecent
is allowed ; among the poor the songs are so broad as to be untranslateable.
The above and the three next songs are those sung on such occasions in
rich and well-to-do houses.
Suba is here merely a generic name and represents any relative of
the bridegroom who may happen to be married. Any other name can
be inserted.
The point of this song is that Suba’s wife makes the bites of the
ticks and bugs which infest her person the excuse for letting her lover
into the house. The song is valuable as expressing what the rich in
Kangra consider inoffensive chaff, and as showing their excessively dirty
personal habits.
chacharue n : chachctru , hill dial., a tick, flea = Hind, and Panj.
chichra, chichri. en, nasalized inflect. See song No. 5.
ditta , Panj. = diya, gave.
tak, hill dial., bite of flea or tick.
ki, explained to mean in the hill dial. 4 ussi ivakt,'1 at that very mo¬
ment. ^ I am inclined, however, to consider it is connected with or
represents the Panj. conjunction ke , or.
maungnua, hill dial., a bug.
laryaw, hill dial., a wife, cf. Hind, and Panj. lad, Idr, love, endear¬
ment : Hind, and Panj. ladld, ladli, darling, dear; Hind., lado, pet;
Panj. Iddu, love ; ladula, darling ; lado, favourite daughter ; Hind, and
Panj. girl’s name, Ldd.o : Panj. lari, bride.
mirk mama, to sign to, beckon, hill dial.
bich , inside, Jnto. See song No. 18.
* [ici in this sense, “when,” “just when,” is a wellknown idiomatic expression
in Hindi. Ed.]
1882,] R. C. Temple — Some Hindu Folksongs from the Punjab.
205
39.
Ba gen gajar muli,
Mera man bolda :
Ram en dari mundhara di gajuli,
Mera man bolda.
Kangrd.
The carrot and radish of the garden
My heart desires :
Rama’s wife, wanton from the beginning,
My heart desires.
Notes.
This is the second of the four chaffy marriage songs. See song
No. 38.
huge n, Fame n, good instances of the nasalized inflect. See songs
38 and 5, etc.
gdjar mull is a common idiom to signify anything worthless ; hence
the sting of this song.
man bolda , idiom, lit., my heart speaks ; I desire, wish for, want.
Fame n, as Suba in song 38, this is merely a generic name, any other
would do.
dari, hill dial., wife. Of. Hind., dara, a woman ; dan, slave-girl,
concubine ; whence Hind, and Panj. daridar, a bastard. The Ludiana
Panj, Diet, says dari is a female slave taken in war, but is used as a term
of sportive abuse. Perhaps ‘ Rama’s woman’ would be the best rendering
here.
mundhan, Panj. mundh, muddh , the beginning. Of. Panj. and Hind,
mund, the head : Hind, mundh, muddh, chief, head.
mundhan di, from the beginning.
gajuli, hill dial, (lit., itching) wanton.
40.
Rame% diya n lariya n khada nimbwe da char.
Pet en tumb hoi.
Rama’s wife eats lime pickle,
And has a feeling in her stomach.
Chambd.
Notes.
This is the third of the chaffy marriage songs. See song No. 38. It
is a double entendre.
[No. 3,
206 II. C. Temple — Some Hindu Folksongs from the Fanjdb
Fdmen, peten, nasalized inflect., see previous song.
lardy aw , wife. See song No. 38.
char — dehdr or achehdr , pickle.
turnb, Panj. touch, feeling.
41.
Rupe dariya n
Batte bich gallaw kitiyaw ;
Sun, kitiya n, ji !
Baruye diyaft katoriya^ pitiyaft ;
Sun, pitiya^, ji !
Rupa’s wife
Sits by the roadside talking,
Listen, talking, Sir !
Drinking cups of wine,
Listen, drinking, Sir !
Notes.
Chambd.
This is the last of the chaffy marriage songs. 8ee song No. 38. To
sit by the roadside and to talk to the passers by is considered the height
of impropriety in a woman (see song No. 18), and here it is added to by
drinking wine.
darky dw , wife. See song No. 39.
batte bich galldw. kdtiyan . See song No. 18, where almost the same
expression occurs in the same sense.
Home Customs.
42.
Ajji main ne jana ho ap’ne des :
Sundar kar’ke bhes, banka kar’ke bhes,
Nir’mal jal, bari thand’ri pawan hai,
Mukh’ra dekh’na bes.
Ajji ma in ne jana ho ap’ne des.
Kdngrd.
To-day I must go to my own country :
Making myself handsome, making myself smart.
(There) the water is pure, and the wind is cool,
And the faces beautiful to look upon.
To-day I must go to my own country.
Notes.
ajji = aj, to-day.
ban, also, moreover. See song No. 7.
1882.]
207
R. C. Temple — Some Hindu Folksongs from the Punjab.
tliand'ri = thandi, cold. The insertion of r and r in such words
• ••• •••/ *
is not uncommon. See song Nos. 44, 45.
bes, (a curious word) the best, Fallon, New Hind. Diet, has
bis, adj., better, more excellent.
43.
“Ni kurye, ja tun sauh’rian pind !”
“ Dungi khui te ghara nahin khich’da.”
“ Lai, lai hath wicli tind !
Ni kurye, ja sauh’ridn de pind !”
Punjab.
“ My daughter, go you to your husband’s village !”
“ The well is deep and the water-pot does not draw.”
“ Take a small water-pot in your hand !
My daughter, go to your husband’s village !”
Notes.
This song is a hit at the hard work, young wives are made to do in
their husband’s houses, and their unwillingness to leave their own homes.
ni, vocative exclamation used towards women. Panj.
leuri, Panj., a virgin ; but used by parents to their daughters,
married or unmarried.
sctuldridn pind, sauh’rd, father-in-law, sauh’rian, Panj. parents-in-
law.
pincl , Panj. a village. Sauh’ridn. de pind, Panj. parents-in-law’s
village = husband’s home.
te — ate, Panj. and.
ghara, tind ; ghara, the ordinary earthen pot for water ; tind, Panj.
the small earthen water-pot used with a Persian-wheel in wells ; here obvh
ously used for the dim. of ghara.
leich — rich = bich ; inside, in. See song No. 18.
kliiclddd = khainch’ta, draws. Of. uckian, next song.
44.
Gharyan, be tun clihail lohara,
U'chian dandian diura, be.
Diura bal’san sammak-rati,
A't’ra ghol’san bariya parati :
Main ghar bir prahunan, be.
D D
208 II. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
Bh’ro, bh’ro, be gadhva, thand’rew paniew ;
Bir dharyaya ghar gaya, be.
Kb ay aw, be bira, bare bare g’rahew,
Sas’ri awasi karkasa, be.
Awasiw, awasiw, mera kya kar’siw P
Ik ghari pal pahunaw, be.
Kangra.
Forge me, oh tbou good blacksmith,
A lamp with a tall stem, 0.
I will burn the lamp all night,
And I will mix flour on a large plate ;
I entertain my brother in my house, O.
Fill, fill, 0 cup, with cold water ;
My brother goes thirsty to the house, 0.
Eat, O brother, large mouthfuls,
Mother-in-law will come scolding, O.
She will come, she will come : what will she do to me ?
I am only entertained an hour, O.
Notes.
The nasalized inflect, so often above noted is very strongly marked
here. Gharyan and khdydw are imperatives ; again in uchidw dan dian we
have the fern, form of it, and in tliand’ren panien the masc. form. See song
No. 47.
uclia = uncha, tall. Cf. songs Nos. 31, 45, 50, 47 ,'43.
dandi, the beam of a pair of scales : the stem of the tall kind of
Indian brass lamp.
diurd = diurd = dia, a lamp.
bdl’sdn, ghol’sdn ; fut. forms masc. : dwasi n, awasi , kar'siw ; fut. forms
masc. Cf. song Nos. 15, 21, 23.
sammak-rati , Panj., all night. sammak) all, the whole, is only found
in this phrase : (?) connected with sab , salh, all.#
afra = at a : tliand're n = thande : jprdhunan = jpahundn. All in¬
stances of the insertion of r and r. See song No. 42.
'prahunaW) pahunan, to entertain : palm, a guest.
bh’ro, bh’ro = bharo, bharo ; fill, fill.
gad’wd, Panj., a small brass drinking vessel (lota).
dharyaya, hill dial., thirsty. Cf. Panj. tis, tih and treh, thirst :
iibai, thirst and tihaia, thirsty. (?) dharyaya = trehaid , thirsty,
cfrdhe n, mouthfuls : garah or garas, a handful of food as eaten by the
hand, a mouthful.
[* It is a semitatsama word, for Sanskrit samyak . Ed.]
209
1882.] R C, Temple — Some Hindu Folksongs from the Punjab.
45.
“ Ghar ghar d’reka n phuliya^ ;
Tinha# d’rekaw di thand’n chhauw,
Bo bhaiya, lai-chal.”
“ A gen sell nadiyaw dughiya^:
Tun tan rah ap’niyaw sassu den pas,
Eo bhaine??, rah ghar.
A gen seh kutte bhaunk’de ;
Turn rah ap’niya^ sassu den kol,
Eo bhainew, rah ghar.”
u Kuttyaw jo pangin churl,
Eo bhaiya, lai-chal.
Lai-chal ammk den pas,
Bo bhaiya, lai-chal.
Kcmgrcu
ai (Where) the lilacs flower at every house ;
(Where) the shade of the lilacs is cool,
O brother, take me.”
“ In front the rivers are deep :
Do you then remain with your mother-in-law ;
O sister, remain at home.
“ In front the dogs bark ;
Remain with your mother-in-law ;
0 sister, remain at home.”
u I will throw cakes to the dogs ;
0 brother, take me.
Take me to my mother :
0 brother, take me.
Notes.
d'rek — bakayan ; the Persian lilac, meliu compositu. It is almost
the shadiest tree in India, better even than the mm , its relative. It is also
related to the tun and the mahogany. It bears large bunches of lilac
flowers, and may be seen along the roadsides in several Panjab districts.
Fallon, New Hind. Diet, wrongly calls it the oleander (see art. &■•&) the
proper name for which is kaner or kanail and the scientific name nerium
odorum. Fallon by the way (art. renders kaner, too, by oleander.
tinhda , Panj., those, they, the.
thandWi ; see song Nos. 42, 44.
chh&uu, Panj. = Sansk. and Hind, ckbaya, shade.
seh , he, she, it, that, the. See song No. 19.
210 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
bhaine n, en is a curious inflect, here, as bahift is fem., see song No. 41.
bhainon for bahino, occurs in song No. 47, q. v.
kuttydn jo, jo = ko, to. See song No. 5.
pdnghi fut. form of pana, to throw. See songs Nos. 23, 25.
cleft = de, of, Panj. ; see song No. 21. den pas — ke pas : den
kol — de kol, Panj., = ke pas, Hind.
46.
Dkuroft Lakoroft nimbu aya, ai-bikya bajar ;
Merya ras’lia nimbua muleft liya.
Laikar paisa, hataft jo daurya nimbu ande char ;
Merya ras’lia nimbua muleft liya.
Laikar p’rat’n chiran baitki, tuk’re kite char ;
Merya ras’lia nimbua muleft liya.
Laikar nimbu chhamke paya, musak gayi bajar;
Merya ras’lia nimbua muleft liya.
Laikar nandaft bhai sikha-liya, ( bhabo kaddh buhe bak’r ;
Merya ras’lia nimbua muleft liya.
Laikar sotha maran lagya ; bhabo nuft kaddhya bak’r ;
Merya ras’lia nimbua muleft liya.
Laikar ata gundhan baitka, kar-ditta pan’sar.
Merya ras’lia nimbua muleft liya.
Kotheft charhi kari hakkaft maryaft, { a-ja gliar di nar’ ;
Merya ras’lia nimbua muleft liya.
Laikar kar’clihi aggi jo daurya : lokaft ditti phat’kar ;
Merya ras’lia nimbua muleft liya.
Kang r a.
From far Labor limes came and were sold in the bazaar ;
I bought juicy limes.
Taking money I ran to the shops and bought four limes :
I bought juicy limes.
Taking a knife I sat down to peal them ; I cut them in four ;
I bought juicy limes,
Taking the limes I made a relish (with them) ; the smell reached the
bazaar ;
I bought juicy limes.
Taking him my husband’s sister taught her brother, ‘ Turn my bro¬
ther’s wife out of the house.’
I bought juicy limes.
Taking a stick he began to beat me : he turned the brother’s wife out.
I bought juicy limes.
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab. 211
Taking flour lie sat down to knead, and lie made it watery.
I bought juicy limes.
Getting on to the roof he shouted out, ‘ come, my house -wife.’
I bought juicy limes.
Taking the ladle he ran to the fire : the people cried shame ;
I bought juicy limes.
Notes.
dhuron Ldhoron, Panj. inflect, from afar ,from Lalior.
di-bibey a , ai conj. part. ; see songs Nos. 32, 23.
r as' lid — rasila, juicy.
mule n liyd , common hill phrase, bought, mule n, inflected nasally
from Panj. mull or mul , price (= Hind. mol).
ande , Panj. form of ate = lit. came. Here used idiomatically for ‘to
get.’ See song No. 56.
biatdn jo = hatow ko, to the shops.
gfraVri, in the hill dialect, a paring knife or instrument, pardti and
<pardt is a large dish usually, and Panj. pardt'rd is a wooden kneading
trough. See song No. 44. This word p'rdt'ri is a curious one.
cbiir'nd , to peal = Hind. chhiVna.
chhamk? na, Panj. = Hind, cbihaunbc'na , to fry spices in butter. Hind.
baglidr'na , = Panj. t-ur' behind , means to pour hot butter on to spices. All
these words have the sense of to season. The seasoning here referred to,
called in Panj. neurd , is thus made. Chillis or spices are mixed with oil
or ghi and fried till the mixture burns, slices of lime are then thrown in.
While cooking the smell is so pungent as to make all near it cough and
sneeze, and so penetrating as to make the neighbours unpleasantly aware of
what is going on.
musah = mushk, smell, odour.
beaddh bitbie bdbdr , cast her beyond the threshold ; Panj. beaddbdnd ,
Panj. to cast, throw, build, Panj. threshold, bdh'r = bahir, outside,
beyond.
nun, Panj. (= Ico') to.
pan'sar, watery, thin. (?) Pdni , water, (in Panj. in composition,^^)
-f sar, all.
kothd (Jcothen, masc. nasal, inflect, see above, passim) the upper story
( bald Jchana) of a house, the roof.
haltfcim mar’nd, hill dial., to shout out, call out.
bear' clihi = kar’chhi, a brass ladle,
aggi jo = ag ko, to the fire, jo, see song No. 5.
lobedn = logo^ (log), people, (they).
phat'bcdr, blame ; usually a curse, malediction, phafbear dend , to cry
fie or shame on, to blame.
212 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
47.
Bhainow ! sas gayi Lahor : mam ghar thamyaw, bhainow !
Bhainow ! pahila hath paya kothi ate di, bhainow !
Duya hath paya kupa ghiue da, bhainow !
Tija hath paya chata gure da, bhainow !
Bhainow! pahila pura bahya, billiaw chhikkya, bhainow !
Bhainow ! duya pura bahya, pares’ni puchhya, bhainow !
Bhainow ! tria pura bahya, sas ai-rahi, bhainow !
Tawe heth lukaya, roti pakawani, bhainow !
Bhainow ! jhunde heth lukaya, rnatha tek’naw, bhainow !
Bhainow ! pirhiya heth lukaya, pirhi sas di, bhainow !
Bliainow ! nei kune satya, chuha bhur’kya, bhainow !
Bhainow ! nei larhia satya, sihi tapya, bhainow !
Bhainow ! soh’re?* pak’ri dang, jethew mung’ri, bhainow !
Bhainow ! soh’re di bhaji-gai jangh, jethe di ung’li, bhainow !
Bhainow ! unhaw jo pai-gai ap’ni, mam pura chhaki-lia, bhainow !
Kdngrd.
Sisters, mother-in-law went to Lahor : I had charge of the house, sisters !
Sisters, first my hand found the flour-binn, sisters !
Secondly my hand found the ghi-bag, sisters !
Thirdly my hand found the sugar-pot, sisters !
Sisters, I baked the first sweet-cake and the cat sneezed, sisters !
Sisters, the second sweet-cake I baked and the neighbour asked ques¬
tions, sisters !
' *
Sisters, the third sweet-cake I baked and mother-in-law came, sisters !
I hid it under the baking-pan, baking bread, sisters !
Sisters, I hid it under my veil, making my obeisance, sisters !
Sisters, I hid it under the chair, mother-in-law’s chair, sisters !
Sisters, taking it I threw it into a corner and a rat snatched at it,
sisters !
Sisters, taking it I threw it into the home-field, a tiger leapt across
sisters !
Sisters, father-in-law seized a stick, brother-in-law a mallet, sisters !
Sisters, father-in-law’s thigh was broken and brother-in-law’s finger,
sisters !
Sisters, each of them got his own (troubles), I eat the cake, sisters !
Notes.
Bhainon, see song No. 45.
kothi, ( cf. kothd, in previous song) an inner (or upper) room in
native houses used as a storeroom ; larder, granary, store-room.
213
1882.] 11. 0. Temple — Some Hindu Folksongs from the Punjab.
kupd ghiue da, the leathern gin vessel, ghyo, ghtu, gheu, Panj. = glii ;
see song No. 5. Kupd , kupd, kuppd, the large leathern vessel used for
keeping ghi.
chdta, the vessel for receiving the juice of the sugarcane as it comes
from the mill, chdta gure dd the molasses pot. For an accurate descrip¬
tion of gur and the native processes of sugar-making, see Carnegy’s
Kachahri Technicalities , art. ukh.
purd bahya : I put the cakes to bake : I put it on the fire, roti
baldna , to put bread on to the fire, is a common expression ; lit., to make
the bread expand. This sense of bdh'na seems to have escaped the Diets.
The purd is a sweet cake made of ghi, gur and flour.
chhikkyd : clihikk'nd, Panj., = Hind, chlrink'nd, to sneeze. Cf.
pakhi = pankhi, song No. 31. And clugha = dungha, song No. 45 ;
rich a = uncha, song No. 44. The sneezing of a cat (or in fact any sneez¬
ing) is considered a bad omen in India. Cf. song No. 50.
pares' ni — parosan, a female neighbour : my neighbour became inqui¬
sitive.
tawd, Hind., an iron plate for baking bread, a griddle. Fallon.
jhundd (Panj. jhund, Hind., chadar), a cloth worn by women over
their heads and faces to conceal them.
mathd tek'ndn, lit., I struck my forehead ; I prostrated myself. The
Kangra custom is for young wives or the girls of a family to prostrate
themselves and touch the feet of any old female relative on seeing her for
the first time in the day. The mother is excepted.
pirhiyd, pirhi ; a low stool with a high straight back used by native
women.
nei (conj. part., see song Nos. 23, 32) from Panj. nend (— lena, Hind.
n for l), to take.
satyd ; sat'nd, hill dial., to throw.
bliufkhya {lit. jumped, leapt), used of a rat or mouse, to scratch, pull
at, make a noise.
' %
Idrhi, lari, laldri, Idrhia, hill dial, the field adjoining the house, the
home-paddock, the compound.
onung'ri, hill dial., a small wooden mallet used for patting earth.
bhaj'nd , Panj., to be broken. Cf. Hind, bhich'na, to be crushed
Sansk. root , prich.
unhawjo, to them, vide supra.
pai-gai, had befallen. On them their own (troubles) had fallen.
paind Panj. = Hind, par’na, see songs Nos. 21, 26.
chhaki , conj. part, (see nei, above), from chhak’na, Panj., to eat.
billi an chhikkyd and soh'ren paid ri. These are good examples of the
nasal inflect, so frequently noted above. Here in both cases used for the
214 R. C. Temple — Some Hindu Folksongs from the Fan jab [No. 3,
agent with ne ; (tin, fern, and en, masc. This is very common in the hills.
F. q., as familiar examples, ghoridw khai liyd , the mare eat it : ghoren khcii
liyd, the horse eat it. See song Nos. 44, etc.
48.
Jhul, jhul, merijm pakhiye ; lap lap kar’de nag :
Bir biyah’na chalya mnndhe?z sab’j kuman :
Bir biyaha aya ai-baitha thandhe bag.
Hal mila, saheliyo : bhabo dekhan jana n,
Bhabo da Id dekh’na P Sawwal’ri mutyar !
Bhaiya sada hai gaiib’na^ : bhabo hai chak-chal !
Kdngrd.
Move in and out, my fan, as the snake turns and twists :
My brother has gone to his wedding with his green bow on his shoul¬
der.
My brother has returned married, and sits in a cool garden.
Come together, maids, — to go and see our sister-in-law.
What is there to see in our sister-in-law ? She is nut-brown and full
grown !
Our brother is meek : our sister-in-law is tricky.
Notes .
pakhiye, pakhi , = pankhi, a small fan. See song No. 31.
lap lap kar'nd , to twist in and out, to wriggle along : hill dial. Of.
Panj., lapli , a wave, surge, billow ; Hind., lap jhap chdl, a rapid awkward
gait ; lipdia, to bend as a cane.
mundhe n sabj kuman : green bow on shoulder, fully armed or dressed.
Mundhe n, nasal inflect., on the shoulder. In the old days in Kangra, the
carrying of a green bow was the sign of being fully got-up for a holiday
occasion. Green is the usual colour for luck in India.
< mutyar , Panj., a fully developed girl : grown-up girl : a girl of the
age of puberty. Also = mot a, fat, stout.
sddd, Panj. = asddd , our.
chak-chal , hill dial., clever, sharp, tricky. Of. Hind, chik’na, oily ;
chik’ni-chup’ri bat, oily speech, flattery : chak’ma, a trick.
49.
“ Ni budhye, buhe de wich hai chuh’ra ;
Ti in sitt-de ghar da kura ;
Tur'te lai jawe.”
215
1882.] It. C. Temple — Some Hindu Folksongs from the Punjab,
Bhabi nu n akhia, “ ihab’ke kura kaddh sitt”
“ Munde nu n roti khulawe :
Mur’ke lai jawe.”
“ Grandmother, the sweeper is at the doorway ;
Then throw him the house-rubbish,
That he may quickly take it away.”
Then he said to his sister-in-law, “ throw him the rubbish at once.”
“ I am giving the boy bread ;
Let him come again and take it.”
Notes .
Moral , it never gets done at all.
buhe , Panj., threshold; see song No. 46.
wick — vich = bich, inside, Panj. See song No. 18,
chuh'ra , Panj., a sweeper.
sitfnd, Panj., throw away : cast away.
kaddh sitt, Panj., emphatic, both verbs meaning to throw. See song
No. 46.
mufke , Panj., returning.
50.
,Tuw tim dede, be faqira,
Mainim achhi, be, dawai.
Tim ta n dede, be hakima,
Maini'm achhi, be, dawai,
Jih’te jhat’pat akha/i bich
Dedewe dikhai.
Punjab,
Do you then, 0 faqir, give
Me good medicine, O.
Do you then, 0 doctor, give
Me good medicine O.
From which quickly in my eyes
Sight may be given.
Notes.
rnainun, Panj., = main nun, to me.
ji/dte — jis’se, from which : te — to = ton, Panj., = se and te, Hind,
from, with.
dkhdn = ankhan, eyes ; see song Nos. 44, 45, 3J, 47, 56 for the
omission of this n.
E E
21G R. C. Temple — Some Hindu Folksongs from the Fanjdb [No. 3,
NURSERY RHYMES.
51.
Mera khinim nabm mil’da, we 1
Mam kithe ja dhundangi ?
Kujli bas nabm aundi :
Mam kitlie ja sungbangi p
Punjab.
My ball I cannot find, 01
Where shall I go and search ?
No smell comes from it :
Where shall I go and smell ?
Notes.
khinun, khinnu , khiddu, khiddo, Panj., a small ball or plaything :
a child’s bouncing ball.
we = be, 0 !
kithe? Panj., lit.t in what place ? where ?
52.
A, re koko ; ja, re koko !
Jangal pakke her :
(Mera bibi sone mang’ta ;)
Dam’ri ke do ser.
Punjab.
Come, O crow ; go, 0 crow !
The wild-plums are ripe in the jangal :
(My baby wants to sleep ;)
Two sers for a pie.
Notes.
This and the next three songs are sung by my ayahs, Panjabis, to
my son aged about a year, to send him to sleep. They seem to be standard
songs for English babies, but I do not know for certain if they are sung
by the women to their own children.
koko ; a crow, child’s bugbear : bugaboo,
ber , the wild-plum : Zyziphus jujuba.
bibi, a little baby, applied to any European baby, male (as here) or
female : probably it is a corruption of the English word ‘ baby.’
dumri, a pie : a nominal coin : for nothing, for a song.
217
1882.] R. C. Temple — -Some Hindu Folksongs from the Punjab .
53.
Nindi, nindi, bibi !
Iloti, makhan, cliini 1
Punjab.
Sleep, sleep, baby !
Bread, butter and sugar l
Notes.
This is a song in English nurseries. See song No. 52.
nindi = nind, sleep. Nindi is the usual form of the word in nurse¬
ries. F. g. Nindi karo , go to sleep, is a very common expression by
ayahs towards very young children.
bibi , baby. See song No. 52,
51.
Mera bibi sota,
Bilati pankha chal’ta hai :
Mera bibi sota,
’Arab ka pani pita hai :
Punjab.
My baby sleeps,
The thermantidote is working :
My baby sleeps,
And drinks pure water.
Notes.
An English nursery song. See song No. 52.
bibi, baby. See song No. 52.
Bilati pankha = Vilayati pankha or English pankha, which is the
ordinary Hind, and Panj. term among the servants of the English for the
thermantidote.
’ Arab ka pani, this is a puzzle. It has been explained to mean,
‘sweet water’ or ‘ pure water.’ In Arabic * arab and 'ar'ib are used to
mean ‘much pure water,’ or as verbs, ‘ having much water’ (of wells, rivers,
etc.) This may account for this expression, but the derivation seems
doubtful. Perhaps the expression should be adrak led pani , ginger water
or gingerade.
218 K. C. Temple — Some Hindu Folksongs from the Pctnjdb. [No, 3,
55.
Alang-palang ka pal’na,
Kesham lagi dori ;
Kabul se mughalani ai
ZD
Khari jhulave pal’na ;
Kindi, nindi, bibi !
Kindi, nindi, karo.
Fan jab.
A swing-cradle for your bed,
Hung with silken ropes ;
The nurse has come from Kabul
To make the cradle swing :
Sleep, sleep, my baby,
Sleep, sleep.
1 Votes.
This is the last of the English nursery lullabies. See song No. 52.
paVna and palan , a swing-cradle, cradle.
Jdgi — lagi, fastened.
mughalani , properly a female Mughal (Moghul) : used for an atten-
dant in the women’s apartments in Musalman houses j a maid, house®
maid, maid-servant, nurse.
nindi . See song No. 52.
bibi. See song No. 52.
56.
Hun min’jo kihan mil’ne P
Gaddies anda air,
Pattar pattar bak’riyaw khai-lae,
Bhat’naulyaw khah’de bair.
Hun eh nah in phul’ne.
Kuni jina ? kuni mar’na ?
Eh kamm phiri kuni kar’na ?
Hun min’jo kihaft mil’ne ?
Barhi bhar phiri kuni bas’na ?
Kus mitre kane has’na ?
Hun eh nah in phul’ne.
Kdngrd .
How sliall I get them now ?
The shepherd’s flock has come
And the goats have eaten all the leaves,
And the squirrels have eaten the wild-plums.
219
1882.] R. C. Temple — Some Hindu Folksongs from the Punjab.
This (tree) will not flower now.
"VYbo will live ? who will die ?
Who will do this again ?
How shall I get them now ?
Who will live again a whole year ?
With what friend shall I laugh (and play) ?
This (tree) will not flower now.
Notes.
The tenor of this song is rather elevated for small children ; it is,
however, very popular. The child is supposed to arrive at a favourite her
tree (wild plum, Zgziphus jujuba), and finds that all the fruit and leaves
have been destroyed by goats and squirrels.
hun , Pan]., now.
min' jo, hill dialect, to me ; — ma in + jo. See song No. 5.
Jcihdn ? Pan]., how? See song No. 23.
Gaddie n, en dialect, inflect. See song No. 5, etc. The Gaddis are a
caste of Hindu shepherds in Kangra and Chamba.
andd = ata, comes. Cf. song No. 46.
air, ir, Panj., a flock (sheep, goats, etc.)
bhat'nauli, hill dial., a squirrel. (Hind, gilaliri) ; but I rather doubt
this.
hhah'de = khae, eat.
huni? hill dial., who ? kus ? (— kis) inflect, form of the above. Cf.
songs Nos. 23, 27, 31.
kamm, Pan]., = kam in all its senses.
barhi bhar, a full year : burin, a year. See song No.
has'nd, for haws’na, to laugh. Cf. songs Nos. 31, 44, 45 and 47.
LOCAL SONGS.
57.
“ Chal ; Chambe chakaii jana, miyaw ;
Chal ; Chambe chakaii jana, miya n.”
“ Aukhi re ghati, bikh’ra re painda ;
Aukhi re ghati, bikh’ra re painda :
Godi men balak yana, miya n ;
Godi men balak yana, miyaw.”
“ Chal; Chambe chakaii jana, miya n;
Chal Chambe chakaii.”
Kangra .
220 R. C. Temple — Some Hindu Folksongs from the Fanjdh. [No. 3,
“ Come and take service in. Chamba, friend ;
Come and take service in Chamba, friend.”
“ That difficult pass, that difficult path ;
That difficult pass, that difficult path :
A young child in my arms, friend ;
A young child in my arms, friend.”
£< Come and take service in Chamba, friend ;
Come to service in Chamba.
Notes.
This is one of the songs of the Gaddis or Hindu shepherds of the
Kangra mountains (see song No. 56). Service under the Chamba Raja is
looked on as very remunerative in Kangra, because, though the pay is
insignificant, the room for exaction is unlimited. The mountains, however,
into Chamba from Kangra are very high and difficult.
Fallon. New Hind. Diet., art. quotes a ‘hymn’ in almost the
exact words of this song.
Aughat ghati, mushkil painda, godi me?« balak yana.
So the above song may be an adaptation from some well known hymn.
bikid rd, Panj., difficult, impracticable.
re, exclamation used towards something bad. Cf. re koko, 0 that
crow ! Song No, 52.
58.
Gadetiye bo, ghasutari khana jana, bo !
Gadetiye bo, ghasutari khana jana, bo !
Gaddi tera aj marhe bich nab \no>n ;
Chite bich sukli kihaw pana, bo ?
Chamba.
O shepherdess, 0 come and have a slide !
O shepherdess, 0 come and have a slide.
Thy shepherd to-day is not at home ;
0 how will happiness be in thy heart ?
Notes.
This is another song of the Gaddis (see song No. 56). A slide down
the sides of the snow-clad mountains is a common amusement. This is a
woman’s song.
Gadeti, a Gaddi women, a Gaddi’s daughter ; shepherdess. Fti, hill
dial., is a common termination to signify the daughter or woman of a tribe
or caste. Cf. Khatreti, a Khatri woman ; JJrahmaneti, a Brahman woman
Ciiamareti, a Chammar woman ; etc.
bo, 0, See song No. 18, etc.
221
1882.] R. C. Temple — Some Hindu Folksongs from the Fanjdb.
ghasutari, hill dial., a slide in the snow : a slide down the snow-clad
mountain side : toboganing. Ghasutari Ichdna , to slide, to have a slide.
Gaddi terd , lit., thy Gaddi, thy shepherd : among the Gaddis it is
used for husband, hut not for any other male relative. Gaddi terd , thy
husband : Gaddi nierd, my husband.
marhe ; Panj., marh, marhi, a Hindu tomb or monument: hill dial.,
a monument or temple on a hill top : among the Gaddis a house, a hill¬
side hut.
hieh , in : see song No. 18.
Jcihdn ? Panj., how ? see song No. 28. #
59.
Bari Anjaniyaw den mele^, bo, bhandoru larya :
Bhandoru larya, bo, bhandoru larya.
Akhera Anjaniya^ den melew, bo, bhandoru larya !
Log sare mele de jharaft bich ghus’re, bo :
Gusaift tithu da ghare bich barya,
Bich barya.
Muiye, Anjaniyaw den melew, bo bhandoru larya.
Iidngrd .
Indeed the bees stung at Anjana’s fair, 0 :
The bees stung, O the bees stung.
Verily the bees stung at Anjana’s fair, 0 !
All the people at the fair rushed into the jungles, O :
The priest of the place ran into his house,
Into his house.
My dear, the bees stung at Anjana’s fair, O,
Ffotes.
The monkey god Hanuman was the son of Anjana, wife of Kesari,
a monkey, by Vayu or Pavana, the Wind ; whence his metronymic
Anjaneya. At Gurk’ri, four miles from Kangra town, there is a temple to
Anjana, and a fair is held there in her honour in October. The story
goes that many years ago a man at the fair accidentally disturbed a bees’
nest, and the bees dashed out and stung all the people, who ran into the
thick jungles in the neighbourhood.
bdri , indeed, verily. See song No. 7.
den, of : see song No. 21.
bhandoru, a bee ; hill dial.
* The on in the word nahLow in the above song- I have explained at p. 157 (7) as
an intensive termination. The word should, however, be perhaps explained as nahh?
on = nahm o = nahm hai, is not, where on (o) = hai. See footnote to p. 161.
222 R. C. Temple — Some Hindu Folksongs from the Punjab. [No. 3,
dJche n, hill dial., indeed, verily : (?) connected with Panj. akh’na, to
say, tell.
lich, into, in. See song No. 18.
tithu, hill dial., there. So also hithu , here; ldthu ? where? jitliii ,
when : and so on. Of Panj. tithe, there, and tithora, thence ; and so on.
muiye , my dear. See song No. 82.
60.
Asaw, bo, je sunya khinnuew pattan par aya :
Ditti, bo, majuri khinnueft par langhaya.
Khinnuew di ram-jham lam chirebalia :
Khinnue^ di ram-jham !
Bag’di bag’di Rai hich, pani ha^ mam kiira.
Hath mat landa be ! Murak janda chura,
Khinnuew di ram-jham la in chirebalia :
Khinnuew di ram-jham !
Bag’di bag’di Rai hich pani ha n bhamiriyaw :
Mulak ujarya Bhaunera diya n jhiriyaw.
Khinnnen di ram-jham la in chirebalia :
Khinnueft di ram-jham J
Bag’di bag’di Rai jit pani ha n bhuariyaw :
Des bigarya Bhaune^ diya n kumhariytm.
Khinnuera di ram-jham la in chirebalia :
Khinnuew di ram-jham !
Sar’km sar’km jana, hathew kawwe di, be, sothi :
Pickhew mnri dekli ! Teri nar, bo, kharoti !
K.hinnue« di ram-jham lam chirebalia :
Iyhinnue^ di ram-jham !
Kdngrd.
0, when I heard that bouncing balls were at the ferry :
O, I paid the fare and had a bouncing ball brought across.
A gaily-turbaned man brought the bouncing ball :
The bouncing ball !
I am throwing rubbish into the rolling Ravi.
O don’t take my hand ! my bracelets break.
A gaily-turbaned man brought the bouncing ball:
The bouncing ball !
1882.]
R C. Temple — Some Hindu Folksongs from the Punjab. 222
I am throwing twirlv-whirlies into the rolling Ravi:
The water-carrying girls of Bhaun have ruined the country.
A gaily-turbaned man brought the bouncing ball :
The bouncing ball !
I am throwing the brooms into the rolling Ravi :
The potter- women of Bhaun have ruined the country.
A gaily-turbaned man brought the bouncing ball :
The bouncing ball !
O, you walk the roads with hawwd- stick in hand :
Turn and look back ! 0 your wife is standing (there) !
A gaily-turbaned man brought the bouncing ball :
The bouncing ball !
Notes.
This song is very popular among young married women, and exhibits
the peculiar habit many of them have of playing with children’s bouncing
balls ( Jchinnun , see song No. 51). They try and see how often they
can bounce them up and down without a fault.
Bhaun is the city part of the town of Kangra, and Rai stands for
Ravi, which, however, does not flow past Kangra, but on the other side
of the Dhaula Dhar or Outer Himalayan Range.
The first things a native wants in a new place are water and a
gliard. These at Kangra are supplied by the jlitris and the humharis
who hawk them about to strangers. They are of notoriously loose char¬
acter, hence the allusion in the song.
Asdn, bo,je sunya : of. song No. 32 : when I heard. Je — jo, when •
usually it means if, in Panj.
majuri, vulgar for majduri = mazduri, a labourer’s pay. I have heard
majur’ni used for a female cooly in the Panj. Courts.
langhdya ; Panj. langhauna. , causal of langldnd, to pass over : to get
brought over : to fetch over.
ram-jJiam , hill dial., the bouncing u/p and down of a ball. Cf. Hind
rim-j him, the patter of rain.
chirebdlia for chirewalia = chirewala, lit., he of the checkered turban
( chird , see song No. 35) : a man with a turban of many colours : wdlid
for wala is a common Panj. form seen in many family names, e. g., Ahlu-
walia. Chirewala has also an idiomatic sense of medical practitioner.
pdni hdn, I have thrown ; pdnd, to throw ; cf. songs Nos. 23, 25, 45, etc.
bhamiri (cf Hind, bhambiri, a butterfly), the common Indian toy
consisting of a small stick with paper fixed round the top so as to whirl
quickly in the wind : a twirly-whirly.
F F
224 R. C. Temple — Some Hindu Folksongs from the Panjdb. [No. 3,
Tchinnue n, BTiaune n, pichhe n; for the termination en, cf. songs Nos.
47, etc.
jliiri fern, of jlrir , hill dial., = Panj. jhinwar (Hind. Icahdr) the
carrier caste : in the hills the water-carriers (bhishti). The women of
this caste are very loose in character.
jit, in which. See song No. 25.
hhuari for buhari , a broom.
saPJcin : in, apparently another form of en ; see songs Nos. 47, etc.
Jcawwd, (Hind, ah or dkh ) hill, dial , the large swallow-wort : saccha •
rum officinaruni.
muri , having turned : for the term i see song No. 23.
kharoti ( — klialoti) standing still.
RIDDLES AND COMIC SONGS.
61.
Sarang phariya sarang nun.
Jo sarang boliya ae,
Je sarang akhe sarang ni in
Ta n sarang mukh te jae.
Punjab.
The peacock caught a snake.
When the thunder rolls,
If the peacock makes his cry
Then the snake slips from his mouth.
Notes.
The above is a play on the several meanings of the word sarang ; viz.,
(1) a peacock, (2) a snake, (3) thunder, (4) the peacock’s cry: sarang also
means (5) a musical measure or rag sung at midday, (6) a cloud, (7) a frog.
Fallon, New Hind. Diet., quotes the Hindi version of this song ;
art.
62.
Bak’ri boll, “ mam ! mam ! mam ! mam !”
u Mam ” mew mari jae.
Maina boli, “ mam na ! mam na !”
Baithi shakar khae.
Punjab .
The goat says, “I! I ! I ! I !”
And in saying “ I !” is killed.
The maina says “ I am nothing ! I am nothing !”
And sitting (at ease) is fed with sugar.
1882.] 11. C. Temple — Some Hindu Folksongs from the Punjab. 225
Notes.
Here we have a play upon the word “ mairi’’ and the bleating- of a
goat at the shambles : and also a play upon the words “ maina” and
“ ma in na”. The catch has a moral to it, “ the proud man has a fall and
the humble gets good things.”
63.
Rukhe par Gaddi charhya :
Sun, charhya, ji !
Pakka daru rarya :
Sun, rarya, ji !
Chambd.
The shepherd climbed into the tree :
Listen, sir, he climbed !
The ripe pomegranate fell :
Listen, sir, it fell.
Notes.
ruJche, Panj. rukkh , rukkldrd , a tree.
Gaddi , see song No. 56, etc.
ddru, hill dial., a pomegranate. Cf. Hind, darimi, darim : Sansk.
dalima and dadima.
rarya , hill dial., to fall (of fruit).
POLITICAL SONG.
64
Meri sundar pyari ai mandar men ;
Hans bans kar’ti hai, he, khili.
“ Kabul ki lariii, yaro, sun’kar, mujh’ko
Ho, he, rahi thi bekali.
Kabul mar’ke kab’je men lae
Jiti nahm hai ILirat gali.”
Punjab.
My pretty dear came into the house ;
Laughing she is, oh, bursting with laughter.
a I have heard about the Kabul war, my friend,
And oh I have remained ill at ease.
Kabul we have conquered and taken into our possession,
But have not conquered the road to Hirat.
Notes.
Very popular all over the Panjab during the late Kabul war.
khili , bursting with laughter,
bekali : kal bond , to be at ease ; bekal bond, to be ill at ease, to be
Out of joint.
gali , a pass, road.
226
P. N. Bose — Note on some earthen pots.
[No. 3,
Note on some earthen pots found in the alluvium at Mahesvara ( Mahesar ).
— By P. N. Bose, e. Sc., e. g. s., Geological Survey of India.
(With, two Plates.)
Mahesvara is the capital of the southern portion of Holkar’s territory
known as the Subha of Nimar, and is situated on the Narmada some 40
miles south of Indore. Modern Mahesvara rose into importance during
the reign of Ahalya Bai who made it the seat of her government. As
containing the ashes of that remarkable and venerable woman it is largely
resorted to by pilgrims.
Captain Dangerfield in his paper on the Geology of Malwa^ mentions
having been shewn in the alluvium at Mahesvara large “ earthen vessels
and bricks,” which were stated “ to have been, at a very remote period,
overwhelmed by a shower of earth.” Since Dangerfield’s time, however,
— and he wrote more than 60 years ago — no one has taken any notice of
them. I happened to pass through Mahesvara last April, and wanted to
avail myself of the opportunity to examine the antiquities in question. I
was located in a bungalow to the west of the town. (PI. XIV, fig. 1.) The
upper 6 feet of the alluvium upon which the bungalow stands, is composed
very largely of broken pottery, and I extracted a nearly whole urn-shaped
earthen pot, quantities of more or less damaged cup-shaped vessels, fresh water
shells, fragments of lower jaw and bones of Ruminants, &c. The pottery
remains had evidently been carried by the river from some place higher up ;
and I learnt on inquiry, that at the eastern extremity of the town, there were
to be seen by the river side the remains of an ancient city turned upside
down, as my informant stated, through supernatural agency. The banks of
the Narmada at the place (known as the “ Mandal kho”) are some 65 feet
high. Approaching it by boat, one sees from a distance two well-defined
beds of unequal thickness, the upper (about 20 feet) remarkably light -
coloured, and the lower (about 45 ft.) of a brownish hue. On getting to
the place, my guides pointed out towards the base of the upper bed por¬
tions of pottery-work, no doubt as they had been pointed out to Danger-
field threescore years ago, and are described by him as large earthen
vessels. The pottery-works appeared to enclose round wells, of which
I counted half-a-dozen. They are all more or less inaccessible, and it is
not without considerable difficulty that I managed to clamber up to one.
The two zones of the alluvium just mentioned are separated by a thin
stratum of very dark-coloured clay which to all appearance formed the soil
of the now inhumed city. The lower portion (6 ft.) of the light coloured
upper zone contains bits of charcoal and fragments of pottery in abun-
* Malcolm’s “ Central India,” Vol. II, p. 325.
1SS2.]
P. N. Bose — Note on some earthen pots.
227
dance. The presence of the former would lead one to infer a large admix¬
ture of ashes. Pieces of human and cattle bones, small pebbles, bricks and
a few large rolled pebbles chipped off artificially were obtained from this
bed. The overlying alluvium (about 14 ft.) is characterised by the entire
absence of these, and the occurrence of large rolled pebbles and freshwater
shells. The pottery- work seen from below is found on examination to be
composed of very thick, closely fitting circular pieces open at both ends,
measuring 5| in. vertically, and with a diameter of a foot and a half. From
the well enclosed by this pottery I dug out a very large number of earthen
pots of various shapes and sizes piled up with their mouths downward, some
quite empty, others filled partially or entirely with an argillaceous material.
The length of the vessels varies from 11 to 7 inches, and the diameter from
8 to 6 ; the diameter of the mouth which is without a lid ranges between
5 and 3 inches. There is no ornamentation except an unsymmetrical fur¬
row or two an inch below the neck. See PI. XIV, XV, fig. 2 — 5.
The contents of the pots when not empty are an indurated marl present¬
ing a vesicular appearance, and containing bones of birds and small mam¬
mals and fragments of charcoal. The vesicles are irregularly elongated,
and are encrusted over with a thin yellowish-brown substance which Mr.
Mallet of the Geological Survey (who very kindly analysed a specimen)
considers to be the remains of some decomposed vegetable matter. Large
numbers of ribs probably of goats and sheep and some teeth were got
mostly from the interstices between the pots. The entire absence of human
bones or human teeth from inside the well is notable.
The well dug into (y in PI. XIV, fig. 1) goes down about 10 ft. into
the lower zone of the alluvium, though the boundary- work of pottery is
carried only 2 feet downward. Earthen pots were found from top to
bottom all, as remarked before, with their mouths directed downward.
As the other wells were quite inaccessible, they could not be opened up
without excavations on a large scale for which I had no time. If similarity
of appearance might justify us in inferring anything we would infer them
to contain earthen vessels also similar to those obtained from the well
just described. It would be extremely desirable to examine them, especially
as excavations may lead to important discoveries and throw some light on
the early history of India. I may mention in this connection that I noticed
at one end of the section, at “ Mandal koh,” two rows of bricks (Jc in the
diagram), as if they enclosed the door of a house.
The points which present themselves for determination are —
(1.) The age of the inhumed town.
(2.) The purpose for which the well described in this paper was
constructed, and the earthen vessels placed in it,
(3.) The cause of inhumation.
I have not been able to settle any of these important questions to any-
228
P. N. Bose — Note on some earthen pots.
[No. 8,
tiling approaching satisfaction. I shall, however, throw together a few
notes in the hope that they may be of some service to the archaeologist.
The shape of the earthen vessels is quite peculiar, and the potters of
the district have long since ceased to make anything like them. When
we consider, besides, the thickness of the alluvium covering the wells, and
of the pottery-bed below the bungalow, as well as the age of modern
Mahesvara itself which is built upon these deposits and is at least some four
centuries old,# we can have no doubt about the antiquity of the inhumed
town. That there was an ancient city of the name of Maliesvarapura or
Mahesa-Mandala, there is fair historical evidence to prove. f It is possible
that the relics now discovered mark the site of that city.
Cautley in his account^ of an ancient town discovered near Saharan-
pur speaks of a well near the site of that town from which “ a great
quantity of gliards or waterpots were taken out whole, as if,” says he, “ they
had fallen into the well and sank.” He does not, however, describe them
or their contents, nor does he tell us how they occur. Their large number,
and the circumstance of their having been taken out whole, make their
occurrence by mere accident extremely improbable, and incline me to suspect
that they were, like the earthen pots under notice, placed in the well by
human hands, and for one and the same purpose. But what could this
purpose be ? In the present instance certainly, the wells could not have
been village wells, for in that case there would not have been so many of
them close together especially so near the river. Nor could they evidently
have been meant for irrigation purposes. The most eligible hypothesis
that has presented itself to me is, that the gliards were dedicated to the dead,
some with the ashes after cremation, and others with cooked cereals and
meat. The ashes would explain the presence of bits of charcoal in the
marly contents of the gliards. The vesicular texture of these contents, and
the peculiar lining encrustation of the vesicles could be satisfactorily
accounted for by the mixing up of the cereal grains with marl brought
into the pots by infiltration and their subsequent decomposition. The
evolution of gases during this process would, as observed by Mr. Mallet,
* The inscriptions at Kklesvara and M&tamgesvara, the two oldest temples at
Mahesvara hear the dates Sarnvat 1622 and 1623 respectively. An inscription in
a mosque near the fort deciphered to me by a Munshi gives 800 Hijra as the date
of its erection.
f Mahesvara has been identified by Cunningham with the Mohishifalopulo of
Hiouen Thsang. (“ Ancient Geography,” p. 488.) The 1 Mahisa Mandala’ to which a
Missionary was sent by Asoka in B. C. 240 (Tumour “ Mahawamso,” pp. 71-73) is
probably present in the names Mahesvara and Mandalesvara which are only four miles
apart.
X Journal of the As. Soc. of Bengal, Vol. III. for 1834, p. 225.
1882.]
P. N. Bose — Note on some earthen pots.
229
cause the vesicles to be diverse and irregular ; and such is found to be the
case. Some at least of the bones found are probably the remnants of
dishes of animal food.
Preserving the ashes after cremation and supplying the dead with
cooked food, were practices in vogue with many tribes, both Indian and
extra-Indian. Major Mockler, for instance, describes some earthen pots from
Makran,# in which he says the dead were supplied with cooked food. But
in this and similar cases the urns or pots occur in well recognizable and
indisputable graves. In the instance at hand, however, the pots are extra¬
ordinarily numerous, and their mode of occurrence quite peculiar.
The Thero Mahadeva who was sent by Asoka in B. C. 240 to MaMsa
Mandalaf is reported to have made 40,000 converts to Buddhism, and
ordained 40,000 more as priests. Hiouen Thsang, however, describes the
people of the kingdom of Mahesvarapura as heretics, the most numerous
being the Pasupatas.% So that if the well had anything to do with Bud¬
dhist funeral rites, it must have been sunk either before, or during the
earlier centuries of the Christian era. But as the Buddhist topes hitherto
discovered are to my knowledge of a quite different structure from the
well-tope at Mahesvara (if tope indeed it be), I am inclined to think that
the latter was the work of some non-Buddhist Scythian tribe in which case
too the date could not be later than that just surmised. § I have not,
however, discovered any certain traces of such a tribe. The Bheels, the
aboriginal people of the district, burn their dead, except infants and adults
who die from unnatural causes.
Dangerfield speaks of a shower of earth as the cause assigned for the
inhumation ; I was told that the place had heen overturned. These tradi¬
tions probably point to an earthquake which would cause submergence,
as in the case of the fort and village of Sindru on the Indus, ||
The collections consisting of ghards , bones, &c., have been presented
to the Indian Museum.
* Proc. A. S. B. for July 1877. The vessels found by Major Mocklor now in the
collection of the Indian Museum are not unlike those which form the subject of this
paper.
f See note, ante p. 228.
J “ Hist, de la vie de Hiouen Thsang” pp. 414-415.
§ James Prinsep from an examination of the coins discovered by Cautley assigns
the early centuries of the Christian era as the date of the destruction of the ancient
city near Saharanpur.
|| Ly ell’s “ Principles of Geology,” 10th edition, Yol. II, p. 99.
*
-
\
INDEX
TO
JOURNAL, ASIATIC SOCIETY OF BENGAL, VOL. LT,
Part I, for 1882.
A BHAYAKARA GUPTA, a Buddhist
Saint, p. 16.
BlHARl Language, p. 129.
Bon or Pon Religion, of China, p. 112.
Bose, P. N., Note on some earthen pots
found in the alluvium at Mahesar,
p. 226. > .
Buddhism compared with Confucianism,
p. 109- r • m*
_ _ Rise and Progress of, in Ti¬
bet, p. 1.
_ - ditto, in Mongolia, pp. 58, 66.
_ _ _ ditto, in China, p. 87.
China, Bon or Pon Religion of, p. 112.
_ - Muhammadanism in, p 114.
. _ _ Ho-u-se or Hoi Hoi Religion
in, p. 114.
_ Rise and Progress of Buddhism
in, p. 87.
_ _ religious sects, prior to Bud¬
dhism, pp. 87, 88.
_ - - Hinayana School in, p. 92.
- — Tantrikism in, p. 93.
— - — . Vaipulya Darsana in, p. 94.
_ _ Mahayana School in, p. 94.
_ _ S'unyata Philosophy in, p. 96.
. _ — Sarartha Vadi School in, p. 99.
_ _ Literature, Philosophy, Reli¬
gion of ancient, p. 99.
_ Medical works of, p. 105.
. - Music of, p. 105.
Confucian philosophy, pp. 100, 105, 109.
Dalai lama, p. 3i.
Das, Babu S. C., Contribution to the Reli¬
gion, History, &c. of Tibet, pp. 1, 15,
53, 87, 99, 115, 121
Dub-thah S'elkyi Melon, a Tibetan work,
text and translation of, pp. 58, 66.
BoLKSONGS from the Panjab, p. 151.
GeBUNDUB, a Grand Lama of Tibet,
p. 24.
Gelug-pa or Reformed Buddhism in Tibet,
pp. 5, 125, 127.
• - — ditto, in Mongolia, p. 69.
Genealogy of the Mongolian Monarchs,
p. 73.
Grierson, G. A., Manbodh’s Haribans,
Text, p. 129.
Gyalwa Ton-Dub, a Tasi Lama, p. 23.
Haribans, a poem of Manbodh, Text,
p. 129.
Hinayana School in China, p. 92, in India,
p. 115.
Hoi Hoi, see Ho-u-se.
Hor, see Mongolia.
Ho-u-se or Hoi Hoi Religion in China,
p. 114,
JnDIAN Buddhists in Tibet, p. 2, 3, 4,
7, 9, 29, 53.
J IN, see Buddhism.
ICaNGRA, folksongs from, p. 151.
Ivha-dub-Geleg-pal-ssan, a Tasi Lama,
p. 21.
Khug-pa-Lhas-tsi, a Tasi Lama, p. 18.
LaMA, classes of, in Tibet, pp. 11, 14.
- lives of the Tasi Lamas, p.’l5.
- — - Dalai Lama, p. 31.
232
Index.
Legdan Jyad, a Buddhist Saint, p. 16.
Life, of Tasi Lamas, p. 15.
• - of Tson Khapa, p. 53.
• - of Nagarjuna, p. 115.
Literature, of ancient China, p. 99.
Lochavas or Tibetan Pandits, pp. 1, 5, 6,
12, 18, 55.
Lossan -Chho-kyi Qyal-Tshan, a Tasi
Lama, p. 25.
Lossan Ye-se-pal-ssah-po, a Tasi Lama,
p. 27.
Lossan Paldan-Ye-se, a Tasi Lama, p 29.
- his journey to Pekin,
p. 43.
Lo-ssah-Tagpa, see Tson Khapa.
jV^AHAYANA School in China, p. 94,
in India, p 118.
Mahesar, note on some earthen pots found
at, p. 226.
Mahesvara, see Mahesar.
Maithili dialect, p. 129.
Manbodh, Text of Haribans of, p. 129.
Manjusri Kirti, a Buddhist saint, pp. 15,
54.
Monastery, of Tasi Lhunpo, pp 24, 43.
— - of Nalendra, in Magadha,
p. 115.
Mongolia, Rise and Progress of Buddhism
in, pp. 58, 66.
- , genealogy of Monarchs of, p.73.
Muhammadanism, in China, Tibetan ac¬
count of, p. 114.
N AGARJUNA, aBuddhist Saint, pp. 54,
115.
Nalendra, Monastery of, p. 115.
Ninmapa or ancient Buddhist School of
Tibet, p. 6.
P ANDITS, Indian, in Tibet, pp. 2, 3, 4,
7, 9, 53.
Panchhen-Rinpochhe, see Tasi Lama.
Panjab, Hindu Folksongs from, p. 151.
Philosophy, Confucian of China, pp. 100,
105.
• - , S'unyata, in China, p. 96.
■ - , of ancient China, p. 99.
- , ethical of China, p. 100.
Pon, see Bon.
Pots, earthen, found at Mahesar, p. 226.
POVERTY, Major G. H , memoir of the
author of the Tabaqat-i-Nasiri, p. 76.
Religion, of Tibet, pp. 1, 15, 53, 87.
- , of ancient China, p. 99.
- , Bon or Pon, of China, p. 112.
* - , Ho-u-se or Hoi Hoi, in China,
p. 114.
SaKYA PANDITA, a Tasi Lama, pp.
19, 66, 67.
Sarartha Vadi School in China, p. 99.
School, Sarartha Vadi, in China, p. 99.
- , Gelug-pa, p. 127.
— — , Buddhist Dogmatic of Tibet, pp. 5,
121.
— Ninmapa or ancient, of Tibet, p.6.
- Hinayana, in China, p. 92, in In¬
dia, 118.
- , Mahayana, in China, p. 94, in In¬
dia, 118.
Shehu, see Confucian philosophy.
Sonam-chho Kyi-Lanpo, a Tasi Lama,
p. 22.
Subhuti, the Buddhist Sthavira, p. 15.
S'unyata Philosophy, spread of, in China,
p. 96.
TaBAQAT-I-NASIRI', memoir of au-
” thor of, p. 76.
Tantrikism in China, p. 93.
Tasi Lamas, Lives of, in Tibet, pp. 15, 18.
Tasi- Lhunpo, Monastery, in Tibet, pp. 24,
43.
Temple, Lt. R. C., sdme Hindu Folksongs
from the Panjab, p. 151.
Tibet, classes of Lamas of, pp. 11, 14.
- , lives of Tasi Lamas of, p. 15.
- , monastery of Tasi Lhunpo, p. 24.
■ - , Tson Khapa, Reformer of. p. 53.
- Rise and Progress of Buddhism iD,
p. L
- Buddhist Dogmatic Schools of,
p. 5, 121.
- Ninmapa, or Ancient Buddhist
School of, p. 6.
- - Terma works of, pp. 13, 124.
Tson Khapa, life and legendof, pp. 53, 124.
Y AIPULYA DARS'ANA,in China, p. 94.
Y UN-TON-DORJE, a Tasi Lama, p. 20.
Journal, As. Soc. Beng. Vol. LI, Pt. 1, 18S2.
Pb: XIV.
Upper zone of the alluvium.
h — Stratum of dark clay.
<3 = Lower alluvium,
del
f S ,* — Wells (gtwell dug out.)
k )
k — - Bricks.
L-Uh,
• rf Tr uit&dy by W.N&wrrMn, y 09 L O
EARTHEN POTS POUND AT MAHESAR.
CoZcaiIOx
Fijq. 2.
Fig. 1.
Town;.
Bungalow.
MCiW't/SvSe,*.'.
I
Journal, As Soc. Beng., Vol. LT, Pt. ], 1882.
PL: XV.
L vO'ty q- Pi-xmeti. by W ^ewmccn §■ CP L'b
EARTHEN POTS POUND AT MAPE8AR.
Fvg. 4.
Fix). .5.
CodsSAlbCL
AN INTRODUCTION
TO THE
MAITHILI LANGUAGE
OF
NORTH BIHAR
CONTAINING
A GRAMMAR, GHRESTOMATHY l VOCABULARY.
GEORGE A. GRIERSON, B. C. S.
PART II.
CHRESTOMATHY & 'VOCA.BTTX.A.EYU.
EXTRA NUMBER TO JOURNAL, ASIATIC SOCIETY,
BENGAL, PART I FOI^l 802.
- O -
(Calcutta:
PRINTED BY J. W. THOMAS, BAPTIST MISSION PRESS.
PUBLISHED BY THE
ASIATIC SOCIETY, 57 PARK STREET.
1882.
PUBLISHED BY THE ASIATIC SOCIETY OF BENGAL,
TABLE OF CONTENTS.
Page
Di
;
A CHRESTOMATHY
OF
THE MAITHILI LANGUAGE.
This reading book contains nearly all the Maithili Literature I have
been able to collect. I hope that every word in it will be found in the
Vocabulary; special precautions having been taken to secure this object.
The prose will be found much the purest, being practically written
according to the rules laid down in the grammar. The poetry is not so
pure, poetic license admitting many Hindi and Braj forms and words.
These will be found noted in the Vocabulary. Of the poets, the worst sinner
in this respect is Fatiiri Lai, in the song of the Famine. Bidyapati or
Vidyapati, as he is indifferently called, is comparatively pure, but, as might
be expected, archaic forms and words appear in his poems, and he is fre¬
quently obscure ar 1 almost always difficult. Often he exhibits a neatness
of expression and conciseness worthy of Martial. I hence put him near
the end of the reading book, though his songs are the first which I collected
and reduced to order.
The first piece given, is a letter copied verbatim et literatim from a
letter filed in my court ; only names of persons and places have, for obvious
reasons, been changed, and a few signs of punctuation added.
11 WT m I!
^rf% fErc'sftfa wicft %” ^tjtt stint ut
ITfT fWl Wv3T, W W I ^l«t Yfl
its lf^, uY irm: tresrcst fnes % inxw
WcfT i m mt
^tl, % SERTtl il<J, ITfT Xmi; IT ij ST
%R, TTOmT TW 11 ; % S10 9lf?T ^5 ST ^«T ill ^CTTUT R
A.
2
MAITHTL CHEESTOMATHY.
[Extra No.
^1? %” "0'3 %X Z\ ^q%
Kim ; 3i%” ^ wsri^m i %i% srrcra ?i«t 5f nfa ^nft ;
ij =g\3i n^| BW ^135 U5T % SW ztgfvcr, ^
Pif^cT %Sf u
^7 % WH ; ^TGTT HT^TT % ^3?cT fc^T
%T^pT cBfiT^TT *fff %E{ ^ *FT-
Wt ; ^rfl ^R£sT W, *lfi cf tft^ XT^cTT^ I Wtf *TH
^ C\
^i^ff5^, ?/*> •tfj'fi % %t!T ci^i «f(^i %l=Si ||
srre jrtf#x %' i
^Xf^JT ^«TS VTVT
C vfWRJ H^IT * J R
< ^ ^WJ?t RJ R
.^t wtet Mt y r
Jranslation OF A LETTER WRITTEN by pui^MiL jJha'
to J&u saima't ^hampa'bati',
After compliments, may you live for a long time. My good wishes to
Champabati : Moreover, I have learnt both from the mouth of Lachhuman,
and from your letter that you are all well, and my heart has been pleased
thereby. Lakshmi Debt has had a little child, and we must make arrange¬
ments for its support ; she has no mother, and I hope that you will keep
an eye on her, and see that she gets every thing necessary (lit. oil and
pots). I have sent you a box herewith, it is for you, keep it. In the
box there are six rupees, and some Kabuli * fruits ; open the box, and give
two rupees and half the fruit to Lakshmi Dai, but give it privately. You
will keep two rupees, the remainder of the fruit, and the box ; I have
sent them for you. Don’t be unhappy about anything : all your pro¬
perty, which has been spoilt, will be recovered for you ; and then only
will I be easy in my mind.
My compliments to the father-in-law. Moreover, it is a long time
since you have pressed Bhola Sahu to pay the money he owes. You
know what sort of temper my son has, so realize the money quickly, or
you will repent afterwards. He has sold all the paddy in the granary.
When will the fool get decent wisdom ?
My good wishes to Gobind Babu.
* The word masala, usually means “ spices.1 ” I am, however, assured that here it
must he translated as above.
1881.]
SONG OF KING SALJIES.
3
For the Kahika bridegroom
„ Lakshmi Dai
„ the Little Folk
Ds. Slabs of mango
conserve.
... 2 ... 2
... 2 ... 2
... 2 ... 2
The next piece selected is the song of king Sallies. It is most popu¬
lar throughout the district amongst the low caste people, and is printed
word for word as it was taken down from the mouth of a Dom. Salhes
was the first Chaukidar, and is much worshipped by Dusadhs, a caste
whose profession is to steal and to act as Chaulddars, preferably the
former. Throughout Tirhut, Salhes asthdns can be seen under the village
piped tree, composed of a raised mud platform surmounted by mounted
figures made of clay, representing the various characters of the song.
Here the Dusadhs worship him.
Although a song, it is written in prose, and is chanted, rather than
sung. Note that, throughout, Transitive Verbs in the past tense frequent¬
ly take inflections which properly belong only to Neuter Verbs.
si ntrr Tjm ii
^ ^
\ l iret fwwrexx sxfc fre^rax it sis sftfC
^ 5TTH, S'sXXSre ^tr*T %lfs AxftX $ *=5? sptrx
rexfex %x?Ct bb * xxtf? fafti ^ *psn??r ?t?t w?: I
ire Ifxrq Crf stfl? 5T?Tfl HX^; Bflf
^ ^ -V*
l 3?Px ^xxCfax *CN dCra %nire sn^Ps, <fer
^xref% trerf vttxfC ^rNiAf%, ®5x^rr ^rre«r i pExPxrexx
^fC %'Prai ^txCT 3XX?»r II Act «XX ||
i?, I tttt it i irex Prestrexx, %tsf% %tmjrfx, trexrenxT sxffe qt^t §xfre
fitftfet stre^fsr wire %xf% ^x%re *tw >re i ijb xrere %tw
wfs rerfre ^xf^r f^x sxretx %tfre %xxcCt n mff fret t%fre ^
*x*tiN *re ire i ^x^nxft m^rex sxx^Ptx, ire Crf sxfi
nx^: fCt^re Bfil Am nfxrefw i ^re^x wxre*T wfi wreret %r?*re ^xref%,
w?r ix^rff ixvt ref %sx AtwxAtPw, f?rPtr<a AtfCw %f%^x ^x^rtftx n
Act n
^ I itxf^sx Ci ifNrai, reixw ^ mxPt w tre re reisraif, AA re
rexxret rerextre iretx^f i sfreretr rerexrex^l CxtxPtx, ref ref w 'rexfre
4
MAITHIL C1I RE STOMA TIT Y.
[Extra No.
%rrc, s\^fxm w wrrft
C\ ^ ^ C\ Si
mjnssiTftt *fa *ni??tm mm, nrH! nlft nrn mjn’mifm, init mm
C\
3TT^T mf^ ^TOT xfi I f%*TT ^f
' \M
%t^tt ftmm jwmn, mfi %rn mmrm m ifm ftn® *fftn jam, im
nfi m ^r«t crfm?n i miwt mm%m mf ftrmcrfm, ^sfurt mrn%m m jztsi
wtfjras, nfi famcm ffmi ^rft *m, inr mmmi if mtft *rf%
' si
Jsm, mft xr^rfs: iftjr nff mmn | mm iff mm ncim <n§fm,
mf?mf nff qfmftr, mm m tnmft m jiw tiff ft imT m ife-
nss, m miNfm ii
s i irw tiff ft nsfm mrfmft mwT iil mm *i i m? i«n mmmfw,
mm mit mm nfn mmra mjNfm i cttst^t nnftr msmff src %f,
ftmfm jnmr mincer mNfm, mm ir mfm irfm nTftft 1 *mm nmn
iff in, mf? itenn mint mmfm im ofti mmn ; mf mns ftmnn
fS '**^'v» ^vS^s VI/ •‘y ♦ <r-v Si/ ^ j^v ^-y ^
^mt, cjt wr ^tre;^ ^ ; *\v% f^en^ tvox ^tk *\tz?>
%tjt mrmn if nfi § mmn 11
Si •
1 1 *fft tnrc? fwramnr mnfi mm Iff srtrc «fm, mm iter mmfi,
n's arfc trnmnfi m nff it" nre nefft, ?iff «!r min mutm, mmmi
•S^ «N^
ftmi win trsimn 1 ff^T fift m mmmt=f Jnfttft
mfift l in = ^rahr , %wjt wft snn: ^xpit
^R§ ^Bf^r ^w^:, %x fz %ife ^T7r€lf%
1r I ^Pr ^RT fl^cT
iTO^rSt i ^ti^: xrw^wf^ 5S ^ %x^r %^x % W
S< * V* * 'J *
mm, mf ^nmi imr nftt imm, mt niiftimr n imm ciift
ft<f mmrft 11
3 l TOn mit m mt mift trf niu; wftr 1 <w m%-
^rt ^ vx. ^x ?rf5T
^1%^ waxx xpjpjTst I XTT^t ^T§1 ^[Z % ?T
'WVQt W 3TH if r^^ciT^
if ^t^®t *rf i mfx ^mxi sri f%^nf%
s» • *
; in <t lift %rt ?n#t nff ftg; iw, in f?r m nmrftfir in 1
SONG ON KING SALHES.
1881.] SONG or KING SALHES. 5
gX gfg| gftfg gmflf% gtflgl g?Xg> mg gflgtff Sfa %7 g=?g %*
giflgX gX3 fl, sift mg ft’s gT3 clXgifg $ %jg ftfl fll flg|fl
mms | mgg 'ft?; ^ciift Iff «rrn gxxgfg gg g%g g<flgi ¥1 «rei?;
gfg II
g 1 giflgx a wmg gig wxft fflgfg gRgfw, g ggft flggfl If
a mg fggi g ggmr %rg 1 gxm gftfg gggx g>f? § gmm a gg
gilfg; I mflg llfg II g, mg lilfs 5g? ggcfX gig % g3g g!l g3g
giggft fl mff sta, 3?tra gmg mi 1 gum gig gift mi Angn
If, %iff mm gig mlt gRt to mggx gxgfg ; ml gigg mw
m3 grift *It fterc %g 1 gggx guR flg%fl g iig gfg;
grfg gfg g fix gfi gigg, im gmg gg;gt fling; gmg g1 flfg-
gxlt gg l mm gsgi ngft flgffl g ifg gfg, gn% ^ffl
f g ffl>gfli ggra g* imjit flf xjixx mfg g ; fflfgflT ggifl itg gfg,
mg jgg igct fg'ggx sxixg m, fflfgflT fltgifl fgggx ggxgg m
fggm 3 sift mrmm, fix? gggft fln%A % mm gran, gm ggxg
g irst gfrg gg 1 cr ggg *Rcft ggg mgflig fgggt gggf flusi
fg mg WT3i; gfg ira grrax m3 1 gTgf gftfg gflgx a w
gflI3g, gR fl" nm gg gg AIR l m ftfl ggfg ftsRTg, gw
ggifgg gmft gml, xr ftf« %gt R gg gflfg wxe ar gitgx
|=£gt g gigg I tm flifnfgg; flfug; % fliira 1 iirgx nn mfgmgx
gt3, 5fi7s ^fl^r a?i gg, ^flgi urn ffg gimfft ^g xxmi:
% ft"g fl %g % %g t g^R 1 %f^t ffe g^g flg affl-
grg ggR gfnt g[g;g ggi; fgfgm %ig flrnt 11
^ 1 g’sfg flgffl, mi flgT, xTgg gg~rt imi % §f fifixi; gjfl gf
gRfl gfi ml; % gfi, mg gf^t fl5! gg g^gx gim 1 mg
xjggi mg gg g^gg, gtflxg gig mw gg gsg l gxgr gfgfg ggfg
fwm mggt flfg, gw gxfg gfffg gggff ftgr mfg gg §*;
g(gx flxfgfg f «xgfg gfg mfw, %rs-g «r -ggx xis, ggfg § nm
g^gt gg gifw gxgx flxftlfg g! ‘ ; fgg flxfgfg g?gg g^g't ; gTg
flXg'fl gXg gggRt fl g3g, gfl flXgffl g* g3Xg gg II
j ♦
g 1 ggf3 gntg flxfgfg gggr gggxft l %xgg ixxg flgffl g^gg.
MAITHIL CHRESTOMATIIY.
6
[Extra No.
txRt froxRr tot; sjto txto ttot TOqrft I trsq tot totto
TOTO qpiTOft n
\° i TOtoreTOr %xto %xrfqr i ^3^t=f fiifmfir tosx^ %?
qiTOrst 3i€t to %xf% TOxfti jztott to%tt to I cnf% =tto
qjqqftox tot l tt^ tost tototo jxg tm ftq ^xrefrw to: to
PfiT, trmff^lT 3TO ftp?, qqfSTO TO?^? ^Tir 'fto} qft fTO, TOfiXX
TOq fjxTO txto tftTraqq; I iqct Sfq toto tot? sra 55:
qxfr %t?j ^itot TOra a §tt Troxito I ^Rtt totot to} qroxqfr
to^ irxTOqpr 1 toto € qTOs TOq<«x to ?, qrfqro tox «ft tot!
-«rft xT^ff^i ?} ^riNr %*r, w
TO^T %rcr qqifTOXX %XTOXWt tow ; ^TOfi TO3i ? TOTX TOlfT
TOfTO *lft ^ 3?TOTX WU Tf TOTt TO II
^ 1 % toPt to^s ura xifc ^ qxxTO, wnffai %tt toto, qtffr
totx to;x%to to® to tox§ tot: ti toto, tot q ura q!to I
* ^ _ C\ ' _
“\ r\ «v ^ »-s “'^> *N «>"v
T[^x ^ % *r3^ SRC?} ^ I ^JT^R ^mw % ^ N3fiR3lT
qr<rt t, %q? toxt toto, ^ TOfr qroqi fN ? TOcft 1 fxxRt to ;
TOcX 'TO TOT TOftox TX5J ¥ I TTXTO TOT TXTOqj TOTTO T
to? TOT**, Txfq q^TO TOf% to t TRt 'iTTxqft ^qf%
%X5TO q^XX q< ?JTOT TO TO, axfw 3X3X qT H q^qq -qi^ TOT^X tot; I
®qqix fqqjxx fiA:q> tjto qrq, 'qqq toxto qqq TOsfqirTO I toRt ^Trxq
qT^lfqqfi qrtAq;, qsxq? qx;q qx^ toxto, %xto to^i Rxto,
tTO 'tqxqqt %x^xqx qto qc, toxi qT wxxq Jt=fqx tot ? 1
qTOX TOqtM TO TOf toxto ^ %xt toIto %q I ’qtsx %q, %xqxq<
qqq TO Txto JXTTO to^tot %q I T^qt qi%q « fixTTOqx TO, qxRf
? TOTOT TXqtqj JXTX ? TOfS %q, TO TX<xt %° 33TTO JXtTITO^
X?f3TO qT TO, TO %XTXqi TOJI Tiqx qT TXfe %q ||
T,5?. I % tTO fHTOITqX HXfJX TOq TOf% TO> t, TOfT %XTO qT q
*N ♦ ®N(- . «N -N ®\ ^ -v, <*N
gjH?; to TO^I q I qTO TOTOFSTO XX 'H qqff TO, 3TO 3JR qT
?XT %q TOTqfl AXqiXTXX 3X^5 q ; TOTtT TOX qX3 fqqfTOX q'f T q|q
qfq tox q^qq 1 <xq q^q qjff jijix € “wf tot, 'qrft ? toto
xft, qx;qq Txqf to txto jftTqqq; Jnr € toxtto q^TX tt %q ^xs:
SON G OF KING SALIIES.
7
1881.]
ft l qtfs^i ^1=3 it it ci^x qrc qrcf , stiff xit^e;
nq =f r itfq i n*iN qfi qffy tq” qiqr qrff jtjtt mt; « iti
1tf% tm WTf 1, UTf 1 m ilium ITC U, <0T<T it? t}l
i jtt^i i cruft it#?! n *r qfc sift zz* t, «tff stnra, igft
ii ' "N, ^
1 1W1 qft% ^r^TTirt irft INtfti ||
13 I i(TO5ft 1Jt«rr qflft 1T?r?;qT 1 Slffe «f%, ctJgq cllfft
qR ftJTT qm i fill %ft yft ^ctftr ; cR?R iT§T<t tf% STCft,
irc qsrift hot, %qrs iftftr sjot: tft hot! otI i i zz
Os
zz OTt I'fst h qftl %T5t ift lift h ti i i%fct Si
OTt ^31% Hl^t, OT?t %*<5 tf% Jit ift I cOTT %ft fl
fqifl iftftlT, ttf? 1 iftl OTT til t3?t, ctll iftl ^TC
5Rcf^ Jrfit it% i hot it inifti Tfiiqift OTt, otiti ott tc it
IRlfl I cTOT lift 1 HIT lift 1TJI5T qqiltftt, t*iT1 1TSTC qtft
1 iftftl qsTTltft, HOT OT liRTftlT 1 l}ft 1UT qOTftftt, fH
iiirfi i iftffi th iff ti ottt wtereq i, jtc i ittt iNr,
ioti iTitOT ftnif Hf f , 5?itiT if iff i ift jh f ifir?;
^\ ^ ^N, **S\
it, err *ifi i ’tt^t ftfe itfa %
jg^re fljrRi %f%, crij:t ft^rr ktstt ^Iuhst ^ irsra tf^r n
\8 1 %tsi m?f i ^rarr wfalk ^tsi
tfig cfvR'7!’, RJiR ^RvT f c|RT gr of Uplift 3TR1?
?R | UI§^ ^muc Jt^r, ^icfo?
»ff? fn^gr ?f3i%frgf htst i cngsr wf%^iT crra^r, cit^3t,
citn^T Itfl? cfT^f^T, gicis it frra H3Ttftgt HT3f I f%^T Tlfc ^S3T
qiRtgt $cf fl, 5fT3t^t; clTf% ^ 1^31 gftfWT
^Tft tf%, % ^ ^tlffftt ^ R%gt gittflW Jfi^ct |
cRg^t gtiV 3qp5f i^t ^t^t^tgt *rr3=r gf »fi§fr ift, cRgn gifify^tT gt^ %
it"i%ftgi wTST gifiic 1 1 ?n§*r wfc^r ^rt7rf% % 3tu tr t^f^r
ft3t%€t ^ ; ^T^t^ jqf} qi; ftttff, JIT5IT JltcT, qtft^T qjlft JW i
^t^t gtTSt fl, itfsj ^ I l%qt ft^n^t qitTflt^T
^15t ?t5t%5t ^ qqtf , R[ig tfa ^ ift ^gri^tss w#t ; Jngjf sni
qgtfl %r it iiqt tiy qipR t^i I ^rwra q»nf^u t %
8
MAITII1L CHRESTOMATHY.
[Extra No.
%Tff % XfHTX qffq %q qrf%, % ^T"T qpf I ffiqq q%
qrfl5 W^frfy^JT % Wf qqf if, HTffT Hfalq qW^ XfTq, =fff qfi?
qxqf | qiffX qt®T ^Tft^tT qfq H H^WH is %% ffTq STflq qw^t,
qxffqq $ ^qq qq'ti) h, qq sffft nqin qq fqqgiq qqffw fqq
HHHIXq q?qq R-JHI II X II
s» si *
i cTTfJi qq iiift q sic qq qq%q, 5j^ 5H Wt^nct qq qf?qf
qqq qx#f *r qura, qus: %r fire «q % q^T snf^ qq i <req
HiqX wfalff sffH ^q % tmt q%ff gr H xjfit lq ^TC ffiq qqfq
§ ’fxfq*: % t?, ere1? irenr qnqfcx %s, qfq h qff? qq^ i cre«r
qilff qiff qqiq % qtr5 qfq qqffqx qtqtqxit f^r^arr^ft^r, qf <q
qqxx: qf? RTqfq, qtxq qxffq % qkt nxq fiq qfq w: qrraq
fqfxq qq, q=q q, qqxff % qq ; qk ffxq ffR qq qft wtfq i qxgq sit*!
€ figfqqixqq qxqx Hktfc, qq *3>« qqffqqx qf, qqxf qq%q q,
qqsx qkx qffq qq, «rf fR iff qqq q qq, qri qfq % qsx lx mfg
qffqxfi qq, ffiffi q^rra qqq qfi qq i qxqq qqq qfqs i nq%H,
^vS
?req qq qrffq qq%q, % qxq xrxq qf? qfqq, qjrfxqq nqqx, qjgiq
Isq qff srxfffr, hr qi?Tqq IrcfkxH nr ife Jiff lq, fqqjxft Rt
If H3 qf? lq, HR qfcqx xtfl If «3 qf? qq I qrffq q|HX-
qit sRfi jikiRpi ^ 5tr§ ^tx€i ^x Hif^fq
"fifci xgcifii i^^'x^ft h q^iff q?; qqiHT siiq qi'iq nqiq ^nfq § qi^-
=fHt H ViS q- 5TR I
I ffqqi ^fq qr^r HTf^fq pq^R, srffe nfir qqqr^x qq
ffTTqr ffTqq i nqx x?xq fflfq ifii, hh qq nfqqf hxh qiTTfq ^
HJtq qixfff% l ■gqst hR q Hffq ^xft q=f % %xq
qxff Rfq q§ff qjfw, %qrq %3r, %q;?; nfffqx, qtqq> qrn q)qf;
•S^
qqqi ’fiqf qsf% qf l qxirq qiq; ^fq % Hrf%f%, qqiqx^
h! ht, %iqnrr fHffR qpq %f%, sn^qi qj^qx^it qqjrq %fq, qw qxq
•N °\ 7 C\
qxfffq, iff fqiff qq qxfq qfq, qfq qfff qjqxit %ifq %f% i
q?THtq -3qn, snq qq^it x?wi, qq %xfq fflqcxf qffq qfw;
qxffT HlHHq % qf qtfffq, % q^ qffiix xqxit nxfi
H^q qfw qixcipq, qfqqq q?qq xqtfq fqqj, qx?x ht ixqq q^f hY
SONG OF KING SALIIES.
9
1831.]
i mf% irc qnrf
*ff W*T; ^flfil ’glfsTC *ff|, C^ *Flfir 5lff
%T^i I cRsW tjstt ^ct ^ w=«h ^rNr^; %«rbi,
?t^r; 'fiKi mg f%fe mf w #r xffa ^rfsrc ^rG, ?tff
11!%?: *&€}, ct\ tiff ifa irem 5^ fmrr? ^nct ; «raw: ’ssrarcr*: f%fe
, ^ft ftn§TC %sT | cTCsW tNt TITpnfi 5il| «IT3tf% $ 511%
«i ife wpsr i ’srfsr?: $ fsr, % %z ctstr ?to w «*f 1
^•Q | cfJ=RT 33^ 5?5ti5TR( SR* ?TR 5ITJrf% ^tq% 'f m if ,
^RIT q^T f*RT H5t | cTW^T 5^5? !?% s?iifsR Wlfifr € ^ *t}
^fSTCT SRJ cl?3«r TtlfttpT 3H? 5TT3lf% % ^HJ«T 55}Fra ^pr-
5HT fife ^T3 ifepfi ^ ife TTT5T ^ife ^it TTfeC § $3T, cRs!*r
^rrf is ssjfe 1 mgsr sraisr ?r ^itfe $ %t?t xrfe
^ <®S, ^
Cl^ ^TIilf% 5? iTT^T %T^T£?T 7T& ^ TOcT afJTcr^
wTfiw if if tut 5i it jra ssjfe 1 ^ umg JEraisr i ife
tpsf? § § ^FT? ; ^ft*n ?ift? XFfTgW STT^cr, flR: iRTTC ifcT ^ ^ 5jl^
•V
*t&R ^N, w^: % mz\ ^ mfii i* nmx, ",
'S^ ^
*Sfa*r, ^iferw, ftf^ft, *?^t, $ 1 *r«ri*r chi«t ?ijRt
3iffir § § ^w*i, ^rt^r ^rftpT § w mi § $^r i cf^
^■RT TITf^rpT t; 5TH ^(U twt, ZH f%^, 3pp#t
f%% c took sftcrt zt\'<r m ^nft *&> ?3i
C\
f%% 5fI3} ITTcT 5tJtT5[ ^7 'Rife ts ^JTTC f%^, % ^5t%
Ji3^i W3 5TTJf I
1 cHstjf ^Wr jttM% ^ qfs*: %ft, mst ^thtTc %f%,
^rr ^T3i5 5T^ %f%, firat <tPp: =fTO
« %i%T tiGr?: %f%, t?; w iif??: %f%, n ern;^^ fef^
irf%5: %f%, ^5?ff5T «f% 1 ^rr^wt ^iwr IU% wn^r, ^wt
5ff% $ %re:JT*R ira ^eRTRt if?; %^, war^r cf^T?rr, Pr^% ii?T
« i^i, ct^r^r ^ftfw hut ?tT i^r ^3rc $5t, if?;
ira%, tt^^i jijtt mz it?: 1 m i af jit 5^^ ^rars:, mi
mmT ^TT, ^U% i infl^T ^eftt I « ?T5f JlJTFfi
5tff ^ ^Rcl^ mmt ^m?T i t(T5 ■juft % JiUTT mtf% tfTT |
B
10
MAITTIIL dlKESTOMATHY.
[Extra No.
ci^T $ «TT^t JT^T Vlft^T ; ?TT ^
*v
m\% ; sr w xflfR % *rft ^ i JR3i ^~
'fR ^cflft § % Rife $f%, crif% XR TO ; *TO*T
5JR ^^1R, Ctlf% XR TO *lf3«T, XflR ^clfe JRT WTf ^ | Wn
^ tflR ^ffj^T, Rlf^ fiRlfcf ^*T% X^t*^, RT^RT 3IR ^ JIT^l cITpR ^
icr mTR ^T, amr SW TO 3ff?r TO, f%TOt mfc ^ I
\<L | cHoR ^xr TO^T TOTO ; ^XR TO#f TO ^fTOT $
Jrm XR WTT TO, % faTOITO ^TOT %, cimi ^3RT TOpR X^j[-
^TO^x TO^T^TT XR | ^Tcf xfK ^Tcf ^ ^IXR
iUftpT 3Tft $f% TO^T^TT XR, STI^- ^ $f% TOR I TO ^ TO^I TOR
XFTOT mu %STT? ^p?l § TOTOT XR TOTO, qf| ^ § 3R)«TT
TOi^f totott xr i ^f^r fro^, mft tot mfcR
^ TOTOT XR | clTO TO? *TO TOcT W If^RT TO ?T
O V2/ ^\
*ifs *ire: *rftr ^ft?f *rf£ ?mt, tost fro g-f *st ^rare 5»tm i
cH3*I %T% ^I[3lf% ilfeiT ^TffT iFf ^?ra ^HH^t ftRTfi} fl, f{
$l3p?l $ %TT CT ^ 5?3f ’H’jf’f TK sp?, % l^HT Tf I^TO ci^T XrmT
Tf^ I CRIST ig^i^cfcT ift I?: ^Tl% $ =fTT ^T^t t
%^t5iT jtc %f, ?:t5it fllfitsi^ m: §t, mi % %tct
s*nn %?t sft i tj^i , ^imr tr^JT trc h?;tc i
C\y
^ITTfr flt^T tf^: WIT, lira sifsf^T w ^ II
r° l cii « ?raw f^^rf $5t, gra ira ^w^it wt: ^t
Hfirax lUTft ^ ; ^TT<T $T IfT^t flf ^T ^ wflf ^ I ell 5f
•ifsfji^T irair ^rara; $f5i, cuff? n?: ^=f mta ^ $<3 m%5i $
1 cirn w^t, *rai*r ?w ^i^rai; ift tra ^
^ lira ^cra 1 $ft ^tFiRfi it^ »tnra ^ ft^x 1$
$rc sin^i ^int^r 1 ^irex f^^ra, $raft h
ira an;, =ek1 %^i i^t, xra $fr ^xi5i -gi?-§ ura, gfg fra §
trara =5ra, ^ifa^ i^i^ra kiii, ^i% ^tji^i *rai?r % 1 ^j%-s
HT51 3lf%JlT SfSfITrt ft s^sra, crtffaT Plit lira, %TC
Wm $*f?: =?l^t ^f3?l 5IW, ®Tcf H 'fifm $ ^ ^ ^ilf3 $5T, lV|pT
1881.]
SONG OF KING SALIIES.
11
Kifer ^ *rerf; ; ^mcr % irfrc^ ^ct * t
jrfs*r, tr^Pr fTT^^f ^fpf, snPra =r?k1»i, 'sjtct ^it
worn ^reiftfi?; ^tcr ^jf%, ci^t *w frf «rs? =r jik tt^ ir?fr
jffa %fsi Tf, Wf P?^t *PT I "ft? JTFS pT^'t
^tPr ^ trc ?rfer | ^ft^T ?;rfe $pr, xrra Ipr
ijsrr «r % $T<ft «r\ ^tPt % ^nur crre ii
=U I ^cJ=TT aft % tpSW >BT% ffa 9? TTIW ?Tp§ %
^rfePren, wfra Jtin sjts re 4rrc jttst 1$, jfjrr 1 ^nar § ^ret
fsr^T %*T3i 5Ttf; ^f, *tfspF3IT 3T3TT WfN IJTC, ITsT^
^T^ira sjre:, %?; ;nra ^ I %?: $f% ^ ki^it wfalk
% Ck5j »iff jri?^ i ct^git ^^3 Trr^r ^ iaiPi, sm^r ^fk
ft# ^ret Jiin 3?sm irtKT W i t
^Pf 5;T5iT JTtflfk *isft W&, RT^T ^cr^T, ijm % Pf^iK,
wk irft ^ ; *rara]sr t P?*n ^ i ci^^t ^r*iT ??TpiPr % ktsti *ra-
*jstt wfafNra qpa^rst ^ Hp; i jPt ii
Translation of the jS°NG OF J^ng jSalhes<
1. Morning came, and, Lo, Dauna Malin stands in the doorway, and
with clasped hands prays reverently unto the gods and saints : “ Hear
mer, Ye fifty-six Jcrors of gods of heaven, and Thou, O Indra, who hast
given me birth, and who in my birth-chamber on the sixth night thereafter
didst write (in the book of fate) that I should wed one like unto Sallies.
For him have I kept my bosom covered with my body-cloth, nor have
I ever cast eyes upon another man, nor from my birth have I adorned me
with vermilion. For such a spouse, have I built a bridal chamber of
fresh bamboos. I have made and adorned a scarlet bed, and on it spread
a well swept mattress for him. With a split reed have I applied silver
spots to my brow, for the sake of my spouse.”
Refrain — uO fair one, will he come?"
2. Lo and behold, morning came, and as the cuckoo sings, she stands
in the doorway, and reverently with clasped hands prays unto the fifty-
six krors of gods : “ Hear, 0 Ye companions of Indra in heaven, and Thou
who didst give me birth, and who, in the birth-chamber on the sixth night
thereafter, didst write (in the book of fate) that I should wed one such as
Sallies. From my girlhood have I kept my bosom covered with my body-
cloth, nor have I ever cast eyes on another man, nor from my birth have
12
MAITHIL CIIRESTOM ATHY.
[Extra No.
I adorned the parting of my hair with vermilion. For him have I built
a bridal chamber of fresh bamboos, and on a crimson bed have I spread a
mattress of varied colours. And with a split reed have I applied silver
spots to my brow.”
Kefrain — “ O fair one, he will come
3. “ From childhood was I brought up, and all these riches did I
collect in mine house, yet still my spouse Sallies came not. For
him did I plant a garden, and set therein flowers of varied hue ; the
Beli, Chameli, Bulkanj, New dr, TeJchari, did I set in the garden
for Salhes. I prepared rolls of col chi betel, and medini and gdja,
but still Salhes came not to Morang. Without a spouse how can I pass
my days? Weeping and mourning for him will I leave the kingdom of
Morang. I will go to the heart of the land and seek my husband ; when
I meet my lord Salhes, with him will I enjoy the kingdom. If I meet
him not, broken-hearted will I turn, and in sorrow and affliction will I
drown myself, nor ever will I return to Morang. From my birth have
I been melting gold for ornaments, yet never have I worn them ; to-day
would I wear them, and look upon myself in a mirror, that I may behold
of what sort is my beauty.”
4. The Malin adorned herself in her jewels and sat down, and be¬
held her beauty in the mirror. “My face is very lovely, but the parting
of my hair longeth for one grain of vermilion.” So she left the house in
anger, and tied up all her jewels in the edge of her garment, and departed.
“ I will leave the city of Guzrat, and will enter the heart of the land and
seek Salhes, where I may find him. When I meet My Lord, with him will
I come back to the kingdom of Morang. If I meet him not, broken¬
hearted will I return. And in sorrow and affliction will I drown myself
and die.”
5. As dawn became morning, weeping she leaves her home, and
gazes in every direction : she stands on the road and laments,
“ I meet no traveller on the way,
“ Nor do I meet my comrade,
“ By whom shall I send my news ?”
Broken-hearted went Malin ; weeping did she go in search of her spouse.
Step by step she went. She went a league, and reached her garden ; when
she beheld the flowers she fell upon the earth, and fainted, and then
rolling on the ground she began to weep. When they heard her sobs, her
companions, friends, and sisters came, even at dawn, to her garden. And
one said to another, “Go, and ask our friend ‘ What sorrow is thine ; that
thou weepest in the garden’. Hath she been abused by her father and
mother, or have the neighbours blamed her; that she hath come in sorrow
to the garden ?”
1881.]
SONG OF KING SALIIES.
13
6. Then Champa asks her “ Why didst thou leave thine house ?” and
Dauna Malin replies, <£ For one Salhes did I leave mine house. I left
mine house for my spouse Salhes.” “Let us five friends (including
Dauna) go to the banks of the Kamla, where thy spouse Salhes will come
to water his elephant. If we find thy lord Salhes there, we will tempt
him and take him by magic. We will bring him to thy garden and will
build a bridal bovver and marry him to thee. Only thou of us wilt be¬
hold his face, we will scatter til and feus* upon him, and give him to thee.”
Then the five sisters went to bathe in the Kamla, and arrived at the river
bank just at midday. They stood and gazed upon the road to see whence
Salhes would come. Then they took off their apparel, and laid them there,
and floated an offering of sweet oil upon the Kamla.
7. They float the offering on the Kamla, and reverently with
joined hands they pray, saying, “ 0 Kamla, cause Salhes to come quickly
that we may behold him.” Having said this, the five sisters dived into
the waters of the Kamla. Then the seats of the fifty-six krors of Indra
and the gods shook, and they went and rushed into the Kachahari, in which
Salhes was sitting, and charmed him. They told Salhes the whole story,
how “ For thee five sisters for twelve years have kept their bosoms covered.
They have prayed unto us ‘ Tell him to come to the bank of the Kamla
that we may see our Lord.’ ” The news reached Salhes, and he replied,
** I will not go, I will send my parrot, and he will bring me a bedulif that
I may shew to my friend as a token of my love.” And so this news was
told Salhes, and immediately he ordered his man Jhinma to bring his parrot
from his palace. His man Jhinma has gone ; the cage is hanging within
seven palaces (one surrounding the other). He took the cage, and brought
it, and laid it before his master in the midst of the Kachahari. He took
the parrot out of the cage, and let it fly. The parrot abandoned the sur¬
face of the earth and the sky above, and taking the middle regions it flew
in circles, and departed for the bank of Kamla. The five sisters sported
madly in the Kamla, and above them the parrot flew in circles. Now it
gazed around on all sides, and now with half closed eye at the beauty of
the damsels, and again it would cast a glance upon the beduli. Of a
sudden it swooped down, and fled off with a beduli. It took it from the
forehead of Dauna Malin. The parrot took the road to Pakaria, through
the Sal forest ; and there in the kingdom of Pakaria, it laid the beduli
between the two friends in the midst of the Kachahari. When he saw the
beduli he was mightily pleased in heart. “ If the beduli is so fair, how fair
must be the woman who owns it.”
* This is the procedure adopted in making an irrevocable gift.
f A spot of silver leaf worn by women, on the forehead.
n
MAITHTL CIIRESTOMATHY.
[Extra No.
8. Saith Sallies, “ Hear, O parrot, whose be dull thou hast taken, if
she pursue thee (and find it here) our fair fame will be destroyed : Let not
that he so : Haste thee, and take it to the Sal forest.” The parrot went
to the Sal forest, and sat upon an asoJc tree. The sisters gazed and gazed
till their hearts broke : four of them turned, and went heart-broken to their
homes, but Dauna Malin lay there despairing. # When dawn appeared, the
parrot flew and came to her, and gave her the beduli. “ Take it, O Malin ;
go thou to Morang, and sit in thy garden, and I will send to thee Sallies.”
9. Dauna Malin returned to her garden, and at dawn Salhes arrived.
He travelled the long night through to the garden in the kingdom of
Morang. As morning arose Salhes arrived in the garden.
10. Morning came, and the cuckoo sang. Up rose Malin, and taking
a flower basket, she stood in the garden. She plucked the flowers, and tied
a necklace for Salhes. At that moment there came a thief from a strange
country. His name was Chuhar Mai, and his home was in the fort of
Mokama. At midday he roamed from house to house. He wandered
through Pakaria, noting houses, but in Pakaria he could not find a house
worthy of him. He searched and searched, and found the palace of king
Bhim Sain. Chuhar Mai noted the palace and went away, and rested in the
jangal two or three Jcos oft. He commenced to meditate on Asa vari, his
family goddess : “ I have worshipped thee in the fort of Mokama from my
birth up. Throughout my whole life I have never committed a theft, but
I heard that the young Salhes hath been born in Pakaria. He is a great
man, and hath undertaken the guardianship as ehaukidar of fourteen Jcos
in Pakaria. Such fear is there of his prowess that no one’s foot is firm
to commit a theft in his beat.”
11. It was hearing this report that Chuhar Mai had come to attack
Salhes. He tied his pig-tail into a tight knot, and his body-cloth tightly
round his waist. f On every limb he tied tens of thousands of knives, and
by his side a shield. First he took a knife in his hand, and sat upon the
earth. Then he took his position, and lying upon his belly on the ground,
began to dig a mine ( sendh ). He kept under ground for a distance
of two or three Jcos , and as he dug he arrived within the kingdom of
Pakaria. As morning dawned he began to dig into the king’s stronghold,
and as he dug he broke in at the quiet room in which Queen Hansabati
was sleeping on a golden bed. It was there that Chuhar Mai the thief
entered. Close to her head he broke into the room, and Chuhar Mai rested
against the bed. Trust not the caste of Dusadhs ! He raised his head and
* A person is saidc^j^llu Kusothari deb , when as a last resource he makes
a bed of Jcus grass by the side of some sacred spot, and vows not to leave it, till
his boon is granted by the gods.
f Two precautions which thieves adopt to prevent their being caught.
1881.]
SONG OP KING SALHES.
15
looked about tbe bouse for property, but could find none. He only saw
Hansabati sleeping on tbe golden bed, and tens of thousands of jewels on
her limbs. Chuhar Mai looked at them, and considered what thing be
should take. “ I will take two things, the golden bed, and tbe necklace
on tbe neck of the queen.” As be said this morning came, and therefore
be cut tbe necklace from tbe neck of tbe queen, and, lifting her up, laid her
on king Bbim Sain’s (empty) bed, and took tbe golden bed upon bis bead.
12. As morning broke be made off through tbe mine for four Jcos ,
and then emerged from it in tbe midst of the forest. Immediately be
dressed himself as a traveller, and forcibly went off with bis booty to
Mokama fort. As be came to tbe meeting of tbe rivers on tbe Ganges
bank, a watch of tbe day bad passed. Then be addressed tbe Ganges thus,
“ Hear, 0 Ganga, I have committed theft, and come to thee, and it is
from tbe kingdom of tbe hills, and from tbe fort of king Bbim Sain, and
from tbe beat of Sallies, that I bring the booty. If ever Salbes come in
search of me, let him not pass over thee. If ever thou bearest him across,
at that hour will I be enraged, and by tbe power gained by my virtues,
will I bind thy streams with a dam.” He spake so far and crossed tbe
river into tbe land of Magadh, and from the land of Magadb, went to
Mokama fort, and buried bis booty within tbe inmost of seven bouses. All
this time tbe sleep of tbe queen in her palace was not broken, nor did any
one wake. In tbe palace tbe first to wake was tbe damsel Salkbi.
13. She bore a broom and swept tbe court-yard, and then stood in
tbe verandah of tbe palace. Then she began to think to herself about the
queen, “ How can a woman stay so long in bed when her husband is not
with her.” So she dropped her broom, and ran into tbe inner chamber,
and opening tbe door awakened queen Hansabati. “ Else, Lady, Else, thou
sleepest soundly ; some thief bath come and dug a mine into tbe house.”
As she spoke, Queen Hansabati arose, and seeing tbe mine, cried out aloud.
By that time all the servants bad run up, and surrounded tbe bouse on all
sides, searching for traces of tbe thief, but nowhere could they find them.
Then Queen Hansabati began to weep, and weeping to call on the name of
tbe king. At length, weeping and weeping, she tore her upper garment
for paper, and rubbed off tbe colly rium of her eyes for ink. She pared
tbe little finger of her left band for a pen, and began to write a letter.
“ I would tell king Bbim Sain about a theft. A theft has taken place in
tbe fort. From bis birth Salbes bath been its Chaukidar, tell him to pro¬
duce tbe thief and bis booty. Till then let him not be set at liberty.” Such
a letter did she write, and told tbe damsel to call a man-servant, and sent
tbe letter by him to king Bbim Sain.
14. About midday tbe letter reached the king. He saw tbe letter,
and flew into a rage. At once he told all bis Banaudhia peons to arrest
16
MATTITTL CnUESTOMATHT.
[Extra No.
Sallies, and bring him before him. Away ran all the Banaudhias, but Salhes
hid himself, and nowhere could they find a trace of him. Then they
searched throughout Pakaria, and through the swamps and marshes. They
searched through the mountains of Tarengana, but nowhere did they find
a trace of Salhes. Broken-hearted they sat in a fallow field, and began to
hang their heads in shame. Just then an old woman traveller passed
along the road, and began to ask them why so many Banaudhias were
hanging down their heads. They replied that they were hanging down
their heads through shame at the name of one Salhes, and asked her to
give them a trace as to his whereabouts. The old woman said, “ I saw
Salhes somewhere. He was drinking spirits at the still of a spirit-seller,
and rolling gd'jd in his hands. He had a dark blue turban on his head,
and a brown stick in his hand, and had besmeared his body with damp
earth, (like a gymnast).” Immediately all the Banaudhias ran to catch
Salhes, and surrounded the distiller’s still. Then they went up to him,
and arrested him, and tied his arms behind his back. Then Salhes began
to ask the Banaudhias, “ Tell me what fault have I committed that ye
have bound me.” The Banaudhias replied “ Come to the Kachahari, king
Bhim Sain will tell you the reason why. We do not know.” Before and
behind went the Banaudhias, in their midst went Salhes, till they got to
the Kachahari, where the former presented Salhes in the Kachahari and with
clasped hands all the Banaudhias exclaimed, and (asked the king) to take
charge of the prisoner.
15. Then with hands clasped Salhes stood before the king, and said,
“ From birth have I been thy slave, and never even have I been branded
by a flower. To-day what has happened that I am bound in chains ?” Then
king Bhim Sain said “ In thy presence a theft has taken place in my
palace ; arrest the thief with his booty, then thou wilt be released. Till then
thou wilt not be set free.” Then said Salhes “ I am responsible for the
guardianship of fourteen 7cos of Pakaria, but I have found no trace of the
thief. Bring paper and I will write a bond for the value of the stolen
property, and through all my future lives will I pay it off. I cannot
(find) the thief and his booty.” Then king Bhim Sain was enraged in
heart, and ordered his Banaudhias thus, “ Take Salhes away from my pre¬
sence, and tie his hands behind his back. Lay nine maunds of the trunk
of a tree on the top of him. Skin his back with a split length of green
bamboo. A Dusadli by caste will never confess.” Then into affliction fell
Salhes, and he began to cry, “Now my life will not escape. I must die
in the end. Fate cannot be wiped away. I have not seen my own
brother Motiram, nor have I seen my wedded wife. I have not even seen
my old mother.” He began to think upon Asavari, the goddess of his
1881.]
BONG OF KING SALHES.
17
family, saying “ Go, and tell my wife, the faithful Dauna, with whom I have
eloped, where she is sleeping on her bed in the garden. Tell her to come to
the Kachahari to see me.”
1G. When Dauna Malm heard the news she arose and gazed round
in horror. She stood in the way, and smoothed a cubit and a quarter of the
ground with cowdung, and, having called upon all the gods and saints,
asked for a sign from the sun.* u 0 sun, tell me a true true sign, (that
I may know) in what kingdom the thief dwelleth. Whose son is he, and
whose nephew, what is his name P Tell me all this.” (The sun told
her) and when she heard the sign she arose and went into the midst of the
garden. She adorned herself in all the sixteen graces, and made a magio
flower basket. She began to pluck flowers, and plucked them of varied
hues. She plucked fresh cloves and cardamoms. She then went to look for
her lord, and entered into the midst of the Kachahari. With clasped hands,
she said humbly to king Bhim Sain, “Very tender is my lord Salhes. He
cannot bear a beating, unloose his bonds for a time, and I will bring the
thief and his booty from wherever he may be.” Then in a rage the Prime
Minister said “ Whence can a woman bring a thief and his booty? Until
thou bringest them, I tvill not release him.” Then said king Bhim Sain,
“ I will have him released, but write a bond in my favour. £ I will bring
the thief and his booty on the eighth day from this. If I do not bring
him within that time, then, O king, I will marry thee.’ Write a bond to
that effect.” And so he made her do. Then Dauna Malin said “ Within
seven days will I bring the thief and booty.” And so each party ratified
the bond.
17. Then up rose Malin, and unloosed her lord’s bonds with her own
hands, and they went away one behind the other. Then Salhes asked
Malin how she had got his bonds unloosed ; and she said, “ I gave my
chastity in bond that Salhes would bring the thief within eight days.
Thus I got thee unloosed.” Then Salhes asked her who the thief was,
and she told him it was Chuhar Mai, who lived in Mokama, the nephew
of Jagat, who had committed the theft. “Act like a man, Salhes, that
thou mayest arrest the thief with his booty. He can be caught by no
ordinary means ; I tell thee an artifice. Go thou to the quarter of the
nats , and* borrow all their goods and chattels, a drum, a club, a hoe, a
jhiloni , a bed, a chair, a tent, and buffaloes.” Salhes then went and borrowed
all those things, and made them over to Malin. Then said Malin “ All these
further stratagems I tell thee. Shave off the pig tail from thy head, and
let thy hair be short. Wear a tight silk waist cloth; put on thy head a
0
* Lit. Head of the sun.
18 maithil chrestomathy. [Extra No.
fine coloured cap ; smear thy body with moist earth, and exercise thyself*
three or four times, that thou mayest appear a true nat."
18. Then Dauna Malin apparelled herself in garments of the south,
arranged her hair flat over each temple, applied collyrium to her eyelids,
and between each of her teeth she inserted black dye. She put on a tight
fitting boddice, and an armlet on her arm, around her feet anklets, and on
her forehead silver spots like the moon surrounded by stars; and thus she
made herself appear a real dancer. f The two then began to sing the song
of Alba and Rudal (after the manner of nats). Hearing the cry of Alha all
the people of the Morang came, and surrounded them, and began to see
the show : and behold, those whom they knew were unrecognized by them.
Then the two lowered their tent, and went to catch the thief, and arrived
at the Ganges bank. In the meantime the Ganges heard of the advent of
Salhes, and all along its banks it sunk the boats, and taking its proper
form of a Brahmani woman mounted its highest bank. They reached the
bank of the river, and asked her to show them where they could find a boat,
that they might cross the river. Then the Ganges said “ All the boats
have been borne away by the stream, return ye, then, to your own house. ”
“ We will not return, but will cross the river as if it was dry land.” She
took off her necklace, and laid it upon the water, and the nat and the natin
mounted on it ; away floated the necklace, and upon it the nat and natin
crossed the river into Magadh. From Magadh they hastened to Munger,
and travelling the whole night arrived at Balawe, and selecting a grove in
the village of Mokama they fixed upon it for their lodging, and hung up
all their property, and pitched their tent.
19. Then Salhes rested himself and sate himself down, and the natin
putting a bundle of beads on her head went to sell them in the bazar.
“Buy, O mistress, buy my beads,” cried she. Then selling and selling
beads she arrived at Chuhar’s outer gate. ITe was sleeping the sleej:* of
seven sleepers within his seven houses, and Malin herself stood at the door,
and by her magic awoke him. He woke with a start, and gazed around
in wonder, and opening the doors of the seven houses, he came outside
asking the Malin why she had come to his house. “ I am by caste a natin ,
1 have come to thy house for two or three pice.” Then said Chuhar Mai
“ In my house there is no mother, nor sister, nor wife. How therefore canst
thou expect any present from me P” The natin replied, “ Last night I saw
in a dream in my tent that in thy house there is a necklace. Give me
that as a present, and I will fulfil all thy heart’s desires.” Now when
he saw her beauty he went and brought the necklace, saying, “ I stole this
• _
* See "^'3' in Vocabulary.
t Not a strictly accurate rendering1 of the word in the original; see Vocabulary.
1881.]
SONG OF KITS' G SALITES.
10
from Fort Iveola, from the palace of king Bilim Sain, and from the beat
of Salhes. This necklace I give thee for a gift.” She replied “Come to
my tent, and upon that golden bed of thine will I fulfil thy heart’s
desires.” Front with the golden bed upon his head went Chuhar, and
behind him the natin , to her tent.
20. In the meantime Salhes had left, and went to call his brother
Moti Ram and his nephew Kari Kant, and taking with him seven
hundred male elephants with small tusks, surrounded the tent with
them. While he was doing this the natin spread the bed, and making
Chuhar Mai to lie upon it, applied sweet- oil to his body. By this
time morning dawned, and Salhes arrived with all his army, and surrounded
the tent, in which Chuhar Mai was sleeping. His goddess Asavari awoke
him saying “ For the sake of a woman, thine enemy Salhes hath come.”
On this he arose and looked around, and, tying his sleeping cloth around
his waist, stood up. In his hand he took a knife. He gave one jump, and
flew into the air to a height of fifty or a hundred cubits. Fie fell outside
the circle of elephants, and began to fight with Salhes. He leaped even
as a wolf doth into a flock of goats. Wherever he jumped there he slashed
an elephant. He cut down at once the seven hundred male elephants with
small tusks. For three days and nights the fight lasted, and then he pursued
the three brethren in a fallow field. Up rose the Malin, and caught the
arm of Chuhar Mai. “ I am by profession a dancer, and many are the
travellers who come to me. If thou fight with them, my earnings will all
diminish. Cease thine anger ; come to the tent, and I will fulfil th}-
heart’s desires.” Chuhar Mai then returned to the tent and lay upon the
bed and slept. She put him under the influence of Ahidra the goddess of
sleep, and called to king Salhes, and Motiram, “ Come and bind your foe.”
21. When they heard this they came and tied the thief and his booty
to the bed, and within the seven days, the nat and the natin hastened to the
bank of the Ganges with him. In the Ganges the seven hundred elephants
returned to life, and by magic the natin (and her husband) crossed the
river, and travelling by night, arrived in the day time in Raja Bhim Sain’s
Kachahari and made over to him the thief with his booty. When he saw
the thief, the king could not restrain his surprise. Then they unloosed
Chuhar Mai, and he told the whole story ; how he had indeed committed
the theft, hearing of Salhes’s reputation, and from Salhes’s beat. When
king Bhim Sain heard this, he was pleased in heart, and gave Salhes a
complete suit* of clothes, five weapons, and his own special mare ; after
giving him these presents he allowed him to depart. Thereafter, with
* TJJlft a turban, a sheet, a dhoti ) a body-cloth, and rfh^
a handkerchief.
20
maithil chrestomatiiy. [Extra No.
Dauna Malin, king Salhes remained in the garden of king Bhim Sain, and
guarded it for the rest of his life.
This concludes the prose part of the reading book.
The first poetical piece given is four songs of the Marsid , celebrating
the death of the brothers Hassan and Husain, and sung by Muhammadan
boys at the Muharram. They are good examples of the Musalman dialect
of the country, which differs little from that of the Hindus. They are
written exactly as dictated by a choir of little boys whom I picked up
two years ago in an outlying village. It is noteworthy that they also
sung songs in U'rdu, which they knew by rote, but could not understand.
The boys were quite uneducated : they did not know how to read or
write, and had never left their native village.
H wyhi ii
ii ii
?w?r i?? ?? Jifi?? % n? it?i ii ?rtfi g?? ?t?t
it? % x it? it?“ Ii ll ?ir? %t?t? ?t?t ?3f% %rr % n?
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— ^ - II Wf? ?TT1 ?WT ???T T§??1^T % IT? IT? T || ??-
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% IT? it? 1 II ?Tf? ?? 1?T 1 ? IT? IT? T II 1 ~ II - 11
il is
?fl ?%T f?? li^g? ??i?T % IT? IT? T II %1 T ???T f?TT-
???T % IT? IT? T || ^ - II ?fl ?%T f?? ihr? flTT'fli % IT?
IT? T || ?%T ?PIpft f?????T % IT? IT? 1 1| ~ II? - II ?fl ?%T {%?
fbl? ?!?<€} % IT? IT? ~ || %1T fs|?T??UT % IT?
IT? 1 II ^ - || ?fl ?%T f?? ??? *S5T?T % IT? IT? 1 1I
%1T ???T f?????T % IT? IT? 1|| - 8 || ?fl ?%T {?? iN?
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IT? T II y. - II ?fl ?%T f?? t?T? tuift % IT? IT? T ||
%%T qjrft *1 f?1??«T % IT? IT? T II s( ~ II
1881.]
MA.ESIA.
21
II EFT II
iff tw %TT?t sf jra iff it? ^tcwt ii ?? iff ii? ^rfisfir ^wTf%
% T?r? 5fT?T II II TT? ^1% W i IT?: =?!?? ||
?fTT? ?if? ? IT? TIT? "o II ?- || - II— II - II
II II
fi"?? ?nl sriPreu %if *nra sffsff f ? tx i ??? ?ra ^ft? ?3T? '
•s. «S ««v •N'i' V «V & »s
wt ^r r ii ^ ii srr grr^T *n *t^r*t t ir ^ r ii
HWU ^TR ^ HR HR II fjR3Tte HJI^} H HR HR II ^ |j
Translation of the JVLars'i'a, or J he j£LEGY of
JTaSSAN AND JTuSAIN, Jk : SPECIMEN OF THE
JVLuhammadan DIALECT.
(1)
1. "Woe, woe, in the court of the lady there is a clump of sandal
trees, over this a black crow hovered.
2. Woe, woe, the lady bathed and sat in her court, and combed her
hair with her ten fingers.
3. Woe, woe, “ I will give thee, O crow, gold for thy two ears ; Tell
me, O crow, the news of the battle.”
4. Woe, woe, O mother, what news can I give of the battle? (Thy
beloved’s) soul is fighting with a drawn sword.
5. “ In the dense forest, where the reeds are motionless, his soul is
fighting.”
(2)
The neglected tdzia ,
1. In these ten days the Sagged has cut bamboos and forgotten them.
In these ten days he has split wood, and forgotten it : He has tied it up,
and lias forgotten it. He has covered it with paper, and the paper has
been forgotten by him. He has jDurchased a Muharram turban, and has
forgotten it ; He has prepared his turban, and forgotten it.
(3)
1. In the wood weepeth the cuckoo, in the forest weepeth Fatima.*
In the house weepeth the unfortunate bride.
* Mother of Hassan and Husain.
22
MAITHIL CHRESTOMATHY.
F Extra No.
2. In one place weepeth the mother, in another weepeth Channa.*
In a third the child hath left the breast and weepeth too.
(4)
1. The lady came running accompanied by her friends. He fastened
knives and dagger to his waist.
2. Through the fear of the infidel, the Sayyad hid himself in a well.
3. The lizard has spoken malicious words, and (at his instigation)
the spider has spun his net.
The next songs are purely women’s songs. In the month of Bhado
(August and September), that is, in the height of the rains, when snakes
abound, the poor women of the village go about begging at the houses of
their richer neighbours, and singing these songs. They are all in honour
of the Snake god, and contain some peculiar ideas. The language is most
colloquial, and full of diminutive terms of endearment. As printed, they
are exact copies of what the women sung.
II «TFT II
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HTJT WRTC V qPT qtJT | sff =fJT
srfqqs: «ti3T wp; fqngf ■£ qrq qin ^srewri
^ suit qf qqlff qtra wsr i|gqT irfhft %t<: qiir
i $ qnr firfewr ^qrcft wtNt. qwfrhrt % qrrc
qnr i ^ «rtn Jifsrr Pre iMtv qirct qrrct %3qr qNmt
i qur ii j ii
qjqq qiJT 31 JIT ^qiqqJTT qifjlfq ^iqqi q^TTqqipq $
•ttjt i qiqq ^ qnr qiq%q % Prqqi qrfjipt fttfsqjr
qsRfq v at?; qur i ^qpq qnr t qqifji^i qrfjipr
%t£ Jlt^ft^T W iTR qiJT ^siq^T | qjqq ^ qqjqiT qiJT qfiiqi Jlfl^T
snfjiPr jttjt qsikfq v wq qnr ii q n
tMr fqqT ira firfeqif q jrcqfcifq ^ qriq qnr
i qrff ira fqiq: ^ JiTflqi qsqfqqff Prpgqft q qq; jrqqptfq
i? qrq qnr q;qqqq i qnf jPt Pir «qi Jitfiqi Jpfqqr Hiq qq fqfeqn
* Sister of Fatima.
nag songs.
23
1881.]
f^TTf % TUT TTJI | TRTT: TtflW TTJI tf% % «T^T
TSTT T^^fN i 5fr| TTJI ^"R'jUT II ^ II
wr $ t^rf tut uteTfa f%sri ituct Ht wrlwfa? if
grf ttjt ^twr i $ hit: ttjt xrra^ uh firT^x TifitfT
^HT% i 5TT«r Till | 5R fU SlfTTcI^ 51TTM furfr^lft ^TcU5?
^Tfj Wtff STTOT §IU3§ i TTJT I 5R SjfiTciJ STf-gT
ftfift^Uft *RTcir? ?>zvx "!3TT §cl3§ w SfTW ^TJT c^tT^T I sqtR
^ TTJT TTIT Jlf^T =fflTT T3TT T^Nf^ i?
<\
«iTJT ||
Translation op the JTa'g jS°NGS-
Sung in the rains by low caste women as they go about begging , to
propitiate snalees.
a)
The mill, the mill was of stone, and the handle, the handle of
Bel and Babul wood. The Brahman’s daughter sat down to grind, and
the serpent hissed, (0 Serpent, sweet Sir). If I had known that a snake
would be ground up, I would have swept the mill-stone with my body-
cloth, (0 Serpent, sweet Sir). She who gives alms of wheat for the sake
of the serpent, will play with a lovely, lovely son, (0 my sweet Serpent).
She who hides alms from the serpent, will lament throughout the months
of Sraban and Bhado, (0 my sweet Serpent). She who gives alms of Marud
(a cheap grain) for the sake of the serpent, will play with an ugly, ugly
son, (0 my sweet Serpent).
(2)
1. The serpent went off. to bathe in the Ganges, and his wife conn
menced to weep, (My sweet snake) .
2. His wife collects the refuse of the rolls of betel, which the serpent
eats, (My sweet snake).
3. The serpent sleeps on a lovely bed, and his wife lies on the ground
near his feet, (My sweet snake).
4. His wife collected the cloves from the clove tree on which the
serpent sat, (My sweet snake).
(3)
I go, and go, and my feet are weary, and the proud lady gives me
no alms. Where is the yillage Batwdri and what has become of him ?
MAITIIIL CIIRESTOMATHY.
[Extra No.
24
The proud lady gives me no alms. Where is the village Qorait? Make the
lady give me alms at once. The serpent has sat at rest throughout the
whole year, and in Bhado he has made us wander about for alms.
(4)
The serpent sat on the mound of a tank, and made us ask for alms.
The serpent eats rolls of ripe pan, and his wife prepares them. If I had
known that the Jdmun fruit would complain (to you, 0 serpent, of being
neglected by us), I would have given up mangos, and would have eaten
jdmun. If I had known that the barhar fruit would complain, I would have
scattered my jack fruits away (in present), and would have eaten the barhar.
The serpent has sat upon a sandal wood tree, and has made us wander about
for alms.
Next follows the Song of the Famine by Phaturi or Faturi Lai, a
living poet. It is a description of the Famine of the Fasli year 1281
(1873-74), and was written by a man of the people. It is worth noting
this fact, for it praises both the English and the Maharaja of Darbhanga
in no measured terms, and speaks of native peculation in tones of grim
and unsparing satire. I can certainly say that the Maharaja of Dar¬
bhanga had never seen it, and that certainly no Government official had
ever heard of it, till I brought it to notice. Hence, it cannot have been
written in a tone of false flattery, but must be a really and truly sincere
production ; that it chimes with the feelings of the people is shown by its
immense popularity with the lower orders, and I may take it as proving that
a lively gratitude is felt in the hearts of the natives of Tirhut for the
efforts of Government and of the Darbhanga II aj in the disastrous year
1874.
As already mentioned the language is not pure Maithili, being mixed
with several Braj forms.
^Rrrat.-ii
—i xiTf^r — ii
srfetTcr fes *rfw — I qp?T ^rf \
TifufiT ssrtft i irar.— ii
fferfjlftTO I % — 1| 5!,
wrsssrc: wet. — i — n
tro ^ srcnt — i ik — ii ^
1881.]
SONG OF THE FAMINE.
25
ftp* ^ctt . — i ^rhrt ^rsT rafter— — 11
flr5TC3i v\fk& ^3<jT. — I Sjf% — 1| B
tot hr RJirffRiT rto- — i towFt: r Jiff rtr.— n
TORT TO qR lift RT75R.— | RTOT RTO TOM.— II 1
Nl C\ ^ ^
^Tf^I mV *TT?T ^Ti TO^r. — | ^ITcfJ % i — 1|
'sffRiT #? jjr % tow. — i cifsrRg? mthm to. - ii s(
Irtot Fro ffl?T Rff rtt^r. — i RTtiiT rr Rif Rnft — n
5fTT^> filTRpR RH JlfTO. — I fTR JJRTRfR? ^T#f. — II R
%fc(R qffe ifft $ TO T7RT1|. — I Riff RTfk WTiTR. — II
* * -v , C\
tigTJrfwcT «t}r iff RfNTfRR.— i cif% rx RRt rtr.— n <=
rKth unuifcT %ir jt rmFst.— I srrff wn rwrtr.— ii
rnffR tot rrs rt — i %fr rto fuff rir. — ii e
^ •V *\
Sifusw *nft rtr Rff jto%. — i Rffro rtCI TO<ft — ii
froT rr to Ftr Jiff torr. — I tor wr iff tor! — n \ •
R TO 7ITf?R RTTTR RR7R. — | $ f R @sft f%HM.— II
e\ «.
to tow m yft rttto— i Rff rrtrr 5jr- ii ^
RMT totot rrt jt torr. — | *tff rttrr fRR rtto — u
JWft JTTOt TOff RRTRR. — I TOT fTOTRT 5(137.— II 7 =
tot »jto liw w-— I Rli rtr r vnfjT. — n
RTRR TTcITTO TJTR Jiff ftcTsf. — I RJT55 RTJTR RTfjT. — 1|
tot r}to frff toPt 3ps( R. — i § ktrr Jiff nrfR.— u
RtRT Rf t%RR g=fJ7t R. — I RT R fr Jiff ^nfj(. — 1| ^8
TOt RTO TOT Jiff TORR.— I R RCf W ffJT. — 1|
TO TO %R TO TO JTRf. — I ^7! fTO TO TO ft*!.— II
yfjiR RTR J7H 37J(ff 7. TOT ?|fy. — | JITRff Sft. — ||
=f%Tff TO^IT WTO TO§ff • — I JTWt TO TO %<. — II
^i^it 3r7iyf rtt HT3j — i 5nff ^nff tot ^tott. ii
TOR TOT ’ifTOTTO 3TJIR. — I WTci RScT R RTOT-— 1|
RTTR TOT fflff RTO TOTfR- — I fTOTO TOR clRSI. — 1|
JTR TORifj; fTC RfTOT TO.— I KTlff tjrjt. — || T,^
RTR TOR frosfcT R ¥TOf.— I rf|; ?ff JTR ^FTT-— 0
TO TO TOJT TO TO *n€t-l RTfR JTR3T TO RT^T. — 1| \<T.
RlfRR 'TOT: JT'fTTO RR R. — | RT! TO cFl RR.-0
D
26
MAITHIL CIIItESTOMATHY.
[Extra No.
%i 3333x3 fnfx siwfi-— i gi 11I31 33. — ii ^ •
33 xfe 3f3HT 33 3311.— I 11 ITtNi sff. — II
%1X3 in i 5 3fi iii.— I 13 £i ii iff— li ^
3;iil 313 3X3 iff 1ST IS. — I 151 3T3 513 1W-— II
31 3Tlt 13 1T3 33JT 31. — I ffllf 11 513 313T. — II
133133 TfSf IT 311}- — I 35131 iff 3T1. — 1|
ISlfl flfflT 5JT fififlfVfiflljT. — | 31133 IT 311.— II 11
13TST1, 1311, 3TT fll^f. — I 3ftl 13lfll 3T3T. — II
Hf3, 333T, 3?f 3ixflt.— I Hit 11 f33T3T-— II 18
3X31 33113 iff 511.— I 113 31 flUf .—II
^ft — I *rfit crerar wt — ii
31S>, 3fT, IT 333fT. — I *ftl3 111 lift-— II
3X33 ifff iff 3 3T313T. — I iff 311 11 WTlf- — II 1<
13 53f3 31 fls| iff 311. — | 33ST 3fl31 331. — II
3lt 5?3 e|Sl iff ll^T. — I m3 IS 11 XS31- — II
33 3*3 15311 H^ff. — | IT 31 1X3 11X3. — II
lfllT31 313 13 1TJI3. — | % iff 53; 11 ITC- — II 1^
C\
Tsfll 15T1 UTlff 3T3\1 — I Wilt ifl ifl 3T1T- — II
131 falJTT ifll 31 31<ff. — I %T1 iflTlfl JVflT- — II
^Tlt31 1 1113 11X13. — I 1 1H33 % 3S3T-— II
31(1331 513X331 3TT1X. — I 3 1X33 ff %33T. — II 8°
JIXlt,51, ^11, IS ftlT^. — | 1313 f 55 3T3T. — II
fill I^IT 1 3^X313 3. — | iff 11 iff S1X3T-— II
■1} 1#51 fll »23f3. — | 5T1T1T1 flff %9t.— II
3J11 HI f fl 5JTT. — | l}3f3 1 iff 1%1. — II ^3
JTTlf 31 11X33 11T13.— | 3T1 31 111. — II
3ffll JXflX 5333, ifflT. — I HIT 1T1 111— II §3
33(5ft, if 31 HIT. — I flill li- 133X1 .-II
lflll31, ftlXlW 313X. — I 1X11 131X lfl%l — II ^8
3X'fl ffxsrfl, f315X31 313T. — I 3lfll %X 3ff 1X3. — II
3313, 3fl%T, IX 5S31T. — I 3T if fffr3 11X3. — 1| ^
3333131, 3111, 333 i if — I 3331 § 533.— II
53ftfl, 13X3, 3lfflft — I 313T 1131X3. — II
SONG OF THE FAMINE.
27
1881.]
J-fiRqX t 5TIX STTfsTcI 3X31 M. — I JXTOT %R q^TC. — II
f=fqt Mffqxqqq. — i qrxq Srxtc qqx % qtq. — 11
qq^qqR qft COT qqqT. — I ffXROTqq *ra TT3— n
Mtq)q3t, w qqMtqiX. — I Mqq ItNt MFCT3. — II
3iqqx Six qqqq^t itP?ot. — i qq fqq$q m qq%. — n
qf? ?rr qqq qq qq qxqt- — I qx% Rq ixstiii. — n sq
3X3 3jqqX 3XOT?X flfflA — II <3Rn3 5X}q ^ OTOT. — II
qq Mmxt Sr mot W qrwxq. — I qfi q^xq qjqiqxqT. — 11 s»
mm% mm § OTSX. — i Mq qtqrq qf M'fqx. — 1|
qf? OT^T OT^pr %T??t qfqfcf. — | q;Rre qf^MX 3Tfq q?qqi.— 1| 8^
%qff ;=qTRfOT^qR qxM {%3gx%qr. — i qiMT OTufqq m3. — 11
MWIOTq M M3fsq qW.— I q OTXI MM %q M3.— II 3 3,
%qft STMXqq qifi qxRtrf.— | f^qqrr ^XMOT R#t.— II
qxqxtx Mxfq iq fqfs qxifR. — I gqqfR spot?; 3^t— u a^
qxqxqi: xxxqq OTcf ^xqxqfNx. — i q$?qx Srxqjq — u
Mxgfqqx qq qfqsxq qxqq. — i qxq iNxrs sx'fOTsrxqx. — ll as
qxqxqsl qq mm qtxqxqMiMt. — i ms Mnrfqq irN- — n
%qft qxqxMfq m fqf%qixqwfa-— i qxqrqsl Mqqpq mt^.— ii at
qqqx ■gfq % iPfTM fqfMMxqftM. — I q mxxim mm siqix. — ll
qxqx rot^Ir mm Mtrfqq-— i mxxxm Mqq< sRx.— n 8<
mxxx, fqqxW, Mifqiqx qqrqx.— i f%fqqxtM'q ii
qrx§ft, qra, q*x, mt — 1 sure qx*x MqqRM.-ii sa
cTTfi? qqqjx mt q«qx — | $ qxqs ft q|q. — u
q qixqq qq?qr qq mr^sx.— i Miq Mafax m}m. — n a-=
qxxq ots qix^q. — i qf qffwxx mxm. — 11
qxq % qqqnq Mf?q ft{%.— i qtR fiMst xgxq. — 11 at
M? mm mxx qf<J t-— | sxxq f«3t m^t.— ii
qisxq qxq Mqqxq %. — i fqq^q qsqq qq.— 11 iq
qifsxqqq m" M^q fqqxq. — i ^x% qx€J.— n
^%gx qRq qq q^qxq. — I qiiq 'q’lqilt RrCt- —
C\
y3M'<Jtq, qqqte, qqqt- — i qxqq % qjnftsiq. — n
Mlflt mxjr % qtxqfq m.-i qxf% qMstMq^-ll n
28
MAITHTL CIIIIESTOMATIIT.
[Extra No.
s(5T ifte 5hjt. — n
^tirei % %3T ^trs — i wt ^frtir. — n i«?
^fras: %re sR5if ?; — i irrafi? »ncr *Ns. — 11
ttrifT usurer rcws.-i In sun irs sfe.— n
3t^ stork If. — i Ifinsi % ^=5 ^ra.— ii
5»rs PtKirt ^rar ti'. — l ftes ^ % stki. — ii
sfin %g «ti3 %x. — i gn* Tflit: In. — n
st^fft ntes? Inn^twlf. — i nsrt II ^r In. — it
Sf^x «Tt3 %F3 Ifc ^SK- | *fliN % SKnnt.— ||
Isrc itflreii: thr n^tift. — l Insnn nKnnr. — <°
t?r |?t If nta wJtilTnr. - 1 f}^ *?nfn I rut. —
its tin, jrasJt, %t ^ra^.—i nst^T, %k strut.— ii
fWt, tort, % nsntl. — l IHt %t srsuk.— ii
wirci, %k ntunu;, cmt. — 1 srtn ^ % tk. — ii <=?,
HR RTtini ^55 feKsfet I. — I ’SttfR Jtrft % t^I. — II
3T3t, gin, ItRfT, %T W^Tf— I In flTOSt %*t - II (fR
WTtl Hr tr?tn, Itiur sw. — l nmlti: rstto.— n
%THT ntfn n Stiff %. — I $% TTOft RR- — II ^8
^T3t RTO< IT it«TT. — I TOtjn %t 3T*TW. — 1|
Hr fnsmft ni?.— | nti: n% nte ntflin. — ii <1
rkit to nk ntntTn. — 1 suttru: tin; In.— ii
%tw ni;fn ?: sitct —i $f% eRsr^qt In.— s «
RUct ntT« tt*T 8Tfl fl. — 1 ZZ ^Z HUl ^Z. — II
Sif% wTH arraft Bfijcr.— i nil It tot.— ii <(«
fn% tor % nsnrl. — i nnm nf?wR. — ii
•V *\
ercst TOtfi ^^t Hwtit. — i Iff sft gi; ^r?. —ii
intrf^i. — l y^RtTli: ^ftsmst. — ii
ffw^t^ii: ins % ^ttrt- — l sttstfi tt^rsi sttw- — n <t
3ftg r;n€t tor fzjfzl — i %t Jtyitfi I ^t?;.— ii
3?f ft is. — I iT% i-tit Sff^:. — g >30
fist if^t itJtJti; ii fsni. — i ftre: Sent. — h
^IJttsi srfTRT. — I JtTet. — II >31
JtftR, it iff, Jt^t, ^ %, it — i sr^fsr %ct ^<3}tr. - ii
SONG OF THE FAMINE.
29
1881.]
TO TOHFft 1 ^TTg TOtW — 1| ^
mg*: *tt*i ^tf% toto %\ — \ rbft ^ vra- — n
jttc^ srvr^. — l fav^rfa VF0fi? 5TST«T — II ^
'J' TRANSLATION OF JpATuX1' J-A'l's jSoNG OF THE
j^AMINE,
1. Hear the tale of the year 1281 : On every side a famine fell.
In that year the rains wasted away ; how can 1 tell all that happened ?
2. Hohani is the first asterism of the rainy season : but, as it came,
so it departed (without rain). Mrigsiras fulfilled our hopes, for it gave
a few drops of rain and departed.
8. Aradra passed by with great majesty, thundering on every side ;
Hulch saved the face of the earth, but became the end of the rains.
4. Jdunarbas is a very holy asterism, but it was also a miser.
All the seed in the seed-beds would have been utterly destroyed if blessed
Aslelchd had not rained.
5. Who in the world does not know that Magha became like a
Magadh beggar? JPurbd Phctlguni did not prove its premises. Which
asterism can I praise?
6. Utra arriving found its home ready and abode there (i. e., came at
its proper season); but it did not give even a drop to swear by. Hatdiiya
concealed his trunk in his mouth, and the woodworm attacked him, (and
left him empty).
7. Chitra lost his senses and went mad, even he became a robber
and a murderer. All the asterisms had their noses painted red (as a
penance), and iSwati put his tail between his legs.*
8. All the Pandits who came from Banaras, after studying astro¬
nomy ; though they calculated the position of the planets, and knew all
about geometry and algebra ; even their word turned out false.
9. By the mercy of Ham, through whose mercy everything happens,
they did not know the truth. If any one asked them the prospects of
rain, even as they spoke, they (were shewn to be liars and) were put to
shame.
10. When the rivers and streams did not fill, then there came a cer¬
tainty of drought. For want of water, nothing grew on the earth. The
land became as if it were burnt up.
* I have slightly altered the original here, which is very indecent. This and the
five preceding verses contain a series of puns on the names of the various lunar aste¬
risms, which it is impossible to translate.
80
MAITHTL CTIRESTOMATHY.
[Extra No.
11. The cultivators knew the approach of drought, and exclaimed ,
‘ Fate is against us ; he has turned his face from us, and has cut off the
paddy by the root.
12. “Neither the rice in the muddy low lands, nor the mcirua on the
high lands has grown ; nor has sama grown. Gambhari and gadari
have dried up in the field. God indeed has turned aside his face.
13. “In the world of mortals who can save us, where can we go,
whither can we fly ? Hell itself is dried up. There is no moisture on the
soil, and even heaven has taken fire.
14. “ Shame on the life of king Indra, who caught hold of the rains
and stopped them. Living creatures became distraught upon the earth.
They lost all pride in themselves.
15. “ Spring crops, mustard, mu' g ( Phaseolus mungo ), and china
( Panicum italicum ), not one has sprouted. In house and house are men
and women mourning. Now indeed are our days woful.”
16. On the other hand all the rich men were pleased in heart, and
stored up many heaps of grain. They drew rupees into their houses in
armfuls, for the ser of food was now dear.
17. Some who had cowries bought a field of kurthi ( Dolichos
biflorus), or even flesh. But how many held a continual fast, and only
saw food in dreams !
18. How many men united together and bought a field of faner
(a tall species of millet , and a food given to cattle) , while the poor men
sat and looked on! In the whole world there came like medicine to men,
rahar , and Indian-corn.
19. Truly a dreadful famine fell in Tirhut, for so did the winds blow.
In house and house men and women tossed into their mouths parched
Indian-corn, and thought themselves happy.
20. All the land-owners and bankers had in many houses heaps of
grain. But, to deceive the people, they gazed about with faces like those
of poor men.
21. The shop-keepers saw the times, and were at their wits’ ends,
and in terror closed their doors. The cities were full of empty shops, and
all the grain markets were empty too.
22. Men’s bodies were all shrivelled up, and their very speech was
halting. How many things they had to bear ! Men and women ceased
adornino- themselves and sold their ornaments.
O
23 and 24. Mangtikds (forehead ornaments), Ichutis (ear ornaments),
and tarkis (ear-rings), nakmunnis (small nose-rings) were no longer seen
in their proper places. Katsari (necklets), bichhia (toe-rings), jhim-
jhimis (tinkling toe ornaments), bajus and bd'ks (two kinds of armlets),
chandrahars , haikals , sikaris (three kinds of necklaces), and ghamauris
SONG OF THE FAMINE.
31
1881.]
(seed necklaces), sutis (neck rings), navagrahs and pachlcharis (two kinds
of armlets), and lasunis (bracelets) were all expended.
25. Then not even brazen utensils escaped ; for the people’s fate
became still worse. Water-jars, small jars, and spittoons, and rice-pots of
every kind.
26. Cups, bowls, betel boxes, and plates for eating in. Neither
drinking cups, after the fashion of Madhab Sib, nor even small drinking
cups were saved.
27. None of the household wealth escaped. All went to the pawn¬
broker ; still hunger did not desert them, and their bellies became as it were
pits.
28. Then the “ Company” took the form of a portion of the deity, by
the help of Ram. When she heard that the city of Mithila was about to
be drowned, she ran up to save it.
29. She bought food and filled sacks and loaded them in ships.
Special native soldiers and white soldiers from Wilayat were entrusted with
the duty.
30. To Hajipur there came thousands of hundreds of thousands of
bags, and many hundreds of thousands to Patna ; and in the granaries of
Bazitpur and Sultanpur, I cannot tell how many there were.
31. Waggons, bullocks, carts and camels carried all kinds of grain
throughout Bihar. The place where they were told to meet was Kanhaia
Misra’s tank (in Darbhanga).
32. Maharaja Lakshmesvar Sih, Maharaja of Mithila, the immovable
Lord of Darbhanga, the lord of Lakshmi, relieved the distress.
33. Thousands of lakhs of carts and bullocks became entangled
together ; the first golds (granaries) were those at Madhubam, Bhawara,
Jafra, and Arer.
34. I sing also of Bempatti, and the Pach Mahala, Kumhrauli,
and Kamtaul : Hariharpur, Piraruch, and much work was there in Bariaul.
35. I sing of Bari Pokhari, and Birsayar. And who does not know
Pandaul P Nabahad (Lohatli factory), Sarisao (Surso), and Bhatpura, and
to the south of it, Ujain.
36. I sing of Jhanjharpur, Mahrail, Kanhauli, and especially of
Madhepur. Benipur, Ivaman (Kewan factory), Narahiya (Naraya), and
Phulparas.
37. Jhamna is a place renowned in the world, and so are Mahtha and
Bachhaur, and the relief circuits extended from them to Duhabi, Mahinath-
pur, and Jainagar (on the frontier).
38. I sing of Baldebpur, and Dhanga, and Mirzapur where there is a
small market, Sibipati and Kapsia and the chief gola at Saurath.
39. The Hakims came into Tirhut and relieved the poor. If they
32 MAITIIIL CIIRESTOMATHY. [Extra No.
had not done so, how many men would have dried up, and died with their
little ones !
40. How many corpses would have lain in the dust (uncared for).
Innumerable lives would have been lost. Even no respect would have been
shown to sons-in-law, # nor would a son have remained to perform the funeral
obsequies for his father.
41. Nearly every one was driven to throwing up earth on embank¬
ments, tanks and roads. Only the learned Soti Brahmans, Kayasths and
western Thakurs escaped (from this indignity).
42. Some (of these last) made themselves overseers, and some
Muharrirs , and others mates. In a holy cause they robbed the Govern¬
ment of money, and got their deserts for it.
43. Some who had friends among the court officers got off by givino*
bail : some got caned and had their backs scarified, and thereby expiated
for all the sins of their former lives. f
44. Some wasted away in confinement awaiting their trial, and a
great many were committed for trial. And their parents, wife and relations
wept, saying, “ The Babu has gone to jail.”
45. Some of the wicked Muharrirs and mates had their houses
searched by the police. Some had to blubber in the Civil Court, and
others had their moustaches pulled out (by peons).
46. When the Hakims heard all about this, they flew into a rage ;
and therefore (stopped daily work and only) gave work by contract. And
all the Muharrirs had their noses painted red, and a white patch of lime
painted on their foreheads.];
47. Jogs , Bikauas and other Brahmans of reputable descent, who
had performed all their various duties, and were of good family, mort¬
gaged their groves, bamboo clumps, oxen, buffaloes and land.
48. When they had spent all the money got by this, they borrowed
money from the Court of Wards ; and therefrom many family disputes
arose, and brothers and nephews parted from each other.
49. The Lord Bahadur (Sir Bichard Temple) also came to Darbhan-
ga, and held a Committee there with the Babiis (i. e , the relations of
the Maharaja).
50. 51, and 52. Here follows a long list of names of native gentle -
men who attended the Committee , which is not worth translating .
* It is considered a great disgrace for any father-in-law to go to his son-in-law’s
house for help.
t is properly weariness, and it is taken away ( j sham.
pooing. Here the poet calls their sins a weariness, and says it was taken away by a
shampooing with a rattan.
XI. e.y they were put to shame. Painting a man’s nose red, and his forehead
white is a favourite zaminddri way of disgracing a man.
1881.]
SOXG OF THE FAMINE.
33
53. All these sat on the Committee. The actions of Government
are wonderful : for then a Railway came to Tirhut
51, The Railway started from Bajitpur, and came along at a great
rate, and, after making a bridge near Haheya (Haya Ghat) across the
Gandak, it came straight across the marshes.
55. The virtuous and mighty Company knows who is the Almighty,
and made a Railway Station (in Darbhanga) near the Lakshmi Sagar tank.
56. The Great Lord of Calcutta (Lord Northbrook) accompanied
by the goddess Durga, and by the Little Lord Bahadur of Agra,# came
and sat together, both being white men, (and hence undistinguishable to
the crowd).
57. The Commissioner and Collector met them there, and spoke in
a language we could not understand (English). These five sat on the
ijlds together, with a Joint Magistrate of the same caste.
58. The news was published in the Newspapers, that this was the
condition of Mithila, saying, “ Hear, O People of England, lend your ears,
and wipe away this net of sorrow.”
59. They gave orders to the two Lords, “ Hear our words. Help the
poor cultivators. Why are you sitting at ease ?”
60. The great Lord caused two heroes to arise, a Sahib, and a
General, and also Majors, Magistrates, and Collectors, and Colonels of the
same caste.
61. They collected food from every country, and paid the price of it
as well. They brought mu'g , wheat, and rice, bajra and gram.
62. From Delhi, Patna, Bhatsare, and Ajmer, Agra, and Kanhpur,
and from wherever there was plenty of grain.
63. From these places grain was sent to Tirhut, on waggons and
bullocks, elephants, horses, donkeys, and carts, with soldiers in brilliant
uniform.
64. The soldiers were by caste Chhatri, Paithan, Mughal, and
Rajput, excellent heroes. I cannot tell their splendour, which was like
that of Hanuman the messenger.
65. In front went Sappers and Miners, and the young heroes of
fighting regiments, wearing lances and swords, and with bows and arrows
in their hands.
66. With their JamdcJdrs they mounted horse and paraded. AL
though I have seen their colours at the time I cannot describe their
splendours.
67. They did their duty everywhere and all the plunder was stopped.
They levelled mounds and groves, and made roads and bridges.
* This must mean the Lieutenant-Governor of the N. W. P. But if it does, it
must be a mistake, as Sir John Strachey did not come to Darbhanga,
E
34
MAITHIL CHRISTOMATHY.
[Extra No.
68. In the districts of Patna and Bhatsare, in Pargana Mahsaur,
there lived a good man, into whose house the goddess of prosperity had
come in haste.
69. Dwarika Prasad by name, virtuous and wise. Pie was special
Tahsildar for the Court of Wards, and knew the whole world.
70. Deputy Collector Babu Isri Prasad came to Madhubani, and he
went into every petty village, and gave orders to the relief superintendents.
71. People borrowed maunds of grain and were pleased at heart,
and many took alms. Bless the noble Englishmen, for every one’s limb
became fat.
72. The poor, the rich, and the wretched alike cried : “ Victory to the
Company and the Brahmans blessed her, and they prayed to the Lord
of Raghu (God) that her reign might increase on the throne for a hundred
thousand years.
73. Phatur Lai has told this tale of the famine. The Government,
and the noble Governor, preserved Tirhut.
We now come to the Poems of Vidyapati Thakur. The name of this
celebrated poet is a household word throughout the whole of Bihar and
Bangal. I had intended at first to prefix to the following collection of his
songs, a succinct account of him and of his times, but space forbids me. Suffice
it to say that he was born at Bisphi# in the Madhubani Sub-Division of the
Darbhanga District, not far from Damodarpur, the birth-place of the still
more celebrated Kalidasa, in the latter half of the fourteenth century. He
was the first of the old Vaishnava master-singers who spoke and wrote in the
language of the people ; and his short hymns of prayer and praise, soon
became exceedingly popular. They became great favourites- of the more
modern Vaishnava reformer of Bangal, — Chaitanya, and through him,
songs purporting to be by Bidyapati have become as well known in
Ban gall households as the Bible is in an English one. And now a curious
circumstance arose, — unparalleled I believe in the history of literature.
To a Bangali, Bidyapati wrote in a difficult and strange, though cognate
language, and his words were hard “ to be understanded of the people” :
so at first a few of his hymns were twisted and contorted, lengthened out
and curtailed, in the procrustean bed of the Bangali language and metre,
into a kind of bastard language neither Bangali nor Maithili. But
this was not all, — a host of imitators sprung up, — notably one Basant
Ray of Jessore, who wrote, under the name of Bidyapati, in this bastard
language, songs which in their form bore a considerable resemblance to the
* Not Bipasf as stated by other writers, — at least the village is not called Bipasi
now-a-days.
1881.]
BID YAP ATI.
35
matter of our poet, but which almost entirely wanted the polish and
felicity of expression of the old master-singer. These songs gradually
took a form more and more Bangali, and the latest can hardly, so far as
the form of the language goes, be distinguished from, the antique Bangali
of Chandi Das and the Bidya Sundar : they thus naturally became more
popular amongst the Bangali people than the real songs of Bidyapati,
and speedily crowded out the latter from their memories. These spurious
songs of Bidyapati have been more than once collected. They can all be
found in that large heterogeneous mass of Bangali poetry called the Facia
K.al'pa Taru , and have been republished in a connected form by Akshay
Chandra Sarkar at Chinsura in a series of volumes called the Frdchma
Kctvya Sangraha, in the Bangali year 1285 (A. D. 1878-79). Another
expurgated edition has been published by S'arada Charana Mitra,* * * § (B. S.
1285 = A. D. 1878-79) to which is prefixed an excellent Bangali intro¬
duction bringing up to date everything that was then known about the
real Bidyapati of Bisphi. In the latter work, however, the editor is still
under the impression that the poems he is editing are the work of the
Tirhut poet, while nothing could be further from the fact. I have gone
carefully through every poem in both these collections, and am in a posi¬
tion to state that not more than five or six of them altogether show even
a resemblance to songs admitted up here to be the work of Bidyapati. f
Even these are so distorted, both in language, and in rhythm, that iden¬
tification is by no means easy.J The songs in the Bangali recension will
not even scan according to Maithili rules of prosody, much less can they
be brought within the bounds of any rules of Maithili Grammar. § The
fact is that both these Bangali collections are most interesting as showing
the influence of Bidyapati over the Bangali mind, but in no way can they
be considered as containing more than a very few lines really written by
himself.
The songs here given are, I believe, very nearly all that are known
of Bidyapati in Tirhut. A glance at them will shew how different they
are from their Bangali fellows. The majority of them have been collected
* Vidyapatir Padavali, S'ri S'arada Charana Mitra sampadita ; Calcutta, 71
Cornwallis Street, S'ri S'rischandra Bhattacharyya, Printer and Publisher.
f In the Prachma Kavya Sangraha the only songs which can be identified as
bearing a resemblance, or as having lines common to admitted songs of Bidyapati
are p. 15, No. 17 ; p. 64, No. 12 ; p. 72, No. 87 ; and p. 74, No. 85.
f Compare Pra. Ka, San. p. 15, No. 17, ( — No. 17, in S'arada Charana Mitra’s
edition), with No. 1, in the present selections ; and these two recensions, (the Bangali,
and the Maithili), correspond much more closely than any other similar pairs noted,
§ Cf. such Bangali forms as used as substitutes for Maithili or
36
MAITIIIL CHKISTOMATHY.
[Extra No.
from blind singers, and others whose profession it is to sing these Vaish¬
nava songs, but I am also indebted to the Maharaja of Darbhanga for
many of them : I have, however, searched everywhere for them that I
could consistently with my official duties, and I regret that these prevented
my directly having much communication with Bid}ffipati’s present de¬
scendants. I have, however, learnt sufficient to be satisfied that they have
no collection of their ancestor’s songs.
For further information concerning Bidyapati and his times I must
refer to the books above mentioned, and to an excellent article in the
Bangali Magazine the “ Banga Darsana,” for 1282 (B. $.), Vol. IV.
p. 75. Mr. Beanies’ article in the Indian Antiquary for October, 1875,
Vol. IV p. 299, also contains all that is important, and gives a resume
of the contents of the article in the Banga Darsana, with his own most
valuable criticisms thereon. In another article in the Indian Antiquary
(Vol. II. p. 37) Mr. Beames also gives an interesting account of the
Bangali recension of the Pseudo-Bidyapati.
It now remains to consider the matter of Bidyapati’s poems. They
are nearly all Vaishnava hymns or bliajans, and as such belong to a class
well known to students of modern Indian Literature. They cannot be
judged by European rules of taste, and must not be condemned too hastily
as using the language of the brothel to describe the soul’s yearnings after
God. Now that the Aphorisms of S'andilya have been given in an English
dress by Mr. Cowell, no one need plead ignorance of the mysteries of the
Indian doctrine of faith. “ God is Love” is alike the motto of the Eastern
and of the Western worlds, while the form of Love proposed is essentially
different. The people of a colder Western clime, have contented themselves
with comparing the ineffable love of God to that of a father to his
children, while the warmer climes of the tropics have led /the seekers after
truth to compare the love of the worshipper for the worshipped, to that
of the Supreme Mistress Badha for her Supreme Lord Krishna. It is
true that it is hard for a Western mind to grasp this idea, but let us not
therefore hastily condemn it : the glowing stanzas of Bidyapati are read
by the devout Llindu with as little of the baser part of human sensuous¬
ness, as the Song of Solomon is by the Christian priest.
For further particulars as to the Vaishnava poets of Bangal (includ¬
ing Bidyapati) see Indian Antiquary for 1873, Vol. II. pp. 1, 37 and 187
where Mr. Beames elaborately discusses the whole question, and Dr. Bajen-
dralal Mitra’s preface to the Chaitanya Chandrodaya.
As regards Bidyapati’s prosody, it is needless to say that no rules are
in existence : P ingala’s Prakrit Sutras which are said to apply to Braj
Bhasha will not apply here, for I have tried them. I have therefore
been compelled to analyse the metres for myself, and on another^ occasion
1881.]
BIDYAPATI.
37
may be able to give a fuller account of the result. It must be sufficient
to observe here that each foot throughout is divisible into four short
instants, and that one long instant is equivalent to two short. Each foot
may therefore consist of either ^ ^ w, — vjq
or - . Sometimes a long syllable is divided between two feet, but in
that case the three following instants of the second foot must be three
short syllables, thus we find '•s -f — v-/ -p ,
w — -p w w .
The following schemes of metre may be noticed. Each column gives
all kinds of feet allowable in this position.1*
(i-)
The principal rule in this metre is that the third foot must end with
two short instants.
In one instance, ( Vide LX), the fourth foot is simply one long
syllable instead of a long and a short. The above metre is very common.
(2.) Varieties of the above, not so common, have the fourth foot
- , — , or w ^
* I am quite aware that the following schemes of metre will not satisfy those who
bind themselves down to the laws of the Chhandodipaka, and the Pingaladarsa, hut
I cannot help it, and must disarm hostile criticism by assuring my critics that I do not
hastily differ from those celebrated works. I have with my own hand recorded the
quantity of every syllable in Bidyapati’s poems ; and it is not my fault if they do not
come up to the standard of metres in other dialects. I have adopted the system of
counting four syllables to a foot because I found it simplest to do so, and because the
lines naturally divide themselves to the reader in this way. As an example of how
Bidyapati is his own rule in matters of metre, I may cite the third variety of metre
noted above. In this each line contains 28 instants, with a caesura after the 16th.
The class being Jati , and the order being Mdtra Chhand , this naturally suggests the
well-known Bhajan metre called Thwnarigit which coincides with the
above description. But Thuwiarigit divides the instants of its feet thus 6 + 4 + 4 +
2, 4 + 4 + 4= 28: while Bidyapati sometimes makes his 6 th and 7th instants one
long syllable which is incompatible with the above.
38
MAITHIL CIIRISTOMATHY.
[Extra No.
(3.)
In this metre the fourth and sixth feet must end with two short
instants.
There are other metres, but the above three are the commonest. It
must be observed, however, that, by poetical license, the last couplet of a
poem, called the Bhanitd, is not bound by the rules of the preceding lines.
Moreover, the last syllable of a line or phrase is not common ; on the
contrary it is frequently lengthened or shortened by poetic license for the
sake of metre.
As regards the quantity of syllables, a vowel short by nature, and
also by position, is always short, but a vowel short by nature, and long by
position, or a vowel, or even a diphthong, long by nature, may be con¬
sidered either long or short for the scansion of a verse. In fact accent
has quite as much to do with scansion as prosody, and the result of the
two combined is that, as Mr. Beanies rightly observes, the verses “ trip
oft the tongue with a lilt and grace which are irresistible.”
According to native custom, I have grouped the songs into classes,
according to the subjects of which they treat ; one class, for instance,
1881.] BIDYAPATI. 89
treating of the first yearnings of the soul after God, — another of the full
possession of the soul by love for God, — another of an estrangement of the
soul, and so on. To understand the allegory, it may be taken as a general
rule that Radha represents the soul, the messenger or duti the evangelist
or else the mediator, and Krishn of course the Deity.
The following genealogical table of Bidyapati and his ancestors and
descendents has not been published, and will be found useful in fixing his
date.
8. Visbnusarma Thakur ; of Bisapi, founder.^
7. Haraditya Thakur.
6. Karmaditya Thakur.
5. Devaditya Thakur.
4. Dhiresvara Thakur.
3. Jaya Datta Thakur.
2. Gana Pati Thakur.
1. Vidyapati Thakur.
2. Harapati Thakur.
3. None, alias Ratidhar Thakur,
4. Raghu Thakur.
5. Visva Natha Thakur.
6. Pitambara Thakur.
7. Narayana Thakur.
8. Dina Mani Thakur,
9. Tula Thakur.
10. Eka Natha Thakur.
11. Bhaia Thakur.
12. Nanu Thakur. 12. Phani Lai Thakur,
i
13. Banamali Thakur. 13. Badri Nath Thakur.
• a
Nanu Thakur, and Badri Nath Thakur are alive at the present time.
The latter is a mere boy, his father having died quite lately.
In conclusion it may be useful to note that Bidyapati mentions the
following persons in his poems :
1. Raja Sib Sih (or Sibay Sih).
2. Lakhima Thakurani.
3. Rup Narayan.
4. Modabati Dei,
* In the oldest documents, including those contemporary with Bidyapati, the
name is spelt Bisapi. Now-a*days, however, it is spelt Bis’phi
40
MATTHIL CIIHTSTOMATHY.
[Extra No.
5. Pran’bati Dei.
6. Raghab STb.
The first of these — Raja S'ib STh — was king of Sugaona in Tirhut,
and was the representative of a line of kings which has left its mark upon
Mithila. When it became extinct, this line was succeeded by that of the
present Maharaja of Darbhanga. The line of kings as given by the here¬
ditary genealogists of Mithila is as follows :
The seventh of his family and third of his dynasty was —
3. Bhab Sih who came to the throne . A. D.
4. Deb Sih, . . . .
5. Sib Sih, . .
6. Padm Sih, . . .
7. Lakhima Debi, .
8. Bisvas Debi, .
9. Darp Narayan, . .
10. Hirday Narayan, .
11. Hari Narayan, .
12. Riip Narayan, .
13. Kas Narayan, .
Of these, Nos. 5, 7, and 12 are according to universal tradition the first
three persons in the list of those mentioned by Bidyapati. With respect,
however, to Riip Narayan there are grave reasons for doubting the tradi¬
tion. A grant of land is in existence, showing that Bidyapati was a
celebrated Pandit in the year 1400 A. D., and Riip Narayan did not die
till 1542. So that to assume that Bidyapati and Riip Narayan were
contemporaries, assumes a most improbable longevity for both of them.
Mr. Beames suggests that the Riip Narayan of Bidyapati is simply an
alias or family name of Sib Sih. Although not borne .out by tradition,
there are several good reasons, which (as the case has been fully argued
elsewhere) I need not repeat here, for agreeing with this suggestion. It
is certain that many kings of Sib Sih’s line had aliases ending in Narayan.
Concerning; Modabati and Pran’bati, I have no information to offer. I
can find no clue to their identity in any of the genealogical lists, and
Badyapati himself, gives either contradictory accounts of Modabati, or else
refers to two ladies of the same name. In Song 75, he calls her the
* The names above given may be taken as correct. I have taken much pains in
searching the most authentic records. The list differs considerably from those of
former writers, but these can all be traced back to Ajodhya Prasad’s History of Tirhut
in which the names are written in the Urdu character, and incorrectly. The dates
given are those currently reputed to be correct : but I have several reasons, which I
need not here repeat, for believing them to be untrustworthy. However, for want of
better ones, they are given.
bidyapati.
41
1881.]
beloved of king Sib STh, while in 76, she is styled the wife of Raghab STh.
Local tradition makes her the wife of Bidyapati. Who Raghab Sih was,
we shall see bye and bye. In Song 37, Pran’bati is called the necklace of
Rup Narayan, and that is all the information available concerning her.
Raja Sib Sih had six wives, # all of whom died without issue, and two
of whom, Lakhima Thakurani and Debt Bisvas, succeeded Sib Sih upon the
throne.
The following table, abstracted from the genealogists’ records, avail¬
able in this subdivision, will show the relationship between Sib Sih, Rup
Narayan, and Raghab Sih ; (if, as I doubt, the popular tradition making
them three distinct persons, is correct).
Bhah STh.
Bv his 2nd wife.
i
Deb Sih.
By his 4th wife.
l
Hari STh.
Sib STh, no issue.
Nar STh, alias Darp Narayan
Dhir STh, alias Hirday
Narayan.
Hari Narayan, alias
Bhairab STh.
Raghab STh, m. Mahadebi
Hasini.
Rup Narayan. f
Kuwar Gadadhar, no issue.
Kas Narayan, no issue.
It thus appears that both Rup Narayan and Raghab STh were first
cousins twice removed from Sib STh. With Kas Narayan the line of
Bhab STh became extinct. The family is now-a-days represented only
by the present Maharani of Sugaona and Chapahi, who married a de¬
scendant of a collateral branch of the family, and who has no son. With
her, therefore, an old royal family in Mithila will become extinct.
But, admitting the above table to be correct, as it certainly is, the
same doubt arises concerning Raghab STh, as that which arose concerning
Rup Narayan. They must have been contemporaries, and that being the
case, it is just as improbable that Raghab STh could have been contemporary
with Bidyapati as Rup Narayan. Who then was the Raghab STh men¬
tioned by Bidyapati? His name occurs in two songs (Nos. 61 and 76),
and in one of them he is called the lord of Modabati. I hesitate at suggest-
* Mahadebi Bisvas, M. Sajhainf, M. Bat’na, M. Lakhima, M. Uma, M. Guna.
f Married, (1.) M. Anumati, (2.) M. Bhanumati, (3.) M. S'aiti, (4.) M.
Medha, (5.) a lady, name unknown.
F
42
MAITHIL CHKESTOMATHY.
[Extra No.
ing a second alias for Sib STh, but it is a remarkable coincidence that in
Song 75, a woman called Modabati is called the wife of Sib Sib. But
here another difficulty has to be met ; Sib STh it is true, bad six wives,
but we know their names, and none of them was called Modabati, and to
make matters still more complicated, there is a tradition current in Mitkila
that Modabati was the name of the wife of Bidyapati himself. It is
worth noting that the Raghab STh of the genealogists had only one wife,
and her name was not Modabati. On the whole, then, we have too few
and too contradictory materials to our hand, to assume anything positively
concerning either Raghab STh, or Modabati.
II \ ii ii
\ i
^ | fTO inTRT^ II
ciiT wr i m ^tt^t ii
5JST yTT |
spt 'SJTC I
W WSJ ^T% I
wfi wx% i
sif*r sifsi ftw wif% snucr «
*r|sr ^ ^nf?f gsj ^=rr n
sfrfti yftsj ’StTUcT ii
W %TWcf jpxpt u
5? I
W ^ffT 3% |
sp'zm "RT'W fWW TOIT% I HflX Tiff tTTWf^r 3JT% 11
WiWT JTCW WW 3W 3TW I fspT WT^rffT Jiff fTOWTW II
WT WWSjfa JiW WT% I ^JSIT % ||
**URai ?jij ^ ^5-s i ww jjwcj sy wra n
w\fi faqTJrfct cff <IW sf(% I ^rsrc; g-yr ?;g gff yy y|% ||
3 I
wxit w *rc#t ■afijj i
sfitsj sr^-st ntf yjg | % si nfcr sjyyyj n
^ ftft i % n
1881.]
BIDTAPATI.
43
^rrsifit fsprsr ik i %r »r ^ 3R tr ii
^iRffr wra^j urer i 3*5 3 ffrcrei n
% ^333? 3 If 313 I 33 33 3=f 3^313 II
W3ff 33 3 WTK I srg 3H3T*J 3^ST 33 <113 II
♦ N# *
srrfa^T i
3 srfk 3 3 fNi? ^ir i
f*ra 3 f*rarc 3113 f%3 ^irsr I
rt*3 33f% Pt?k: i
% ^gfcT 3tjk %ft <i^r I
wfi f^mfcj 3if3 353=113 i
r ?nft ^fk I
g^i 33 5533 f33* ^13 u
33i33 133 53333 ^trt II
3133*1 333 =53*1 % 3K h
sj
TO 51% 3TT^T TO TO I!
"3 n» 6\
i3i src H333 fkw mx ii
*u
31331 4 3if33u gfk i
3K 33 3<3 3ifi 3K i %3 if 35333 ni i 3rNtt
?ife m %fk iWf i 3 3jr %r 33 w^t i 3i^3T
13f If 5JRR g^i TfT% I 3133 %3£ 31? 1 353>3T
Pramflr 3%T 31% I 3SRt 33 HJI^PT | 35^31
II X II *$\ Tl^m viTW ||
> C\
3 1
^nfkRrr *r 31335 333 i
¥K5t 3331 333 w*i ureftfa
3f%3 333 TO 3lt i
*mro ^3 333 33 «Tf%3
^13 3 3R ^ ii
%T^^; 333 33 3R %T3jf3 3fl
333 fks 3*3 |
44
MATTHIL CHRESTOMATHY.
[Extra No.
%ft 3uft swreffa *pt ^
*Nt gfticr sjft? q
%rspr *if| « ®=r
% snr % Jiff sift i
% jfitr sttc srst »t*j
tf^sr ft si ^mift ii
wff ft^roft 5*r srfaft
vj
t ^ftr i
<T5iT feftri? Jircnm
«rf%J5T ^ srft wm II
« I
st^ ® <rft sre*r |
sra* i
^ftfiR; qraftr sjcf ?ftft
^rfnft ^ % 5jft n
^rftftr iftnre: *rcft ^ift *rc
^ft *TST*ra Wftl i
cij;^it T?5rf% xjft ?j^i jt«t Jrft
ri^J STTf® *lft ®1®T I!
^f5§ *or ftift ftrejra ttft
5i!g ctKT% I
% XpP?ft WJ^ft 'Tift Hf®
ft^ftr ^rreftf iit% ii
ft^l tfs? nft’fft ^iTTfti 3mm ^ft?
iiftlft ft^J f ® jit€} i
^Tfifti
ft.^f *1 Itiiftl sra: «TT^t li
I; *;ftre> ft^r?^ ft*^t
*fift fq^mfcl JIT% |
«rw $jt ^ sct »m ?~3i
«ws^ ®r ^t% ii
1881.]
BIDYAPATI.
45
c: |
Her cfifg^T I
iJiWisT %% | fcJ^TT HR ^Tlfir ^veT *pf ||
«TcT«T tf^cRI *TI*T I %^cT S*T ^[cT K*JI ||
C\ S»
Tg?I rffteTST-T nm qRf | «T ft^ra *H *{ft if %T^ g^ra ||
®ra*ra< itT’Efi: ftre: *ifi tre i sres^ ufsi ?r irre; 11
vrcft ftqrqft ^tr ^ irre i ^fw^R ^iffift ggr f?r wre h
e i
smra ^ iftr i
<f)ft*fi kfr: cflft^ i to?; gft%c sm u
^Tft r ^ traft *psT i ?rtf?ra tot?; *rra?r g^j n
*> *?ra wife i eftf^ tot?; ?rra?r ?nftr «
ST^ff fTOJTUft crtftl | JITJI?; 3iT ftm ?ITft It
\° I
*tpr» € 3ft; i
?rra?r ^5TT®r ?r srftft ?rft i
srci^rr 5i1%^ %%* i^ft
% ?th %m^r^ first n
stfinft stTn %” %mftj
'Sft*! % %TTOT 3(3T |
m^r 4t
ttt^: JHivni qfti ii
^TOT wfa ^TfgTt %“ %Tt?"Tp^
pRT % %TTT3ft; «TT«Tt 1
^s^?tt ^rftft %*
3T ?TH STT^t II
1 ft R ^ uft 33ft wftr yft
TOT TOTORI 5tT3lt I
ftl?; fTOTf 5Tfa ^T SfTCftj
?rs ftp? yft tot ^taft ii
46
MAITHIL CHRESTOMATHY.
[Extra No.
wfif mRTHfb
si nJ
jtjr trfe: fspsHr i
'si
smc fwrfro
%T IR SfRpSJ 5Tt% II
U I
SEflit ^ |
^ %r?: tR?m l *^nfer ^?r ii
%igf% I srrj jr srttt u
SnfaT T5*i 11^151 1 lift ^=f^[ iNlR 11
wff HR % | qtRg If fiRR f II
^ I
^rrft^T «f *nft ^r«t 1
«R1 ’l *t 3R SRIRI I ^fisRI ^IPR HW HRT ||
3JJT5R w sfRfa 3SR *TJT I %R JTTJR: UpRcf %RJ HR |
33^ <33f% Ufw*f ftil tft I *fR3*T 3TRR f^T *IR ift II
Shrc ;jtrc 1 ?c wr xtftifg rffi hh Rft: II
s» *
'ffff hr 1 %r tr hr -«sr serrir u
•V
wft fa’qwfcf 13 sr *rcft 1 *R®r 3r *r fn^cj g n
irrft^T € *rcit *rr i
w% 5?. *T 3R *NiT$ 1
3^ ^gR TffR %?3? qTRTcT
JFR ATT *ira II
*Z?T*R ffra^K ^RR ^R%flR
^i
hrr stsr ^wifr 1
%r? trf^rf ^r«r tracf flrai
JR5R SRSf ||
'si
pR *RRTO JT5 ^KRf JRTJtff
NJ
HpT JRIJ 3RpRT I
0\
1881.]
BIDYAPATI.
47
qq?1%q qq fq^fq? qmfqq?
5TTfjl ^33f% q?Tqqi II
’qqq ^ qf? q?«q
fqqnqfq qfq flit i
qraT ^q qrcrqq?
q?q?qr qm q;q? snq n
ii 3 H ^ ii
w I
qiqq? qr ffq qq?q |
7?T4jq q?=fq Tjqfq q^q |
q?qqi sraq fqfq? wfq qfflTqq? •
qq q?^q ii
WTO5T 'q^q sm %Tfirq
lifer qq^raq; ht% i
q?qq? %qt% qq fq?n
qiqq %q q?q?Tq ii
qq ^3qq %*: qtflqr ’‘fiqriqqT
qi*? fqqr qfq qxt i
qfurqq ’fTq qiq qs qqqft:
q* qfi qwq wt ii
qrqq fq*q q?q qq?q qifsq fqq
* M
qfq Tifti ^qfqq? qr% i
qrs ffq qq fq^tr q qqqfq
q qf? qqfq qqi% ||
qqq'q qqq qqq qq qrrq'jr
qnqq qu qmmq i
qrrqq ^qq ^qqr qq? qrrc'jr
%f% qrqfq fty q?q «
48
MAITHIL CHRESTOM ATII Y .
[Extra No.
Wf? f^Tqfrf TJfr SPC STTflfct
if 5f ira *tf? i
^t^tt fSPtftt’f ^tt stt^jb
^tfefflT Ufa HK II
w
sttft w ?n#t sr^sr i
siTKft ?;wf% trq- sast^J it
■sjurft %mf*r i
^t«t5t 5fctT Bf*T ?t5J«tt it
fsrs frotrefN n
'wf^t JrnfsT 5m ■Tt'Jii.Hi *i3Ht it
glider KI5T f JtltT i
sjfMtt trw^t %rfifitfiT ^tsj^l if
nr^fN 5ttft ii
ni^t TO ct«T ifcfst ?75Jift if
'(%?; $5t fegre: sratft: i
ctttt?: fwr ?:*t ?t5prt jf
5?t5t tftg tWlft II
tlfft ?ffl ^fife 3J5T ¥{5T^t if
%r^r ^55i gift |
Si
fteyttrfcT *t=? nt^N it
jr tttmft ^raift: II
1
*rr*rat € 3"fct «ra*t i
*it*r sn^ftt ^jgra xm i
Jt^smt ^ttjr ctict^t ^rfit
eft ?ER Itfct ^TOHT II
^ tJcIT ^iftflt qfft HJIift
ct«RT W^fttf ?ffl ^TT |
•\
fS^ttftt ^tft ^fwr xrfeT
W *tft «f%f ||
C\
1S81.]
BIDYAPATT.
49
cm ^ ^Tft37
si
cIT XW ^TTcft I
cJ«T2J cf^ ^^ET*T cR^ cflj
WT} II
srcfir <mT cl^
CTT m r I
Tlffi cJT xrft ffcTC "Cfi^T
f^iffT II
wff Prarntg g*r sre: snnf?r
sJ
git i
^rft: tta^t ch<t^r cm
ctt xr? mPtm gn n
^ I
*IT93i g ^fer I
gra^ gm trim ^T§? II
gera ^nfci g?r sg crst lift
ciTfi^ R ^tat i
gg cgtra gcf cifit^g gtjTra
g%x f*ra stat n
gig fajig mifg ffl^rfg-x
gifs fgm Ptfg gtg ^rax i
% g ^xfg mxfg gg gii^fw
stsa ggfg gm atax ii
ttfjgci gx its sits gx nxs^
t fim jffcgr 'sretgt i
wfw Prompt gs mgA spt
§s mggxrt n
c\
\* I
*TT^ *T ^fcr sTtR I
snsfcT Tim i
^R*TT cf«CT 3T«T
a
50
MAITHIL CHRESTOMATHY.
[Extra No.
fftfX XT?? X??T?T II
??ftft ict ?? ??? %TXixt?
ftngx st? x? ?f?t i
?i?3i xst sift ^fsi ftref ?sx
St? XX? ?g? HTSt II
X%XT ft? ?T?? §IX?
?T ?? X? ftlf? ?lft |
?tjix xxx ?Tfti sx XTf?f?
X?ft VI?? ?ft ?r#t II
3?3T?ft ??? STf? ft? SSST
NJ
?t 3ift ? “??t? i
xx ?t=?s ?f? %xx? %xxftx
sift ft?rsft ?t? »
ii a ii fmn ii
U i
?TX?iT ? srfts; ?X? I
XT3? %? ?? 31X51? ?X I SX lift?? ftwf? ?X ?X I
?ff ?ft?? ?IS?X ?ff xft I ?X ?ft?? ?XX ?ft? %X II
xx x ?xfx xx ?tst i ft?? ??tjt? ???? xtst n
3i??? ?ftx? sx six sx i ft? ?rs? xftw? ?fx ?x n
\J S* C\
Xff ??TX ?TX?l? X? I ft SIT X? ?3I? XT? ftf? ?f |l
??ff ft?isft ?rft ?ft TTX I SiTfe* ? ?3S ft?? xrft?TX l|
(
?ift ? ?tft?rt xx? i
?xxft sis?® ?xft ?xx i ?? xixx X? ?x? ??? ||
ftftng ftiTTXX ?xx ?TX I XT? ? ?lft %?ff ?3Xp? XT? Il
?? sis xsxsi sft? ??fe i ?xxt ? ift ?it% ?ra? tfti ii
?ft ?ff ?t?ft; ????! xtft | f??? ?X? smft; ???tft II
1881.]
BIDYAPATI.
51
^ q*qfci totti i tost tosto p? q*?r fr^iy n
wfi f^rqfcT 1*1 to: «iif?; I §tot yVf ffj^ci grift; n
^ I
totok i toPito tor i
f 5T wtot 4 "qf% wf% %
^1TO3 fiiTOTC} |
TOift toto *n uraq %
5ig sr*; qsqret 1 1
TOW q^ro tot toto: %
qascr to tot! i
toptot %ttot 5fjm wft %
tot qrfTOi ^mvt li
Sj
itot ifig TOremcfsT %
Si Y
fit tottot *rrTt i
«nfflfsr to gro*f% %
q;q< Tift sttot] ii
wfw frorrqfq t
l*r Junnfer tot] i
^Sl SJ
=? ft*ff i it to; *rfi %
sl
g; t trc*r jitotI ii
^1
TOfqTO TOT TOTOT |
TOTO TO*^ TO*T TOT i;TOT
V{ 3I^T I
TOfcT 9ITOC ftq lift TO^fN
fti toto crfror inro^ n
TOcT qfx? =51 sTtfe q3T^sftf%
qs frfy fjTCjfa tottI: i
% qf*T *rrq qfq q»q TOqqtN
s>
5* ift ^f^ istf; ii
52
MAITHTL CIIRESTOMATHY.
[Extra No.
■rfFm ^R qjfjT 'fJT %qftt
cl'1' Smpt SEjft qfq |
%TH W fiR^R
*R RT? ^ft aft II
waft fsRfrqft ?~mm gftq ?r
aa^R tlTftR I
«ror *nftr qm qnftft
snftiftr ftq qq iift ii
II * I! *TO ^rf*WTT II
^ I
a?#t sa aqftqTffqr aifqqiT *neR (
agqi aaft aqq %* a^Rt ir
aq qa xrlfqfa aift i
fra q. %tPrt iqft aaft Jr
aft qq ftaq aj-aftt ii
% sqRRR a qfta aaft it
qftft afta ftr Rft |
qfig aaa tr aqsra waft it
SgRala Pqq qf| ftq ||
aft ^fR cR sftft ?fap^ jj
faa afti aNs arft i
aJT ^ qj? aajftr 5ET5nft jj
afaa qfta arft ii
aft 5R qft W( a aaft Jr
aft ar«rft saw arft i
aa aq aa qs? am %“ aaa| a
%a qaq saftt ll
wq sr aqspq qft aaq| jt
1881.]
bidyapati.
53
SRT TO rfs fqftcT TO TOtt it
^3? TO TOR 35^1% II
fTORqfR irrafN tost} R
t fro *k to tlcft |
tor sito to fro fro rto} ir
^ xx tpr*r ^i% li
!
XlTxm X*X XXX I
C\
wr *Nt xxfx TO iNr l ^reur 'xmxx %rxx if
xxx xix ^xx\ I xrn xx xfxrn ^tt^t i?
mx ^XX^X ^ m’XX 1IW I 3TT5T *nft ^ «TcT XiX XTX IS
si
tR ’RTOTRfR 1*T R sf.TR> I SRTO srto ^JXT*r sstTOTST II
Rf? tor to qft^R; to | jit?: rto to to 11
Si >4 \3
torr frontf?? gifg trr 1 kirr fsrsrfRr? to to rtr it
R'i l
srtoi ’TtPm ftTO 1
tot = TOft gvt suf?; wrw
rPfr %trs-t sfi>T 1
Rfe uTOTfit %5i to to 1
sift = tor %ii %tr 1
Rsrfi fsTRItfR % TOtoT 1
I TORR qi^fcf sift %IR ^T3f II
%TR RTOTTO Rf% RTOTci ||
fror tRfe gfs RTf? yft %sn 11
^J?T TOf% Rf*T SR^TOTOT ssffc II
rw € to fvm ^ifeqi W5T 11
^ !
srtro srrfqqrr fRTO 1
iXft TOtfaf? R3? TO SR I "TO? fqfk Rfe TO TO Rf< sir ||
TOft *n7t qtfl TO SR I %% srftr Wf RT5? TO SIT II
Ifcift WR sfro: to sir 1 tort tost nfTO to sit ll
sj C\
RTR R TOf% TOtq TO SIT I 'TOqjff ^3 TO srr II
mf? fq^nqfR ingffar jr i ^g Rf? € trorfa sit 11
54
MAIT1IIL CHRESTOMATIIY.
[Extra No.
i
RTTO RlPm pTOR I
RTOf? Jtpr gpl iftTO RT% I l^R TO SRR? RRT% II
srfc *pr r i fn irr ?tpr r %t% ii
•V
rr ^cg hr rs? rto totc I ^hPt Rpr tor ottr ii
gi§ tft rtrr wr Jfiift to i torr wp: Sr ^RTj^t gfe %«r ii
WRfl pRIRpf sjRpT RpT I TO RRi fl^qfcl flRtjpj ||
^ c\ C\
yz I
^firore sjnrr rtPjto i
R?t Rpsr Rlftsi ii Rpt srit I =fR sgfej rttoi TOf *T Rtf ||
rtr hrir to jtpt Ptoto l tor to ^f% 11
ins 5 Rt% ?ih jtf% tortr I TOR ^IRTf r® %ifN rjitr ||
sf? rrrr to? rtto r!% I hK rwtrPt fro wr "to n
Rpf => SR^ RRR to %TT I R5TR RiTO WRRT pTO RVp II
§% ^JTOR RRpRi Rtt I R% 'SJTOJt HpRi HRft II
rrPi froiRfR ^r RifTOiti i rjtPi snP; rPi RirfiRi sri% ii
i
SIT^J^R ■sfr gRT RlPlRiT PiRR I
RTCR PrfTO ffSH RR RTft I
%lf*ET
si si
RR TO pR RRJTT*ft II
'J
RfTO TOR Rpf TOR RRTRR
RfTOR snfflPf sITH' I
•J
;rtrPi xrfer TT^?Ttf?f r rtrPj
Pr RTRfR %PtR? RTR" ||
stoR wp; =fpc rrr RfIRpR
=tro tor Rifrotii i
RTTO RIR RTO 5fpJ srtPtPt
RRpf % 3Ri II
1881.]
BIDYAPATI.
55
r:ri SB Rtft fttTRftr
\ Rft Rtft R trt i
3^ rjjt rt'r ri^r irft 3)ira
f% rtr srcft yft jftt ll
RITfRT ^RTR W|5I tl’RR
rjtr*: r^ Rft i
C\
flRRftf flft RRftf RTR %5(RT
%% R%T ftftt Rfft II
RRff ftRJTRft ^Ri *jftR JTR
fIVRi?: RflftR I
SRfT? *Tfftl RiR %TRRT RiTftft
RTlftft ftlR RR JMt ||
^o |
RTRRi Wt ^TRI RlftRiT fttRIR I
RiR RJRRR ’RJRJTR RtRTift I Rft TZ ? Rtfef? %rfTRRtft[ sftft ||
ftlft? ^Rftt *lft nfe R tlR I WHI^g RRT R5? RTIRR %T? ||
RTRI? R?lft ftRilftlft %fe | ?rfti R ftiRTR ^RTgf ftff %ft ||
R'HR WRTR RRR RR jfft I RTRR R< Rtft %RiR R frR; ||
3JR5IR RftsiR RRTR I %m 1RRT Rift «RR VIRTR ||
WRfif ftRITRft Rtt RRf RfTR I RTR filR ftfg RtfeRT ft^ftTR ||
^ I
^Nr ^wtfk. I ^ TC^rirfcr Jft u
'si 'J >i
RIRRRi RiftRt RiftfRI R RfTR I RiTR Sift Rlf% RT3TTR ||
RiT R fttHHR! *F5 Rft I RTT5T R JTRR RTft RI3 5ffa ||
RITRilR RiftR RTfR % RTR I RiTRRT fRR RRT fTR II
ft^JTRft Rift ci^fRRi utr | %RJT R Rif *rft tlRcT fw'fTR ||
^ I
Rife ^ RlftRil RRR |
Rift grR flftRi S^RRIS RTR I RiRRI RiRRi ft ft WTft R flR: ||
*lf?R %KRtjt Rifft I RRlftiR RR SR RiR Wlft ||
56
MAITHIL CIIIIESTOMATIIY.
Extra No.
f ^ ATT i irc were strerk fte ^k 11
sronr *?fe kgk *r fTf i creg^ *?n<pT «in fif ii
sfre w wft ikt | tW3I mg? ||
fmgmk 3ik $rg^ jtr i ^tstt Puf kk gw wr ii
I
*nft b *rtkrar i
k gr?? m srk %k kf r% i ktrkcr ^cci ifT'f 3srfVrsn% n
gs-g gir *rcra*: srr^t I f ^ m?cr it xrs irkt 11
3ttcif% Afire ^k ikr "Ti% i 'sifk’jT kkk gk® gkl h
hta k*? gig w^. %rat i figgr grire 5rk gik ire %mt 11
gif??i f mto ns gig urai i wgig kirk Af ttat ii
awfi k^mk haah ^nwt i fink ha kA ^fwJncf gjk} n
m I
Azf} Jiik^T gsrag i
SI
‘ si
ggg nkf gig Tfrcr i
Ag mA«T cTTf% % «T gif?! fk
% f grffg k«g %ro n
frregr fk urn gifs^ k?ik Ak
sJ
3TT^ ^T I
3T«T ^Rir«T ^%T «T *PHi*Tf^
vj -J si
AT5? JRHAA W ||
flff gigRA %A
ata k^ra gff iret i
fik kftAk %k sr 3TT«rkT
wra ^an gfir irai ii
wfi kamk gg src: §TAk
ciift gif n kPA gra i
%l kig tis kr frhri; wrk %k
fife AA gif AffT% ii
1881.]
BIDYAPATI.
57
I
JITTO f sfTfsjqRT I
% fft: % ’t ft: ^ftre; ’tot wft:
to *r froroi to i
JIJT«T «T3<cT l|«t %%T TOTO HW
%Tft^I TOtfW TO II
TORT TO=C %R TO TO TO
VJ
%3 flfttif TO TO I
totoi tot ^jtc: is #ro:
S#
flffftr wg TOrcf T II
gT§%T: TO %%T ^ flfTO TO
TOTO TO Jiff TO II
fronuftr *w s%t *f fror fro
to «ft: TOsff fTO ii
M I
^fTOT*: 1
JTTO TO*f ft^I TOT I TTS^ff *T *KT^ cITO ^fTORT II
to*it TO^ra ^rftr i TOra %rf% ^froi tre n
zzm jjit %iftf ’tTKT i %to to ^Erfw to 'To tot ii
0\
Sift? *lff Jiff TO TO9 I ciTt^T %Tff 5TcT«T TO <3lj| ||
TOff ftTOftl TOt I Jjff eft5* TO fftf TOftft II
^ I
^T TOO fTOW TOR I
TOTft TO JITO
mftr tot«t: to! i
to*t; fg srftr nff
C\ s*.
TOJ^T TOTO mflfj 11
nfe t BraR %fti ft^iif i
H
58
MAITHIL CHRESTOMATHY.
[Extra No.
gigft gft grfg jit?: gnfftft
gg gft ggg gn% li
VJ J
ggg fggtg ggg *jjst *ftg
ggg ftgsr gft i
WW g%w ^ggrt sqggTgg
gtft grfgg ggg'gr ii
wgfi t%^jnTfsT i*rf ggg lift
grar gfer graft i
kt^tt fkgfg'? ^g grogg
urgggt gs'tft ii
I
?nlt g grftgiT g^ig i
?T5 gftftwft firsts ggWI I ^gft gft® gft gggg gg} is
• * NJ >»
■sfz ftjftgwg gtfcig m 1 %T3TC^T gift ggft II
g^g 5JJT ^<T VPCt I Sift TTSf 'fft U
ggg gft sft gig gift I ’srft gist gg gi5?g< gift n
ggg ggft ftfg g giftg gig i g<gg gim gig f%g gg gft n
^g g siigg gft gft g^ srg i ft! fsig gift g^rgg gw i
«gfi ftgigft gg wg gig I gnfg gift gft giiftg gi% n
>J
II ^ II ^ ^ II
i
gilt g giftgrr ggg t
gft t ftgg ggggg gg i
gftgt g=g tisg wg irag|
ifts gftgg gft n
gift gg gg® % gg gigg
g* gg gift wgrt i
1881.]
BIDYAPATI.
69
% qfg if^r gifg gg grgf%
g* fg TCH <ggnf; n
ggft *tra
g<gg ^r? *ggici§ l
%Tf %T=fT^ grgm
"iff <jfs[ ||
%f% fig ?f g?; JIT¥tf%[
ggfe l§g*f %9t tmt I
gfis gg gumt® vt^r
^ \J
g ggg 5T 5TT% II
ggfi Ppqrofg gg gg grwfg
si
t gg TTJf JR JIT? I
f^«T g ggfc g tftfcT STORR
*ftfg %gg srg %uc n
H° I
*Hf% g gifggiT g^g I
®Rft ggg tWTf Tf% I
fgg fggiu: grfggrc gifigw
si sj
gig g<gggg tig ii
grrfgi g;gg gig gg %r§f%
gncg xirffg ^igg% |
tra %ra g *nrenc gigra
>i
gfg ggR gns gg n
g^re?; st z gre gisgr cr
tft gfg ggg^ wit i
v\
gfgrc: grz ggfe % g gggsr
g f r giggi gj ii
fg fgg fgg gfg g?3
g gft ggg %t gr%i
gfig gg g gg mw g^gs
g gg ftg ftgt% ll
60
MAITHIL CHEESTOMATHY.
[Extra No.
Pigsr
?lff f ^J7 ^STT |
<nff *tf|
a Jt^ it? 5?: »Nt n
*Rff Prerrofa ig sra: sj^fft
t TT^'f jfts i
jpCI f kti
JTOrt ifcficl Jiff frt it
S# s*
II $ II *RT HT*T II
8^ I
sirf^ra stp5*it *rm b i
ura** «rw gf?nn% i
SFS aW'snff 9JKII
twit: fr^cj ttcit% «
iwr wfw «fn g^r sre trreitff
'srfftff frsT ^t%: i
ffcT ^FTnifif Hlfjff 3T*T JITTW
s» C\ s*
Tiff1 HT 3Tf%T «T ^nf" II
^nn tiw
<5«i sufMi qffvum i
^^«I «lff
ffftmfcl ^ft*T II
*rcff Pramfci ^ w: ^r^ifcr
^ jiJT %ra si w% i
tt?j fittfrr? jrtrraw
\x flffi vrx^r n
1881.]
ridyXpati.
61
8s? I
qtf <q q®q |
q® ®q srerc t I %lfs it ctspsj €(ft T II
qrtir %T*® qq< gnfer ^ | «rr q®q qq; wffq t il
%® 'fCfc ^tft «fiq q | ®qf? qfMiq tjq qfq t l
®fq qtiqq ®q3iq t | if f® ctfqqt ITq ®Tq T ||
fqtqiqfq qiqqiq q | ^qqq if qtq fqqiq q II
8^ I
®7ft ® qifqqtT qqq i
qTqq qq® %qf® % ® ®qq|
*T*T 3iTH I
Si
qjctqt qq® qq® «® ®5Tq[
®t®q w® qfqqT® II
qqtf? qqq q® ®r®q ®®qf
qq «ifqfq q® ®® I
t® ®fq q?q qrnqfq ®qrqt
irfcq ^fq ir® n
qrfqqq q® ®®® q® ®®qt
q^qi qt®q« qir i
%fr q® qfto'ft ®iqiq® ®®qt
q®®q qf®® qqiq «
Si
fqfq q® ®it® ®nq® wfa ®®qt
qq fqq qffaf? it®iq I
%h qfq ®qq ®®tit® ®®qf
®rq ®q qf? qfq^rq II
wqff fqgiqfq itt^t® ®®qf
®fqq ®uqffa ii® ®r? l
NJ
®>fs qvtq q;q ®q wfq ®®q}
®IT® q®q®q qq qr? II
62
MAITHIL CHRESTOMATHY.
[Extra No.
88 I
*n^R 4 jinn i
%TNJT 5 Jfiff *r? ifc i ^ff ^wiff JIW fJlfi? II
<raff 5Trf ^ ft ji l t:ft JurNm srfsm *rm II
gm W75"i ff^g fm I sift ^ttjt jjft jrj: jfft «
wrsra otw *nrjra wr i Ngift fra njt n
wff ftamft 5iy i sn?m jfft m ntn n
8* I
JITtW € fft NNJT I
3U15T J^JTC 5TIT ^JT I Nfl N't JJ ST iff ftf^T II
JiTftft fiftcr ^ftNu: i ^hjtj: sfb?« 5^cf gwre: n
JIN Jiff fsTf J/fff ff jgiff I % JT*qft % qJTffcf 5Tlfjr ||
^iffrarsj ^tNrt ?ra f n i str fft ^jrarm ift ii
_ -s -V J
(Tri Jiff g'N ^T5I I W5IT JP^ =fTN J)jg JTJTTST ||
Wff PramfcT JR5? jfft I ftsf ftjf imff cf Jiff %TJI II
II $ II f%T¥ II
»
Hi i
*rrf^i3fi wmmt i
SRT *Nt | f%«T ^ gf%cT cl*;'?! U
Pm Pra^i% i to* fkmm *r ii
Wt wr *ifi i ^ *r finftcft n
fe ^rax i sthxtw mm ii
iHW ?p5re aT^T ^X^T | *T ^ c RT ^[\X «T TjTXT ||
^ i ? ii
wkkt ^tcff i ^ Jr9i % 3t*t Pretext II
3if% I %X^T pPOT% ||
1881.]
BIDYAPATI.
63
8$ I
%iq qq qqfa q%q i ^qft qfi q'tfq ^q ii
fy
qqiqq qqfa q%q I WR qrqfa II
qqq gfeq irfa | ctiff qq fqqr fqfs qra ll
snff qq fqfqsqfr if ii^r i <nf% qq ft^it ifq qra ii
q^fiff qqq fipq ire I q5? ^f3 qqqq ira 11
qqfi fq^mfcT jrtq i qrai srb qqiq ii
8^ |
qifqq<T WT ^3 qqq I
*rq< fqq wfa qq q)fq 1 1 5t^ fjR «rsq qlf?r ^ a
*CTff q^q qq q]q t I ifq q^ qq^T q ^ a
qqifif qqq qq qn^i 1 1 %k %?s ^q wrq ^ a
snf% qq %qtr q q i mf? qq fqqq =ifq %ra q a
sqq qifjifqqqq< ire q | qqq q q^q; q a
wqf# fqqjiqfq wiq q i ^qqn q fqqiq q a
8£ I
qqqffaT qTfqqii qi qraq; q*qq I
qqqf qq gqj tfq l ^ qrt q?qq qqf% q?qr wfq a
qff^t qqq gq^t qfi qf% I qq qisrg q fqq 'tfq %f% a
gq qfqgfe qfq q qtfqsi req i *req qrfq fqqrq qq^ a
wre qq qft q qifqq fqqi% i %rs qqq % qq? %iq a
qqff fq^xqfq 15 qqreq 1 ^ qq gqqiqr fqqiqj qtq a
V I
qrfqqfx q qreqf q^q a
qrfqfq wrq ^fqq qfi req 1
sqigqqi qq qr^q qq
5lf%
C\ *
gqqq qq q^tqiq 11
qqfq "qqsqq; qq Riqq
q^q qqq qfi qqq 1
64
MAITHIL CHRESTOMATHY.
[Extra No.
tiff grygre: g® ftyrg 5Jg
gy^f? %rg: % gm ii
3* ft 3 gift 3 gift
%g3 gra*: fly mg i
gray g tf® %flT^ftft
*iryyr 3^1 sfsiflifl ii
ftyft cTflZJT fflcTlfflcI flJtfl
gig ftyflTy 1
yrrcfcT yft gyftgr? flJi?fi
gig yft flygy 3Tfl n
gfa Pm yf% ftrg a y'sa fly
?G 313 gpiy fl^Ty i
flftm flgy %yy gift 3m
ftgjyft gift ata ii
n i
yiftiyy ftgyy i
fliyg t yft? ^fty ft gift i
srfty< ym yft yyfl ysyy flft
% ftgj g;3 n
arari mf? gftyi gra fliyy
'f^ggi =113 flflft i
%y gftyftfgyy IT my
\l
gft ftrgi 5?ygi irgug it
fifty yyiy %“ %gft yft? fygi yre
gut Hft g»fl 5im% i
ft 5i yy ^ift y ^wfty
%ygr yyftgi gy% n
«yft? ftgjuft flyyyft
f; ftrgi giyfyy yy% i
grift yyyy fty % aft %T3 fty
gryy yiyy %iy yy% u
1881.]
BTBYAPATT.
05
^ I
€ arfm jter i
rear %rf% ^irera i ftf^i «r %ft$ %tth ^tv ii
ftjr Jiff Tiff RTfir^J jrfT | ¥3? ftftr jitr wr? ?m g
•O
•V
JR % Jpftr jr*ar ijk %xt i gorai Jr** Jifl %rt ii
waff ftsnaft ia tcwr i 5ficfT yn jftj j^a n
^ I
wilt ar artw hhr i
wraar ft? atfa ftfar i
W>TS apfftr 5R ^TO a?JjaT cH
SR JR^f ^3? afT¥ II
JTJRa? %ft II ¥ft zn
a ft?w afipft Ji Rat i
atf a sfioiff a <5 rr arft % qft
aR W HOTJjft 3TRT II
§T f JT stftas? afa ft*?: IJ®
SI
grrf aiaa ftft arat l
5^5Em 5RJR^r 503? ’SlfTT ara
?c a?a aftiasf an-rt ii
i: iftfaa 5R r 5i wfta aa
afw? its i aa toi% i
f afrift f aft area ijaa jr
afa ftamtft aia ii
W i
^TJ#r JS aiftaiT aaa |
ft; a?fa a?T% aife ftaj aiinara | WJftl oft JUTi^ftt aft II
area =f jr jr aoR w^t i axo? arear aiaa aar n
I
6G
mattiiil ciire&tomathy.
[Extra No.
3T^ ^ fti | cR WIW Wt II
xrg^tR I %m T^l II
wR? f^^jmfri 1%^ Tt% i ^f^cr *rRr ii
n i
*iTf«I^iT ®cf ^T3 I
*rraq %f % sifjT 5UT f^% I
?:ir *:*w «re int
%T5T I!
srefi jto«j %refci
froft sintw qfcr *ttt:t i
fsrr jtPt flTpra ?:%t qfii titjpt
i&ft flTTTq it® ?ITCT II
3TJ3^ irflsi ^ w *?}?: wq
jf W5T IT* qra I
qqrfi sjtr; qftr q* ws q^sra
% q^fr ttjt %rt ii
vm *tjt ^ifeR ^cr %rfifitt%
TT> 5j% TIITT I
W3ff^ premtft S‘3 5ttflf?T
--J^ fqq TTTs iBTtT II
*« i
qrfqqrr fsrc* I
*rtf% qfsf fq^qt wk irans fVkr I qrri% q*: §qq qif?; qq;?? h
%gf Sfo qfcrra qra i qm itttt; srt?: qc~r gqre n
q. fqq qff q% 'qfc I TTqst qq qJTC} srcK II
*N
qqfl fqiqrqfq qrfq qjq qrfl I qfl qqq jit? qq ik qur n
1881.]
bidyXpati.
67
^ 1
JlTfir^T I
^fi: h*fi ira i f%^; f^raim ^ u
33f% fire ^ir? i to ftftr tft ^ n
ifa %ti &Tz ira i irs^s ^i^*t wa n
N# SJ ^
Waff fagiqfcf ^rn^tf %=f I fl HIW ftpr? II
HP I
JIlft^T fsTCT? I
«raq ^ *ra: ^ % I *r ^>% nfe grciat ?hh 11
sm ^ P?,^ jtoyi aw %h 1 ■swh wriT %pt %h 11
N* ^ SJ
=?fre; war fir? Purctu 1 ?rsT"Tf^ nrasr iTHfiiat sin u
WF&i 5f?*T ^ HBT!I I ^ W*t af? 51151 ||
wf? PnqmPi ^Pi 5^1 ’em 1 Pr *tr? ^ war *rrw 11
*<* 1
5tT*rai H pR^Wt 51Tfg^T STEW I
HID? %T3? HHUTW I <PI pr? WR? ?R3f ft§ ITR II
gYfH ^3T*H W51 | ell HU «n??l %H ?p; §51 ||
mftH 5]H cW 51TH | pfpl H'f ^RR % f3R HR ||
HTRR pR PiPf? I % f^t fH'? it^T HpR Jrf ||
waf? PramPi §13 1 f h 5H %rc % 3<% Pwi? 11
£0 I
Hcf HTppfiT pR1? spiIR |
gsifwcr 31T5R cf5T 5H] I ^5P* 31T5R WHf II
*T3§ H PtljrpSl 5Rpl <R1 ’qin | <a]pjT trai^fpsl HT1R HT<T ||
Sl'ERf? f%lsl5rp^ I[f?51 5HH II P?tlsl31ps 7RRT31 !H?T ||
psip3 Hp? H^Rp-lf^ '5W5I 5HcT I qf?3tft? tR astf^ 4]^5R ||
*rcf? PnamPr 5^5; Hi? 1 «th 5t?t %rf3 % p^ 11
68
MAITHIL CHBESTOMATHY.
[Extra No.
P 4V
PlftpiT ftp! I
<FT»f P^P?? PPT P?i%B PT! I fpSITPi?; ctp ^33 PH? (|
upp ppp ^ wppt pipi i p<tP? pt?p p?:p?7 p»p[ n
ptp! irt pft piip i ptpp tufti^r ?ra ii
*raft p. 33^ ftftpp PIT^T I 3? 3?PT?Pr PK P^ P 5WT3f !|
PPfp ftpjipft ^P PWP I P?fi PP ?TPP PP ppftpTP II
^ I
piftpp ft?:'! i
H?W PPilpPI ! ns JN | %%T t ftftcf irTT PiP ftp pm ||
?:ft pjppt?: pp?? pt?; ppj i ppTt pft ps? pt?: pppp ^pt n
pjp p toi pftr pppp 3ft?: i ftp ?> ppp ^pp ?r: %r?: u
pitp ppp Pift pffpTt p %tp l ^iipp pith ft?gp p?: ptp i
wfi ftpjwft pppft *nft i tft«i vvb ftiw ^ift a
pif?m ft?:! i
?ttpp PHiftr ppi jip ppif i
C\ ^ si
^ jt*t It im
^ S) si \|
%%T ^Pt %tp ||
'PTftrer pitfe Ptift: prlsnc
% f p % ps? wet I
cff^- 5n*ff^l
PiPIp! PJPPPi wftl ||
PlfS Pilfe p! Pp PP?ftffl
% PkI Pi?: 3P!T% I
P5?Pi fpPTP P! pft PTPt
p? pp p;?:p jr:t% i
1881.]
BTDTAPATI.
GO
Sf«JT ^ T(%T S|TO SRT
SJ
% inT sift i
% 'fTfecT ajp? lift «r tm
^T*7T % Jiff 5T1% II
Wfil ft^TOft sit ^ffaft
cnft ^?ftr srrar I
*?m sftsr i ^nrrt%^i
SJ
W?m *TT*T ^ WVT H
i% i
grasr sf jftqt sfxR I
’ETTSR tVnn *fT T
>3?5*r HW HIT] I
*^5? =?ft *lff t:
JETf *1 fsTWCt II
^fiTTT; 3lft qR^JT ciT T
TVQ trfa SJTTTt I
ift ft?! ^iry t
sJ
JfiTfre TTTTt II
•v 0“^
^TTH cTff ^
%f % ?wre sn% i
si si
^*f *rft qffaft t
5T5J ^TTJtcT SRTl ||
Wff cR S1ST %
^ST 3I*mft «tlft |
^Sl SJ
^I5T f ft JlTfW T
^ »*\wnft ii
70
MA1TIIIL CURESTOMATHY.
[Extra No.
?n#t h Hifg^rr sran i
jtjth ircfgi hh srte ( t nfe ) ^PsR ’sjrefter ns? hth «
^JrafN HN^TH ( % *?1% ) H sracf HTH HTH ||
=WTH tR=RR: ( % Bfe ) stT^T H*T fsR g
WHff HR (% HHH 3Rff HKHTH ||
a i
niPm Pm I
HRH HTH cflfq HTHH
Ha? jt%Tf |
fR WIT HCftf Tf% ^Tf^lP^
W Hcltf<T Hlf% W5Tf II
HRX HHH %WlfxicI
5TpR ira ^T% I
fus^ ftm w^Pr *tfi?
O M
t% JIW HX% II
^ 4 pR*X JXHX^ftfa
f^XH R «X% |
HTH ^ 3iH HHX3 JXHX^ftfw
WH pRH %TH ^X% ||
S5JIH H5R HH H«t HTH JTfW*:
H«T JX^T I
H’fH ^h;h nfsr itj? xih^ 5ir
f ih fir^t iremx ii
fHf H ^THH ^ITfjr WJIX’SXN
%=?Jt HtH"T xj^X I
tfs? i
PftXpX f^f^H ¥R H^r ||
1881.]
33IDTAPATI.
71
f^rnxfcc w*
xR*!T TO %3T I
IR^T TOXScT ?f
31^3 fte *T TOT II
I
*iiPm fVd i
f%n=R ^Jf^r ?fcJI*TEra BJT | % qfa f?U5^ ¥?5I li
sjfwr %tPt jf^u iftr ^if? i % qf% Jt^t^ q*?q qfi ciifw n
5T5 ^uf^cT ^t»i=r ttr^Nr i % qfq q^tr? sprcr ll
‘ Nj J
fira^ sif% ffars i qra fqq <req w^re n
wfi {%^Tttf<T qirec $ig | wq sj»r ijr % fq%t? n
ip I
wft ^ *rrf«m *rtw i
wf’T ^ra ( % ssfig ) =?*!$ sirqq ?tf*f t?m ii
K^pq fq^TFR ( % *lp? ) 11
*RcT qraq ^TS ( t ??fj§ ) K^IT srwra STTS II
^cfq qc ^tr ( t ^fisr ) q^r*r qfa ii
*wp| ppqmfff ( f ) JITTO 3J*m II
^ I
suit ^ ^ifrorr to*t l
^TrXT TOT^P'T *TTOt
TO3i «?[*; ViZTH |
% cf^HTcT *i^T
^itto era: ^ tots ii
ejTO *rN ^ Ji^r ^btoI
c{^ ilif TO tot i
f^T p TO ^WcT TO TO5?!
to s to ir^rs ii
72
maithil chrestomathy.
[Extra No.
11 in us nnis nfs mint
sins ifsfn fins i
sm nsn ns fnnnn mint
nfs W nren %'S II
wfi fnsinfn lists mint
ifsn sistn 11 us i
SJ
3>fs nam sn in ifn mint
SIS ^qx^ftcr an ms
I
lift s nifanrt nsn i
ssi am si f% aisn ssnt
ns nfs isrs fail l
si s ff sns man mint
afn fan isn mss ii
SJ
STStn snfs fafan nfs mint
ssan t^ns fam I
fsfin nsn smi wn mint
nrsts %s nnss n
ss fas fsisn sin am ssnt
fns san sn sm l
snfss sm ms m ssnt
arms inn si to ii
%s fis nfs unn mint
fan ii srnn stn I
sit sstn fins ns mint
m ns sss snin n
infs fnsinfa nits mint
sn afn sfns ssts i
sfan sfn ns sister mint
m sfn sfts sacs li
1881.]
BIDYAPATI.
73
^ I
stlfTOI tTOI I
HTOT TOT T | ITO TOft f^fcT TO T ||
TO TO TO TOSTO ^ I fTO iftTO TO UTlt T ||
\J \# >J Nj
1%fe ^ ^ cif^r it t l ^jtct t ii
^ ?r ftcf cficT T I ^ITW ^ScT T II
\l
wff **t*t t: i to t ll
n) >J
I
stlfTOi fTOI I
sto era ^r Trforc sprro I ftrora fro ^hto ^rcfro ii
^rff*ifsf tor tost ^an 1 ssto firft ^fTOcr TOfenTO n
ft TOfeT ilftgfe ft RtReT YEJR I fTO TOTOJ ftl^ TO TO=$ ||
froi ftfesr to to istot i itor tor ^gft wre n
wroffr s§to hrr totst i sirs? sj sro tortst n
•S •n^
toP? ftqRfer to sir snft l Stot tos frocr grtft n at it
^ I
JITpRiT PlTO 1
sraufi ^tRra to totot i to to sira ifroj ?isj ^xir n
stto fro R ira tot tor | giTcra f to TOfa to rii ii
ift sx to^T nfe =f3R<] ftsftert | froft *f iRpri; ITO ft£W1 II
tort tor ft^i to iifi irax i sgros rtr jftx «
toPi ft^Rfer Kir TO mi I KR fsR fti safrox frosTO ll
©8 I
srrsra it tor i
JXXTR ft SRISf TOft I JR TOft «ft TOft II
UpTR TOST TO I TOTOT TOR TOST 5* sf]^ ||
\)
TO TO HXUft TO] I ^Tt^r ill 3TfiT ^TTfr TORt ||
SfiSEXt sjft eTTTO fTOli I TOlt sRsft TO TOR RcTT% II
K
74
MAITHIL CHRESTOMATHY.
[Extra No.
ii) %p?f 3ITTO fit I TOfe TOfi fTO TO TO^t II
fsrarofh jit% i Pm a^tiRf *ife tort% u
^ I
to) i mPm iran i
%R JR Rif TOTCI TO TOR)
TOpif ciPm TO W? I
SI
JWI'J TO TO ffflf pR ?f5R)
\l
5f ftftt ^ II
m it PlTO TO WTO TOR)
cifij to irrfs nfi wr i
=hrt=h 5ffR IJ TOR)
%TO Jf TO TOR II
i ^,<TO nn^n TOT«ft
to; to if from i
ww ats tow tor)
% ft*r it wi f%if to n
■sjy^it toPi wt aPsa to]
fRTO if WI TO! I
5[ SR aWI snf? i TO iff
Pn Pin w ira ii
pRjRpr nrPr JiriPr TO^t
to num toto i
SI
^I5ff Pa^Pf5? TO TOR)
SRiRt $t iff ||
I
iito € <£pr«nR i
tor tjgps PfitpTpi to
wrc n ire Prere to) to
siitPia m gm to n
1881.]
BIDYAPATI.
75
%T% 3RW Ufa Ufa} I
\l si
%trra qw^t
H?t iN® 5TRt II
ttr; *rrc: i?t yfsi
h*t si Tft: i
?tfe ?tw t:jt ^fr
fiTj n»r *r %ra n
?;ir^ fuffr
?w Traftt ^rt I
5lft Wfft lift 5PR ft)<fftj
^irlftra ?^rft srntt n
ffcT ffft lift ^ftR/st
"U^fWTf 5Jlt I
ifftsnft qfcf ftft irfir
mU ft’smtft inf; ii
II C II ^ fifTWT II
'QfQ I
mm Pram i
nraw sir: %srr? #§T^ftw
^nPf lift?; «rg ktot i
^mft rnn? i^r %?ra
qW 3 ITS iftl mint II
,q|?: qnm?: inn stnaftr
^rre ?rra*T iranft l
flit?: ?:ft tn tfti iramftftt
igfen ift TTft flft II
76
MAITHIL CHRESTOMATHY.
[Extra No.
inn;
ftpy *t traiyft i
Hlftfi ^ Hlftfi "<TT UTOSJ
Wfaft TTf m trjf ^tft II
SRH^t ira«t t[f'cl Tfftcl
S3
offl^TST TO TO I
•V
f ft*fi to® y jrxyfy tojtto
tott ®un ftro u
II £ II *ffa *TTCT H^TY IS
I
jito ^aflr I
3m yin to: torN gy TO i ^r3??T ftyy tot ^nr TO ii
yy %nft ftroyi ftyy TOy i ny %ra niraft TO 11
to ynyiy yTOr %k TOt i to itcto «ig g^i II
fa yyy Mil ?m tiTJT yyft i yyy fmiTO TOff toft 11
wft TOtTO toto> yrft l ^topst sw ftTOi mft n
C\ s»
'se. i
TOTOt y my nfro y i
fTOn TO: 'fH yyy} |
%H rftf TO^ft TOT? TO?! ii
SJ
yfty TOr yft to yftyy TO i
<\
fro: % TOtm to yny iiTO n
froi TO TO y yyft tor: 1
TO^ro %ro TO % *ttjt TOr n
yft TO tTO ft yft wtz wit i
yyy ftnro yiTflt lure II
1881.]
BIDYAPATI.
77
wtz t q^tfifqjT fjft miff qrte «t* i
•sN*V<^
'fflTT qwiq q5?*: 5T5T 5TTW II
qfPssfq qqT ftiqq yq Jut I
nJ
^yqr ft^tnr 4 qiy?r sunt; n
qfw fit^T sqq qifte qf^ yq nit I
qiTq fqfy qreq qi^iqi afnil: II
qqft fsr^rmfh 15 yrq qrct 1
#V
y^5f vq fii^ti grrct II
Co |
yq^yT qrftqiT qfr qi^m y sT^yy 1
sj
yqfq % ?rf iqfy %qtrfq 1 y€t fqqqy fqyiqs qifq 11
% qf fyqir? qnfq I fqq qfqyy qft %q ftffe y^ft ll
fyqd? quqpqq KT3j suk l yfq % fqqffjr JTCfy ^Tq ||
yirr? qqr? fyq qry yifq 1 % %t iqfaq'f % yq qyfq u
yyc w%q m< irary fqyy 1 qtTfyqry iNr tsfy qfqqf u
wi yq wr^fq qq qf? 1 qi^qi qfte qyq qf? qyr n
• C\
wqf? fqyrqfq yqqq q^s 1 %fq fqq=? %x fyq=f 11
R l
yqT fsiq qyq |
yq yq qqfy sj^u fqq
yfqqfr %=sq fqqi=? 1
% q?q qiqq jftql qq
t try q;qy fqqrf n
qrqy wqq qjq ^nrq
qrq qjyy q<cr yiq 1
qqgi arqfir qfis i^q
qqiq ?n?q army 11
iftiq qraqr y^ yyqq
q ftqqf yfqqtq 1
78
MAITHIL CHRESTOMATHY.
[Extra No.
it f?ira<
ftra % TifsrHTJ: n
f sr tfftsnr ^ft iif? 5tfim
qftsiif *5?T iclTST |
%% r nrc ciu
Vi
% 5ET55T HT^ II
fw^JTtrfa 3ff itR:
HIT ’SRJIT? |
it ^tfig
crfir^T %? tf ITT? II
R I
^HT Wt WHIT fpST? HHH I
^TTH HTt ^fiT '3HcT ITH ^ST
?HcT fjllT %f% ^ SUIT'S KIT I
in? :3Hct sr: h ^gtst
%f? whf KJT R 5TJT II
irra^fi f m it ire? Ttsrrira
nfw ciJr i
fTfaffi it WatT*r
J3ST R ^ ^jir II
wr: it htjt wrteftr
^SK It ZK JIT'S I
^IITIT %T ^ITTTJT^T fq^TTH
JTOH "TTSTSTfa ssjn ||
ijct fltHT^ ^T HT3H
fHH %T wf? iNf JIJT |
wf? fn^mfr ^fit$ hutth
fw? ftji^j; hit ii
1881.]
BIDYAPATI.
79
Translation of the jS°NGS OF ^idya'pati Jha'kur.*
CHAPTER I.
Yoijng Loye.
(10
1. 0 pretty one, (haste and) bathe thyself. Lo, love searched for me
and smote me on the heart.
2. The limp garments cling to thy body, and thou becomest as one
who arouseth the passions of saints.
3. The water falleth down in rivers through the locks of thy hair,
and it seemeth to me dark as a moonless night.
4. Thy bosom is like two fair cJiakwas. f Cover them, 0 cover them
with thy lotus hands.
5. And if thou dread entangling them in the snare of thy arms,
(fear not, but) hold them fast. (Else assuredly) will they fly away to
heaven.
6. Bidyapati saith, a good husband will never be a fool.
(2.)
1. In the midst of thorns the flowers are blooming. The bee is
confounded, and cannot distinguish the odours.
2. Though the bee wander, and sport everywhere ; without thee,
0 jasmine, he cannot get rest.
3. Its life dependeth on honey, and thou art full of honey. Keepest
thou the honey stored up within thy heart through modesty ?
4. Consider well in thine heart ; If the bee die, who will be guilty
of his death ?
5. Bidyapati saith, as long as it sip the nectar of thy lower lip, so
long will it live.
(3.)
1. Who doth not do his own work ? Who doth not serve his own
master ?
2. Every one seeketh his own interest ; he is a good man who
carrieth out his task to the end.
3. 0 friend, his life is precious, who willingly rendereth assistance
to others.
* The following translations are not always so literal as the preceding ; as all
difficulties have been explained in the vocabulary.
f Anas casarca.
80 MAITHIL CHRESTOMATHY. [Extra No.
4. Jf one who is injured take refuge with thee, do not disappoint
him as long as anything remaineth to thee.
5. (If thou disappoint him), he may perhaps obtain his desire from
another, hut still regret will remain in thy soul.
6. Bidyapati saith, do not proclaim thine indigence. Only the great
can comply with great requests.
(4.)
1. 0 friend, 0 friend, speak not of aught else. Now Krishn daily
desireth thy virtues more and more.
2. For no apparent reason he is continually coming near thee, and
thou perceivest it in thine heart, though thou conceal it through shame.
3. Even when he is going elsewhere, he casteth a glance at thee ; no
one can turn aside a greedy eye.
4. He is full of devices, and so art thou ; like two flowers tied upon
a single stalk.
5. Bidyapati the necklace of poets saith, with one arrow Love hath
smitten two hearts.
(5.)
Uddha addresses Krishn at a river crossing.
1. “ Catch my hand, and cross me over, I will give thee, 0 Kanhaiya,
a matchless necklace.
2. “ All my friends went off before me, and left me alone. I know
not by what path they have gone.
3. “ I will not go with thee, but along the deserted bank of the
river.”
4. Bidyapati saith, O damsel, pray to God.
CHAPTER II.
The Commencement of Radha’s Loye for Krishn.
• •
(6.)
1. The charming season of Spring is come. The southern wind
bloweth gently.
2. In a dream a form said to me, “ Remove the cloth from before
thy face.”
3. Even though the creator tried his best, the moon could not be
equal to thy face (in beauty).
4. Though he cutteth (the face of the moon) several times, and
shapeth (it) anew, still it cannot equal (thy) face.
1881.]
ETDYAPATI.
81
5. The lotus could not obtain the excellence of thine eyes ; who in
the world doth not know it.
6. Driven to shame by (the beauty of) thy lotus eyes, he went and
hid himself in the water.
7. Bidyapati saith, hear 0 pretty one, such women are like Lakslimi
in beauty.
8. I say this in the presence of king S'ib STh, Hup Narayan, and
Lakhima, his queen.
(7-)
1. O Madhab, appease the fair one.
2. What other damsel hath ever offered caresses such as she hath.
3 and 4. The clouds pour rain, and fill the earth with water, and the
night is dark and fearful, still she hath remembered thy virtues, and hath
come. There is no bound to what she will bear for thee.
5 and 6. She who trembleth at a picture of the king of serpents on
a wall, hath come smiling to thee, sweet as she is, veiling her jewel face.
7. Thy beloved hath foresworn her husband’s love, and come to thee
in spite of all the censure of her relations.
8. The Lady is intoxicated with the sweet wine of thy love, and
hence careth not for ausfht else.
O
9 and 10. Bidyapati, the wise poet and appreciator of the pleasures
of love, hath sung this. When Desire and Love are together in a person’s
heart, what crime will he not commit.
(8.)
1. I saw the graceful form of the lotus-faced one. For awhile, how
much love arose in her heart.
2. Her love is fresh and the shame thereof is great. Her affection
is visible (on her face), still she trieth to conceal it.
3. Now she approacheth him, and now retreateth. She neither
yieldeth to embraces with all her heart, nor doth she shew aversion.
4. Her eyes remain not steady, and when she is caught by her hand,
she concealeth her face.
5. Bidyapati saith, I sing the pleasure of love ; the bride, by these
actions, giveth others to understand her willingness.
_(»•)
A Riddle describing Radha's condition.
1. Add the third vowel* after the third onef to the vowel J which is
*
f X
* ^ which means “ come.”
L
MAITIIIL CIIRESTOMATHY.
f
82
[Extra No.
to the left of the third vowel. The body of the damsel hath become like
the third* after three.
2. The blooming damsel uttering only three lettersf hath at length
become angered : for Madhab is like the third dayj after the third one.
3. She uttered the three lettersf and stood up. The witness of that
fact is, 0 Madhab, the third after the third day.J
4. Bidyapati saith, the affection shown in all these ‘ threes’ is that of
a damsel for her love.
(10.)
1. O Madhab, the pretty one can live no longer.
2. The beautiful girl hath made over everything to those from
whom she took them.
(3 and 4.) Overcome by the pangs of love, she hath returned her
moon-like face to the moon, the play of her eyes to the fawn, the locks
of her hair to the chdmara.§
(5 and 6). Her teeth to the seeds of the pomegranate, her speech to
the cuckoo, and the form of her body to the lightning. I have learnt all
this, and have come here.
7. She lieth upon the earth walling the whole night, and riseth
uttering the name of Hari.
8. The damsel keepeth reciting thy love with all her heart, and only
for this doth she live.
(9 and 10). Bidyapati saith, “ Hear, 0 Mathurapati, do not longer
delay, but make her drink the honey-like ambrosia of thy lower lip. Then
only can she be restored to life.”
(XL)
1. My Creator hath become pleased with me. Bam hath favoured me
with a visit.
2. I saw his charming face, and the desires of my heart were fulfilled.
3. The five-arrowed God of Love awoke within my heart, and my
wisdom could not remain in subjection.
4. Bidyapati singeth that a good husband will never drive his wife
to extremities.
(12.)
1. Tell me, Sweet-heart : why conceal it ? I see thee adorned in costly
garments.
1 five,’ = i. e. Kandarp the god of love.
■f the name of her beloved.
X which means her life.
§ Borassus Flabelliformis.
BIDYAPATI.
83
1881.]
2. Thou hast scented thy limbs with musk. Who is the happy one
to whom thou art about to yield thyself ?
3. Thou art continually rising, and gazing towards the west ; seek¬
ing to learn how far the day has gone, and when the sun will set.
4. Thou hast tied the tell-tale anklet, high above thine ankle (to
prevent its tinkling being heard). Thou hast girded up thy raiment dark
as the dark night itself.
5. With a smile dost thou rise, distilling nectar from it. 0, the dark
night is pleasant.
6. Bidyapati singeth, hear, 0 good Lady, keep patience and Murari
will meet thee.
(13.)
1. Fair one, conceal not thyself.
2. If any one is so happy as to obtain thy love as the fruit of his
former virtuous acts, great will be the accomplishment of his love to-day.
3. Thou hast anointed thy forehead with musk and aloes, and cun¬
ningly arranged thy nut-brown garments.
4. Thou art watching the eyes of thine elders, and, gazing towards
the west, art wishing that the night may come.
5. Without a wherefore thou comest and goest in the house ; closing
thy lotus eyes (in shame).
G. Thy body is quivering with excitement, smiles cover thy face
without apparent reason ; and full of delight, hast thou arisen from thy
couch.
7. Bidyapati the poet saith, her excuses are not probable to any
one in his senses.
8. ‘ Baja Sib Sib, Bup Narayan understandeth the pleasures of every
graded
CHAPTEB III.
Badha’s Beauty.
(14)
1. 0 Madhab, how shall I tell the beauty of the lovely one.
2. With great efforts the Creator hath adorned her, and I have seen
her with mine own eyes.
3. Her feet are beautiful as a pair of lotuses, and her gait is stately
as that of Airdvat .#
* Indra’s elephant.
84
MAITHIL CHRESTOMATIIY. [Extra No.
4. (Her thighs are like) a golden plantain, over them he placed a
slim lion’s (waist), and over that a mount Meru.'* * * §
5. Over mount Meru he made two lotuses to bloom, and, though
without a stalk, they overflow with loveliness.
6. Her diamond necklace is like the stream of the Ganga ; and thus
those lotuses are not dried up.
7. Her lips are red like the Biniba fruit, and her teeth like pome¬
granate seeds. The sun and moonf rise near them.
8. Rahu;J; dwelleth afar, and doth not approach to devour them.
9. She hath eyes like a deer (sdranga), and the voice of the koil
( sdranga ), (and her brows are like) a bow (sarcinga).
10. And over the bow appear ten bees§ (, sdranga ) who playfully sip
the honey (of her brow).
11. Bidyapati saith, hear, pretty one, there is no other in this world
so beautiful as she.
12. I say this in the presence of king Sib Sib, Rup Narayan, and
Lakhima, his queen.
(15.)
1. 0 friend, I saw a wise, and clever, and blooming damsel on the way.
2. 0 friend, the Creator made her like unto a golden creeper, and
brought her here.
o
3. 0 friend, her gait was stately as that of an elephant, and she ap¬
peared like a princess.
4. He who will obtain one such as her for his bride, will have obtain¬
ed all the four blessings, (viz., wealth, virtue, desire, and salvation).
5. 0 friend, she wore a blue dress, and loosened the braids of her
hair.
G. Over the loosened hair, 0 friend, a bee sat with open wings im¬
bibing nectar.
7. 0 friend, her waist is like that of a lion, and her eye like the
lotus.
8. Bidyapati sang this, 0 friend, truly she hath gained every grace.
* Alluding to tlie stomach which has three wrinkles, and is therefore supposed to
he rugged like a mountain.
t Her two eyes.
X The short hair of the forehead, personified as the demon of eclipse.
§ The short hair of the forehead.
1881.]
BIDYAPATI.
85
(16.)
A Riddle describing Radhct s beauty.
1. 0 Madhab, I saw a fair one on the way.
2. Her gait is pleasing as that of the conveyance1 of the father3 of
the friend3 of him4 who sits on Garuda
3. Like in beauty to the wife5 of the son6 of the sister7 of the
husband8 of the fourth daughter9 of Daksh.
1. And on account of that more beautiful than the enemy10 of the
husband11 of the daughter13 of the foe13 of the king14 of the Gods.
5. Her face is beautiful as that which comes fourth15 after the pre¬
ceptor16 of' the enemy17 of the sons18 of Adiii.
6. She hath arranged a necklace of the treasure of the children19 of
the food30 of the son31 of a pitcher.
7. The slimness of her waist is like that of the conveyance23 of the
daughter23 of the wife34 of Nand.
8. Her breasts are round like the fruit25 beloved by the lord26 of the
husband37 of Kam Dhenu.
9. Bidyapati saith, hear, 0 fair ones, the tint of her form is won¬
drous.
10. By performing a penance like that of the father38 of the wife29
of the enemy30 of Raban a man can attain to such as this.
(17.)
The Same.
1. 0 Madhab, to-day I saw thy beloved.
2 & 3. “ In her I see the resemblance of the son31 of the father33
of the wife33 of the father34 of the father36 of the husband36 of the daughter37
of the son38 of the king39 of the earth.
1 Airavat. 2 Indra. 3 Arjun. 4 Krishn.
5 Rati. 6 Pradyumna, i. e. Kamdeb. 7 Rukmim, i. e. Lakshmi. 8 Som. 9 Rohini.
10 Ivamdeb. 11 S'iva. 12 Parvati. 13 Himalaya. 14 Indra.
15 Monday, i. e. the moon. 16 S'ukra, i. e. Friday. 17 Daityas. 18 Gods.
19 Pearls. 20 The sea. 21 Agastya.
22 A lion. 23 Maya, i. e. Durga. 24 Yasoda.
25 The bel fruit. 26 Siva. 27 A bull.
28 Janak. 29 Sita. 30 Ram.
31 Moon. 32 Ocean. 33 Lakshmi. 34 Krishn. 35 Pradyumna,
36 Aniruddh. 37 Usha. 38 Banasur. 39 Bali.
86
MATTHIL CITEESTOMATIIT.
[Extra No.
4 & 5. “ The moon faced damsel hath adorned herself with the
sixteen* * * § (graces) and other (charms), and seeketli for thy fullest love. O
Madhab, thy beloved is of this nature.
6 & 7. This song is extremely complicated! in its meaning, and
hence it is an object of study for the learned, and hard as a stone for the
ignorant. Bidyapati saith, they are wise who can understand it correctly.
(18.)
The same.
1. “ 0 Madhab, I saw a fair damsel on the way.
2. “ The spot of vermilion on her forehead was surrounded by a ring
of silver stars, and her locks of hair were graceful as the chamara\ and
incomparable.
3. “ Her face shone like the son§ of ocean, and her teeth were like a
line of pomegranate seeds.
4. “ Her breasts were like two bel fruits born upon a golden creeper,
which God had created of varied hue.
5. “ The sweet lady walked gracefully as the animal || on which the
enemvir of the son of the goat rideth.
6. “ The pretty one adorned herself with the sixteen** graces, and
went to her husband’s house.”
(7 & 8.) Krishn’s gait (with excitement became devious) as that of
the daughter! f of the enemy of the son§§ of the king || || of the stars, and
he bull-like searched for and gazed upon the damsel. The poet Bidyapati
sang this.
* i. e. two, or half the number of Brahma’s four faces, being added to the numbers
of the quarters of the earth and the vedas.
f Seevocab. s. v.
X Borassus flabelliformis.
§ The moon. || The lion. If The goddess Durga, to whom he-goats
are sacrificed.
** There are seven oceans and nine planets.
ft The River Jarnuna. which means both a swan, and the sun. §§ A pearl.
I||| The moon.
1881.]
KTDYAPATI.
87
CHAPTER IV.
Meetings.
(19.)
1. The clouds have become a demon of eclipse, and swallowed up the
sun. We can hardly find our way even in the day-time.
2. “ If it were not for the rain we should have no opportunity for
love. Now none of the people of the town are moving abroad.
3. “ Sweet one, haste and adorn thyself. To-day we can meet in the
day-time.
4. “ Put away all fear of thy elders and relations. A desire is never
accomplished without courage.”
5. In this world the one thing they yearn for is a meeting even for
a moment : which is to them like a life-long love.
6. Bidyapati, the necklace of the neck of poets, saith, day-time
caresses can never take place.
(20.)
1. Though there were boats to cross the river, I came secretly on
foot. How many thousands of serpents clung to my feet.
2. The night demons came along with me, and it was but a happy
chance that none of them caught me by the hand.
3. I threw away my life to come hither, and yet I did not see my
Madhab.
4. He hath not studied the ways of love. He hath believed the words
of slanderers.
5. The messenger, and the two consorts are all foolish. Action and
idleness are much opposed to each other.
6. Bidyapati saith, hear 0 good woman, keep patience, and Murari
will meet thee.
(21.)
1. As she was coming out of the arbour Girdhari stopped her.
2. “ 0 Madhab, thou dwellest in one city with me, commit not high¬
way robbery.
3. “ 0 Kanhaia, let go the cloth that hideth my bosom. My new
veil will be torn to pieces.
4. “ Ho not make me naked, the disgrace thereof will run through¬
out the world.
5. “ My comrades have gone ahead. I am a woman and alone.
6. “ The lightning is flashing and the night is dark.
7 & 8. Bidyapati saith, I sang this. Hear 0 sweet lady. Simple
indeed thou art. There need be no fear in company with Hari.
88
MAITITIL CHRESTOMATIIY.
[Extra No.
(22)
1. I heard with mine ears that Krishn was in the forest, but some¬
thing else happened to me.
2. While searching for (Krishn), the enemy of S'iva# seized me.
What am I to say concerning his wisdom.
3. I wrote him sevenf and fivej in many varying terms.
4. But my lord agreed to five § , out of which he rubbed out two.||
5. I anointed my moon-like body with sandal, but it increased the
excessive burning.
6. Tempted by my lower lip, (my hair like) a venomous serpent
slipped down and wished to bite it.
7. Bidyapati saith, the minds of both are filled with joy ; the bee
coveting sweet honey, seeketh after amorous dalliance.
8. How could the tender damsel bear what was intolerable ? Yet
the night passed and gave her life.
CHAPTER V.
The Bridal Night.
(23.)
1. “Full of curiosity, I went, 0 friend, to the bridal chamber sur¬
rounded by ten (bride’ s-maids).
2. “ In the midst, I, in my beauty, shone, (and thought), 0 my friend,
that Muraif himself would meet me in the house.
3. I adorned myself, 0 friend, with jewels and the sixteen (arts of
love), and wore a dress of perfect colour.
4. “ Looking at me the minds of all were filled with love, even, O
friend, the souls of saints became disturbed.
5. “0 friend, I covered^ my body with blue garments, I had a
sari for covering my head like a veil.
6. “ When I first approached my husband, O friend, he closely clasped
me in his arms.
7. “ All the bride’ s-maids accompanied me to his house, and then
returned without me.
8. “ My husband caught hold of my hand, drew me near to him, and
undressed me.
* The God of love.
t I will take poison and die,” see Yocab.
.
+ ww, “ will you not come,” see Yocab.
§ “I will not come.”
I! *rf#, “ not.”
If Lit. surrounded.
1881.]
BIDYAPATI.
89
9. “ Standing before me, the bridegroom spake in accents of desire.
10. “ In the season of new pleasure, 0 friend, the minds of us both
were filled with joy.”
11. Bidyapati sang it, 0 friend, this is the way of tasting new
pleasure.
12. The age of both, and their minds are the same, and the hearts of
both are suited to each other.
(24.)
1. Happy are the consorts, now that their childhood has fled. The
wantonness of their feet hath taken refuge in their eyes.
2. The eyes of both are become love’s messengers. The fear, and
the bashfulness of the damsel add a new ornament to her beauty.
3. He continually layeth his hand upon the cloth which hideth her
bosom, and at the action, and in the presence of her bride’s-maids, she
hangeth her head in shame.
4. “ Hear, hear, 0 Krishn, I have determined how I shall fight my
fight. Ho thou, my love, be careful of thyself.
5. “ My eye-brows shall be my bow, strung with a line of collyrium ;
and the well feathered darts which will strike thee, will be the (glances of)
my eyes.”
6. Bidyapati the poet singeth a song of love, and Baja Sib Sih un-
derstandeth it.
(25.)
1. Haste, haste, 0 lady, as if the day were propitious. Make no
delay, for fear thine object be not accomplished.
2. The damsel was all distracted with fear, and her husband was
tender. How could her friend comfort her and promise (a speedy) termina¬
tion (to her woe).
3. Her friend comforted her, and seated her upon the couch ; and
her glad love arose, and took her in his arms.
4. “ Nay, nay” she said, and her eyes flowed with tears ; and she
lay down to sleep at the further side of the couch.
5. Bidyapati saith, O Prince, there is no modesty so great as that of
a down-cast eye.
(26.)
1. The beautiful one went to the house of her husband. All her
friends caught hold of her hands, and surrounded her.
2. As she entered the house she felt the fear of love, even as the
moon trembles in fear of Bahu.
M
DO
MAITHIL CHRESTOMATHT. [Extra No.
3. She had hardly entered the room before her necklace was broken,
and her ornaments and clothing became disordered.
4. The collyrium of her eyes was washed away by her tears, and she
wondered as the vermilion over her brow was rubbed off.
5. Bidyapati saith, I sang this. She gained pleasure through
enduring pain.
(27.)
1. The damsel went for the first time to her love, and there was great
shame and fear in her heart.
2. The damsel stood motionless ; like a golden statue she uttereth no
sound with her mouth.
3. The husband caught hold of her two hands, and made her sit by
his side. The damsel was displeased, and bore a melancholy face.
4. The bee uncovered her lotus face, and looked, but she covered it
again ; and then he took the lotus-faced one into his lap.
5. Bidyapati saith, sweet one, pay attention ; for the monarch un-
derstandeth the delights of love.
(28.)
1. “ 0 friend, take me not (to the bridal chamber). I am a child,
and my husband is full of passion.”
2. “ She encouraged me with consoling words, and took me with her,
and made me sit on my husband’s bed.
3. “ All my friends left the house one by one, and my husband
fastened the door tightly.
4. “ Then my glad husband became as it were aroused from sleep,
and I caught hold of my clothes fearing that my life would be put to an
end.
5. <c I continued saying ‘ no,’ ‘ no,’ and tears flowed from my eyes ;
but the bee commenced to struggle with the young lotus.”
6. As the water on the lotus-leaf is trembling, so is the body of the
damsel.
7. Bidyapati saith, hear, 0 great poet. If thou light fire, thou must
put it to its use.
(29.)
1. “ 0 Madhab, the pretty one is like a siris # flower.
2. “ The clever bee tempted by (her sweetness) seizeth his opportu¬
nity ; and diving into, drinketh the new honey. i
3. “ The damsel is in her first youth, and the first meeting with (her
husband) taketh place in the first watch of the night.
* Acacia sirisa.
1881.]
BIDYAPATI.
91
4. “ If the anxious husband is now so jealous (of her delay), what
will he do when she admitteth him to enjoyment.”
5. Hari caused her to sleep on his lap, and took oft her clothes from
every part of her body.
6. He pressed the lotus -like pretty one as in anger, and laid her on
the earth.
7. She put one (hand) on her lower lip, and the other on her kirtle ;
but two (hands) cannot be three.
8. How can she, therefore, conceal her breasts, on each of which
arose five (finger marks like) moons.
9. Her speech was broken, her shrinking eyes were filled with tears.
10. Cupid caught a fish, ( i . e. her eye swimming in tears) with his
hook, and its body, (i. e. the eye) struggled (i. e. rolled about) in all direc¬
tions.
11. Bidyapati saith, the minds of both are filled with joy ; the bee,
coveting sweet honey, seeketh after amorous dalliance.
12. How could the tender damsel endure what was intolerable, yet
the night passed and gave her life.
(30.)
1. She first showed anger, and then entreated, and finally agreed,
and was persuaded by her friend to go to her husband’s chamber.
2. The damsel slept with her face turned from her husband, nor
did she smile upon him. No one can rally a defeated army.
3. The bridegroom is full of passion, and the bride is young. If
thou wert to spend millions of gold, thou couldst not procure a union of
these two.
4. Under the cover of her garments she concealed her face, as the
moon is hidden under the cloud.
5. Though her elders and relations bid her not deny her beloved one ;
she doth not dare to do so, for her treasury of love is still closed with a seal.
6. Bidyapati saith, Bay Sfib Sih, and Lakhima know this way of
love.
(31.)
1. “ When Hari snatched away my bodice, how I struggled with my
limbs against him.”
2. The story of that moment is untellable ; the sweet-faced damsel
became silent through shame.
3. The light could not be put out as it was too far off from her hand.
But still she did not die of shame, for maidens cling to life.
92 maithil chkestomathy. [Extra No.
4. Who can bear such warm embraces. He strained the ribs over
her tender heart.
5. Bidyapati the poet saith, no friend of hers was there to tell her
that morning would come.
(32.)
1. “ I tried to cover the orbs of my bosom with my hands, but thou
canst not cover a mountain of gold with a lotus.
2. “ With pleasure I gazed upon my face, and, delighted, my body
assumed various forms of beauty.
3. “ Hari then took away my veil, and the sweet lace of my bodice
slipped down.
4. “ Last night, 0 friend, I dreamt a dream, but my modesty forbid-
deth my relating it.
5. “ My eyes were filled with the tears of delight, and (watered by
them) my seedling love hath put forth leaves.”
6. Bidyapati singeth of love, and Baja Sib Sih understandeth the
pleasures of it.
(S3.)
1. “ How am I to tell, 0 friend, of his wantonness. My husband
desired unlawful pleasure.
2. “ He pretended that my twin breasts were two delicate mountains ;
and he laid his hands upon them, lest they should fall upon his heart (and
crush it).
3. “ I was intoxicated with love, and my modesty deserted me ; (nor
cared I that) my girdle of bells, and my anklets, kept continually tinkling.
4. “ Beads of perspiration added an enhanced brilliancy to my face ;
like pearl-fruit forming on a golden lotus.
5. “ I cannot tell the words that issued from my husband’s lips.
We gazed in each other’s faces, and both our hearts laughed.”
6. Bidyapati singeth sweet words. “ Thou knowest, 0 damsel, that
nectar which is chosen ; drink it.”
(34.)
1. “ To-day, my friend, I see thee very melancholy, and that thy face
is woe begone.
2. “ Hath any one used reproachful words to thee P Thou dost not
tell me any thing.”
3. “ Last night I passed in suffering. Kanh wickedly sported with
me.
4. “ He did not consider my good or bad qualities ; but dimmed,
like Bahu, the circle of the moon.
1881.]
BIDYAPATI.
93
5. “ My lower lip he made dry, my hair he put in disorder, and
perspiration washed away the mark over my forehead.”*
6. The young damsel knew not how to enjoy dalliance (in modera¬
tion), and allowed the vermilion on her forehead to become besmeared.
7. Bidyapati saith, hear, 0 pretty woman, why should I not tell
such things ?
8. The present her husband gave her, she concealed in her garment,
in the fear of being detected and ridiculed by her comrades.
(35.)
1. “ 0 ITari, Hari, hear me patiently. Now is not the hour of
dalliance.
2. “ The stars which glittered in the sky, are no more to be seen ; and
the cuckoo uttereth his voice at her appointed time.
3. “ The partridge and the peacock have already finished their songs,
and are silent. The lip of the moon is growing dim.
4. “ The village cows are wandering forth to graze upon the road.
The bees are settling on the water-lilies.
5. “ My lips stained red with betel have lost their brilliant colour.
This is not the time for enjoyment.”
6. Bidyapati saith, this is not a good action, the whole world will
ridicule thee.
(30.)
1. The stars of the sky are set ; still who careth to cease caresses.
2. What is another’s, he pretendeth is his own ; and lovingly presseth
it between his hands.
3. Her necklace of pearls had been broken ; and in the dim day¬
light the wounds of the love-conflict were visible.
4. She uttereth “ Nay, nay, nay,” but still he striveth to gain his
object with ten million devices.
5. Bidyapati saith that amid the three (the lover, the damsel, and
she who brought them together) the last is the cleverest of all.
(37.)
1. The fair bridegroom hath finished his caresses, and sleepeth with
his hand upon her bosom.
2. It is as if he were worshipping a golden image of S'ib, and were
covering the lotus which surmounted it with his hand.
* A can only he worn by a man. Hence the word here must mean the
or other mark used by women on their foreheads.
94
MAITHIL dlEESTOMATITY.
[Extra No,
3. 0 friend, such is the dalliance of Madhab.
4. Like a bee which hath enjoyed the jasmine, he bendeth his head,
and watcheth in the hope of further pleasure.
5. He approached his face to hers, and placed it on it ; as it were the
moon upon a spotless lotus.
6. Both the bee and the mountain partridge are weary, after drink¬
ing the nectar of ambrosia.
7 & 8. Bidyapati saith, hear, 0 king S'ib STh, Rup Narayan, and
Pranbati who is his necklace, the wondrous tale of Krishn aud Radha.
(38.)
1. “ In his warm embrace, blind with intoxication he gave me pain.
I have escaped (from a great danger), through the virtuous actions of
my former life.
2 & 3. “ My necklace of pearls was broken and scattered, and my
garments,* fell to the ground. My two breasts were torn with his nails,
as a lion teareth the forehead of an elephant.
4 & 5. “ When I see the marks of biting on my lower lip, my heart
trembleth, as when Rahu obscureth the circle of the moon. All night
appeared to me like the fathomless ocean, and I asked myself when the
sun would arise a friend to me.
6 & 7. “ I shall not go again to my husband, if he thus cast my life
away with love.” Bidyapati saith, cast away fear and shame, for if thou
once light fire, thou must put it to its use.
CHAPTER YI.
A COWHEEDESS, A FAYOUEITE OE KeISIIN,
OFFEES FALSE EXCUSES TO HEE SISTEE-IX-LAW, OX HEE EETUEX FEOM
AX ASSIGKXATIOX.
(39.)
1. “ My friend, how can I satisfy my husband.
2. “ At the birth of thatf which (is to-day) I left my house, and did
not return until its death.
3. “ ThatJ for which I went, came of itself ; and therefore I took
shelter under a tree.
4. “ When it ceased, I brought it home ; and am I therefore to be
considered improper.
* See in the Vocabulary,
f The sun.
X The water.
1881.]
BIDYAPATI.
95
5. “ As soon as I got (to the water) I broke the stem of a lotus, and
wished to bathe.
6. “ (When I bathed in) the pond, (the water) splashed, and the
bees rushed forth and stung my lip.
7. “When I put the full jar (upon my head) I drew a long breath,
and it fell slipping down my hair.
8. “ Ten friends went with me before and behind, and (in the crowd)
I was suffocated and could not speak.”
9. Bidyapati saith, hear, pretty one, keep all these things conceal-
ed in thine heart.
10. Daily thy love for thy sister-in-law will increase, and thou
shouldest speak so that these (secrets) should be never revealed.
(40.)
1. “ 0 sister-in-law, thou suspectest me of being guilty, simply from
my appearance.
2. “ Do not say hastily that I have been faithless to my husband, nor
make my mother-in-law angry.
3 & 4. “ In sport I broke a lotus stalk, and wished to make an ear¬
ring of it. Angered at this a bee flew at me from the lotus-bell and stung
my lower lip.
5. & 6. “ As I returned I did not see the thorn shrub on the road
from the ghat ; the path was narrow, and I missed my way and the thorns
tore my bosom.
7. “ The water jar was heavy, and I could not keep my head steady ;
— hence my dishevelled hair.
8. “ I fell behind my companions, and hence my panting breath.
9. “ On the way the slanderers cast reproaches at me, and I answered
them on the spot.
10. “ I am very foolish, and could not keep patience with them, and
hence my words are broken.”
11. Bidyapati saith, Hear, 0 damsel, keep all this secret.
12. “ Conceal the ways of love from thy sister-in-law, and reveal not
that which is concealed.
CHAPTER VI.
Lover’s Quarrels.
(4 L.)
1. 0 Madhab, act up to thy words.
2. Knowing thee to be mighty I took refuge in thee, and thought
thou wast like ocean with all its lakes.
90 maithil citRESTOMATHT. [Extra No.
3. I wandered and wandered throughout the wide world, and every
where heard of thy fame and greatness.
4. I have considered, myself, and have learnt from others concerning
thy virtues and thy honour. Thy virtues cannot be even described by me.
5. At first every one speaketh of a man’s gentleness. But not till
the end will the fruit be known.
6. The words of a great man never change, even as the natural
affection of the moon and the deer.
7. Bidyapati saith, hear, 0 good woman, this quality is not to be
found in any excepting Madhab.
8. I say this in presence of Bay S'ibai Sih, Bup Narayan, and his
queen Lakhima Dai.
(42.)
1. A great man even when angered with one he loves, doth not give
up his love for him.
2. The crow and the cuckoo are of the same kin. The beetle and
the bee resemble each other.
3. Gold and turmeric are (alike in colour), but yet how different. I
distinguish the good from the bad by their qualities, and not by their ap¬
pearance.
4. Though a jewel be covered with mud, still its qualities are not
destroyed.
5. Bidyapati saith, take it for granted, that a good husband will not
drive his wife to extremities.
(43.)
1. I took him for a fragrant sandal tree, and serving him, thought,
0 friend, that all my desires would be accomplished.
2. I had a meeting with my love, and enjoyed his embrace, but in.
the end I find him out a semal* tree, (without fragrance or fruit).
3. Though Madhab dwelleth in the same village with me, he hath
become the slave of the wives of others.
4. Though I am a damsel endowed with such excellent beauty, I have
lost all my charms and my pride.
5 & 6. 0 friend, the fresh lotus flower (of myself), as it lieth in the
basket made of the (bitter) nim\ branches (of separation), is withered ; and
yet (my rival) the (scentless) wild rice hath become sweet and blooming.
7. It hath chanced that my love should come to-day, after spending
so many days there.
* Bombax heptaphyllum.
f Azadirachta Indica.
1881.]
BIDYAPATI.
97
8. Why shall I admit his embraces. My heart doth not believe in
him.
9. Bidyapati saith, O friend, I sang what was proper. The appre-
ciator of the good will come.
10. Arise, 0 friend, and feast to thy heart’s content. To-day thy
husband will come home.
(41)
1. “ Thine eyes are red ; I know the great secret. They tell the
grave scandal of a moonlit night.
2. “ O Hari, make no excuse ; go thou to her with whom thou hast
spent the night.
3. “ A bosom full and round as a Tcumlmm # hath left its impress over
thy heart. It is as if love had painted thy dark skin fair.
4. “ Thou wearest ornaments not thine own, betraying the tale that
thou hast been with another.”
5. Bidyapati saith, even speaking thus is forbidden. When a great
man committetk an injustice, bear it in silence.
(45.)
1. Lotus loving bees are many in this world, but amongst all he is
great who hath discretion.
2. “ 0 proud lady, haste and yield to thy love’s caresses. Oppor¬
tunity is short, and the benefit is great.
3. “ Thou gavest him no honey, though thou hadst no lack of it.
Only that wealth is wealth by which others are benefited.
4. “ Thou spakest rashly to him, and thereby didst put a flame to
his heart which will only be extinguished with his death.
5. “ It is not thou who art base, but thy actions. Evil communica¬
tions corrupt manners.” •
6. Bidyapati saith, the messenger told her privately. One cannot
gain one’s own without another’s loss.
CHAPTER VII.
Separation.
(46.)
1. Happy are the days of youth and love. For a few days equal
passion is seen in both.
2. Cruel fate turneth good to evil. What can it not cause to happen.
* See note to No. 76.
N
98 maithtl chrestomathy. [Extra No.
3. This determination of thine is not good. Be not obstinate, and
depart not from thy former love.
4. Tell me the truth, whither do the eyes of thy hope gaze ? Dost
thou remember the meetings with thy beloved P
5. Thine eyes flow with tears. Thou payest no heed unto thy gar¬
ments nor dost thou wear thy necklace.
6. Though the moon be a hundred thousand leagues away still the
water-lily rejoiceth in it.
7. Mutual love increaseth the more distant the beloved ones are
separated from each other.
8. Bidyapati the poet singeth, a good husband will keep his word.
(47.)
1. In what wood doth Mahes dwell ? No one can tell me.
2. Mahes dwelleth in the forest of penance, and is undergoing fear¬
ful hardships.
3. With earring in his ear, and bow in hand my husband, 0 friend,
is saying sweet things in that forest.
4. In the (dense) forest, where even reeds are motionless, doth my
husband laugh and talk.
5. One single word came between us, and so my husband arose and
departed.
6. Bidyapati saith, sing the actions of Badha and Krishn.
(48.)
1. Once on a time there was a young love, like the love of fish for
water.
2. One word came between us, and my love smiled and did not even
reply to me.
3. Kdnh was on the same bed with me, but it seemed as if he were
in a far country.
4. In the forest where none can move, doth my beloved laugh and talk.
5. 1 will don a hermit’s weeds, and search for my love.
6. Bidyapati saith, a good husband will not drive thee to extremities.
(49.)
1. I came here searching for thee in remembrance of our love, but
as I arrived thou sates b with thy face turned away.
2. Thou didst not even reply to my first words, and with the glances of
thine eyes thou tookest away my life.
3. 0 moon-faced damsel, be not too proud. I, like a bee,
easy in my heart.
am un-
1881.]
BIDYAPATI.
99
4. Thou gavest me hope. Do not therefore disappoint me. Be
gracious, and fulfil my desire.
5. Bidyapati saith, take it for authority, in the heart of both was
born the arrow of separation.
(50.)
1. O proud one, shew not anger now.
2. Nature seemeth so lovely now, that it is as it were the God of love
but just awakened.
3. The night is cool, and the moon shineth. No other season is
comparable to this.
4. Only she who hath enjoyed them knoweth the delights of a hus¬
band’s caresses at such a time.
5 & G. Other damsels, with many smiles and caresses, and offering
sweet draughts of nectar of their lower lips, have yielded themselves up to
their husbands’ embraces. I alone entreat and am hungry.
7. Thy navel resembleth the whirlpool at the union of the Ganges
and the Yamuna, with three soft wrinkles for its waves. And (on the
banks of the rivers) are thy breasts like two images (lingas) of S'iva.
8. Thy mourning husband yearneth for the gift. 0 sweetheart,
bestow upon him them all.
9 & 10. Bidyapati saith, ye are a light and an (unlit) lamp : If
ye come together, your hearts will no longer retain their calmness Keep
your patience under subjection. The pangs of pent up love are very piti-
1. Madhab did not consider this rightly.
2. Should he, whose wife is like love in beauty, indulge in debau¬
chery ?
3. I love him more than even my life, and value him like unto the
necklace over my heart.
4. I never look on another man’s face. What wisdom hath he when
he doth so ?
5. No one praiseth a miser* husband, and the whole world ridiculeth
him.
6. Who while having his own wealth doth not make use of it, but
hopeth (to use) another’s wealth.
7. Bidyapati saith, hear, 0 Madhurapati, this is an improper
action.
* One who being not satisfied with his own wife, looks after another s.
100 maithtl cnEESTOMATHY. [Extra N o.
8. If tlie wealth obtained by begging from (others) be an everlast¬
ing one, of what use is our own ?
(52.)
1. “ What fault have I committed to-day ? Why, 0 Hari, dost thou
not cast even half a glance upon me F
2. “ On other days thou claspedst my neck, and broughtest me within
the house, to tell me thy love in varied words.
3. “ My husband was annoyed in his heart and slept. The heart
of a husband should not be of this nature.”
4. Bidyapati saith, hear words of truth. When love increaseth
self-respect is lost.
(53)
1. 0 Madhab, what can I say of thy wisdom ?
2. When I called thee “ Dear husband” thou wast annoyed, and
didst shut thine ears with both thy hands.
3. When the time of separation approached ; my sleep did not break,
and so I could not ask him anything.
4. There is, O friend, no one so unfortunate as I. The precious jewel
hath departed from my hand.
5. If I had known that my husband was so cruel at heart, I would
have made my breasts mountains of gold.
6. And cunningly with the palms of my hands, and with my arms,
like creepers, would I have bound him firmly and kept him here.
7. When I remember this, if I do not die, my heart can only be of
stone.
8. The poet Bidyapati saith, 0 daughter of the Himalaya, keep
the feet (of thy husband) on thine own heart.
(54.)
1. O friend what can I say of my folly ; I passed the whole night
in pride.
2. When my heart was softened, the cruel dawn arose.
3. The elders awoke, how could I yield his caresses ? As I hid my
body I was much confused.
4. I wished to shew my cleverness, and only made myself foolish.
I tried to obtain my interest, and lost even the principal.
5. Bidyapati saith, it was a fault of judgment that at the time of
love thou shevvedst anger.
1881.]
101
BIDYAPATI.
(55.)
1 & 2. 0 Madhab, go not thou to a far country. Thou wilt take
with thee all my happiness, and what wilt thou bring me in return ?
3. As soon as thou enterest the forest thou wilt change thy mind,
and thou wilt, 0 my lord, forget me.
4. I will not beg for a diamond, nor a pearl, nor for a ruby, but for
thee, my love.
5. When thou, my love, didst depart, mine eyes were filled with
tears, nor could I even see thee.
6. Though (he) dwelleth with me in the same city, my love is the
slave of others. How will he fulfil my desires.
7. Fair women when with their husbands, like stars around the
moon, are happy in their love.
8. Bidyapati saith, hear, 0 good woman, keep the True Essence
in thine heart.
(56.)
1. My husband hath left me and gone to a far country, with whom
shall I pass my young life P
2. My bed is soft and scented with flowers. How thirsty my bee
must be where’er he dwelleth.
3. Remembering, remembering, my heart will not remain still, and
my body is burnt in the fire of love.
4. Bidyapati the poet saith, Victory to Ram. What can a hus¬
band do when the fates are against him.
(57.)
1. The damsel, in her desolation, went to her bed-chamber, saying,
“What hath God written in my destiny ?”
2. She rose distraught, and sat with bended head, and looking round
her, became ashamed.*
3. My beloved one hath gone ; and I used to play with the two hands
of my husband.
4. Bidyapati saith, O wondrous love ! according to the length of
separation is new love produced.
(58.)
1. My Madhab wandered to a far country, and no one, 0 friend,
giveth me any news of his welfare.
2. May Ins life be long, even though he remain a hundred thousand
kos away from me ; it is my misfortune, and he is not to blame (for this) .
* i. e. awoke from a dream about her absent husband.
102 maithil cnRESTOMATHY. [Extra No.
3. 0 God ! my fate hath been reversed. My husband hath given up
his former love (for me).
4. The grief of my heart is like an arrow, but how can one feel the
pain borne by another ?
5. Bidyapati the poet saith, Victory to Ham. What can a husband
do when the fates are against him ?
(59.)
Hadha enigmatically describes her woe.
1. O Madhab, 0 Madhab. be attentive (to my words). Separated
from thee I will take poison. #
2. My face like the first, twenty-fifth, and twenty-eighth (letters), f
hath been withered by snow.
3. The twenty-fifth, eighteenth, and twentieth (letters) J burn my
body. The third § after the son || of earth taketh my life away.
4. Remember, 0 Madhab, the affection of those days when the lion^j
went to the house of the fish.
5. Bidyapati saith, write the letters in alphabetical order. The wise
can explain them.
(GO.)
The same in the form of a letter.
1. a The grove is full of flowers, and I sit apart : I use the collyrium
of my eye for dark ink.
2. “ I write upon the leaf of a lotus with my nails these seven
letters.”^*
3. First she wrote the first day of spring, secondly, she wrote that
the third day was passed.ft
* The number of or “worlds” is fourteen, and that of fx?i[ or “ seasons’*
six ; and fourteen and six are equal to <ff q “ twenty ” = “ poison.”
t or “ lotus.”
X “Love.”
§ see Vocabulary, s. v.
||
H Any word commencing with q (here q^^f) is represented by the -r
and any word commencing with q (here qq;) is represented by Hence
the sentence means “when you put your head under my foot.”
## efi.qq. There is here a play on the word vide Vocabulary
s. v. ^qq.
ft Cf.
1881.]
BIDYAPATI.
108
4. She could not write the one which followeth spring, for the first
sentence was putting her life to an end (through remembrance of her
husband).
5. Bidyapati saitli, count the letters. Those who are wise can tell
the purport.
(61.)
1. My mind is distraught, and my husband is in a foreign country.
When I gaze upon the moon, flames rise in my body.
2. The pains of love penetrate to the bottom of my heart. To
whom shall I tell my distress, for my husband is in a far country.
3 & 4. My kirtle remembering his love, and that he is not come
home, and (hearing) the intolerable songs of the frogs and cuckoos, is
slipping down to-day. * My love is great, but I cannot find my husband.
5. Bidyapati saith, hear and take it for granted, King Kaghab
Sik can understand young love (lit. the five-arrowed one).
(62.)
1. My husband went away giving me the first and the eleventh
(letters),* but it is many days since the term of the promise expired.
2. My age is the Pleasure of Love in visible form, and yet my hus¬
band hath not shown his face.
3. Now, O friend, my chastity can no longer remain safe. Day by
day the arrow of love will become doubly strong.
4. I cannot even endure the light of the moon nor of the sun, even
the application of sandal-wood seemeth to me like an intolerable arrow.
5. Bidyapati saith, hear, 0 good woman. Have patience and Murari
will meet thee.
(63.)
An enigmatical letter from RaclJia to KrisJin.
1. 0 Madhab, I understand thee now.
2. Though thou madest a hundred thousand promises to return, of what
effect are they ?
3. Take fourf from forty and divide it by four, and my husband and
I are the result.
4. The deceitful Kanhaia doth not know how to enjoy caresses ; he
hath brought my life to an end.
* = “ promise” in Maithili.
t 40 — 4 = 36. 3¥° = 9 = which means also “ new,” “ youthful.”
104 MA.ITHTL CHRESTOMATHT. [Extl’a No.
5. Take ten* from sixty and then cut off the cypher, and that is
tli at winch laugheth at me.
6. I cannot bear the disappointment caused by my husband, and so
I will add a cypher to twof and take it.
7. That]; which folio vveth from writing nine cyphers preceded by nine,
is like the life of my heart.
8. I cannot with pleasure look on my lotus face. Who doth not
know the reason.
9 & 10. Bidyapati saith, hear, O good woman ; if thou split a
lotus stalk, it will give a lesson to others, and thereby give up its life.
(For within the stalk is a slender filament which no one can separate into
two parts, and which therefore is a model for true love.) Who can object
to learn such a lesson P
(Gl.)
1. “ Sandal-wood is now an intolerable arrow to me, and my orna¬
ments a burden.
2. “ Hari, the upholder of the mountain in Golcul doth not appear
to me even in my dreams.
8 & 4. “ Murari standeth alone beneath the Kadcimb§ tree, and
seeketh for the path (to me). Separated from Hari, my heart burneth,
and my garments lose their brightness.
5 & 6. Speed thee, speed thee, O Udhab. G-o thou to Mathura. The
moon-faced damsel can no longer live, and who will be blamed for her
murder ?
7 & 8. Bidyapati saith, hear me attentively, 0 good woman, to¬
day Hari will come to Gokul. Haste, and look for him on the path.
(65.)
1. The fearful cloud thundereth aloud in the sky, O friend. When will
my husband come to me ?
2. Love hath arisen, 0 friend, now my life hath no chance of safety.
8. What can I do ; my youth hath become the cause of my death.
4. Bidyapati saith, 0 friend, have confidence in thy husband.
(66.)
1. “ It was on the seventh day of the month of BaisaJch that my
love made a promise to me and went away.
2. “ He touched my two breasts which are the incarnation of Siva,
and smilingly promised me, and I believed him.
* 60 — 10 = 50 ; 5 = “ an assembly of five persons,” i. e, people in general.
t 20 = which also means “poison.”
] 9000000 = “ a young lotus.”
§ Nanda oricntalis.
1881.]
BID YAP ATI.
105
3. “ The term of the pledge hath passed, and hope hath flowed away
from my life.”
4. Under the pangs of that separation the damsel will surely die.
Hence how can the (burning hearts) of Baisdhh harm her.
5 & 6. Counting the moments I passed the days, counting the days
the months, and counting the months the years. Now there is no hope of
my life.
7. The mango trees were in flower. In the forest of my heart, the
cuckoo was singing gently.
8. At such a tender age my husband went to a distant land, and
drank the nectar of the flower.
9. Me even kumkum # and sandal-wood burn, and yet there are people
who call the moon cool.
10. My husband far from me (forgetteth me), and hath many loves.
Truly in distress I learn those who are true and those who are false to me.
11 & 12. Bidyapati saith, hear fair damsel, adore the feet of Hari.
Thy love is unwillingly in a foreign country, and therefore do not abuse him.
(67.)
Bcidlid enigmatically threatens to he unfaithful to Krishn.
1. I will write the nineteenth! letter with the twenty-seventh. Then
again I will put down with them the twenty-fifth.
2. That which my love, at the time of leaving me, entrusted to me,
alas, hath fled ; and I do not see it.
3. It is very unbecoming that another man should enter the house.
But the man has come ; and in search of it.
4. 0 Madhab, do not blame me for it. How long shall I retain a
hope of keeping it.
5. Bidyapati saith, count the letters. They who are wise can tell
the purport of “ it.”
(68.)
1. Madhab dwelleth in Madhupur. 0 friend, we also will go to him.
2. He loveth Kubja, and hath given up his love (for us) also.
3. H ow long may we look for his advent, 0 friend P He hath gone
to the banks of the Jamuna.
4. Let him take up his abode there, but let him once come here, and
shew his face.
5. Bidyapati saith, 0 friend, the beaut}' and form of the man are
incomparable.
* See note to No. 76.
f 19th letter ^ 27th ^ 25tli “ virtue” is the answer to the riddle.
0
106
MAITHIL CHEESTOMATHY.
[Extra No.
(69.)
1. O friend, I planted the creeper of mj hope, and watered it with
the tears of my eyes.
2. The fruit is now ripe, nor can the cloth that covereth my bosom
contain it.
3. My husband when he went away saw it while yet unripe. Doth
he know that the mist hath been dispersed.
4s. Day by day the fruit is ripening. My husband, 0 friend, doth
not understand this in his heart.
5. All others’ husbands, though they went to distant countries, came
hack and remembered their love ;
6. But my Lord is so void of mercy that affection never increaseth
in his heart.
7. Bidyapati saith, 0 friend, I sang what was proper. The apprecia-
tor of the good will come.
8. Arise, O friend, and feast to thy heart’s content. To-day thy
husband will come home.
(70.)
1. What can I say. In my first youth, 0 friend, my love left me
and went to a far country.
2. 0 friend, I can no longer have patience, and . bear the grief of
separation.
3. The appointed time of his arrival hath passed away, the cloud
hath covered the face of the sun.
4. The winter, the spring, and the summer have passed, and the
rainy season hath set in.
5. The crickets are chirping all around, 0 friend. The cuckoo is
singing his sweet song.
6. The god of love, 0 friend, hath inflicted with his arrow a mortal
wound. How many of these (exciting songs) am I to hear with mine ear ?
7. A bed of flowers no longer pleaseth me, 0 friend : even sandal wood
and apparel appear like poison unto me.
8. The wind bloweth cool, and yet my mind, and my speech, have
deserted my body.
9. Bidyapati saith, 0 friend, I say this. The damsel should rejoice
in heart.
10. The husband will find a propitious day, and will come on it.
Be not disappointed.
1881.]
BIDTAPATI.
107
(71.)
1. The meeting between the two had taken place for the first time
The night had passed away in obstinacy.
2. They were strangers and their love was fresh. Without previous
acquaintance he had demanded pleasure.
3. “ My husband went away when my breasts were small like nuts.
Now my youth has become apparent.
4. “ Now I can not live without my love. Now my life hath come
to an end.”
5. Bidyapati saith, the good husband is full of virtue.
(72.)
1. Her moon-like face hidden in her hands, shineth like a fresh lotus
covered with its tendrils.
2. Day and night tears flow from her eyes. The bird-like^ pupil is
swallowed up, and tears fall from them like strings of pearls.
3. What can the moon-faced one do, and what can others say. For
no fault of hers Kanh hath turned away his face.
4. Through the intolerable separation her frame hath wasted away.
The flower hath withered, the scent only remaineth.
5. Such are her lamentations, that I fear she will not live. Love
never alloweth any one to remain master of himself.
6. Bidyapati saith, hear 0 good woman, keep patience and Murari
■will meet thee.
(73.)
1. “ At first when our love was new, thy soul wished to throw its
life before it.
2. “Now that that love is daily growing old ; thou thinkest thine
own lotus withered, and another more fragrant.
3. “ 0 friend, tell my prayer to Hari. He will not forget the love
of former days.
4. “ In the days of my love’s caresses, he promised me many things,
but hath not performed as much as I could tell with half my lip.”
5. Bidyapati saith, Bay Sib Slh, and his Queen Lakhima know this
love.
(74.)
1. 0 Madhab, what am I to say of her ? The sweet one desire th tliy
virtues and loveth thee.
* a species of wagtail (Motacilla alba).
10S maitiiil cheestomatiiy. [Extra No.
2. Soiled apparel covereth her body, and under her lotus hand her
eyes shed tears.
3. A nut brown braid of hair (hath fallen from her brow, and) lieth
upon her bosom. It appeareth like a black bee attached to a lotus-bell.
4. One of her comrades gazeth at her heaving form, another fanneth
her with a lotus leaf.
5. Some console her by saying “ Hari hath come,” and when thy
name is called to her remembrances she faintly riseth.
6. Bidyapati, the poet singeth, she trietli to make the pangs of her
separation known to her companions.
(75.)
1. O friend, to whose graces hath my love succumbed ? Now I
understand his virtues and his vices.
2. 0 friend, separated from him, Love maketh my heart to boil. The
very moon of night burneth my body.
3. 0 friend, though the slanderers relate to me hundreds of his faults ;
still to me no one is like him.
4. 0 friend, though thou try with many efforts to rub it out, a line
engraved on stone cannot be effaced.
5. 0 friend, though the wicked speak bitterly of him, my heart is
not disturbed.
6. 0 friend, consider that the deer marks on the moon, even though
obliterated (for a time) by Rahu, never leave her face.
7. 0 friend, even though the sun dry up the water, the lotus doth
not desert the mud.
8. 0 friend, to her who loveth her love, what can even an angry
God do.
9 & 10. Bidyapati the poet sang, and Raja S'ib Sih, the beloved of
Modabati Dei, is full of love and understandeth it fully.
(76.)
The messenger tells Taenia's woes to Krishn.
1. O Madhab, I saw a damsel separated from her beloved.
2. There is no smile on her lower lip, nor doth she sport with her
comrades ; day and night she murmureth thy name.
3. She uttereth sweet sounding words from a mouth, which is like an
autumn moon (in beauty).
4. I have perceived and seen that the red lotus hath blossomed, and
accordingly I am come.
1881.]
bidyapati.
109
5. The necklace on the heart of the pretty one hath become a burden,
nor do her eyes cease shedding tears.
6. All the comrades meet and invite her to sport, and indulge in plea¬
sure, (but) her heart doth not heed them.
7. She hath given up rubbed sandal, and musk and the JcumJcum* and
hath left all other pleasures in thy absence.
8. As a fish without water leapeth in pain, so doth she wake day and
night.
9. He heard the words of the messenger and in his soul remember¬
ing (his wife), departed immediately.
10. Bidyapati the poet singeth, Raghab Sib, Lord of Modabati, is
the only refuge.
CHAPTER VIII.
Reunion.
(77.)
1. Krishn cometh and openeth the door of the house in which Radha
liveth.
2. He lifted the cloth, and saw her lips and face, which appeared like
a half moon.
3. “I put small pieces of camphor into the pan leaf, and arranged
the sweetmeats.
4. “ I passed the night sitting, and my pride was broken.”
5. “ I stayed in Mathura, why didst thou not send a messenger to
me ?”
6. “ I am one jewel here, and there are many jewels scattered about.
And my husband slept there.”
7. The Lord of Lakshmi kissed her lotus eyes, and pressed her to his
heart with the strength of Kurnbh Karan.
8. Bidyapati, meditating on the feet of Hari, singeth the lament of
Radha and Krishn.
• •
CHAPTER IX.
Miscellaneous.
(78.)
Prayer addressed to the Ganges.
1. How sweet are the boons I have obtained upon thy bank. As I
leave thee mine eyes fill with tears.
* Kumkum is the sealing-wax sphere filled with red powder used at such festivals
as the Holi, by the holiday-makers, to throw at each other.
110 MAITIIIL CIIRESTOMATHY. [Extra No.
2. Witli clasped hands I adore thy pure waves. Holy Ganga, may
I see thee once again.
3. One fault of mine thou knowest, and wilt pardon. I have
touched, 0 mother, with my feet, thy water.
4. Why need I perform silent prayer, or penance, devotion, or pious
meditation. I look upon them as equally ineffectual, for my life hath been
blessed by thee.
5. Bidyapati saith, my prayer to thee is this, forget me not in the
hour of death.
(79.)
A comical song, in which a wife complains about the tender age of her
husband.
I. My husband is a child, and I am a full blown damsel. (In a
former life) what penance did I insufficiently perform, that I am as his
mother.
3. My friend, I dressed myself in garments of the south ; but when
I saw my husband my body became burnt up with disappointment.
5. I took my husband in my lap and went to market, and the market
people asked “ What is he to you ?”
7. “ He is not my husband’s younger brother, nor is he my little
brother. In my former life it was written that he should be my husband.
9. “ 0 wayfarer on the road, you are my brother. Go on a message
to my father’s house.
II. “ Tell my father to purchase a milch cow, that he may give his
son-in-law milk to drink, and nourish him.
13. “ I have no money, and no milch cow. How am I to bring up
his little son-in-law ?
15. Bidyapati says, hear 0 woman of Braj. Have patience and
Murari will meet thee.
(80.)
A song of Intrigue.
1. “ 0 fair one, you are wise and clever ; I am dying of thirst, give
me a drink of water.’’
2. “ Who are you, and of what family ? Without previous acquain¬
tance, I give no man a seat, or water.”
3. “ I am a traveller, and a Rajput ; and, separated from my love,
I wander over the world.”
4. “ Come, and be seated, and drink water. Whatever you ask for
I will give you.
5. “ My father-in-law and brother-in-law are gone to a far country,
and my husband has gone to search for them.
1881.]
BIDYAPATI.
Ill
6. “ My mother-in-law is in the house, but she is blind and cannot
see. My child does not understand my speech.”
7. Bidyapati says, 0 wondrous love ! according to the length of
separation new love is produced.
(81-)
S'iya’s Marriage.
A friend of TJma laments her lot.
1. One who wanders in every house from the beginning of his life*
How can he he married ?
2. We are going now to make him the bridegroom of Gauri. How
can this be allowed P
8 & 4. Where is his house P Where is the courtyard thereof ? Who
are his parents ? He has no fixed home. Who will take him for a son-in-
law ?
5 & 6. Who has settled this marriage (with S'iva) ? None is his
relation. The genealogist who fixed this marriage is a contemptible one.
7. He has neither a family nor relations. His dependents are ghosts
and demons.
8. Considering this my body burns, who can hear the thorn in my
heart ?
9 & 10. Bidyapati says, 0 pretty one, keep this in your mind. He
who is destined to be your consort will become your husband.
(82.)
A friend of Uma addresses her mother , on the occasion of S'iva’ s coming to
marry her.
1. O mother, such a wilful bridegroom have they brought, the
Himalay blushed as he gazed on him.
2. Such a fool is he that he cannot even ride a horse, even a fully
equipped one.#
8. He has spread a tiger’s skin over a bull, and tied it with a snake
for a girth.
4. Patter, patter, goes his tabor, and rattle, rattle go the bones in
his body.
5. Gobble, gobble, he gorges himself with Indian hemp, and smack,
smack go his cheeks thereat.
* Mr. Fallon translates ejjf here by ‘pace’, hut I do not find this meaning of the
word current in Mithila. ojjj is elsewhere in Mithila used to signify equipment.
112 maitiiil chrestomathy. [Extra No.
6. He has painted himself with sandal-wood, and has smeared his
whole body with ashes.
7. He has collected a great army of ghosts and goblins, and down
from his head flows the Ganges.
8. Bidyapati says, hear Manain,* it is the god Digambar Bhang.
Next follow a few poems by Harkh Nath, or Harsha Nath a, a
living poet. They are Vaishnava poems in the same style as those of
Bidyapati, and are in the modern Maithili dialect.
|| RfrJ ||
snrff? TOfst to vroft t. to qrro I
fsi3JTO fTOTC 31TOTOJ t Sift tops II
clf^cT TOcT %TO fTO T TO3iraSI qTTTO I
TOT’TO ^ifisr SlfsTO; ^ ^ R 3RT II
ST3TcT ffe^T %TTO T % TOflTO |
flfa 5JTO qTOt SRT ^ qTOTq ||
StfTO *psT TOST T! TO I
STt% TO«T 9ITTO Slfit T ^lfflf?T qftTOT ||
TO'TT^T SHTO ^ TO TO 5;tr 3TT% I
TOTTO T TOTO TOT *TT% II ^ ||
<TfTO TOT ^TTT BWift TOslfsT ^ifcT vqfTOW I
%TTO SfJtST STST^hr ^SHt c!^ cT«T TOqifT ||
STO 3T%TTOT ■ClfsTcT *T5r} %TTO ST3TST filirT? |
^rt% II
^ -si
x^ftl TT^Rftl ft^Hfe %TH I
toto 3TO5 si«t sjsret f ^ firft: nz srtw ii
STTOT TO?T TO TO3T TOffi! STIJIcf ^|fcf 1
srf?r TOfror to to ^ TOTvft hhtoK'^to^t yw n
SfJIcT TO^I TO %TO 3TTOJ 1TOTO qifq 3nq 1
TOTTO f€=? 3=T5fift TO TOTT fl VITO HTq II ^ ||
* Mena the mother of Uma.
18SL]
ILARKII NATH.
113
sprc sr^ret cf?r ^nf5T i
si
^TcIT ^t{% *!TOST *rfroc u
Si ' \j M
f%^ Prater i
mf*\ ifsR^T <^T gxf%x Wf ^ II
^rf^cT ^ % ^rf stsrT *R*r 3J5t i
grw rre Iwftm gp^ 11
5T31^T ^K*:fw<T *T5nft ^JI^T ^ I
SJ -J \J
JT5f 5TJT CTTfir WTOT ?m?t sjpf «R tRR %W II
sum smPr ir %?m sm?t nn?ra ?»Pt Jim I
Own SF#H Rjf ?I5T^ =?? «pfi ?mor «m II ^ H
^irfRcf -W^tf ^rfji osfp? RSlf% OtPf ?tp? ?pr |
rim *rm 'TCRTC imp? srPr w gm htj; i
^h?i sum sifi? ?fk omP? srfjt jr hot i
%m sm? ^f% hr j;mf% mPm ?fot sif% m? I
Iflft jjhP; j;fcf or osrfsr sm imPim ^'jt i
=fn?m ?tP? hth osjfg fflf^^rmfcr j;?? srm li 8 n
HTH? ^J?f% RTOfumr i
i%im wot omm wn wmfw ijot %rem wtht ii
C\
nffcT w?w 5>fcr wf3? whwwh srift wfr; <wPrnPr I
Pm whm ttouhw wsm ?rg cm ?m Prom n
jkh no? ^ hs? <rf uthw sm i
%ft wgoor hut wjtw wPc wh hi irr? Pram a
jzjt mw? t?wh h? jtwh mimm ?th Pm wmt I
hthw tmm If wPt www Pm rm mw hi wmt n
nn? whw ii? %ft jzwhPrj: snww wfcft i
whw gin gm wjtw ^R? f??pm ^x1%J7 ^mp a
of?H ?13T w on?irm ?JT? ?n? Pror? i
=s? fn'f ?n>fn in?m ^Pr ht? ii i n
Cs
^fT^ ^ K ?R I
T 5Tf*T ^•^'WT I
fwilcT 5T2PTP^I ^ ^f«T ^TffeTcT ^T% 1
p
MAITIIXL CIIIIESTOMATIIY.
[Extra No.
3.14
^ tft ^rff spr t srf f^l |
5TpT ^Tf^TcT ^ f^T% I
T ^RspT ^ ’efrct !
v< ^
3 5[fq ^iq 5J3T «TT=^5i € qE qiq^R oft^l I
"tqqq qqqq qpf q STTJlfi: ^nTffT |
qqq 3fqq cPT tiqq q qfaq qiflRTqi [) <( !!
qfe qfqr %t=i qfq ^ngf qfq l
ws qfe q^ qqqsi qfe, %? qf qf%q qq}q i|
qjq ffRq, qqqf qq, % BVt ^«r qq I
qqq fgifiR «rq q^f q’fq qq, fqq q$? %qqft' q =fi?r n
fi^fqq ^qqq qqq q^q qq, =qfq qw %ifqq jir i
qqq qqq qq Riqif q=?q qjq, ^q ^q fqqiqq urq n
■qiqq t%fq qq qqq qqq qq, qlfqq qrfqqq q^i I
q^q qqq q^ qqqsi fqq qqsrs q qqqq irfT ll
qqq qq qg? qifeR fqqq qs?, %xqq fqq'f Riqqiq I
•qq q^^q fq^ q^fifq qq, ^qqiq qfq qi% n « n
C\
qfe qfiq qfgq qqq =3tpqR I
q fqq'q qq qx?q qqq qq qR fqqq ^qq-R n
qqj, fqtqfqqj qwr, fqq qq qiq i
q^q qiq qq qfq qqq ^q ^fqq fqq qfqqrq n
q-gqrqq 3t=R ^qq arfhc qq ffif 5>qfqfq qfqr fiq |
q<iqi^3 qq snfq qqq tR fqjqj q qjqq qq qTq II
RTS q7iq qR qq% fqqq qq 5tfq fqqff fq fsjq HR I
^ sqq f fsq qfaq qjqqiqf % qq fiq ^r ii
qqq qq T3? ■qfqq fqqq q^ %Tqq qq|qq I
qq q^nl’qq fq^? fqqfixq 'tqqiq qifq «iq n ^ n
qfqq q Xfqq qiBtR I
^[qqq qfq^wfq qqqfq qq qfq qfqqj wpqqq Jr ii
'•j 6\
^iqq qfqq ffpfR qi^q qfq qqq fqiqq ^jq 37^ t
si 1
gq? gxq qrq q%R Jr qq sficTst q qsq ftqqiq 11
1381.]
IIARKII NATII.
115
^ ffeur, ^k*t, it^jt ?tt% i
5^1 fajlf^fcT JR %TTcf ^•T^T <FWPT ||
STTxRi 5R Jiff JR J[f*T gf HRI %^TpT i
j?v ^f^r jr^kj; Prjr tfeiftf ^tPt u
-> >j
Sflftfil fsrfer Jf?T MTT Wfl? H? qqRS %? ?ft fiR I
m qg#?g fir? q»fif? g? ?ggx? gift «xg i t ii
C\
fifr? q?ft? gxs wft i
m w ?ft fT gift g^ft ?gfg ?ft? gR ?ft ll
qft?ft gig g?g ggr jgxfig? g gift? ggg w?rg i
giqgg gxgg g g»g ftgxqg gift? ??g gw gig ll
g? qft?ft yfg gras? g ^g wft fgqw? wxgw %xg i
giift gjgg g;g gft^ g gggg ^ftg gxftg figg gft ll
ak ?qgr? g?? ? xj^qft ft? gftgft? ?rg i
gjrggi gig ggg gftqfsi? % gr? g?q ft^R n
sftftfg firfix g? gig ww? g? ?gg§ ?? ?fix wrg i
=sq ??iftg ft? wfg gw ??gx? gifir wig ii \° \\
Os
ggg, gw, g?, g>ggf, gift?, ggg, gwcTX wx? %
gift gr ws gwg; ?rg z ixw w?,w wqi? ?1
xjg gw wf?g gg^gg gift gw ?>gg g
gura ggf r -gjgg ?xww gpqg g
qftw ?ggw grgw ggwg ^fgg gwftg ?'g wl'
gq g^gft gw? ?*qg %xr wgw gg ?1
gift ftqxwlg ggftft gt? ?g gxiixw g
?fgcr gig g? ?g %x?g gx?1? g
• ^ «
=?gfg gxgf? ggg gxgft ?gf? ?g gg wg ?1
ggg xgg wg g?g firgw fsg gfir ?g >gig gfx
?ggj? gg gggg ?ft gg?g Hg g
g>g? ^gft w^l^g ?g sjg ?g?g g
?ggx? grgx? ?ft g^gx? fg^gg ?x? ?x
gg? ftftwr ggg gx?gi wg\? ?fwq gix? ^x n \\ u
113 maithil cheestomatht. [Extra
TO Ufa lf§m =fTO 4 I
TO TOTOT TO 3Tp^f *T ^jfcITO l!
f fmH yyxy 5fT*f mf? %xmy mfy?Ty HT5 m«Xy I
mft yyyxy mmiym yfym mf?:m ?tXy WI4 II
gtm mix mym yfhx?: my yfy mfym f yy mfirexy i
fyffey ymy my?: fyyxfcm y my yyy mm yxy h
<jm fwrcfa m?m yft mfimx mfy txm yxf% i
gtm mm mm?; y?;y m?:xfym y?y yfy my myrniff it
Stlfflfy fyfrT Jtm y«y yy mSf3? %3f yf?T ?!T?I i
my m^lm?: fy5? yytfm yy ^yyxm mfm mxy 11 \y n
mt% y fifu** yyp %3t i mmjxxfyfy mxfmfy y?:mm: il
mmm mfmy mxyy mfircxy I mfy yy yfmy fymm f%yyxy t
my?: mfmy yxw mfy mr*x i mft: yym mfy fy?ym %m n
fy?:fxsr mxim fm ymm mxfy i mmfm yxmxyfm yym?: yxfy n
mifymm yy?: fmfmfy ?;xy i yyy fymy mfy yxrny xi? u
CsVl
lyyxm mfy yyyy nxy l my m^Nty fyi yy< wxrn n x,3 ti
yyy yymt fymx y?3m i mmir y?y my fy?:xr w n
yyf?: yyf?; yw y y^y yfc I ypx xpy ?rf pry st€t?: it
yym?; xifyy fyfyy f m i mxm yyy mfy yxym gm u
srtym y'mm m?ym mxm | fyy y=?y mfy fyyyy mxm n
mytr yx?y %xfmm mm yxy i mxy fmym yy mym yyxy it
"fyyxm mfy yyp mxy i my m^tm?: fyi yy> wry « is it
fm mim yyy myyxm l
yyy fymxmy yyfy ypm yy my my^y yy mxy 11
*my fyy?r my ytmy ^m yy ^3? yy yy mm mxm i
^m fyfmy yy y’fy yyy my mfyy yy Km mxm it
yyy yfy my fyyy y?nwy f yy yftm mfy mt? I
yyym myfy fyyy my mmm yyy ymy yy fxy n
ymy yyy, mfy fmyy, yfmfy ym yyy pm yy mly it
my5? y^y my y^y fymm fyy ymmT y myy myly »
1881.]
HAHKII NATH.
117
qfq? qR?q r(ff ^3? Hq Rq qrf*TOTq I
=fq fqf qqifq qq wtra Rfq hr ii \y, «
C\ *
qfe q qiqqq «r q?g salt i
fqqr g>q rr qiqqfRq qq qR ^Tjfqq ^qqq n
RlfR <J|R RfRq RfRfr ff^HTfiR fqRHfq 5?fif RJR% |
JiR?R HHq q3S RQTclf% fqfqcT qs f% R-gq qfqR fqq% [|
Rqfq RRffl qfcT, qgq Rqfq qfq %T«T qfq Rq RqqiR |
jffq ’Jell WT Rufq fctfJTC f*TcT qfcftq HR % qn% II
Rfgj Jr sjqqfq ^fqq RqR qtfe Rif?rq ^qq fqR qr % |
%TTRR fqq f%q qjqfqq qfqfqq qq qR qqfq qq% U
qqq qq qs? qfqq frtRq q$? fiqq fqq=f ^qqxq |
Rq R^]qtq fq't q*qfq qq ^qqxq qtfq hr ii ^ «
JrANSLATION OF THE jSoNGS OF j^ARKIH JIa'tH.
The messenger describes the charms of Eddhct.
1. T saw a young damsel, slender as a line of gold, upon the way. It
was as i£ the god of love had formed a desire for the conquest of the whole
world.
3. The lightning flashed with its own peculiar brilliancy, and displayed
its loveliness ; but, when it saw her matchless beauty, it became ashamed,
and again and again returned to its own abode.
5. Who can liken what to the loveliness of her curling locks, and of
her eyes. They were as if Cupid himself had caught two fish with his
hooks.
7. The charming boundary of her lotus face, gave her a peculiar brilli¬
ancy. It was like the full autumn moon surrounded by lightning. Harkh
Nath the chief of poets, lendeth his heart and singeth this and King Laksh-
misvar Sih* understandeth its nature.
(2.)
A cowherd css relates to her friend the charms of a lady.
1. I saw a sweet damsel, 0 friend, radiant as a flash of lightning. My
eyes were satisfied as I gazed upon her matchless form.
* The present Maharaja Bahadur of Darbhanga.
1 iS maitiIil chrestoaiatiiy. [Extra No:
3. Her lovely face shone, and still more her two eyes. They were as
it were a pair of beauteous bees, resting upon a lotus.
5. From below her navel there came a serpent line of hair as if desir¬
ing to devour her bird-like* eyes. But when it saw her nose (standing
watch over her face) like Garur the enemy of serpents, it stopped like a
lovely picture at the foot of the mountain of her bosom.
7. New anklets tinkled on her feet, and sweet they were to hear. It
was as it were an intoxicated soul-abiding bee, humming o’er a lotus leaf.
9. Harkh Nath, the worshipper of the feet of the mother of the world
sang this, and King Lakshmisvar Sih understandeth its nature.
(3.)
One coivherdess relates to another the beauty of Rddhd.
1. The fair damsel went to her bridal-chamber, attired in a dark blue
garment. She appeared brilliant like a golden creeper, desired by many
clustering bees.
3. A spot of chalk, and another of vermilion shone over her forehead,
like the sun and moon risen at once upon a lotus leaf.
5. Who can tell the charming brilliance of her teeth or the fresh lotus
of her lower lip. ’Twas like a meeting of innumerable white Icandf flowers,
beneath a blossom of the red bandhuJc.%
7. Her two feet were painted, and o’er them shone a charming pair
of thighs ; which resembled the trunks of two elephants extended eager
for two fresh lotus shoots.
9. Harkh Nath, the worshipper of the feet of the mother of the world
sang this, and King Lakshmisvar Sih understandeth its nature.
(4..)
The messenger describes the charms of Rddhd.
(She shone.) ( Refrain .)
1. With love filling her heart, the sweet bride went along with her
friends.
2. Slowly, slowly she progressed, as if wearied with the weight of her
bosom.
3. Her eyes half-closed, she hardly saw clearly, like a chalcor § full of
intoxication.
4. Gently she spake and laughed, as it were the moon raining nectar.
5. When I remember those delights, my whole body thrilleth.
G. The poet Harkh Nath telle th, and the King of Mithila knoweth its
essence.
* The Ehcmjan , Motacilla alba, is a bird to which eyes are frequently compared.
f Jasminum grandiflorum.
X Pentapetes phocnicea.
§ The Greek Partridge, Perdix rnfa ,
2. S-SL]
HARKII NAT II,.
no
(5.)
The messenger relates the charms of Ttddhd to Krishn.
I. 0 Madhab, I saw a matchless beauty. When I saw her I knew that
my birth had obtained its fruit, and that the desires of my eyes were fulfilled.
3. I forbid the lightning (to compare itself to her), for it is fickle in
its brilliancy, and the golden creeper, for it is hard. When he formed her
body, Brahma at length exhibited his full skill.
5. When Love’s bow was burned by the eye of Siva, and only a
filament of ashes remained, Brahma searched for them, and divided them
into two, and out of them he formed her eyebrows.
7. Her eyes, equal in brilliancy, destroy the pride of the Khanjan f
and of the dark eyef of the deer. Brahma^ loved the lotus, and laid his foot
upon her bosom, (and took up his abode there).
9. When it saw her spotless lotus face, the brilliancy of the nightly
moon became dimmed : and when it gazed upon the pride of her two golden
prbs, the pomegranate broke its heart.
II. Brahma formed her teeth of pomegranate seeds, and (her lower
lip), which concealed them, of the bandhulc § flower. King Lakshmisvar SIh
jmderstandeth her charms, and Harkh Nath singeth them.
(G.)
The Toet describes the beauty of a lady.
1. To-day I saw a fair one ; and lo, when it beheld her dark
garments so like dark clouds, a sudden flash of lightning played around
her.
3. The moon though shining amid the fire of Siva’s eye became
ashamed, when gazing on her face. For a great man cannot bear to be
disgraced.
5. When the Khanjan saw the play of her eyes, which put to shame
the leaf of the spotless lotus, it became ashamed itself, and took up its
abode in the forest. ||
7. She knoweth that young lovers would continually steal the gold
above her heart, and so she hath tightly bound her twin bosom ’neath a
bodice.
9. Harkh Nath declareth with all his heart that the lady is matchless.
“When I saw her beauteous eyes, I knew I had done so as the result of
penances performed in former births.”
* The Khanjan Motacilla Alba, is a bird to which eyes arc frequently compared.
f Lit. collyrium.
X Brahma is said to have been born in a lotus.
§ Pentapetes phoenicea.
|| The poet fancifully attributes the wildness of the khanjan to jealousy caused
by the play of her eyes.
120
MAITHIL CIIllESTOMATIIY.
[Extra No.
(7.)
Bddhd laments her separation from Krishn , and charges the seasons with
adding to her pangs.
1. Friend, friend, how can I keep my patience ? See, see, how the
southern wind hath watched till my Lord had gone to a far country, and
now consumetli my body.
3. The rays of the moon, the leaf of the champ ah f and sandal, have
given me sorrow, and passed away. Even the winter consumeth my body en¬
tirely ; no one is friendly to one whose husband is away.
5. A flowery grove consumeth mine eyes, and the voice of the cuckoo
mine ears ; How can I bear the unbearable pangs of love ; — Every instant
my life departeth from me.
7. The hot season hath passed, and the rains have begun. On all
sides the clouds are piled : at such a time as this my lord remaineth stead¬
fastly in a foreign country, and to-day hath not returned to his home.
9. Be firm. Before long thou wilt meet thy lord, and the (sun of)
thy separation will set. ILarkh Natli the poet singeth, and king Lakshmis-
var Sill understandeth the meaning.
(S.)
Jddtdhd laments her separation from her beloved to her friend , and accuses
the moon of aggravating her pangs.
1. 0 friend, 0 friend, help me against them, else my soul will be
distracted, and my body continually burned ; for the moon-beams are
irresistible.
3. The moon is beloved of the water-lily, and was born in the milky
ocean ; it and the (pure-white) jasmine flower have the same effect. But
still it continually consumeth my body and of a truth I find that its heart
is black.
5. Why did not the ocean conceal it in its bosom, as he doth firef
in his heart. Why did not the god of love drink him off, as Siva swallowed
the deadly lcdlkut.%
7. Even though Rahu, the demon of eclipse, swallow him, he still
surviveth and woundeth the heart of her who is far from her Lord ; behold,
the ill-natured, cruel, pain-giving one, is he who is irresistible.
9. Be firm. Before long thou wilt meet thy lord and the moon will
be sweetly cool. Harkh Nath the poet singeth what hath been revealed
unto King Lakshmisvar STh.
* Michclia champaca.
f Allusion to sub-marine fire.
I A deadly poison swallowed by S'iva at the churning' of the Ocean.
1881.]
HARKH NATII,
121
(9.)
Krislin entreats Radha to relent.
1. Let not thy heart be hard. Forgive my faults ; be pleased with
me, 0 lady, and fulfil my heart’s desires.
3. When I beheld thy face mournful, lady, I wandered restlessly
o’er the world. Thy face is like the moon, and my heart like the chalcor *
which findeth not surcease of woe therein.
5. As I searched for thee, my heart melted ; for even the moon-beams,
the champ ak\ leaf, sandal, and the music of the cuckoo in the fifth scale,
were as fire unto me.
7. O wise one, think well and turn not aside thy face from a
suppliant. If the lioney-loving bee desert the honey and turn back in
fear of thorns, the loss is that of the ketki\ flower.
9. The night is passed and dawn hath come. Even now, lady, give
up thy pride. King Lakslimisvar Sill understandeth her charms, and Harkh
Nath singeth them.
(10)
Krislin entreats Radha to relent.
1. Why sittest thou with averted face P Put aside from it thy veil,
my pretty one, and with pleased heart cast one glance upon me.
3. Put aside my faults, and utter but one word. Let not thy face be
melancholy. Scorn not thy devoted love, but bestow upon him the nectar
of thy lip.
5. Without thee, lady, my heart is never for a moment at rest ; yet
in spite of ten thousand endeavours, thy heart, hard as adamant, doth not
change.
7. If the fault is mine, pretty one, why hast thou put aside thy
necklace ? Who would decide that one should suffer for another’s fault ?
9. The night is past and dawn hath come. Even now, lady, give
up thy pride. King Lakslimisvar Sill understandeth her charms, and Harkh
Nath singeth them.
(ii.)
Congratulations sung on the birth of Krislin.
1. The dancers, warriors, and astrologers, all at once obtained their
desires in the shape of horses, elephants, chariots, gold, rubies, jewels,
and pearls upon their heads.
* The Greek Partridge, Perdix rufa, said to be enamoured of the moon, to subsist
upon moonbeams, and to eat fire at the full moon.
f Michelia Champaca, a tree bearing a fragrant yellow flower.
J Pandanus Odoratiosimus.
Q
12? MAITHIL CIIRESTOMATHY. [Extra No.
3. Indra with the gods appeared in the atmosphere with glorious pomp,
and saw the Loveliness of the house of Jadu.
5. The gods, pleased at heart, and their limbs thrilling with joy,
rained flowers, and in the sky played propitious melodies upon the drum.
7. Great was the wealth given to the midwife who cut the navel
cord : and the wives of the cowherds in their joy sang the sohar*
9. In joy the fair ones of the city sang, and captivated the minds of
gods and men ; when birds and beasts heard them they became motionless,
and even saints desisted from their contemplation.
11 & 12. Harkh Nath saith with all his heart, May Hari be propi¬
tious, and bless king Lakshmisvar Sill with increase of wealth and subjects.
13. May Jadu Nath, the refuge of the three worlds, satisfy Harkh
Nath’s request, and fulfil the heart’s desires of the Lord of Mithila.
(12.)
Krishn implores llddhci to relent.
1. Show not exceeding anger, love ; but think, and find some means
(of forgiving me). If I am guilty, bind me tightly with the creeper of
thine arms.
3. Let (the sun of) thy pride set, and drawing the bow of thy fair
young brows, strike me suddenly with the adamantine arrows of thy eyes.
5. Take the golden mountains of thy bosom, and cast them on my
heart and crush it : with sharp teeth rend my lower lip, nor shed a tear
drop (in pity) as thou doest it.
7. Ne’er will I disregard thy words, my love ; and if thou doubt
this, cause me to place my hand upon the S'iva image of thy bosom (that
I may swear thereby).
9. The night is passed and dawn hath come. Even now, lady, give up
thy pride — King Lakshmisvar Sih understandeth her charms, and Harkh
Nath singeth them.
(13.)
The messenger describes the charms of Radha.
1. A lovely brightness putteth the lightning to shame, as the damsel
moving stately as an elephant, entereth.
2. Her charming countenance is adorned by curls, as the moon, the
spotless abode of snow, is surrounded by clouds.
3. Her lower lip is playful, and her nose of exceeding beauty ; resem¬
bling a parrot sitting over and desiring a red bimba fruit.
4. When it saw the glory of the lotus of her twin bosom, a line of
hair sprang up towards her navel, like a line of bees.
* A congratulatory ode at birth, such as the present song.
1881.]
IIARKH NATII.
123
5. Continually her ankles tinkle, like Sama Yaidik priests singing
the victory of love.
6. Harkh Nath the poet singeth with all his heart, and king Lakshmis-
var Sik understandeth the meaning.
(14.)
JEtadha laments her separation from Krislin.
1. The time is spring, and my love is in a far country. How much
intolerable agony of separation must I bear.
2. When I bring my Lord to remembrance, I cannot contain myself ;
for my body is consumed by love’s fire.
3. The flowery grove humming with its bees, seemeth to my eyes like
a heap of fire.
4. A cool garland of lotus and the champak* flower consumeth my
heart, like a mass of poisonous serpents.
5. The soft, low song of the cuckoo burneth my ear ; even the beams
of the moon are like fire to my frame.
6. Harkh Nath the poet singeth with all his heart, and king Laksh-
misvar STh understandeth the meaning.
(15.)
The first lo ve of Krishn and Rddhd described.
1. Can I tell their first loves.
2. Until they gazed on each other for the first time, how many
varied pleasures continually awoke in the heart of each ;
3. But when once the cruel arrow of love had pierced their bodies,
but one desire dwelt in both their hearts.
4. When their hearts are united, they will remain so for ever; now
only shame separateth them.
5. Conceal not in your hearts the cruel defeat sustained through
the fire of love.
6. For the trembling eyes of both declare that the damsel is no longer
mistress of herself, and that the youth is devoted to but one object.
7. Both their bodies are wasting away under the touch of the breeze
of Malaya, the beams of tbe moon, and the lotus leaf.
8. How long will they bear the unbearable ? will they remain thus
agitated for ever P neither is master of himself.
CD
9. Neither telleth the other his desires, for the hearts of both are
proud.
10. Harkh Nath the poet singeth, and King Lakhshmisvar Sih under¬
standeth the meaning.
* Michelia champaca.
124
MAITHIL CIIEESTOMATHT.
[Extra No.
(16.)
Bukmini wife of Krishn laments his absence in the spring time amid the
cowher desses.
1. O friend, 0 friend, the king of seasons hath arrived.
2. The groves are adorned with the soft low song of the cuckoo
and blooming with fresh lotuses.
3. Many are the brilliant creepers with their wanton flowers made
tuneful by the swarms of bees.
4. At such a moment my lord remainethfar away careless (of love).
What can I say for his wisdom P
5. How can Jadubal (Krishn), lord as he is of the daughter of a
king, sport with the damsels of the cowherds.
6. Is that darkness in which he was enveloped by the daughters of
the cowherds everlasting? Surely those days are passed.
7. Jadupati (Krishn) hath deserted me, and hath done what might
have been expected of him, for (as his complexion is dark) so must his
heart be.
8. The (dark) cuckoo deserteth its own dear ones, and the (dark) crow
deserteth the young leaf, even though it has known it long.
9. Be firm. Before long thou wilt meet thy lord, and the (sun of)
thy separation will set.
10. Harkh Nath the poet singeth and King Lakshmisvar STh under -
standeth the meaning.
1881.]
VOCABULARY,
325
PREFATORY NOTE,
This Vocabulary does not pretend to be a complete dictionary. It
contains, I believe, every word and form occurring in the Chrestomathy,
and, besides a large number of words collected by me in the country
and in Court and not hitherto found in dictionaries, a great many
indigenous proverbs. It may claim to be entirely original, and in no
way a compilation, not a single meaning having been taken from any
dictionary, other than the mouths of the people themselves. At the
same time it must be admitted that it is for this very reason liable to
many errors, from which a mere compilation would be free. Consideration
is asked for such as exist.
Nouns are given in their Nominative form, and Verbs in their Root
form. Under the latter will be found many colloquial, poetical, and archaic
forms not given in the grammar.
a share, portion.
a written bond or
agreement.
^3fFW«T, adj . unlucky.
adj. gorged so that one can
not rise from his seat,
a famine.
adj. belonging to, or con¬
nected with, a famine.
adj. and adv . without cause
or reason,
the sky.
(d&-c) wisdom, knowledge.
(fern. adj. of no,
or bad family ; prov.
if you
marry a woman of bad family,
discredit will fall on your own.
(jUA!) plu. newspapers.
^|3i^Hff, a forest conflagration.
^3R5T, adj. English.
^3IT, adv. before.
v. n. to go ahead, or in front,
the act of going in front.
J
<TT, v. n. to be sick, pained,
J
afflicted.
sickness, pain, affliction,
^inr, v. a. to watch, to guard.
^3iiu^, the act of watching, or
guarding.
fire.
v. a. to satiate, disgust,
gjcfrfj, the bosom, lap ;
126
MAITIIIL ClIItESTOMATllY.
to fill one’s lap, to take a person
in one’s lap. 2. the whole body.
(Yid. XXIII, 6).
a sprout, a shoot. Hence (vul¬
garly) fate, (Sal. XV).
the body : a limb, a member.
the court-yard of a house.
%irC^T, a finger.
vj ^
a yawn. to yawn.
^iTWT, a man’s body-cloth =
^JiTY, charcoal, coal.
ctdj. wonderful, astonishing.
( Instr ., amongst women , '^r^r-
^fv), the body-cloth which covers
a woman’s bosom, which a woman
is not supposed to uncover in the
presence of any man, until her
marriage.
'SEp^T, adj. firm, immoveable.
adv. suddenly.
adv. soon.
whole grain, presented at re¬
ligious ceremonies , such as a mar¬
riage ; prov. iff ’fvT’ETt
^^7T, a foolish bridegroom gets
only vetch for his achchhat.
a letter of the alphabet.
verb substantive , to be. See
Grammar.
7 /. ^
. irregular jor ^s^^,pres paid.
of being. Vid. Ill, 4.
irregular for he is. Vid.
XLY, 1.
see
^?fT, (fern. ^wfVr), pres. part, of
to be.
v. a. to snatch.
[Extra No.
the act of snatching.
^WT«TT, a bed.
(^sr^) adj. wonderful,
infamy.
a he-goat. In Vicl. XVIII, 5,
“a he-goat’s son” means <1‘ a he-
goat.” He- goats are sacrificed
to Hebi, who is hence considered
their enemy.
4^, a veil, a woman’s body-cloth,
v. n. to roam : to be hindered,
stopped.
roaming : hindrance.
v. n. to cease, remain, stay
in a place. to abide
anywhere.
the act of staying.
v. a. to stop, prevent, hinder,
the act of stopping,
the act of stopping,
twenty-eight. In Vid. LIX.
2, the word hieans the twenty-
eighth consonant, viz. See srsjiT.
eighteen. In Vid. LIX. 3,
the word means the eighteenth
consonant, viz. ^ . See T^ftYT.
a bracelet made of flour
pounded by eight men (includ¬
ing the bridegroom) wrapped up
in mango leaves, and worn by
him ; prov. «PC ^wjr
^TYt, the bridegroom
has not yet met the bride, and yet
they are fighting about the athau-
gar , (of a causeless fight).
v. a ., to restrain, hold back,
the act of restraining.
1881.]
yOCABTTLAEY.
127
Rff^TcT, the act of seeing a guest
off.
a pool in gambling : a rendez¬
vous where men or carts meet.
the jujube tree ; a very mean-
looking shrub. Prov. 3TT^
^w,
n • j
where there are no other trees, the
jujube is thought a lot of.
a commission agent, a
broker.
^■§RT, a brazen vessel containing
sers.
<^7, an egg.
^frr, adv. very, exceedingly.
adj. & adv , very much, ex¬
ceedingly.
adv . here, (in titles) here begin-
neth.
a jingling word of no mean¬
ing, used with q. v.
illimitable, unfathomable,
surprise, old MaithiU
for surprisingly; to a
person’s astonishment.
a civil court.
the mother of the gods, who
are hence (Vid. XVI. 5.) called
her sons. See H«T37.
(b^l) adj. low, mean.
adj. wonderful, extraordi¬
nary.
^7, adj. half = q • v.
the lower lip. old
Maithili for % ; also emphatic
for even a lip.
{fem. adj- had :
the usual word in MaithiU in
contradiction to good.
breathing downwards ; hence
breathing in, as opposed to
q. v. breathing out.
great, much. With abl., more
than.
adj. obedient.
a part of a book, a chapter.
^•RlfTTT? adv. early in the morning.
'J
the god of Love, Kamdeb.
adj. unrecognized, unac¬
quainted, unknown, strange.
adv to another place.
adj. belonging to another
or foreign country. A stranger.
^«R7, joy, rejoicing. to
rejoice.
injustice ; infamy.
^«RT^r, a tender of plough-cattle,
when they are not in the plough,
but are waiting their turn to be
yoked.
^«T%T^T<T, displeasure, disgust.
^rt, an anna.
^RT^rT, adv. unwillingly.
^j«TP5T, grain, food.
^«TT3pC, disgrace, disrespect.
to defeat.
^TIT, a pomegranate.
every moment, continually.
^R3T«T, a follower : entreaties {Vid.
XXX. 1) : one who has arrived,
improper, unbecoming.
vj
q. v.
a younger brother. Pn T id.
LX, 4. ^fT, “ spring,” means the
time when flowers appear.
128
MAITHIL CIIRESTOMATHY.
[Extra No.
also means “ a woman's
courses ,” and hence WeT means
the three days during which a tvo-
man is ceremonially impure. The
younger brother of ®f^cf is there¬
fore the fourth day when she may
admit her husband,
repentance.
a cause of sorrow or re-
pentance.
adv. daily, always.
'j
anger.
devotion, service, devoted
attendance.
'^cfq'TiT, adj. matchless.
v. a. to consider, note, think
upon.
adj. ( fern . melan¬
choly.
v. n. to consider, to come
to a conclusion.
the act of considering.
^jcfyf^rT, adj. coloured, adorned.
love, affection. In Vid.
LXXIII, 1. for the sake
of metre.
<^¥p(;|3iwi, adj. coloured, smeared with
vj
colour, besmeared with.
compliance with a request.
^j«Krsr, adj. (fern, com¬
pliant, acting in conformity with
requests.
^*tXX = an opportunity.
Vid. XXIX, 2. ^*r$x =
i}, and means , at an op¬
portunity, and hence , seizing the
first opportunity.
q. v.
adj. unequalled : Hence supe-
rior to. In Vid. XVI, 4.
Os.
for sake of metre.
adj. many, innumerable.
^rT, ( Vid. XXXIX. 2, and XXVIII.
4, for sake of metre). End,
conclusion, termination. Hence ,
the innermost part, or bottom of
any thing : the time of death.
Vid. XXVIII. 4, fcnf ^ vr,
my life came to an end.
the time of death.
^7*% or y, adv. in another place,
elsewhere.
^TTC, an intervening space, distance.
Hence adverbially %r^ ^jcTC,
at a distance of four kos.
^CIcT, the inner rooms of
a house ; where the women reside.
solicitude, apprehen¬
sion.
darkness.
adj. dark. {In Vid. 1, 3.
^JX, for the sake of metre).
grain, corn, food.
adj- ( fem . same as masculine)
not capable of discrimination,
giddy (of a woman’s conduct).
Lit. unjust.
^XJ, adj. blind, deprived of sight.
adj. dark, see ^Tf?f.
adj. darkish.
adj. ( fern . which in
Vid. XXI, 6, is altered to
for the sake of metre), dark.
Also substantive , darkness.
continued bad fortune : hence
injustice.
1881.]
VOCABULARY.
129
disgrace, infamy,
disgrace, infamy.
*q|qq, or ^qq, for qpqq genitive of
^qfq self. One’s own. ^xr«T
or ^qq *RT, wilfulness.
y* 1
qiq*T^, old Maithili , or emphatic, for
^qqT all. sing, of q^qfq, self.
^qqT = ^xq?r5 gen. of ^qfq.
qjqf«T, reflexive pronoun, self. See
Grammar.
^qflT*r, shame, disgrace. In Vid.
VI, 6, ^q^Tq, for the sake of
metre.
^jxpCT'sr, fault, crime, sin. In Vid.
LII, 1, for the sake of
metre.
^qqq, or ^q^\q, adj. (qRq), un¬
surpassed, matchless, wonderful,
costly.
qi^qq, see ^qq.
^fqq, adj. unpleasant, painful.
'qq, adv. now.
^qqi% (1) adj. certain, concerning
which there is no doubt.
qR^irq-, (2) v. n. to take for certain,
to believe to be true. Vid. LXXXI,
9, & II, 4, ^qqr? and ^q?lT%
for qjqJlif%.
^qq?^, (3) v. a. to plunge into,
to bathe in. Vid. XXIX, 2,
^qqif% for the sake
of metre .
(1) the act of taking for
certain.
qRJTTqq, (2) the act of plunging
into.
^qqq, a bad quality, defect, vice,
^qqqq, an ear-ring, an ornament.
^qcTY, v. n. to become incarnate, to
take visible form.
’qRcfVq, the act of becoming in¬
carnate.
^qqTY, an incarnation of deity.
'qRq, a period. Hence, a limited or
fixed time : a promise, stipulation.
(1) care, caution, attention.
^R^RT, (2) (qfWYVr), the act of
settling or determining.
v. a. to settle, determine.
Indeclinable Participle (^qqifv,
but Vid. XVII, 7, qfqqTVf for sake
of metre) is used adverbially to
mean, correctly, accurately, truly,
^qqivq, the act of settling, or de¬
termining.
^qfq = ^qq, q. v .
^qqjq, v. n. to hold fast, to take
refuge. Lit. to hang down,
^q^iq, the act of holding fast, or
taking refuge in.
^q^T, a girl, a damsel, a woman.
qfqqT, time, opportunity, proper
season, ^q^T, then.
(1) end. Usually
adverbially , finally, at last.
(2) (^faqqr), the act of
bathing. Vid. XXXIX, 5, *|q.W
for the sale of metre.
^qiq, adv. certainly.
qfqqTq, end, termination : the set¬
ting of a heavenly body.
qffqqRT, adv. continually, incessantly.
q»Y, to forbid.
^fqYqt, adj. & adv . continual (ly).
uninterrupted (ly) : crowded, in
clusters.
R
130
MAITHIL CHRESTOMATIIY.
[Extra No.
adv. without making any
distinction, at random. Tid XXIN,
5, for the sake of metre,
adj. invisible.
adj. witless, foolish,
a coward. Also adj. Ran¬
dom, confused, unintelligible, (as
. 'English is to a native who does
not understand it).
^VK«T, ornaments, jewelry, fine ap¬
parel.
^T3T<sT, (fem. adj. unfor¬
tunate, unhappy.
the act of casting, or
throwing.
young, new, fresh,
intention, meaning.
(1) desire, wish.
(2) desired, longed for.
adj. beautiful, pleasing.
Vid. XVI, 2, wfw?XT, for sake of
metre.
desire, longing, v. a. to
desire.
an assignation, caresses,
dalliance, sexual pleasure. Vid.
XXXVI, 1, metre .
adj. careless, heedless ; Prov.
see
* «
adj. foolish, silly.
adj. clean, spotless.
court officials.
adj. warm, tepid.
^fTT, a mother,
ambrosia.
^f^T, a mango (fruit or tree),
mango conserve.
God.
^«XT, (&V0> a mirror.
for past tense of ^T,
q. v.
refuge, shelter, protection,
a lotus.
^rqft, large cardamums.
adj. red, tawny : the dawn :
vermilion.
{Vid. XXXIV, 6,) vermilion
(compared to the dawn) rose on
her forehead, i. e., her forehead
became smeared with vermilion.
The vermilion 'patch on a woman's
forehead , called is sur¬
rounded by a ring of small silver
stars called
an enemy. The enemy of Indra
ivas the Himalaya , see
The enemy of Bdban ivas Bam ,
see The enemy of he- goats
is JDebi, see
v. a. to pray to, entreat,
an oblation,
meaning : wealth.
v. a. to lift up, raise,
speech, talk.
v. n. to be wearied.
^^Txn^, the condition of being
weary, weariness.
^f%, a bee ; hence metaphorically , a
lady.
one of two famous brothers,
and whose exploits
are sung by Nats.
^R«T, see ^T.
pride, fine airs.
adj. innumerable.
1881.]
vocabulary.
131
^■^r, food. The food of Agasti (see
was the sea, and the
children of the sea are pearl
oysters. (See
^*r*TT«T, ^cfer^r, bathin g.lVid. I, 1,
^^r«TT^/hr metre.
touch, the act of touching.
a burial-ground.
(ul f), the sky.
a gold coin. Prov.
WZ, tpC his gold mo-
liars are not taken care of, and
his charcoal is sealed up ; penny
wise and pound foolish.
^3U*jT, Aslesha. The ninth nalcsha-
tra , or lunar mansion of the rainy
season.
W, (cUf)
adj. true, real.
intolerable, unbearable.
^fW^TT, name of a goddess, who
was the special object of adora¬
tion to Chuhar Mai, and Salhes.
^f%rT, adj. dark : the dark half of
the lunar month.
the act of benediction, or
blessing.
^£5T«T, one who is not a
near relation. In Vid. LXXXI,
5, means an i- o , a
certificate given by a Panjiyar
or hereditary genealogist, that
there is no near relationship be¬
tween a pair who are to be married.
(Jr°j) adj. realized (of
money dfc.).
an Asolc tree (Jonesia asolcal).
^frT, praise.
^y[YT, (l^iUf), a razor.
^^TT«T, bathing, a bath.
^ #
touching, the act of touching,
memory, remembrance.
^RTRT, adv. day and night ; con¬
tinually,
joy.
respectful pro. you. See
Grammar .
the goddess of sleep.
3rd sing. pres, of the defective
verb ^r, to be, used only in this
form.
^pir, interj. ah.
sr$Tf*rffc, = g. v.
^T, v. n. This verb being of com¬
mon occurrence in Maithili is
very irregular. There are besides
many ways of spelling the different
forms. The following are selected
specimens of the various forms
more commonly used. Inf. :
Pres. Part. : 3rd simple
Pres.
: 2nd Imperat. ^r?pf : 1st Put.
2nd Put. Wf : 3rd Put.
W%eT, ^R<T, 1st. Past.
the latter being con¬
sidered the more correct form. 3rd
Part. the latter being
considered the more correct form :
fern. hon. masc.
Irregular fern. : Indeclinable
part. Past. Part.
^r^t, fern. To come, to
arrive : Prov.
132
MAITHIL CHRESTOMATHY.
[Extra No.
if you come, how will you go ?
i. e., if you enter a trap you will
be caught ; cf. hat. Vestigia nulla
retrorsum.
adv. to-day.
titi;, near relations, mothers and
the like.
see ^F.
see ^fT.
(1) see ^T.
(2) the act of coming.
^T%fT, see ^T.
^7%3T, the act of coming, arrival.
conj. and.
^nypr, a seedling, a shoot.
a hooked spike for guiding
an elephant.
an eye ; hence vision, sight.
^R, a limb ; the body generally.
In Vid. XXVII, 2, ^RT emphatic,
even a limb.
<3fRcr, the inner court-yard of a
house.
a woman’s jacket.
^RY, a finger.
a woman’s body-cloth =
^YT q. v.
Wisj, wheaten flour.
a bundle of grain divided at
the end of a day’s work between
the reaper and his master : JProv.
of an over -paid man , %Tf^ 3fRf«T-
^1y3T try a lazy
reaper has an a'ti as thick as a
pestle.
a testicle.
^TciY, (1) adv. within.
^RY, (2) a sub-division of a field
for the purpose of ploughing :
the land contained within a plough
circuit : distance between two
objects.
^tffTT, a kind of scurvy.
^T3f, the sun.
an embrace.
^T^TY, form, appearance, shape,
the sky.
adj. confused, agitated, dis¬
tressed ; hence (of speech) broken,
(of a lover) passionate.
^ffYlY, a letter of the alphabet.
of); adv . at last, finally.
Hindi form o/^TfJT, q. V.
^T3R = ^T3T«r, q. v.
^fR-*?, approach.
^fRY, (fern. ^IRfY), adj. wise, cle¬
ver, intelligent.
^[RT, adv. before, at first : used with
little or no meaning at the com¬
mencement of the subject-matter
of a letter or document ; in such
case it may he translated more¬
over.
fire. ^nf3T ^RR, to set on fire,
to burn. ^[Tf3T rTT^T, to sit over a
fire ; cRcT Y#t, I was sitting
over the fire.
sflR, adv. Sf prep, before.
^R ^TTW, compound adv. before and
behind : in single file.
^7^ = ^fR, q. v. as in the saying,
Vtw ; the pretty lasses
^v.
of South Tirhut, are pendent in
front, and heavy behind.
(])=^I3], q. v. _ j
1881.]
tocabulaky.
133
(2) interj. — 5i, q. v.
^rc,=srN*, I v.
interj. fie !
^Tof, adv. to-day, now.
^fT«T, adv. to-day, now. Declined , —
3 U
^f«T, last night, (lit.) the
night of to-day.
adv. till to-day.
^pt, = ^T^T, q< v.
^rtfT, an order, a command.
^|T3, num. eight. ^fT^rr, the eighth,
a boundary between two fields,
(Bangdli ^T^), = ^<TT|, q. v.
the more usual form is ^TK, q. v.
*TrN^, majesty, splendour.
^Tl^, = q • v.
^T^cT, brokerage, commission.
WT^r, = ^TTf , q. v.
^TrT^T, heat, the hot season.
^T<T*T, one’s self.
a man : a human
»♦
being of either sex.
respect, reverence paid to any
one.
the beginning of any thing ;
at the end of a compound, begin¬
ning with ; hence et-cetera.
T, ^PST, adj. half. ^T9T ^TNT,
^rft, or
^Eff^ half-and-half.
<3Tfa, (1) q. v.
^Tft, (2) adj. more, excessive.
^T^’T = In Vid. XYII, 4,
ftft ^TNT refers to the four
faces of Brahma. Half of this
number is two.
^T«T, (1) pro. other, another, some¬
one or something else, anything
else. ^T*r . ^T*T, one . .
another. ^Tif^ ^fT»r someone or
something else. This word is fre¬
quently written ^rrt for the sake
of metre.
^T*T (2) v. a. to bring, to offer.
adj. belonging to another
country, foreign.
^T«T«T, face, countenance.
rejoicing, joy; the pleasures
of love.
the act of bringing or offering.
^Tft, (1) Indecl. Bart, of (2),
q. v.
^nf*T, (2) pride, self-respect, ambition.
, 2nd Imperat. of ^lT*r (2) q. v.
C\
^PT, see ^T«T, (2).
adj . (fern. ^T^fp), blind,
sightless ; Prov. ^PTTcf
a blind dog barks at the
wind.
^FT, (1) v. a. to place, put, lay,
deposit. In Vid. XXXVII, 1,
Indecl. Fart. instead
fa, for the salce of metre.
^TTT, (2) W, Befl. Fron. self.
Frov.
v St *}
3T^?T, ^T?IT «fT^l :
himself he grinds his corn, alone
he eats, in his house there is no
wife nor in his court-yard a mo¬
ther : like an ass who wallows on
barren land, he has neither nose¬
ring in front, nor hobble behind ;
said of a man who is disoioned by
his people , or who has no f riends.
Of. err*!.
134
adv. now, at this time,
a mango, (fruit, or tree). More
usually is Hindi.
acidity. 'Especially, dried
chips of the mango fruit, used as
a conserve. It is of two kinds,
and The first is
made from small immature man¬
gos (f^^TT), and the second from
large mangos.
see ^T.
see
enmity.
^TC«T, ^TTf?T, (fern. Sfnfir) adj.
grieved, pained, anxious, aggriev¬
ed, (of a lover') eagerly desirous.
^TIT^TT, Ardra, the sixth nakshatra ,
or lunar mansion of the rainy
season.
^T?t, the boundary line of a
field. Cattle are sometimes grazed
on these lines , and trespass thence
into the fields themselves, which
gives rise to many disputes ; lienee
the proverh, ^p(ft «TTT <T
IW W if you
go on an art, have a stick for
your head, (and then you may)
graze your cattle in the midst of
a cotton -field : i. e., when you
take your cattle to graze on an
art, take care and be well-armed :
Idiom, to lose the crops
■j
of one’s field,
a house.
weariness, laziness, idleness.
a word not used by itself,
but frequent as a termination of
compound words , meaning a
[Extra No.
house, e. g. f^RTWT, “ a temple of
S'iva .”
worthless things ; Prov.
Ir
eft«T of a woman who
is poor but males display, she
eats worthless things, and has
three Malins (maid-servants) to
apply oil to her body.
or a potato.
v*
and ^Tfcg
see ^jT.
a blessing, well-
wishes.
adj . wonderful, as¬
tonishing.
hope, desire. Frequently
for the sake of metre.
a seat, abode. ^T^«T, the
abode of Indr a, heaven,
a retreat or refuge.
q. v.t
the month Asvin, (Septem¬
ber— October). ^[fi^cT =
autumn.
( Vid. LNVII, 2), and
interj. Alas ! 0 !
I
T, for i, this, q. v.
( jk ), a friend.
^;^T, a wish, desire. ^^>T, wil¬
fulness.
^rjfrT, (e^ys), chastity, female virtue.
) a court of justice.
^STTrT, light (natural or artificial).
P-rov. *rft <^T<T,
a thief can never bear the light.
MATTTIIL CIIRESTOMATTTT.
1881.]
VOCABULARY.
135
^Tfu^T, moonlight, moonshine, a
moonlight night.
<RT, adv. here.
^rm, ( ), a present, a gift,
reward.
5*TR, a large masonry well.
Indra, king of the subor¬
dinate gods.
the seat or abode of Indra :
heaven.
( SjUf), a sign, a hint, a
knowing sign.
, (j English), a railway sta¬
tion.
a woman : a wife.
^JT, 'pro. this ( emphatically ).
pro. this. See grammar.
i^T, a brick ; Prov. HW ^ WT^T,
^JT^T ^ ^T, (pretending to have)
something else in one’s mind, and
having a brick under one’s arm
(to throw at a person).
Lord, God.
plur. pro. these.
^JeRrr, speech, a word, a fact,
fcffcr the fact was dis¬
covered. 2, Skill.
^■^T, a torch.
v. n. to be pulled out or up,
(of bones) to be strained,
5jT, to be torn out.
Ji^T, the bones were strained.
the being pulled out or up.
'3*sTC?, the hot season. The months
called and ETUIS', ( Jeth and
A'lcharh. May — July.)
'^Pf, v. a. to pull up, f dig up ; to
strain (a bone, or joint),
a pulling up.
a wooden vessel for pounding
grain, a mortar.
^3lfT, ^3T^T, & ^3I^T*T, see
vgfarfr, v. a. to vomit, spit out.
a vomiting.
v. a. to uncover, to take off
(clothes) ; to unveil, undress, make
naked. Indecl. Paid. Vid. XXIII,
8, \jgRt for metre.
^T^t, the act of undressing,
or making naked.
^j^q"ST, knavery, sharper’s tricks,
a sharper, a pick-pocket.
v. a. to ask for, demand.
(Lit. to speak.)
a demand.
the act of asking for, a re¬
quest. (Lit. speech.)
adj. proper, right, suitable.
Also adv. in a proper manner.
propriety, mutual fitness.
Vid. XXIII, 12, «ft for sake
of metre.
v. n. to jump, bounce ; Prov .
UKT, URT, you
had a goitre, but it has jumped to
my (neck).
(fern. , ^^RT, (fern,
adj. white, brilliant.
^a-Rejrr^, adj. white and black,
black and white.
136
MAITIIIL CHBESTOMATHY.
[Extra No.
adj. rather white.
(fern. <35JTJlft), white, brilli¬
ant, shining, moonlit (of a night).
, v. a. to destroy,
destruction.
n35U^, a destroyer.
{fern. adj. white,
brilliant.
adj. high, good. the
good and bad.
highness, height.
^33", v. n., the following forms may he
noted. 3rd simple present ,
2nd Imperat. and "^3^
( Irregular 3rd past.
(fern. ‘<3-3^1% or ^f%)
Indecl. part. (or Irregular
^1%) «* Note also the pseudo-
Sanskr it forms used hy Vidyapati
(XII, 5,) thou risest, and
(X, 7,) she riseth : to rise,
arise.
,v3^, the act of rising.
^eS"R, v. a. to raise.
the act of raising.
\337cr, the power of rising ; ^S’TcT
^K, to be so weak as not to be
able to rise or move from one
place to another.
^crf*TT, the custom of taking any
thing from the seller at regular
intervals, and paying for it in
lump sums at longer intervals.
taking milk daily and
paying for it at the end of the
month.
v. n. to fly (as a bird), to fly
away.
the act of flying, flight.
v. a. to cause to fly, to let fly.
f, id.
T^, the act of letting (a bird) fly.
^3^7c|T, a flier, a good flier.
^3^1, a woman with whom a man
has eloped, or whom he has car¬
ried forcibly away : the wife of a
runaway marriage.
“^rf, adv. there : Prov.
qrt, what were you there then,
and what are you here now ? (of a
douhle-faced hypocrite').
^rnTTFr, a portent, a prodigy, a mi¬
raculous warning.
^3?K (1) a reply, an answer. In
Vidyapati , frequently emphati¬
cally ^rTTT.
'SrT’C (2) the north ; adj. northern.
^3?JT (3) v . n. to be freed from,
see
the act of being freed from.
^rKT, the twelfth nakshatra or lunar
mansion of the rainy season,
lenown as
j
^cTYT^T, an inhabitant of the north,
an outer garment.
v. a. to free from, to take
away, to take off (clothes, &c.),
to take down.
the act of taking away,
or off.
best, excellent.
^rrc;, (1 & 2) (1 & 2) q. v.
= ^3t!H, q. v.
^3?qfvi, origin, creation.
^FfT, = ^Wcf, q . v.
^<33, a feast, a festival.
1881.]
VOCABULARY.
137
adj. regretting, regretful.
^RcT, intoxication, senselessness,
charming by magic. ^TJlR
to charm by magic,
longing, disappointment, me¬
lancholy, sorrow, grief. ^t,
to wither, to waste away.
adj. arisen. ^f^rT ^ft, to arise,
searching for, search.
^*T3T, adv. in a reversed manner.
^3*RI a peculiar way of tying
up a prisoner with his hands be¬
hind his back.
num. nineteen. In Vid. LXVII,
1, =the nineteenth consonant, = 'sr.
obligation, help, benefit, ad¬
vantage.
^R<T, adj. near. Hence , apparent,
manifest.
increase.
adj. collected, piled up.
^3<TW, v. a. to throw up water or
earth, (in irrigation or in making
roads). In F. 41, 3tnt § Ji^r,
it became their lot to throw up
earth : as if for ^3*rw ^TTJT^T.
^3^3, throwing up earth or water.
^3*T5T, v. n. to come into existence,
to grow, to sprout, to arise,
birth, sprouting.
v. n. to be uprooted, or de¬
stroyed.
uprooting, destruction.
^3T^r, advice, counsel, hence any
thing said.
^3^3 *T, a grove.
v. a. to enjoy, ( e . g. wealth,
or a woman).
enjoyment.
adj. like, resembling,
equal to.
(1) adv. Sf prep. over, above.
(2) v. n. to be torn up,
plucked out, uprooted.
adv. over, above. "<W,
to toss up, to throw up.
^3qw, tranquillity, peace.
^3^R, laughter, laughing
at, ridicule, an object of laughter.
Frequently in Vidydpati
for sake of metre.
^3XfT, a small kind of sandfly. See
a basket of food, given as a
complimentary present to a
friend ; Frov. 3R vfHrqT?t, wfw
you haven’t even got
leave to stay, and you are fight¬
ing for a complimentary present
of food.
^TTffT, ^3<T1R, = ^T*TT, q> v.
v. a. to tear up, pluck out,
uproot.
^gqTT*T, the act of tearing
out, or pulling out.
"3^, v. a. to throw. Vid. XXIX, 6,
sgiHii for Indecl. part, for sake
of metre, ^ to throw
down.
the act of throwing.
means, pretext.
a fast : adj. fasting, hungry
and thirsty, with gen. ^3qR
thirsting after me.
v. a. to miss, or lose, ^33^
to lose one’s way.
138
MATTHIL CHRESTOM ATHT*
[Extra No.
TOTO, loss.
^Y or TOfY wr, v. n. to escape.
TOY^, an escape.
TOxf, v. a. to carry. F. 3, TOx* <T ^ ,
Kanauji for TO^Nfw.
TO^f-T, the rope for raising the
bucket (#Tqj) of a well ; see
IfW, YfViT, and
TOTO, carrying.
TOrf, wilful, obstinate.
TO, the chest, breast, bosom. Vid.
XXXIX, 7, TO I tightened
up my chest, i. e. I drew a long
breath.
TO«T, Born on the chest, i. e. the
bosom.
TOreTYr, lit. breathing up : hence ,
breathing out. cf. qGTV^lYb breath¬
ing down ; hence , breathing in.
In Vid. XXXIX, 8, the word
means suffocation, supply ^t^rT
suffocation takes place.
TOT^T, blame, reproach.
TOY, (1) adj . saline : barren, un¬
fertile.
TOY, (2) v. n. to retreat, disappear.
TOfY 5iT to disappear, to be lost.
TOY3T, TOTiYT v. a. to scatter.
TOY^, retreat, disappearance.
TOTYT, comfort, consolation, solace.
(fern. ^f%) adj. high, lofty ;
Frov. "^qrTcr, Tffaii qqrqT^r,
a high shop and tasteless sweet¬
meats ; i. e. great cry and little
wool,
a camel.
a torch.
^YIY, ^^fY, a wooden vessel for
pounding grain, a mortar.
^f%, sugar-cane.
^3T, v. n. 3 rd sim. pres, TOfsjqr,
3 rd past. TO^T or ^3T^r,
3 rd fut. ^JTrr, or TOW. Indecl.
part. wfjl and ^fjT. To rise, to
come into being. To rise (of the
heavenly bodies , or the dawn). Vid.
LXXYII, 2, xfTer TO^f^fsi ^ITOT,
a half-moon arose, i. e. Her half-
uncovered face appeared like a
half-moon rising. Vid. XXXIY,
6, viT^r ^3f3T 3MT, see
^31^, coming into existence.
^Y^WY^, — ^Yqnft, q. v.
TO, see TO.
an otter.
'TOY, name of a cowherd, whom
Krishna sent from Mathura to
Brinddban, with messages to the
Gopis, and whom the Gopis
entrusted with messages to Krishna „
3T«T, wool.
TOY = TOY, q • v.
a season. See fYrJ.
^TJYTaT, the king of seasons, Basanf
or Spring.
q
Y, interj ., 0 !, Ah !.
Y, irregular instrumental of the
pronoun this, q. v.
1881.]
yocabulaet.
139
num. adj. one, W srir, once ;
2. the same, ^JT, of the same
colour, ^ *r<T ^T, to be of the
same opinion ; 3. a, a certain.
^iBT, num. adj {affix BT added to
give distinction). One; a, a certain.
T3TfT, adv. top-ether, WfT to
collect, bring together.
ft cJbf) {Sal 20) at
once.
( jlj*\ ) an admission, confes¬
sion.
adj. & adv. alone,
only one. The same. Yid.
LXXVIII, 4, ^rvjfsr, they
are all as one, but the passage is
obscure.
^T^Yr, num. eleven. Yid. LXII, 1,
The eleventh consonant, 3, which,
preceded by 3T {the first conso¬
nant ), becomes a promise.
WTT%, num. adj. eighty-one : Subst.
’81, the Fasti year 1281 (A. D.,
1873 — 74), in which the Tirhut
famine occurred
W*T, adv. now. of this
time.
^%T, only one, even one ; ^%T *T not
one, none.
num. eleven.
^rf (1), ^fT^, ^rnrr, adj. this much,
so much ; this many, so many :
f^*T, so many days, so long.
(2), Wj, adv. here.
^fPTT =^rT (1) q . V.
^rTft, adv. here.
adj. this much, = (1)
q. V.
adv. hither. come here.
irregular for see ^T.
V*, *1%, pro. this, =
{fern. xr^f«r), ^ , adj.
such, so.
see
*rt*r, = ipf «r.
pro. this (emphatic), —
•vpz ' #
^B, v. n. to turn aside, twist one’s
body round.
(1), the leavings, or remains of
a dish.
?;B (2), v. n. — vjz q. v.
?B^r, adj. wilful, obstinate; twisted.
(a^T), a mirror, a looking-
glass.
x^cr^TcT, Airavat, Indra’s Elephant .
^S, see ^T.
(fern, ^ftr) adj. such.
^ = r, this, q. v.
(1), a suffix frequently added to
words, and having the meaning of
even, at all, also ; e. g. even
that, anything at all.
{2), pro. he ; that.
(3), interj. O !
Braj -sfT, oblique form of
% (2). e. g. iiT^T on it.
acquainted with,
versed in.
ijf, conj. and.
; gem. sing of n\, (2).
140
MAITHIL CHRESTOMATHY.
[Extra No.
v. a. to spread (a cloth, or a
bed).
the act of spreading.
), reason, cause.
v. n. to be put in disorder,
(of hair) to be dishevelled,
disorder, disarray,
a magician, a charmer ; a tribe
of Brahmans. Prov.
JlTTHfr ^TT (of one who
wedded an abandoned woman)
the ojha married for the pleasure
of the village.
incantations.
v. n. to rest or lean upon.
also
<3ft3\ the lip.
(1), a screen, a curtain, any
intervening object which obstructs
the view.
^r?f (2), adv.
there, in that place : hence “ then
and there”.
^EttiTn?, see ^EfT.
v. a. to skin, to flay. Also
t-
adj. relating to that day.
(^t, that, and a day).
^tcf, adj. own, peculiar. Wt»r%
in proper shape. (Sal. VII.)
adv. otherwise.
limit, end, side, direction ;
hence , the other side, or end.
In Vid. XXXVIII, 5, the night
is represented as the Ocean , of
which she could not see the other
side : 2. a face, an eye. Often
and for metre.
( English ) an overseer.
) adj. English, Eu-
*
ropean.
%^TT«Tr, reproach, chiding.
^r*?KT, the outer veranda
of a house.
pro. ■=■ that.
emphatic for q. v.
conj. and.
IIt (2), for % (2) q. v.
n. to be sleepy, to doze,
sleepy.
ifit, sleepiness, dozing.
^nnsr, a drug, medicine. (Vid. II,
10, IhwV, even from medicine).
adj. deserted. (Vid. V, 3.)
^TrTT^", see ^T.
v a. to cover, to conceal ;
«i, see
a
^T^JT, a toe-ring with tinkling or¬
naments attached.
conj. and, also.
^TTT, (^W^T3T), Emblic Myrobalan,
the name of a tree.
irEra, = IfUsTST, q. v.
see qnc.
3*^, pro. any one, some one. cfr^t *r,
no one.
3T3fr»r, inter, pro. Adjectival , and
Substantival , who P what ?
a lotus,
a cucumber.
1881.]
VOCABULARY.
141
see %.
pro. any one, some one,
also genitive of %%, any one,
some one.
a paternal uncle.
3»»3»r, adv. when ?
3f3TrTT, paper.
3TJif^T, the elevated bank of a
river.
3TJHT, = SffTJT, q. v.
3^, a beggar.
^?3\TrT, ^f3i«r, gold ; a bracelet, an ank-
^ •vji/
let. Prov. nTx jp^t,
the bridegroom is dead, but the
bracelets are still (worn by bis
widow).
an office, place of business,
“ cutcherry”.
cf>^, ^T, ( fern . adj. im¬
mature, unripe ; false, untrue.
3T^ft #r^T, a falsehood.
cjfaTf^T, collyrium, a black dye for
the eyes, more usually q. v.
gold. fafc, a mountain
of gold.
a woman’s vest, or bodice.
vj \J
born in a lotus, Brahma.
(1), a promise. In Vid. LXII, 1,
it is said to be composed of the
first (O and eleventh (z) con¬
sonants.
WZ (2), v. n. to be cut. The active
form of this verb is or 3T3T7
qq. v.
one w^° cuts, a reaper,
the act of cutting. The
quantity cut at one time, or in
one task.
a necklace, a necklet,
the jack-fruit tree ; Prov.
JITW ^Z^X q in order to
eat jack fruit properly , the lips
have to be oiled ; here , a man is
alluded to , ivho is counting on his
chickens before they are hatched ,
and the proverb means , the fruit
is still on the jack-tree, and yet
he has already oiled his lips.
3T3R, v. a. 3rd past , ^rarT^^r, or
(Musalman) cf. cjf z (2) :
to cut, to divide.
^T21^, the act of cutting.
an ogle, a side-long look, a
glance.
a knife, a dagger.
the loins, waist, hip ; Prov.
^ oj3T, a new
ascetic carries his matted hair on
his loins, i. e., does not know how
to dress himself ;
%VT3f *TPC, he can’t move on ac¬
count of the (weight of his own)
loins, (and yet he attempts to
carry a) load of plantains.
9ra<r, see zurz.
3TS, adj. bitter ; subsi. a bitter
saying.
^r^'T^r^r, see eff^re.
hard, difficult ; hard
to kill, lit. hard-lived.
^Tzz, hard in substance : hard,
difficult : (of embraces') strong,
warm : distressed, in affliction.
3>^5T, cow-dung, found in the forest,
and not made into cakes, used
for fuel. See ^37,
142
MAJTHIL C1IUEST0MATTTY.
[Extra No.
a plantain, a plantain tree :
noted for its softness , hence prov.
Wfc 3TTW H?; ^pNr, even a
scraping shell is sharp enough to
cut a plantain tree = kick a man
when he’s down.
{STcr. the water-lily.
(fem.% F3\) adj- bitter, harsh :
«T, a harsh saying,
a thorn, a spine,
in the midst of thorns,
the neck.
a neck-lace.
^,<T, (1), adj. how much ?, how
manjr ?, how great ? ; hence many,
various, different.
5fieT, (2), see cffrn?.
= 3>ci% g. v.
adv. where P In poetry, when
there are more than one in
one sentence , all hut the first may
become 3Trf. Also indefinite , some¬
where, anywhere.
one who cuts sugar-cane
into small pieces, to feed a sugar-
press.
^FcT^S, ^TrT#, adv. anywhere, some¬
where.
adj. how much ?, how
many ?, hence, much, great many.
3it£, adj. which of (two, or
more) ?
^FT*tT, a word, a story : a song.
Wf,
see ^t.
cr^«i, a kadam tree,
a plantain, a plantain tree,
mud, filth.
gold, filfc, a mountain
of gold : also adj. golden.
a side-long glance, a leer,
ogle ; Prov.
^ he is a fool of a lover ;
he ogles his sweetheart in a dark
room.
3nFT3lf^T, the little finger.
v» ° ^
(3FT«T one-eyed, one and
a half), adj. having half -closed
eyes. Instr. adverbially ;
with half closed eyes.
the temple of the head.
^Tcf^T, a narrow drain or channel for
leading water from a main chan-
nel or ?T>.
a square winnowing bas¬
ket, with only three sides : the
grain to be winnowed falling
through the open side.
qi«TCT, (fern. 3F*rTt) adj. one-eyed:
Prov. f^T?; 5T STTOFTY,
a one-eyed cat must hunt at
home, i. e. those who can’t go
out of doors, must work at home,
cfr^nft ^ a one-
eyed cow seeks a separate enclo¬
sure, i. e. those in misfortune
seek to be alone ; 13 3F*T^T
t;T5TT, a one-eyed man is king
amongst the blind.
adv. for a short time.
(1), adj. a little, small.
3\f«TefT (2), 3FR3FT, cffftrar, see %.
cfifcreTT, a furnace for parching
grain, = ¥U^TT). There are
generally one or two in a village ,
and the owner charges for the
1881.]
YOCABULAKY.
143
labour of 'parching ; lienee the
prov. ofr oifa ai^r, VIK ^rr «jp^T
the furnace owner has over¬
burnt my barley, and has tied me
up for the fee, i. e., adding in¬
sult to injury.
= sfrfrfejr (1), q. v.
throbbing,
a damsel, a bride.
_ ^ ^ Q _ .
^T«T, ^f^rT, &c. see 3\T*r, to weep.
— ^FB-, q. v.
3frT, a beloved one, a lover, a hus¬
band : adj. darling, beloved, love¬
ly. Frequently for metre.
3r^yf, the god of love,
a damsel, a girl,
the shoulder.
Braj. a name of Krishna,
deceitful, treacherous,
cloth : clothes, a suit of
clothes ( consisting office articles.
See Chrestomathy , p. 19, note).
3PTra, v. a. to cause to tremble ; Prov.
sjfg <*nrr^, you would
commit house-breaking (Lit. enter
a house), and you have your legs
trembling under you.
3TqiT, the forehead : fate.
3TEIT, a small kind of cloth worn bv
the poor round the waist,
phlegm.
(u^jj), possession : a writing
of receipt, a rent receipt,
a headless trunk.
adv. ever, at any time.
«r never,
a poet.
a poem.
a king of poets. ( Vid.
XXVIII, 7. for sake of
metre ) : a doctor.
), the act of confessing,
confession,
the waist.
a carpenter’s shop, in
which both iron and wood-work
are done.
(1) , a blanket; Prov.
sSlt'fr, a man was
once bathing , and was caught by
an alligator by his blanket , his
friend called out to him to let go
the blanket , but he could not as
he was entangled in it , hence he
exclaimed , I’ll let go the blanket,
if it will let go me.
(2) , one who wears a blan¬
ket, a labouring man.
a blanket : the fibrous sub¬
stance of a jack fruit, in which
the edible seeds are embedded.
^TiT^T, a lotus. The flower-bell of
this aquatic plant is supposed to
be continually haunted by bees.
It is also supposed to only open
in the day and to close itself at
night , being thus the reverse of
the or Waterlily. Bees are
v3
supposed to be frequently impri¬
soned in the closed lotus bell
during the night. It is frequently
compared to a woman’’ s eyes , face ,
hands, or feet. Common com¬
pounds are %T*3, or
fiPf, a lotus bell.
(applied to a woman) lotus-eyed.
144
maithil chrestomathy.
[Extra No.
tSW nf’a, (fern. applied to a wo¬
man) lotus-faced. W, the
lotus-bee, i. e. the lotus loving
bee. In Vid. XLIII, 5, Bddhd
compares herself to a lotus flower
withering in the litter Nim basket
of separation.
(1), Lakshmi, the consort of
Vishnu ; the latter became incar¬
nate as Krishna.
cff*^T (2), the river Kami a in Tirhut.
the Lord of Lakshmi ( see
«R?R^T) (1)5 e- Krishna.
cfTFi^, V. a. to get weeding done :
(« doubly causal ), to have a field
weeded.
efrrre'PPh the having a field weeded.
(English) a Commissioner.
( fim. ^ )’
untrue, not genuine.
V- a- to wee(^ a fie^ ’• serve.
eRTiTT^, the weeding of a field.
eff^Tcf, a bow, (the weapon).
eRfHT, a blacksmith.
cRTH^T, a working member in a
family, a bread-winner.
the act of weeding a field :
a job of weeding.
4^, (English) “ the Company,”
the Government of India.
cr^j, cR?ST, a blanket. Prov.
eft ^ WT «T?t, the more
a blanket is allowed to become
moist, the heavier it gets, i. e.
delays are dangerous.
(1), pro. several, many.
g&vj (2), *Rwfa,
and see 3fT (1).
3PC (1), v. a. The following forms
are found. 1 Simp. Pres. *Ry7 : 2
do. and ( Pseudo-SJcr.) ^TTfa :
3 do. eRT, *RT, 3FfT*T, and eRrftj :
llmperat. eRT,^T^ {Fern. 9RTP?)
efiTS, *RT, ^TfTT, and
cRfT^i : 3 do. <RTYJ : 1 Fat. «RT*f :
55s. ^
2 do. 3iT«b eRT** : 3 do. 3RT<Tre •
Pres. Part. WXc{ (Fern ^xTr(),and
( F. 67, gives the Kanauji
^TT<T ) s 1 Past, cR^g, and vul¬
garly, ; 2 do.
Sfc. : 3 do. ( Fern . ^f%),
2R3*r, srw, (*rt w>,$c)
and (3t*3®,3\^®, Sfc.) Indecl.
Part, *R^t, *R*J, W.,%
qV3\, Sfc. : To do, to act, T4f 3TT3
(Vid. LXXVI1I, 4) what shall
I do with silent prayer, i. e., such
prayer is useless, 3*T, to
bite, i?*T 3\T, to desire : to com¬
mit (a crime) : to make,
*
^ (Vid. LI, 3.) making more,
hence honouring, cf. English “ to
make much of a person!' : to put,
to take, ^T, to take in one’s
lap, ^ffx cRT, to put aside : to say,
«RT, (Vid. XKVIII, 5)
^ vl»
to say “ nay, nay”. WTT W«T 3R 3\,
moment by moment. ^TT or 3\T£T
^1^, to wish to do. WTT or ^T3
to begin to do.
crt (2), (old. Instr., Vid. XXXII, 1,
3fiT) the hand. 3fT ^T, to take
the hand, (as of a blind man )
rl^T, the palm of the hand,
also under the hand : ^T #TC to
clasp the hands in submission, or
145
1881.] VOCABULARY.
reverence : a tax : the hollow stalk
of the Munj plant.
(3) sign of the genitive case.
SfTT^cr, see (1).
((jcy), a loan, debt.
^frT, see (1).
a girdle.
( English ) a Colonel,
camphor.
(1) the act of making.
(2) see wr^.
an action, a good action ; fate,
F. 25, ejfv^ fsp@3[, fate be¬
came intolerable ; Sal. VIII, 'gr??
«rf^ «^rf, (our) fair fame
will be destroyed, lit. faith and
fate will not escape : 3oCiT
a form of oath , by my faith and
fate : ^ffw, it is
written in my fate.
adj . abandoned
by fate, unfortunate.
sjRjS?, see ^ ( l).
see «jR:pr.
stfufab (1) see 3rc (1).
^f%, (2) dried cow-dung.
3\Tf, see (1).
(;(;*), a promise.
sfi^Tcr, v. a. (causal). The following
forms may be noticed. 3 simple
Fres. : Pres. Part. ^RC^<T :
2 Fat.WC^^, : Past Part.
To cause to do.
see 3K (l).
^ifk^lT, adj. black ; dark ; darkblue.
see (1).
3\fMsT*T, adj. blackish.
sffPOT, adj. black.
one who irrigates with a
Karin ; see
see 3K (1).
a spoon-shaped lever for irri¬
gating fields.
see (1).
a rower.
adj. pitiful ; mournful.
efKTJUnj = qff UTTIT .
3rf U 3*X<T, ^uf?T, see ^ (l).
3K*fr, F. 26, gen. sing, ofmx oblique,
verbal noun of (1), q. v.,
3TR3T ^r€t, plates for eat¬
ing, lit. of doing eating.
adj. lying on the side, or
arm. to fall sideways.
a plant, the Mimosa
<N <\
sirisha : an ear-button.
adj. necessary to be done,
proper.
3?^, a hand = ^ (2), q. v. ;
%fu, with hands clasped in sub¬
mission or reverence.
adj. of or belonging to
Calcutta.
(Fnglish) a Collector.
ejosTtf, (fli), a pen.
^T^fT, beauty, brilliancy, adj. beauti«
ful.
ejr^RcT, {fern. *^rcf), adj. possess¬
ing beauty, beautiful,
a dealer in spirits.
^ff^rT, adj. adorned.
a bud, a young shoot.
ef[%^r, pain, trouble, suffering, a
pang.
ajr^T^T, a wave : joy, happiness : a
noise.
T
146
MAITHIL CHRESTOM ATTXY.
av^rt, a meal : the main meal of the
day : dinner.
TOT, a beggar.
3RTT<T, parade of an army
or regiment.
«R^r, v. a. to tie, to tie tightly, to
bind.
the act of tying, a tie.
sr^f«T, a woman’s bodice.
SFT^f^«T, TOffa, ( )» a
w
strumpet, a harlot,
a miser.
v. a. This verb is nearly regu¬
lar. The following forms may
however be noticed. Pres. Part.
^rteT & : Past Part, :
3 simple Pres. : 2 Imperat.
for Sf
Indie. Part, To speak, to
say, to tell. Vid. XXXI, 2,
vf 5JR for «T ^JR, it
has not been said, is untellable.
Vid. XXXIII, I
cannot tell, is an old form
of the past participle closely con¬
nected with the Prakrit ppp.
: it is here used in the sense
of a verbal noun. In Vid.
XXXIV, 7, mh TO* fTO *r*,
what hindrance is there in telling
it, TO* is for the oblique verbal
noun TOT in the locative case. See
gram. § 189.3. Sal. XIII,
I will tell the facts
of a theft, ef,f% t, meaning to tell,
cf. id. XXI, TOR ^T% f, to
answer, ^JT5I, (id. XIV,) to
begin to say.
[Extra No.
TOTrf, Pres. part, of TO, for TO?T
Vid. XXXII, 4, ejr^rT, Instr., by
relating, or betraying (a secret)
the act of speaking, speech,
a saying.
see ^P?f.
TOn?, the act of speaking. Some¬
times emphatically TO% even the
telling.
TOT, adv. where ? TOT how
far ?
see ^tq.
5|ffWt, ^fwl tfc, adv. ever,
*, never.
speech, a saying ; a word, a
tale : news.
see 3rir.
see
mig, old and poetical sign of the
accusative, as in P. 8.
*fT, old case sign of the accusative.
TOK, a cucumber. Prov. W
ifi- ft^T a
cucumber only one cubit long
has an offspring nine cubits long,
(cf the parable of the seed of
mustard).
the armpit.
TO*, *fH[ (Sal. 2, & 16), immature,
unripe, raw ; fresh, green,
gold.
the mucus of the eye.
cjffe, a thorn, a spine.
a peg, spike.
TOfH, beauty, ( = q. v.)
*\T*, the shoulder.
cfTT "T, v. n. to shake, to tremble.
*\fq«T, the act of shaking : trembling.
VOCABULARY.
147
1881.]
cfTW, = cffftR, q. V.
( fern . ^rf3T), or (fern.
a crow, which is in 'poetry
taken as the type of a Mack Mr cl
with a harsh voice ; in contradis¬
tinction to the Koil. See
3tT3L5T, (Xc(^)5 paper; a written paper,
a document.
3>RT {Mars. 1,1) = 3TT3T, q. v.
mm mud, filth.
sffTW (1), v. n. to make excuses, to
excuse oneself.
mw, (2) a small cloth worn tightly
round the hips and. passing be¬
tween the legs, tucked in behind.
Sal. 17, 8f 20, ^3TT, to tie
such a cloth.
3TFW, a tortoise.
3fTSf, (frequently m \mfor the sake of
metre), what must be done, duty,
virtue ; the necessity of
using, business, Vid. XXXVIII,
7, WT3W «in*T, fire must be used,
there is work for fire to do ; object,
desire, Vid. XXV, 1, mm
your object or business will not
be accomplished : reason, Vid.
IV, 2, fV*r mm, without reason :
5 7
use, usefulness, of
what use ? %RT of any
use : work, action, Vicl. XXIV,
3, ^ on account of the
action and her friends, on account
of the nature of the deed and the
presence of her friends.
soot, lampblack : collyrium,
a dark unguent for enhancing the
brilliancy of the eyes.
35T5RT, a working member in a house ;
a bread-winner.
m^, v. a. The regular pres. part,
would be 3n*rT, Sal. however gives
(XI ) Sf curiously enough (XX)
the Bangdli which is so far
as I am aware an isolated example
of the form, to cut, divide: to cut
off: (in Arithmetic, to deduct, sub¬
tract, Vid. LXIII, 3, mfe
having deducted four from
forty . id. 5, Orffs' 3T[f^ having
deducted ten from sixty. Sal. XI,
m^, to dig a burglar’s mine or
hole. id. mz ^T^t, to begin to cut.
the act of cutting, &c.
3\RT, adj. bitter, astringent.
^FeT, wood ; a plank.
efiT^T, an anklet.
^IfR^rT, (SJcr. v. a. to boil,
stew, digest.
^TTgR^TTF^, the act of boiling, &c.
^TrT, a side, a direction : a border, a
margin.
mm, mud,
(1) v. n. Tres. Part. 3T«fcT, to
cry, to weep.
cfiT*r, (2) the ear. Vid. XXII, 1,
for ^ ^rf*r, I
heard with my ears. Vid. LIII,
2. m^,for sake of metre.
3f[«T, (3) aclj. one-eyed, blind of
one eye. cf. & 3TIRT.
a wood, a grove. Vid. LX,
1. f the wood is full
of flowers ; where Bdclhd compares
herself to a flowery grove ; see
3^'fiFTfT*
148
M ait iiil chrkstomatht. [Extra No.
the act of crying, or weeping.
^rr^rT = (3) q. v.
^Tff*T, anger.
^rffrT, beauty, loveliness.
(1) a name of Krishna : Hence
in general , a beloved one.
(2) the shoulder.
q\T*F, Instr. love, desire: the
god of love, who is considered a
model of manly beauty.
the god of love, see efTTH.
3FRf^r*r, a fabulous cow, supposed to
milk whatever the milker desired.
( Vid . XVI, 8), her husband is
the bull ichich S'iva rides , see TcrffT, I
<TT qfrT, & W-
a lovely woman ; a pretty
girl : a darling.
a man of the Kayasth class,
a deed, action ; business.
^fK«T, a reason, a cause ; %T*r 3FR«T,
why.
a patient, a sick man. Prov.
sfTf ^TfT# cfTK^f does a
doctor’s horse move unless there’s
a patient P [ugly.
^rrf^C, adj. black, dark, dark blue ;
efFTpr^, or ^ one
having a dark blue neck, an epithet
of S' iva : the name of the nephew
of Sallies {Sal. XX.)
vr^r, a kind of lotus
having a dark-blue flower. ( Slcr .
^nxif=^T lx, q. v.
a name of Skanda, the god
of war.
(1) time, death, destruction.
3rr*r, (2) ( F. : 19), = a
famine
fpff, name of a deadly poison
swallowed by S'iva at the churn¬
ing of the ocean,
arrfef, adv. to-morrow, yesterday,
sjrrfe, ^rr€t, see %.
Pro. any one, some one.
see %.
f^T, see 3ft.
adv. why ?
Inter, pro. what ? = q. v.
adv. why ? because,
farfarf^, that which tinkles, i. e., a
girdle of bells : an anklet.
pro. anything at all.
f^T^, pro. anything, something,
far?" *r, nothing.
1%^, v. a. to buy, to purchase,
but see
fetfiT*?, the act of buying, or pur¬
chasing, see
f^w, a ray, (of the sun or moon).
1 fcfRFVTT, pity, mercy.
f^qT^F, adj. pitiful, merciful.
faflX^T, an oath ; a most solemn oath
is on one's son's head , and a liar
will only take this oath when he
has no son , hence the proverb , ■SJX
^ He
hasn’t even a wife in his house,
j and, abroad, he swears by his son’s
head.
^cr, adj. performing all ne¬
cessary religious actions, hence
reputable, of good repute.
= -farvsr, q. v.
f^^TTj f^T^T, f%%, see ^t.
YOCABULATIY.
149
1881.]
fanlY, a door-bolt : a wedge.
faf^^T^, a sprout, a shoot : a tendril.
fapTR\ a cultivator : a field labourer.
sfY, far, or faR, (1) interrogative pro¬
noun, adjectival substantival.
As a substantive, it has a declen¬
sional or oblique for m ^^ whence
are forms like the instrumental
s?rsff , arid ablative strft #. With
7 . f , _
the preposition ^H, or pro-
perly the indeclinable participle
of #, to take, it forms a dative
faf^TT, favt?T*I, €farr,
or
meaning why ? which is the usual
form of this adverb in MaithiU :
What P
or far, faR, (2) ffanr, or fafw,
q. v., adv. why ? also used as a
simple particle giving an interro¬
gative force to a sentence. E. g.
?T far rffaf^T 31*r ^R, are therefore
his good qualities lost P Vid.
XLII, 4.
€Y, or far, (3) conj. either : or. far
... far, either . or, cTf^ .
far *rft, neither . nor.
€Y or far, (4) conj. that : often used
after a vocative expectantly , intro¬
ducing a direct statement ; the
words “ I say” being understood.
In this sense usually not translat¬
ed. E. g. X far tf^ff
TTR wr, 0 wayfarer, you are my
brother, Vid. LXXIX, 9.
e&Y^T, (1) adv. why ?
:Jfasr, (2) a box for holding vermi¬
lion.
SfiYfa, affaf, mud, filth = <PT^
q- v.
r, a worm.
3T]cr, v. a. to buy, to purchase. Vid.
LXXIX, 11 qftJTSJ = (tell
him) to buy.
Pray . for see ^ (!)•
a worm ; a parrot.
4rfa<T, fame, glory.
^flTT = r, q. v.
= *rk?r, q. v.
a well.
a pot : ( Letter ) oil and
pots, hence means of subsistence,
necessaries of life.
f\3R, a dog : Prov. €Y ^
■qfa, ghi will not digest in a dog’s
stomach, (but is thrown up), i. e.,
never trust a secret to a fool.
a hollow globe of Sealing-wax
filled with red powder, which
Hindus throw at each other during
the Holi festival. On striking any
one they burst, & cover him with
red powder. A woman's breasts
are frequently compared to them.
a woman’s bosom or breasts,
compared frequently to cocoa-nuts ,
golden mountains , or the Kunkurn ,
see ff*-
^faj, an arbour, a bower : hence (Vid.
LX, 1) a lonely place : (a woman
in her courses abstains from any
kind of intercourse with men , being
unclean ).
a key.
or fT^, v. a. to pound, grind ;
Prov. ek 3 «fNY
150
MAIT1IIL CnRESTOMATHY.
■^TT, she has not even pacldy in
her house, and the lady would
pound (expensive) chura , i. e., do
an impossibility.
<fv5c(ft, a small kind of sandfly =
%«T q. v.
<gi?:rsr, the act or profession of
pounding grain ; Prov.
epzprT tw*T, t^T3\ 'sn^T
the mother gets her living
by pounding & grinding grain,
and has called her son Durgadatta
(a name only affected by rich
people).
epfs^Tr, a slice, a portion.
adj. twisted : curling.
v. n. to itch,
the itch, itching.
f.T%^TW, itchy.
YT, fffT, a mouthful : the act of
rinsing: the mouth,
an ear-ring.
ej^;, a shrub with a small white
flower, the double Jasmine.
^3fT, name of a liump-backed
woman, befriended by Krishna.
add • ( fem •
hump-backed.
= ff*b q- v-
cptfc, a daughter = fT-RT^t.
ftfTFC, a boy, a son, a prince TT*T-
a Rajput.
( English ) a committee.
fiflTfa, <f\ mx\, a girl, a daughter, a
princess.
the water
lily. A flower which is supposed
to open only under the rays of the
[Extra No.
moon , and to remain closed during
the day time. It is hence fre¬
quently contrasted tvith the lotus ,
see
a water jar : the forehead,
f*, an elephant’s forehead,
e^ef^xsj, Kumbhakarna, the
brother of the demon Ravana.
fRfRT*?, Lit., the son of a pitcher.
Name of the celebrated saint
Agasti, or Agastya. He is said
on one occasion to have swallowed
the ocean , which is hence called his
food. (Vid. XVI, G).
r, the sweet pumpkin,
a man of the Kumhar or
potter caste; Prov. Rrf^<T ypT
*r # flK, a
potter sleeps secure, for no one
will steal clay, i. e., Vacuus viator .
(Fe m. f^f*) a potter : Prov.
fi^RT for the
sake of the oilman’s ox the pot¬
ter’s wife becomes suttee, i. e., she
interests herself in other people’s
affairs. See
‘ff^TTT^, v. n. to blossom.
the act of blossoming,
a kind of pea or vetch which
seeds in December ; (Dolichos
biflorus).
the act of rinsing or washing
the mouth : cf.
<gi<sr, a family, a race.
adj. born in a family. ( Vid.
lxxx, 2) born in
whose family ?
ffm the thunderbolt : adamant.
1881.]
YOCABTTLAItY.
151
^■gr, the Jcus grass.
acj. in good health. More
usually subst. welfare ; ( Letter )
welfare,
the sugarcane.
a flower, a blossom : a woman’s
courses.
a collection of flowers,
flowery : (of a woman ) in
courses. In Vid. LX, 1, there
is a play on the double meaning of
the word, see Sf 3R«T«T.
v. n. to spread Jcus grass.
^ to make a bed of Jcus
grass by the side of some sacred
spot, vowing not to leave it until
one’s boon is granted by the gods,
mist, fog.
f[T5T == cp9f, q. v.
cpZ, v. a. to grind, pound, see
v. n , to leap, jump ; Prov. «i^f
■?f ^ riift, a bullock does not
leap, but bis load does.
a small dug well with no
masonry about it ; Prov.
when be has
the Ganges close to him, be
bewails the want of a well, i. e.,
the more we get the more we want.
a heap of dried grass : sweep¬
ings, dung.
^rT, gargling ; cf. f ft
a family = f ^r, q. v.
cidj. having one’s wishes
satisfied.
1TCT, pity, mercy.
1RRRT, epithet of Pam, the path of
mercy.
the god Krishna, whose amours
with Rad ha are described by
Vidyapati.
T, a miser. Prov.
^gT^TWT, ^ YSTT^T-
^ ^3 9% FT f«T^Yr<T
YiT^r, which icill not bear transla¬
tion.
sj?if9 cultivation ; a field.
%, a) interrog. pronoun, (nom. %,
ace. ^Tf%, or %<f^T ;
Instr. ctrf^ 3* *3? Y, or ; gen.
W^, or is some¬
times found for : who P
^fTPsT adverbially , why ?
% (2) for 9", q. v. [o/^.
even any one emphatic form
%«T, indcf pro. some one,
any one, every one, all,
^r, no one, (Vid. XT 1 1, 2)
^lirr W %^g TTTWrrT, (if)
any one will obtain the fruit of
former virtuous acts : some one,
a certain one, (Vid. LX VI, 9,)
9^T, there are some
who call the moon cool :
. . wr, some . others ;
one . another.
the bed of a garden,
name of king JBhim Sain’s
fort, (Sal. XIX.)
9, sign of the accusative case.
•vj.i' . • . •
^SfT, a whipping, flogging, caning.
%cT*rr, (Hindi fefrcT*TT) F. 30, how
much ?
a plantain fruit, or tree, see
*
some, any one ; see
%i«T, (1) adv. why.
152
MATTHIL CHKESTOMATHY.
[Extra No.
%«T, (2) interrogative indefinite pro¬
noun, any one ?
adv. only.
sign of genitive case.
%TT, a plantain, see
v. n. to play, sport ; to caress,
to dally,
dalliance,
a plantain, see
%f%, (1) play, sport; caresses,
amorous dalliance.
%f%, (2) IndecL part. q. v.
a door, as distinct from
a doorway. The word for
door is %^T^, and never or
(Vid. XXVIII, 3)
't, to fasten a door
tightly ; (Vid, LXXVII, 1) %^Tf
3fhf iV^T, he opened the door ;
(Sal. XIII,) %f%, having
opened the door.
q- v.
%?!, %^r, hair. ^TPS,
a head of hair, locks of hair.
a fragrant kind of flower : a
filament, hair.
adv. what like : how, why ;
(Vid. LXXXI, 1) ?flWr wr
f^T^, how can there be a marriage
to him, how can he get married.
the elbow. '^Nt
the forearm.
t,%cf = %^cr, q. v.
a lion.
t(l), the sign of the accusative
case.
(2) adj. how many.
« (8) see (I;.
the sign of the accusative case.
r#r, a pair of scissors,
curiosity, interest,
a doer.
W, IMI, see <$r (1).
3^, adv. how ?
(1) (F. 59, Sfc.) sign of accusa¬
tive (Hindi).
%r, (2) (F. 35, Sfc.) Hindi inter,
pro. = (1) q. v.
%T^, pro. indef. = %^ft, (for Hindi
W).
%TT€t, (fem. %TTfVf»r) a man of the
Koiri caste; Frov.
«t 3T*r*r a Bab-
han demands (and gets) wheaten
flour, in a house where a Koiri or
a Kumhar will not get even a
lodging; sfT^T *TW %T^ft
a Brahman dances, and a Koiri is
looking on, i. e., things are
topsy-turvy.
(fem. the Indian
cuckoo. The song of this bird is
supposed to he an incitement to
love, cf.
%T^TT, charcoal.
%T^, indef. pro. any one, some one.
%Tf%^T — %Tv^b q v.
a treasure, (Vid. XVI, 6), the
treasure of the pearl-oyster is the
pearl. See ^^T«T, and
#vffrsr^ : a receptacle : cunnus :
the womb : the bell of the lotus.
%Tfe, a Jcror, ten millions,
10,000,000 : hence , innumerable :
%Tfe^, even by ten millions.
%T3SI, a grain-chest.
1881.]
VOCABULARY.
153
%Ff, v. a. to dig. Prov. «i<T
^JTK %rft, the field is flooded,
cut its boundary embankments,
i. e., passion must have a vent.
a leper : adj. lazy.
%Tfe^T, leprous ; a leper : lazy.
%T^t, leprosy. Also adj. leprous.
%T<T^T^T, a watchman, a cliaukiddr.
%TrRT^ft, the beat of a cliaukiddr ,
the district for which a cliaukiddr
is responsible : the office of a
cliaukiddr or watchman : the pay
of a cliaukiddr : the subscription
or tax paid by the members of a
community to pay a cliaukiddr.
a worker with a kudddli ,
(see %T^jfc) a digger.
%T2jr, 3J^TK, a kudddli , a kind of
hoe or mattock used for digging.
%T^T, a small cereal grain, P asp alum
scrobiculatum, which ripens in
the autumn.
%T*T, interrog: pro. ( usually adjec¬
tival) what ? who ?
%T«TT, adv. how ?
%!%, pro. any.
anger, rage. (Vid. XLII, 1),
even in anger, [ful, delicate.
adj. tender, youthful, grace-
youthfulness.
a boundary line : the lap ; Prov.
%TC % ^*TT, ^ the boy is in
his mother’s lap, and they are cry¬
ing search in the city.
«ST^, ( English ) the Court of Wards.
%KT, the sloping bamboos which
form the main body of a roof,
crossed and held together by
horizontal battis ( see W rftj.
TJ
%T^TT, a jflot of land, a subdivision
of a field. ^ %T^TT^3f, how many
plots are there (in that field) ?
^T^-, an oil-press ; Prov.
^rft sjt^T, the
bullock won’t eat oil-cake, when it
is given to it, and yet goes and
licks the oil-press ; stolen goods
are sweet.
a kos, two miles : Prov.
wfc (men dispute) about
(the distance in) a kos, (and come
to) blows, i. e., what dire events
from trivial causes spring : (Sal.
XI) #, from
a distance of two or four kos : (id.
12) ^ifiu cTU having
passed over four kos.
%TU = %I^, q. v.
%T^, a pond, a tank. The water of
a tank : an old word not used
now-a-days except in women's
talk .
a bridal chamber.
%T^r, (1) a kind of small earthen pot.
%T^T, (2) v. n. to splash ( of wate r).
An old word , not used in common
talk .
%T^T^, a splash.
sfNr, a crow (the bird) :
the flying of a crow, a
straight line, “ as the crow flies.”
3?W»r, adv. at any time.
a cowrie, a small shell used as
money : money.
joy, pleasure, enjoyment.
efTT*r — %T*T, ([■ v.
^•fcr qfr, on whom ?
adj . pron. — %T«f, q. v.
154
MAITHIL CHRESTOMATHY. [Extra No.
(Sh\ 3iTO)> a mouthful,
skilful, clever.
a marvellous jewel, produced
at the churning of the ocean, and
suspended on Krishna’s breast,
^r, (F. 59) (Hindi), why ?
^PEpT^, a man of the Kaivarta or fisher
caste.
fatqr, mercy, pity.
adj. merciful, pitiful.
#t^T, sport, play : sexual inter¬
course.
a moment, an instant,
a wound.
^f?T, loss, damage.
^nsj, destruction.
■^fT, v. a. to pardon ; cf.
the act of pardoning, pardon.
*3
*I^T, oblique form of q. v.
TOft, chaff.
*33T, a bird : a star.
the lord of birds, Garur : the
lord of stars, the moon ; the son
of the moon ( Vid . XVIII, 7) is
the pearl.
q • v.
a small kind of wagtail
(Motacilla alba), to which the
'pupil of the eye of a beloved one is
frequently compared.
TOcJ^vQ, adj. slightly acid : sour-
sweet.
a rattling sound.
TOPC, acidity : dried unripe mango
chips.
adv. immediately, on a sudden.
a small bed, a cot ; a bed, a
couch,
chalk.
*3fT, adj. acid, sour.
a long stiff kind of grass,
used as the substratum for
thatches.
TO, TO, any kind of grass, more
especially a long kind of thatch¬
ing grass.
a division, a piece : a country, a
continent. Added to numerals
expletively, e. g., TO one.
seven (Sal. XII.).
adj. divided, broken.
^rrr, a hole ; a ditch, a moat.
*3HTT, TOft, a ditch ; cf. ^Tf^r.
W*T, a moment : a time. Frequent¬
ly added to form adverbs of time, —
e. g., when, fP3*T, then :
used adverbially, . at
one time . at another time.
a hoe ; — an instrument com¬
monly carried by nats,(£W. XVII),
a pit.
the skull, a skull.
*§Txrr, a cover. [sage.
TOft, TOf^IT, 0*^), news, a mes-
?^T, a pillar, a post, the post of
the lever of a well, see ^t^r,
and
= TOT, q. v.
TO#t, (d im. of TOT), a small post.
TO^ft, (^-^) money for expenditure ;
Frov. <T fafcjrT,
when there is money in the house,
you may sleep without care.
TOt^t, a wooden
slipper, a patten.
1881.]
VOCABULARY.
155
<air^T, adj. salt.
(*o ak) adv. bought, purchased,
a threshing-floor,
chalk,
a hare.
adj. empty ; Prov.
^T^5T *rfit ^ *J, a man does not
'X
lift an empty hand to his mouth.
a male servant ; Prov .
3*1 ^fTT,
with other thieves he is a thief,
but in the presence of the watch¬
man, he is simply a servant.
v. n. to fall, to fall down, to
stumble. The usual word for “ to
fall,” in JKaithili with or with¬
out or xpg\, e. g .,
“ to fall down” = the Hindi fJH!
XT^-cTT. The Past Part, is used
*
idiomatically in the phrase
it is the afternoon.
?3^cr, igreq, a fall, the act of falling ;
Prov. ^
a man is not put to shame by
falling, but by being laughed at.
^t, a kind of coarse muslin.
v. a. to cause to fall, to knock
down : to toss about : to pitch a
tent, {Sal. X),
(id- 18)‘
v. a. Past Part. ^T^T, is
rare and incorrect ; 1 retro, eond.
IlirTst : to eat ; to receive (punish¬
ment, abuse, &c.) ; to enjoy.
(obi. the act of eating.
^131, fit to eat.
^T^T, an eater.
Past Part, ofw, eaten.
WNt or ft, a basket.
1 *=rp5pf, a net for holding mangos or
other fruit.
, a beggar,
lack, want,
a bed, a couch.
^TcFt, a staircase.
WrfT, a ditch, a moat.
prep, for the sake of.
*3TfV, a pit, a ditch ; cf. ^T.
a heavy eater.
*KT»T, a heap ; often used in the sense
of the indefinite article , e. g. (P.
49) ^T*T, they made a
committee.
*HT*TTcr^rreT, a house-
search : the searching of the
house of a suspected thief by the
police.
*UTfa, an excavation, a mine.
*sTPT, a cover : a tenure of land in
which rent is paid in money.
<anrfc, half a broken pot, used as a
platter for eating from, or for
parching grain.
wftrf^T, (^jhL) a mistress.
^T^t, a pillar, a post.
(oblique verbal noun 3rd form
of ^T) the act of eating ; Prov.
W?5! *§T*I 3
the Miya' is a fool, he gobbles
goat-flesh like a goblin.
*sfT9T (F. 69), (u°li), special:
chief, preeminent.
fi^PtHU, a fox ; Prov.
% small foxes have
thick tails.
(SJcr. Pr. f^TTO) a
vegetable pottage.
f^T3, v. a. to spread, to extend ;
156
MATTHIL CHRESTOMATHY.
[Extra No.
TOft (Sal. VII), to extend
one’s vision, i. e., to gaze in all
directions.
a scattering.
adj. wasted away ; thin, lean.
v. 7i. to be fretful; to be
enraged ; to be angry.
fretfulness ; rage.
( Past Part, of f%tWT),
fretful, angry.
( fem . qWT%) adj. ill-tem¬
pered, fretful, peevish.
€Y%ff — q. v.
4ft ft, rice -milk,
anger.
?sT^T^r, adj. open : ( of a sword)
drawn (Mars. I. 4).
*§rer, a peg, a post ; Prov.
TO TOf the buffalo calf
lows on account of the firmness
of the peg (to which he is tied).
3§«T, v. 7i. to be engaged.
^pr^pcfer, beauty.
the hoof of an animal : of.
v5 C\
Wt, adj. delighted, glad,
happy : contented =
splinters of wood for fuel.
an ear-ornament.
C\ C\
adv. well, very, very
much.
the hoof of an animal : cf.
A # J ^
wju, adj. pleased.
4i§Ft, Mung ( Phaseolus
7iiu7igo), a kind of kidney-bean
which ripens in the spring.
%*T, a field : husbandry, Hindi
Loc. in the field (F. 12.)
^rn?T^, (SJcr. ttt^t), a kind
of bean ( Phaseolus radiatus).
^rTrt, see ^<T.
pain, suffering.
(1) v. a. to cause to pass by : to
pass (one’s time or life).
(2) a trip, or journey. The
weight of luggage which can be
carried at one time.
the punter of
a ferry boat, i. e ., the man who
punts : a rower.
73. a. 3 fut. fem. 4hjIT^ft,
(JVa. 1), to cause to play, or sport,
to play with : to dally. *TOR
Wre?; (Sal. VII.) they sported
madly.
play, sport : dalliance.
TOT^t^T, a plaything, a toy.
= WTfK, q. 73.
WT^ft, ^rCt, a kind of grain on
which bullocks are fed, hence
Prov. gw crrct, TO ^T^t,
3TT*i*T toddy is
necessary for a Musalman,
Ichesdri for a bullock, mangos for
a Brahman, and service for a
Kayasth.
4Nr, ferry hire.
’TOTY, v. a. to pursue ;
to continue pursuing.
pursuit.
*§r, a pit, a trench.
a hedgehog.
v. a. to pull, to draw, to drag.
^sfrps?, see
^KT?T, (e>f^»), alms.
(fem. °^Tf%) 'participial adj.
eaten.
a kind of conserve made from
large dried mangos ; see ^TfTO.
VOCABULARY.
157
1881.]
^TTWr, the bark of a tree ; a pocket,
or bundle made by tying up the
lower edge of a wearing cloth ;
Frov.
a foolish bride takes only
nine annas away in her pocket
(as a present) (Sal. IV) JTT*rT
she tied up her
ornaments in the hem of her
garment.
^fcTT, a bird’s nest.
<r, a house, hut ; a nest.
*ft*H*j, the breast-bone.
the sound produced by clear¬
ing the throat.
*§1^7, v. a, to seek, to search for.
a search.
adj. sixteen; ( Vid. XXIII.
3), there are sixteen sringaras or
graces, see
hot ashes ; Frov.
can you warm a
tank by throwing hot ashes into
it P
(dim. of a hut.
a heap of grain.
v. a. to open, unloose,
to release.
the act of opening, or unloos¬
ing.
v. a. ( causal ), 1 past fern.
2 past fern.
(Sal. XVII), to get a person
released.
?lNlT, one who eats much.
a severe kind of fever.
»T
JTV, (1) interj. usually applied to
women ; lo !
JIV (2), the body ; Vid. XIX, 3, JTC
^TT^j adornment of the body.
3TV (3), Hindi for jfajT, 59), see
oiT.
JTJlcT, the sky, atmosphere. Vid.
XXXVI, 8, (cf. id ., XXXV, 2,
3T3TcT defter) 3NT*T cfKT, the stars of
the sky.
JTJir, the river Ganges. Vid.
LXXVII. 2, Slcr. Voe. im, 0
Ganges.
O'
a man who climbs trees,
a tree.
Jlof, an elephant.
3Io]«|3r}T^rfe, confusion.
3IaT^T5T, a name of Airavata, the ele¬
phant on which Indra rides, and
which is therefore the king of
elephants.
a netter of fish with a JITaT,
or horn-shaped basket.
jiaTcr, a destroyer, one who destroys.
3T^, v. a. to fall, to be thrust into :
Frov.
I was about to cry, when a
peg was thrust into my eye, i. e .,
I got something to cry for.
confusion.
♦ ♦ '
a halbert, a pole-axe.
Jlf^TxT, a Gariwan, or cartman.
(i) a fort, a fortress, a castle.
3lf , (2) V. n. to melt, to be melted ;
v. a. to melt, to dissolve.
?!^, melting, dissolution.
v. a. to have melted, to cause
158
MAITHIL CHRESTOMATHY.
[Extra No.
to be melted ; to have cast (of
ornaments etc.), (Sal. Ill) JR*TT
JI5R, to have ornaments made.
JTcTTi;, hire for making gold or silver
ornaments.
the act of getting anything
melted, a melting,
an astrologer.
5U<T, adj. gone.
JRT, a limb (of the body).
JlfcT, gait, a manner of walking : a
refuge.
JTtIT, a pair of boards, or sheet of
paper, for containing manuscripts.
inarticulate utterance ; sob¬
bing ; broken language,
a kind of autumn rice.
3i^TT, an ass, a donkey.
3I3rf%^E[T, a donkey-keeper ; Prov.
<?rT the
father is a donkey-keeper, and the
son a saint.
ai^r, a club, a cudgel.
see
5115X = p V.
3]^, prose ; as distinct from or
TT^J, verse.
*rft, ?ift, a cushion, a seat ; a throne.
3T«T, JRT, a number, a mass : a sign of
the plural, e. g , (Vid. XYIII, 27)
rTT^r 3l«f, the stars.
ar^t, ( £*) a<H‘ rich, (F. 72).
Jixqj, a tattler, a gossip.
JRJ, cow’s milk.
the act of going, going.
JTTO, v. a. 2nd Past. ; to cause
to go, to pass (time &c.), e. g.,
KTfiT to pass the night.
TO, the act of passing (time &c.).
JOTH", JTTTPS, adj. inhabiting a
village : rustic : a fool, foolish.
JT*i^T, living in the village, tame
(opposed to wild) ; also
see JRTR.
an early kind of winter rice,
which ripens in sixty days (hence
also called “ gumree.”
r<, (1) v. n. to melt ; to flow down.
3TC, (2) the neck = jrt, q- v-
v. a. (Kanauji 3 rd Pres. F. 3,
JR^icr ^["), to roar, to bellow, to
thunder.
jRoTsf, a thundering noise.
putting the hand on the
neck = q. v.
noise ; outcry.
JI^PFT, (o^), the neck.
the act of a thrusting a
person away by the nape of his
neck.
*
3R3J, (djS), dust.
3RR, a flowing.
(fern. Jl^ffTRT) adj. proud
(Nd. 3).
3R«facf, the charmed ligature
applied to a limb in a case of
snake-bite.
3R;*J, a womb : a foetus : pregnancy.
warmth : the hot season :
venereal disease.
3I^T, adj. lean.
v. a. to swallow,
a swallowing.
a planet. (Vid. XVI IT. 6.)
there are nine planets, and this
1881.]
VOCABULAKY.
159
number added to the number of
the oceans, — seven, makes up the
number of the graces — sixteen :
see %r^T.
JTTT (1),JIT, the neck ; Prov. JT ^rT
3TCT ^PST, he told his servant to put
his hand on so and so’s neck and
turn him out, but before he had
got further than the 51 of 3RT, the
attacked one came and put his
band on the other’s neck, and
turned him out, i. e., the biter
bit : lit . as he said “ jt3” he found
a hand on his neck.
3TTT^, a swallowing, a devouring.
3I?;re, to swallow, to swallow up,
devour.
3PCTCT, devouring, eating. ( Vid .
LXIII, 6 &c. for sake of
metre').
adj. poor, wretched.
3I^^T, adj. heavy, weighty. Subst.
any thing weighty : a serious fact :
a weighty scandal (Vid. XLIY,
!)•
name of a fabulous bird on
which Vishnu rides.
he who sits on the bird
Garuda ; Vishnu, who became in¬
carnate as Krishn.
• •
adj. (fern.) pregnant.
51^, see
5T^fcT, 3i^^T, see
3lfa«r = pv.
5jc^T, a singer, a minstrel.
3T^f, a narrow road, a lane.
*I^T, (Mj), a witness ; Prov.
a thief puts
no trust in witnesses (to get him¬
self off, but in the speed of his
limbs).
JltcT, see JIT.
JT^r, v. n. to be tight, see Jirsr^.
5T^, the state of being tight.
?P^, v. a. to catch, to grasp : to em¬
brace.
JT^«TT, ornaments, jewelry.
the act of catching, or embrac¬
ing.
31^^, a thicket, a forest.
(fern. 5if%T%f^r) a buyer, a
customer ; %TVlXT^ aiWs-
f^r^r ^«T¥T^T<T, the goitre of the
Koirini disgusted her customer.
adj. deep, profound.
wheat.
5ITT, 31TT5 a cow.
a songstress.
31R^, the act of singing, a song.
see 3IT^.
JIT^" a small village.
a village, a town = JTPR, q. v.
3IT5I, 31T^t, a horn-shaped basket for
catching fish.
3lfa!T, an intoxicating drug, Indian
hemp.
JTTfe the anus.
♦ *
a small child’s cloak ; Prov.
% mm, the
grandson hasn’t even a little cloak,
while the cat has a court dress.
3fN, v. n. to be tied, to be knotted.
3TTS|^, the state of being tied.
3TTW> a, tree.
JTTlff, a grove, a wood.
3TTf , v. a. to bury,
a burying.
JTT^I, a cart
160
MAITHIL CHRESTOMATIIY.
arT^f, a cart.
JTTtef, = auff, q. V.
3TTST, adj. deep, profound.
3TT<T, the body ; a limb.
anfe sediment of foul water.
3Tr^r, the act of singing, a song.
an*?, the womb (of inferior animals,
not of men).
ante ter, artetter, a pregnant female.
JTTfr, a village, a town : Prov. ^
JTTSJ ^TflrrT^, *tP^S7 W*T
#T ^^TT, this fool (of a carpenter)
would serve the village, where he
has neither chisel nor adze : said
of one who undertakes to do a
thing without possessing the
means ; cf. 3T]Nft-
3T1T, v. a. to wring ( clothes dfc.),
Prov. i=}fjT^ aTKrT when
a naked man bathes, what can he
wring dry ; i. e., it is of no use
taking blood from a stone, or fining
a beggar.
JTTCrf, ( English ) a guard, barracks ;
a prison.
JTT?t, abuse, reviling.
aiT^T, the cheek.
arm, v. n. ( old Pastern Hindi 3 Pres.
JTT^f€ ) Pres. Part. JltrT, Past
Part. 2 imperat. ann, ann^
dfc., to sing ; an§ W^T, to begin
to sing ; after aim, to sing a song,
hence idiomatically , to have
nothing to do, to sit idly ; Prov.
^r^TtsTT Ji^r, ant after,
the visitors have eaten and gone,
and the family of the house sits
idly ( i . <?., sits hungry, the visitors
having eaten everything).
[Extra No.
*rnrter, arrnf% jit!1, see arnr.
JIT*?, v. a. to tighten, to contract.
(Vid. XXXIX, 7) ^ jtto, to
tighten the chest, to draw a long
breath.
JTT^\ v. n. to sing, = arr^", q. v.
tarn, a song = after,
fjr^y;, a jackal = aft^T, q. v.
ter^, a vulture = after, q. v.
far^fapj, a lizard.
fjKWTTfrr ,fem. of fan;^^J, a mistress
of a house, a lady : in Sal. XIX,
terc*ns;*r.
faiT^tet, (Vid. XXI, 1,) the upholder
of the mountain ; a name of
Krishna who upheld the mountain
Govardhana, and sheltered the
cowherds beneath it from Indra’s
wrath.
fjr^^r, (fem. faRsrr?ter) a
householder, a family man.
fjTpr, a mountain.
tetter, the Lord, of mountains,
Sfiva.
terw — farc^, q. v.
fann, v. a. to swallow, to devour.
after, a song.
afte/C, a jackal = faT^T, q. v.
after, a vulture, fare q. v.
aft^T, adj . wet, muddy : benumbed.
3T^, are^T, a bunch : a posy, a nose¬
gay, a bunch of fruit.
aroK, ( fcS ) a means of living.
ai«3^Tff, the country of Gujarat.
Any wealthy and populous city
such as that tf/’Dauna Malin (Sal.
IV) is called by this name.
afoteft (Vid. V. I.) a damsel,
alter ef, adj. humming.
1881.]
VOCAETTLAEY.
1G1
31^, molasses ; given to children in
order to induce them to do some¬
thing, or submit to something ,
hence JProv. X '3fTT«T
you must eat this molasses, and
your ears must be bored, spoken
of an obstinate man who refuses
to do a thing willingly, and who
will have to be compelled ; cf 3FsT.
JW, a quality : a virtue, a good qua¬
lity: a woman’s charms.
3I^rr, adj. {fern JnpifV), possessing
good qualities, virtues.
JTir, (1) v. a. to count, to consider ;
to remember, care for.
(2) a rope, a string, a tow-rope,
a bow-string : a quality ; a virtue,
a good quality ; a woman’s
charms : multiplication, so many
times, 3T*T, ten times : ( Vid.
LXIII, 2) * 5 x 2 x 10 x 10 x 100
= 1,00,000.
3T*re, counting, consideration.
3T«R<T, ( fern. JicRfrT), {fern.
^ _ j
= JTW^jrT, q. V.
the man who tows a boat.
jfq<T, adj . hidden, secret.
adj. anonymous :
3T*j*TTiT an anonymous
petition.
3K3T, (4^), poor people, the poor,
a bead.
3T^, (1) adj. heavy, weighty : cf.
JTC3IT.
M’s, (2) a person of importance : an
elder : a spiritual preceptor : ( Vid .
XVI. 5.) The preceptor of the
Daityas, who ivere the enemies of
the Gods ( see was S'ukra, who
gave his name to the fifth day of
the tveeh, — Friday
3T^*r, the elders, or senior members
of a family.
adj. very heavy.
whispering, a whisper.
J
a bow for shooting pellets of
sJ
earth.
3?^, v . a. to tie, to bind, (e. g. a
nosegay as in Sal. X).
3TS1 = Jfg q. v. Prov. SFg’qfiT «P¥T
C\‘ ^ J * -*■ C\ *
the ants ate the profit de¬
rived from the molasses, — small
profits quickly go.
3K, a wound, a sore.
32 fT, the neck.
3ZWTC, a neck-lace.
TZ^, a house.
31, Interj. applied only to females ; ho !
3T^Tcr, knowledge, understanding,
wisdom. (Vid. LI, 4, jNpt,
locative ) .
a bundle, a parcel.
3T^#t = p v.
3T5T, a ball, sphere.
ii«TT, name of a flower.
5Nrr^» name of a flower.
3Tt*T, 3T^i, 3T^fT, 3^n^, 5rf%, JT^I,
see STT.
jf^", 3T^T, a house.
^ v. also lo !
a kind of fish.
31-cfI^, a tender of cows.
3lt, v. a. to hide, conceal. Indecl.
Part, indifferently written
and 3Vto; by Vidydpati , as it
suits his metre. 3TT?; or 3Tt^
to conceal. 3tH is often used
adverbially , meaning secretly.
x
162
MA.ITHIL CHEESTOMATHY.
[Extra No.
affafTT, (fim. jfNutr^r) a Gowala.
dried cow-dung cakes used
for fuel ; see <^^TT, jftTxTT,
3TT^, see jft.
jftfor, see *rm.
• 7 * '
name of a country, where
Krishna spent his boyhood.
range, scope. «T3«T 3ft the
range of the eyes.
jfte, affix denoting number , with an
idea of uncertainty , e. g., ^ JIT?,
about how many ? jft^-
about five or so : jftz Jffz, one by
one.
jft'd, a posture of sitting on the
haunches, or “ hunkers,” with the
feet crossed, cf A posi-
tion adopted by respectable people.
3T1T, to sit in this position.
5rV3^, a shed set apart for keeping
( \
dried cow dung in.
jftf the leg.
JTR'^nc^fT, the foot board of a bed, —
the end where the feet lie.
a village servant, the
Gorait, the officer whose dutv it is
to carry out orders issued by
Government to the zamindar.
3ft^, lap ; Jrt3[ 3TK #, to take in one’s
lap, cf. Vid. LXXIX, 5.
aft^T, gum.
3IT*rc, a dung-hill. Prov. aft
jft*TC ^35 f%$£«T, a Gowala’s
dung-hill is neat on both sides.
i. <?., every man does his own caste
business well, to the smallest par¬
ticulars.
cow-dung.
jffc, (fem. aftfc) adj. fair, pale ; this
complexion is considered a beauty
in a woman ; hence Prov. jfrfc
*TJ3T a fair woman is
J
blinded by pride.
a labyrinth : anything
much confused in its meaning.
JT|T*sl was a celebrated saint or
prophet of the time of Kabir, other¬
wise known as ; a
is a place for keeping wealth
(^*r), — and hence any private
receptacle for receiving a hoard.
Hence it comes to mean a habita¬
tion as it does here.
built for himself a celebrated
house (a kind of maze), with so
many winding passages that no
one could find his way into it.
hence means anything
complicated, such as the poem
(Vid. XVII.) in which the word
occurs : it also means a “ puzzle¬
ring,” which can be taken to pieces,
and put together with difficulty,
and which most Indian sonars can
make under that name.
jfbCxTT, a long flat cake of cow-dung
used as fuel. See
and
jfhCT, an English soldier, as distinct
from a ffT^JTT or native soldier.
JfKl’fr, <*dj. rather fair colour¬
ed, fairish.
adj. round, circular, globular:
Hence subst. a heap, a mass ; an
ascetic’s bowl carried by votaries
of S'iva.
JrfaTT, a warehouse : a granary.
VOCABULARY.
163
1881.]
jfNft, a ball, a bullet ; Prov ,
on"??, ^ ^rm, his bullets
fly (wildly) in all directions, (but
the soldier does not care), his
business is to draw his monthly pay,
i. e., nevermind how you do your
work, so long as you get paid for it.
globular.
jfklT, (fem. afterafar), a man
who has mastered his passions :
a hermit, an anchorite : a god : a
family deity : the sun, or moon,
a common phrase is JlWfc
the sun is about to set :
a lord, a master.
jffarefa, ( fem. of JTknx), a family
goddess.
3rrf% an alligator.
uiNif, adj. belonging to a village ;
suhst a village,
dry dung.
ilU, cattle-urine.
a singer.
(English) a Governor.
jlkfak, (English) Government.
ark, (fem. aftft), rfkr, (fem. aftft
or artfw), adj. fair, pale.
3Tk«b respectability: honour, sense
of honour, (Vid. XLI, 4) : pride,
(Vid. XLIII, 4.)
the goddess Durga.
JlWt (2), see afk.
adj. belonging to a village,
the hot season.
WZ, v. n . to happen, occur,
an occurrence.
a cloud (colloquial) .
^f^T, a Brahman who attends at a
ghat or landing-place.
'Erft, deficiency, lack.
unit, a division of time. In Mithi -
la, 4 gharis — 1 pahar •— 3
hours.
SlfT, (F. 33) confusion, entangle¬
ment.
WTTr?, (fem. ®^[Tf%) adj. cunning, de¬
ceitful.
srrTT, a device, stratagem.
’ET5T, a cloud.
a great noise or distur¬
bance.
adj. full of sores or wounds,
respectability : a feeling of
respectability, pride.
an earthen water basin.
OT1W, adj. perspiring.
a plant producing bead-like
seeds. <^T«TT, the seeds of
this plant : a seed necklace.
“ prickly-heat.”
a house, a home : a room,
^r, a sleeping chamber .
or ^ 3V (locative), in every
house, from house to house :
^jtqvr go home : a wife ; Prov .
the Ojha has gone away, and left
his wife to the care of many,
spoken of a wife who ts unfuith •
ful in the absence of her husband ;
cf. ^NfT.
^fvr, the mistress of a house, a wife ;
(Vid. XVI, 7) the wife o/Nanda
was Yasoda, who was mother of
Maya, or delusion, an incarnation
164
MAITHIL CHEESTOMATHY.
[Extra No.
of Durga, see rT«T^7T •* (id. 3) the
wife of Kama Deva, who took
bodily form as Pradyumna, was
Kati, the goddess of sensual
delight and love ; see
^f<T, ^rTT, and c^.
HT^T^IT, a master o£ a house : a
householder.
srr^T, a house.
sr^T, adj. belonging to a house,
domesticated, tame,
a wound, a sore.
str, a landing-place : a defile : the
hank of a river at a crossing (Sal.
XVIII), spi: spiv, (locative) at
every ghat : a ferry : adj. less,
inferior to.
mfs = S|ff, q. v. [cold,
sirff, shivering, or contortion from
sp^f, (fern. one who wounds,
a robber, a murderer,
sjpff, the quantity of grain thrown
into a pot at one time to be
parched.
sirt, spiR, heat : perspiration, sp??
beads of perspiration.
ftjWT, v. n. to be disgusted, nauseated,
'iff, ghi , clarified butter.
v. a. to draw, drag,
a kind of anklet, with bells
v» v>
attached.
sift, the ankle ; Prov. ??Ttt s?ft, ^ I
f%^rT5, (he says) he was beaten
on the ankle, and his forehead is
cut, (of a false complaint).
sr§"^HT, (more properly sn^qiTf) one
who takes care of horses, a groom.
SRT. v. a. to turn, to make go round,
a turning, a whirlpool.
^T (1), v. n. to turn, revolve : sit, or
*
sjfr ^?T, to return, (Sal. Ill) fi^T
sRq, I shall return broken-
j
hearted; cf. id. VIII.
SIT (2), a turning.
V*
siT^t, a twist, tangle ; entangle-
ment.
SfTTf, v. n. — sit, Q- v.
xjT^T, a sweetmeat prepared in
honour of Satya Narayan.
sjsr, the wood-worm, a weevil ; Prov.
TTT^ ^ with the
barley he grinds the weevils, i. e.,
a great man in trouble carries with
him in his fall a number of small
ones: (F. 6) rrfpqf^ ^TRT^T s|«r,
he was attacked by the wood¬
worm.
sit, a fire of cow-dung ; Prov. S|T
QlVrjf ^IT ^<TT^, when his house is
C\ \J
on fire, he puts out the ghur ,
i. e., in many difficulties he grap¬
ples with the least.
adj. over-ripe, too ripe,
si^, an aquatic plant, whose white
stalk is eaten by the poor,
sjsr, goitre.
SIT, v. a. to surround (Sal. XIII),
iR^T they surround¬
ed the house on all sides : to stop,
to hinder, SK, SJT %, to surround,
collect, e. g., a herd of cattle.
i|Tq, a surrounding.
= i|T, q. v.
S|^pf, a surrounding.
S|T, a bunch or cluster of fruit, such
as plantains,
shfl, a water- jar.
sn% the ankle.
1881.]
VOCABULARY.
165
a veil, a covering for the face :
titu, to cover the face ( as is
done by ivomen when meeting a
stranger) ; Vid. XXIII, 5,
a kind of cloth used like a
cloak.
ijr^, a horse, ( Vid. LXXXII, 2),
even a horse.
see
• v» *
ifT^TV, a horse’s stable.
a horse-dealer.
a horse = sfhf, q. v.
(said to be borrowed from Hindi) .
sfhc, adj. frightful, fearful, dreadful :
dark, black.
sft^T, damp, moist: (Sal. XIY),
it is the custom among athletes, to
besmear their bodies, when covered
with perspiration, with dry earth
which, owing to the body being
moist, adheres. Imitators, how¬
ever, who do not exert themselves,
but who wish to pass themselves
off as muscular men, have to smear
their bodies with moist earth :
^ ^ to apply
moist earth to the body, cf. id.
XVII.
a great bustle, or noise.
adj. covered with sores.
sfk = It, q- v.
the tail of the JBorassus Fla-
belliformis used as a fly-flapper,
a “ chowry.”
a circle : a paste-board : =
^T^T, q. v.
the act of flying in circles
like a hawk.
brilliancy, glitter, adj.
brilliant, shininor.
breadth, extent,
a millstone.
^^TT, a paste-board, = ^TcR-, q. v.
the Brahmani duck, Anas
casarca, a bird of a snowy white
colour.
a millstone.
a knife: esp a knife
for cutting betel-nut.
q. v.
^■%TT, the mountain partridge, Fer-
dix rufa. Said to be enamoured
of the moon : also to have a grace¬
ful gait and beautiful eyes, to each
of which, either of these of a
woman is often compared : hence
used to signify a beloved woman.
^^TT, a kind of vegetable.
adj., (Fern. ^"^TT,
unsteady, tremulous : fickle.
(^T^), the palm of the hand.
adv. at once.
(Sir. ^3), a school.
^f^T, a student.
a place where carts meet to
sell grain, a small market, a
“ chutty.”
v. a. and v. n., (3 Simp. Fres.
(Vid. LXXXII, 2) for
see Gram. App. § 104:
Sal. XXI, Jor
genitive of the third oblique
form, of the verbal noun), to rise,
to mount, to mount a seat, to sit,
to approach.
166
MAITHIL CHRESTOMATHY.
[Extra No.
a rise in price,
the act of rising.
(one who makes water
standing up) a slang term for a
European.
^g]^, the act of causing to mount.
^gT3f, a rider, one who is fond of
riding on, or mounting things,
{sueli as trees, Sfc .)
^gr^, v. a. to cause to mount ; to
put : to fasten in any position ;
to tie : to apply (an unguent or
ashes).
^•7^, adj. clever, dexterous, wise.
^TrJ^fTT, cleverness, dexterity.
q • V.
^rcpcTr, = ^rpcm, q. v.
^•g^Tcfcf, he who has four faces,
Brahma. [fortnight,
the fourth day of a lunar
the fourteenth
dav of a lunar fortnight.
speaking loudly, voci¬
ferousness.
the moon.
tJcRT, expansion, breadth.
^ , ^T, ^ the moon,
sandal-wood : (Nd. 4)
JITW^T, a sandal-wood grove or tree.
'^^T'T, a necklace.
adj. fickle.
^m^TcTT, fickleness, wantonness.
^irzr, the palm of the hand, a blow
with the palm of the hand, a slap.
^v?^T, a small pond or tank.
(dim. oj ^TH), skin, leather.
q. v.
a kind of flower which yields
a fragrant scent.
a strip of leather,
name of a tree, or its flower.
v. n. to feed, to graze (of cattle),
the foot.
^T«TT, a small cloth tied tightly
round the waist : (Sal. XI)^T*TT
■^ST^to put on this cloth,
the act of grazing.
(1), a slave, a servant.
(2), a tender of
cattle.
^TIT, the wages of a herdsman : the
grazing of a field : ^TTS: *ffar^fTT,
a cattle trespass case.
^TTV^, the act of tending cattle.
'W^T, v. a. to tend, or graze cat¬
tle.
^fccf, actions, deeds : the tale of a
person’s deeds.
^11% a gossip.
v. n. to move : to go : to hasten
(Sal. XXI) ^rf*, instr. of 1st
form of verbal noun by going.
ft to go out, ( Vid.
XXI, 1), she went out. or
^3T, to come away, or
oTT, to go away, (Sal. XI) to
arrive.
going, travelling : speed, rate
of speed.
increase in reputation or
fame.
^TT^T, adj. despatched ; esp. sent
up for trial (e. g. F. 44).
adj. set in motion, agitated.
def. num. the four.
adv. the four directions,
on all sides,
ashes.
1881.]
VOCABULARY.
167
rice : Prov. XT^T rfJ^T x xf"t
fqqTX, you have no rice
&c., and yet you are having the
parching-furnace lit.
^T#t, a kind of cattle food, com¬
posed of spring crops cut before
they are ripe, and then dried.
XT#t, a prop, a support, a tempo¬
rary pillar.
^TX, the moon : XIX the
circle of the moon.
XTq, v. a. to press, squeeze.
Xjqq, the act of pressing.
^Teff, a cart wheel : a potter’s wheel :
a paste-board on which flour is
rolled with a q^TXT or rolling pin.
XT^ (1), adj. broad, wide.
XT^ (2), a paid servant, opposed
to xyxtx (1), an unpaid servant.
(^V)> = q v.
Xre (1), v. a. to stroke, to lick.
XTC (2), the palm of the hand :
a slap, a blow.
XTi^, a slap, a blow.
XTX, the moon : XTX jt, a moon¬
like body : at the festival called
Chaur chanda, food and sweetmeats
are not eaten until the moon rises,
hence the proverb , XiJix XTX,
qPt *rqqiX q^t, let the moon rise,
C\ •
that you may snatch at the cakes,
used with reference to one who
is impatient.
XIXX, sandal-wood : an unguent of
sandal-wood paste, whose appli¬
cation is said to be very cooling
to the body : it is noted for its
f vagrancy , and hence is contrast¬
ed with the tree which has no
fragrancy , and bears no fruit , but
which has a beautiful flower.
XTX#f, moon-light, moon-beams.
XTXt, silver.
XTsjT, the sister of Fatima the
mother of Hassan and Husain.
XTqt, or XT^^t, a lake.
XTX, skin, leather.
the tail of the Porassus fla-
belliformis ; a fly-flapper, a
“ chowry.”
XTX a thatch.
Xlff, adj. four.
XT ffx, adj. fourth. ( Vid. XYT, 5).
The fourth day after S'ukrabar
(Friday) is Sombar (Monday),
see 5*, 5ft. The fourth af ter
S'ukra, the Guru or preceptor of
the gods is therefore Som, or the
moon. Som married the fourth
daughter of Daksha, viz. Eohini.
XTX (1), def. num. the four.
XH\ (2), XT^, adj. tender, delicate :
exquisite.
XT^T, a calling ; (Sal. XX.) XT^T 35T,
to call out.
XFslfx, a sieve : Prov. concerning a
man who is extravagant : %T«f
q^ qr irra, XT<xfx |!
of what man have I
become the cow ? he has brought
a sieve to milk me. Gf.
XT^ft, an intestinal worm.
XT^Ttx, adj. forty.
XTX, v. a. and v. n. to wish for, to
desire : to wish , forming a desidera-
tive with the third oblique form of
168
MAITIIIL CHRESTOMATHT.
the verbal noun of another verb :
see gram,§ 190, e. g. to
wish to do, VT to wish to
seize : to be about to, to be on the
point of , forming a compound verb
in the same way.
adj. slippery ; polished : shin¬
ing.
one who is always shining
and clean : a pretty person.
v. n. to cry, shout ; (of an
animal ) to low, &c.
hair, locks of hair,
fw, = q. v.
a kind of tree.
* • '
a bird ; Prov.
«IT^, ^^5TT, the bird is a
plaything for a child, but loses its
life thereby, i. e. what’s one man’s
meat, is another man’s poison,
f^cr (1), adj. having the face down¬
wards, see tpg'sL
' •
f%rT (2), mind, intellect : senses ;
heart.
= f^fcT (1), q. V.
f%rPCT, the fourteenth nalcshatra or
lunar mansion after the com¬
mencement of the rains.
f%T}T, a leopard, a “ cheeta.”
f^Trrr, thought, meditation: f^TTF
to meditate.
v. a. to know, to recognize.
(Vicl. LXVI, 10) I recog¬
nize : «?T«T, to be acquainted
with a person,
recognition.
(Sal. XVIII,) = f%s^r, one
with whom one is acquainted.
[Extra No.
acquaintance, recognition.
a small cake of dried cow-
dung for fuel. See (which is
a larger kind), afbC^b and 3v^7.
f^T, adv. long, slowly.
(Fern, adj. long-
lived ; used as a complimentary
interjection, may you live long.
(Mars. 2) Muhammadan 3
Past , v. a. caus. of xfK
(3), to get split,
armour.
f^p?r, a method of holding the palms
of the hands together, in the
form of a cup, so as to hold water.
f^T, v. n. to gaze around one in
horror, or dismay : to be as¬
tonished.
q- v.
adj pounded, powdered.
(y^ ), an article, a thing.
a letter, an epistle.
an autumn grain ( Panicum
italicum).
v. a. to mark, to note,
observe, recognize, Prov.
^T3T»T we note a
man’s crop by the heap of straw
in his yard.
i.l), vestments, clothes, apparel:
frequently ^\xfor sake of metre.
(2) , adj. cut up into small
pieces.
(3) , v. a. to split, to shave.
v. a. and v. n. to make a mis-
take : to perform insufficiently.
(Fid. LXXIX, 2,) xpsfiih? =
YOCABIJLAItY.
169
1881.]
a position of sitting on the
haunches or “ hunkers,” cf. irre-.
a backbiter, a slanderer.
'qjT^qq, backbiting, slander.
Vi
qqqfTX, v. a. to pat (saying to)
any person, or animal : to ingra¬
tiate oneself with a person,
an ant.
*qq, adj. silent, 'qq *%T, to become
silent, to hold one’s tongue,
qiq, cidv. privately,
qfiqq, adj. kissed.
qxqn^ ( Fern . Participial
adj., pounded.
qq^Tffiqr, name of a celebrated
Vj * vj
king of thieves, who lived at
Mokama, and who was the enemy
of Salhes.
an ant.
a preparation of rice, which is
first half-boiled, then parched,
and finally pounded flat.
qf%, bangles, or armlets made of
glass, sealing-wax, &c.
qq, qqr, lime, white-wash : qqq\
C\ C\ c\
a white patch of lime on the
forehead, a disgraceful mark.
qq = qq, q. v.
C\ vJ
qq qyq, adv. silently.
qj?T, a kiss. q, to kiss (of a
C\ ^
woman), q^T #, to kiss {of a man).
qxq, powder.
qxW, adj. powdered.
':qfxq, a cooking fire.
qV, a chicken.
q<T, v. a. to care
of.
qq?-, a mark, a sign,
qq, a clod.
Y
for, to think
^TT, (Sic. rqz), a man-servant.
x*xt a maid-servant.
"qq!T, (q^:), a disciple.
v. n. (Sal, XIX) = fqqT, q. v.
q ?T, the name of a month, Chaitra ,
March — April,
qq, ease, calmness.
%Xf, adj. sharp, Prov. iTSf^xt,
^TXf, sharp (good) wages,
sharp work.
pain, suffering.
qrq, v. a. to pluck a bird ; p. p.
qjwqr, plucked, hence thin, re-
duced in size ; Prov. qx ofTq,
qTqqr qiq, he went away to
graze, and has returned thinner
than before.
qTqtqt, the wages, or act of pluck¬
ing feathers from a bird.
qTq, v. a. coire : qtqqqT, a de¬
bauchee.
%X, a thief ; Prov. qTX^ x ^ qrq;
qq, a thief’s face is as innocent
as the moon’s ; %X qjTqfq qg,
a thief is destroyed by justice being
done him ; %X xrt,
a thief cannot bear the light ;
%X %X qfWTq VfTx, all thieves
are first cousins ; qTX^fT qq^T
^TXft, burn a thief’s body-cloth
(see qqqT), i. e., disgrace him as
much as possible ; qtx qqqrq
■qqxrT, <t qr ?it^t qr qq qr, the
thief went to be hung, and took,
nine (honest men) with him ;
qTX qT JTX^^T ^Tq when a
thief is caught by the nape of the
neck he is happy (that he is not
knocked down by a club instead).
MATTHTL CHRESTOMATHY.
[Extra No.
a thief’s wife ; Prov.
qwrq, %T^t if' ^ t ^T^rfiT.
the thief has gone out to work,
and when his wife weeps at his
going she has to put her head
into a grain chest (that no one
may hear her, and suspect).
v. a. to steal.
^TTC, theft : ‘'qifb to steal,
a joke.
a kind of tight-fitting bodice,
worn by 'prostitutes , in order
to support and keep firm their
breasts.
IfN = ^HTT, q. V.
a horse that is given to
shying.
a long low table for sitting
on.
a village watchman, = %T?r-
qTSf, q. v.
q- V.
num. adj. fourth.
the fourth part of anything
( Vid . LXIII, 3,) 40 — 4 = 36 :
ivhich the fourth part is 9
which is which also means
youthful.
adj. broad,
breadth.
J yy^adv. on four sides :
on all sides.
^trTK, adj. clever, intelligent.
,*rk% adj. fourteen.
adv. on
four sides : in all directions.
sfk, a marshy place, or low¬
land : (F 54) across
the marshes.
3
s^ff, num. six.
a cart: a bullock calf
with six teeth which is considered
a bad sign, hence Prov.
a dead bullock is
called a i. e., now it is dead
every one abuses it ; i. e., the
grapes are sour.
adj. warned by experience.
@£3T, v. n. to be pleased, delighted,
the being pleased.
onomatopoe. adv. smack ;
with a smacking sound,
a school.
^f^TIcr, a kind of tree, the Sapta-
parna , Fchites scholaris.
^3, ( Fem . wfe), adj. sixth.
^<T, a wound. {Vid. XXXVIII, 3,)
cf^cr, wounds made by finger¬
nails ; scratches ; compounded with
Vlft, q • v.
^r\J, an umbrella.
a man of the warrior caste,
a Kshatriya.
wfq, see
^■<r, a moment, an instant.
\2/
q=i qr, moment by moment.
^*TT3i', a hissing sound, a hiss.
(1) ^qr, v. n. to conceal oneself,
to hide.
^q\ (21 ^qH, v. a. 3rd fut. fem.
wqWte, or incorrectly ( Nd . 1)
WqTrTb), to cover, to conceal.
^qq, covering, hiding.
Wq*T, adj. fifty-six.
W<TT, (1) v. n., see WT (I).
aW, (2) a seal : an impression.
1881]
VOCABULARY.
m
ww? = W'T'f, q- v.
W’TTW, v. a. see W<T (2).
W^T, a printed paper, a newspaper,
destruction, loss.
v. n. to jump,
jumping.
W^T, (1) deceit, fraud.
3 'pres . of a form not noted
in the grammar .
a shadow.
the thatching or roof of a
house.
WP3KC, ashes : dust.
^T> shade, a shadow.
(or dim. WT^ft) an earthen pot
in which milk is curdled.
^ToT, v. n. to bloom, be beautiful ; to
appear lovely.
adj. bruised, injured.
WT'f, v. a. to leave, to desert, to let
go : the indeclinable participle
l>[Pf, is used as a preposition
meaning , except, e. g. Sal. VI,
except you. Of WT^\
WT^Y, the breast, the bosom, the
heart.
^T«T, a fetter, hobble ; Prov. JT^T
^jt, the
donkey went to heaven, and took
his hobble with him, i. e., vices
follow one to a future life.
WT^T, a shadow, a shade.
Wl^T, skin.
WT3T, the calf of the leg.
IflxlfT, WTff, a shade, a shadow ;
discoloration.
the present given to the
midwife at the delivery of a son.
fw^T, a sneezing, a sneeze.
f^fcT, the earth. fVid. LIX. 3),
the son of the earth was the planet
Mars (fi*3T^r,) the word also
means Tuesday.
f^U, fwfY ^T, v. a. to be scattered,
dispersed.
scattering, dis¬
persion.
wY, see
#t^T, adj. lean, slim.
slimness, tenuity.
^Yq, a fishing-rod : the cross-bar of
a lever for raising water from a
well, see 'g^r, *§*iT, and
■s^r.
sfYq adv. here and there
in different directions.
iffqi, a long flat dish of metal,
milk.
a kind of stud fastened as an
vj
ornament to the nose ; Prov. qnfr«T
§ W#t, by name
he is a Sayyad , but he will steal
even a nose-stud.
v. n. (or ^Tl) (3 fut. used in
sense of present (Harkh. XI. 10)
W^fT), to be released : to be
cured : to leave, go away,
release.
># 7
(Skr. Wi), acting like a
S'udra : meanness.
WfK*?, see
J J
W, v. a. to touch,
touch.
adj. free, untouched : uncared for.
wnr, touch.
WT, a large knife : a razor : a
dagger ; Prov . ^*3 "q ^fiR, ^
172
MATTHII, CH RESTOMA THY.
[Extra No.
WTT, Ham in his mouth, and a
dagger under his arm : spoken of
a smooth-tongued villain.
wCfr, instr. for wfct, see
cv ^ C\ '
gram. § 5, add ; a small knife, a
penknife ; a maid-servant,
prosperity.
W (1) = q. v.
5 (2), t^r, $f^, see
^T, one who wears brilliant
apparel : (in a lad sense) a fop.
^faTfT, a hoy.
{Fern, sfrf^,) adj. small, young,
vjt?;, a younger brother ;
short.
sfRqcT, smallness, meanness.
^tsT, (Fern, = ^ts-, q . v.
youth, childhood.
or wrf ? v. a. to release,
unloose: to open (a door) ( Vid.
LXXVII, 1) : to send away,
Frov. ^T^rT ?T<sR
«RT ^?rf, when the cricket
begins to chirp, it’s time to send
away your friends one by one,
i. e., don’t sit up late,
release,
ransom.
a small umbrella made of
bamboos and large leaves.
ft**, one who has six faces, the
god of war, Kdrtikeya.
3^, num. six.
a strong, robust boy.
fn%T, a boy.
an ash heap, cf.
3T
conj. although.
oT^frT, a damsel, a girl.
5T, conj. if.
adv. & jprep., as, like, as it
were.
sRTTft, *T3RT, see .
5R>T, adv. & prep, like, as.
adv. when.
^3T the world. (F. 37) 5R SjTfRrT
known throughout the world,
famous, oRf^R, famous. ( F '.
5) crfJI VR (or wfK) the whole
world ; or throughout the world.
^5Rf5T^K, see oR.
SRcT, the world ; 5R(T v?K, having
filled the world, hence throughout
the world ; «rj ji<t the mother
of the world : a proper name,
name of the maternal uncle of
Chuhar Mai.
oRf^cr, (F. 55) God.
5R^TT, adj. (/br oTJT^fT^) wide-awake
= aTR^f ; Frov. aJJr^TT t* Wff
_ vj
^TK «TTO, destruction never comes
to him who is wide-awake,
a sacrifice, an offering.
oR, equipment.
aTJT^r, a wood, a forest, a wild, a
jungle.
5R^rTT, a grating : esp. the wooden
grating at the top of a well to
prevent any person falling in :
window-bars.
aR^ (*-^), place.
5RR, v. a. (cans. o/oTR), to awaken.
a|5|«r, a sacrifice, an offering.
1881.]
vocabulary.
173
5T3j?TT«r, one for whose benefit sacri¬
fice is done : a householder : a
customer : one who seeks for any
thing.
confusion, trouble.
(5R5T3T, cidj. studded or set with jewels.
ojf%, a root. 3\T^, to cut off:
by the root. (F. 11.) ajff
he caused the paddy to be cut off:
by the root,
dull, ignorant.
(English), a Joint-magistrate.
aTcT, adj. as much as, such.
ojcfcT, effort, endeavour, device :
shampooing.
5?cRT, Pel. pro. whatever.
= ^<T} <1- v.
con). = V(J, if.
(F. 17), (Fem. t,
Letter), a man, a person ; a labour¬
ing man.
5Rf«T, a mother.
(1), birth, life, existence.
vr; (or vift), or (Sal. II)
qm;, having filled one’s life, hence
ever since one’s birth : ^«T?r
(Sal. XV), throughout all future
lives.
(2) v. n. to be born ; Frov.
XTrr *TT, ^TT
* ' *
a son who has been born,
(i e., is living) is dying of cold,
while they are performing in¬
cantations for the safety ^ of a
child in the womb, i. e., a bird in
the hand is worth two in the bush.
oT^rr, (F. 17) = 5T?r, q . v. Cfwt^.
*IPFr (1), conj. not. (Prohibitive
only used with imperative.)
ojfsr (2), adv. and prep, as if, like,
as it were.
^P^fru, srfTOT, ^fwr,
see
see o?T«T.
Fem. of 5RT, see ^IfT, inf.
^ (0. conj. not (Prohibitive, only
with Imperative ) : (Finali sens to )
in order that not ( with Con¬
ditional or Prospective Present ),
see (1).
oPT (2), adv. & prep, as, like, as it
were, see 5TPT (2).
oj ^iJi,janer, a tall species of winter
millet, used as a fodder for cattle.
rf, see 5TT^T.
of<T, v. a. to press, to squeeze.
oifR, pressing, squeezing,
of a charm, an amulet.
t5jrp?T, a stone mill for grinding
corn ; cf. ^T?J.
an animal, a living creature.
SP3T, birth, life : the SJcr. form of
g. v.
(1) v. a. to utter, to murmur,
to say.
(2) muttered prayer, silent
prayer.
muttering.
vft, adv. when : also conj. if (e. g.
Nd. 4).
an?T, a kind of court dress, prin¬
cipally made up of white petti¬
coats.
a daughter’s husband,
a son-in-law ; a bridegroom.
), a Jamadar (of
a native regiment), a head-con¬
stable.
174
^Tfrrrr, a youth, a young man.
^n?r*T<T, (ofiL^) security, bail.
SHiT*? = oT *nt, q. v.
oT^c{T, the river Yamuna, or Jumna.
aRiT^:, a large circular ring at the
bottom of a well, on which the
brick work of the walls is founded.
It is made of «Tin«T or Jamun
^ vj
wood : hence its name.
5J?T, victory : Interj. victory ! on?
bTfl, “Victory to llama.”
see
oK, v. n. to burn : Frov. 3b
aTT, rfe, one man’s house is
being burnt down, and another
warms himself at it, i. e., what is
one man’s meat, is another man’s
poison.
(English) a General,
water, 'Ctw, deprived of
water, "Cf-T, a fish out of
water, IfeT sriT, (F. 10) without
water : tears, oT^f’TTrr, the falling
of tears.
born in the water, — a lotus.
a cloud : the season
of clouds, the rainy season.
^Rrf^TcTT, one who pours out funeral
libations for a deceased : a son or
heir.
ST^r^f, adv. quickly.
«Pd3b, that which holds water : a
cloud.
oT^pfe-, a water-pot.
«T^f«rf3, the receptacle of water :
the ocean, whose son ( Vid . XVIII
3.) was the Moon.
(vL^) an answer : an explana¬
tion, Sal. XXI,
[Extra No.
t^T, he explained the whole affair :
responsibility.
oftb glory, fame.
oT^, see
‘SHTC, (/j) poison.
*T^bJT*rr, (English “ jail,” and
A-ibL) a jail, a prison.
«T^f, adv. where.
sjTrw, OVO (old Eastern Hindi
accusative plural ar^T5Tf%, F. 29),
a ship.
of^RT, world.
^rffen, Eel. adv. as.
i (0. »• n. (the following forms
have been noted in the selections.
3 Simple Eres. aTT^r, 3 oTT^, :
Fres. Fart. oTT^rT, Fein.
Fut., 1 oTT^, 2 3 oTT^rT; 2
Imperat. oTF3T, (sometimes
for safe of metre) ^TT^,
and 5TT^: 3 Eetro. cond. 3TTb<T,
or (Hindi, F. 40) oUrTT i Fast
Fart, ii^r • 1 Fast, 3 SfaT^,
(of which ij^rr, Is an abbreviated
form), Fern. Jif% and (for
Indecl. Fart., oTTT- *TTb,
: Adv. Fart. Jiip ofrrfi,
and To go, 3^bT3 ^TT, to go
out, aiTR: oRT, to arrive, oJTss
go, be quick : to go away : to
stop, to cease (as rain) : to he
destroyed. With Fast participle,
and sometimes with Indeclinable
participle of another verb, it gives
a passive sense, e. g., aTT, and
sometimes oTT, ( Vid. LXXIII,
4) and Irreg. mi (Vid.
XXXI, 2) (for explanation of
see to be said : with
MAITHIL CHEESTOMATHY.
1881.]
VOCABULARY.
175
Indeclinable participle of another
verb forms a numerous class of
compound verbs , e. g., RT
to float away , Rlfxf Rf to entrust.
oTT (2), see R .
5TTT. ^TTf?T,^TTW, ^TTR
RTRR, RRR (1), see W (1).
RRR (2), the act of going : motion.
RTR, the thigh ; the leg.
RTcTR rf^T, a mill -stone ; Prov. RTR^ff
vi^RT VR RT FT, I go to Patna
for a pair of mill stones, like a
Newcastle man going to London
to buy coals.
rr, v. n. to awake from sleep, to
arise, to have one’s passions
aroused ; Past Part. RRR, awake.
In Vid. X, 7, RTJ?f, for RTR
(Indeed. Part.) , for sake of metre.
RTR rtIr or Rife, the central post
of an oil or sugar-mill ; the cen¬
tral post of a tank.
RTR, RTfR, race, caste, kin.
STTRT, see 311 (1).
magic, enchantment.
oTT«T, v. a. 3 Pres. (F. 35) RTR:
1 Betro. Cond. RRR§ (Vid. LIII,
5.) Pres. Part. RRR (F. 30
gives the Kanauji RTRR) to
know, to understand, to pretend :
Irregular Passive , (Fid. XLI,
5) RTfRV, it is known ; so the
form is explained by pandits ,
but it may also be the 1 Sim.
Pres., ‘I know.’ Past. Part.
RTRR, known, R;RR RR, that of
which the meaning is clear.
RTRfRRR, knowing, RR RTRfR^nX?
omniscient.
RTRR, knowledge.
STIR, v. a. to mutter, to recite.
RTRR, reciting, muttering.
oTRfsR, RRRfR, adj. lifelong.
5TTRTR = RRT?;, q. v.
RTR, a pahar , or watch of the day
or night. ( Vid. XXIX. 3.) rtr"
Instr. used for Loc.
SjTfwfR, the night.
RTRR, a kind of tree with a bitter
purple fruit.
^TrIr, that which is horn, a son ;
Prov. (on an unworthy son) RfrRR
rtr7r rr, ips RTfrr ^ rjir
RR, a hog has been born to a deer,
and both have run away to the
forest.
RK, v. a. (caus. of"' STY) to set on fire,
to light, to burn : RTfR RPC, to light
a fire.
RTR, a net : a collection, mass.
RTR, see
rir, see SIT (1).
STIR, snf% ST-T, sirft, see
RT3?, Sjf^, ^IT% see SIT (1).
fisr, v. n. = sft (2) q. v.
fRRR, life.
fRRT, life : (Sal. XXI) fRRT t, to
come to life.
fsiRTR, (c;h)), harm, fault (Sal.
XIY).
f*T^, life, soul.
fsrfsTV, a chain.
fRR^TT, see R.
= rH q. v.
fRRR, see sft (2).
fsRR, = q. v.
adv. and prep. like.
f^fR = fsrfR
.176
MAITHIL CHKESTOMATHY.
[Extra No.
) a district.
q- v.
5ft (1), life : an affix of respect as in
the Letter , p. 2.
(2), for, v. n. (3 pros. cond.
( Vid.X , 10), ^t w(Vid. II,
5), 3 imperat. fsre'sj (Vid. LYI1I,
2), 3 fut. fern, 5?t^ficr ( Vid. X, 1,
Sfc.) , past part, 5?fi3^r ) : to live,
life, soul.
^t^fcT, sft^^T, see (2).
victory.
sft^r, (&£) a saddle,
sffa, life, (Vid. X, 10) sftt,
she may live in her life, i. e. live
indeed : soul, 5ffa to give
one’s soul to a thing, to do it with
all one’s heart.
see 5ft (2).
5?^, life.
(F. 14) adj. living.
see f5jfa ^t^t.
the tongue.
5i^T^rt, youth ; manhood.
5.JT, a pair : both, 5T?T, (my) two
breasts : a period of time, an age ;
repeated becomes an advert b, 5r?r
51JT, for ages.
5T3T*T, = 5TT;^T, q. v.
vj 'J 'J
aTJlffT (/S' hr. device: dexterity.
*3 J >3
5TJ]<fT, a pair.
51 adj. (?) together, (F. 57).
,adj. having one’s fill, satisfied.
5T5T, a battle.
\3
5jf*T, conj. not = 5T»J (2) q. v.
5TW, a grass rope.
oi^fcf, a damsel.
a prince : an heir-apparent.
) adv. by word of
mouth.
5H7, v. n. to arrive : to approach :
5T#t sr#t “ I’m coming,” 5jT^cl
vj v3
5p, (Sal. YII) or 5*t^ 5W,
(Sal. IX), to arrive.
(t-fll)). short hair: hair not
allowed to grow to its full length.
5T5r, the penis.
c\ C\ ’
5T^, v. n. to grow fat. 5T^*T
(F. 71) their limbs waxed fat.
5T^T, a woman’s braided hair.
c\*
5n§\ sn;, ( Fern . 5rfe, 5fft) adj. cool
(Vid. L, 3).
opa, the knot of a woman’s hair,
Cv
= 5T3T, q. V.
<V 2
(1), rel. pro. adj. and substantival ;
the following forms have been
noted ; Horn. ^( with correl. and
{only once {Vid. XVII, 7),
with correl. ^nr): oblique form ,
*rfrr/5TT,5lTf% and (Mars. 1,) 5lT^t :
instrumental, 5=f: genitive,
(only once in Vid. L, 5), 5f^iT,
*jf*T3T, offis r^TT,
and orHj (JF. 48 gives the Hindi
fsTST^T) : Fat. (Vid. L, 4) :
who, which, what, that ; whoever,
whatever : 5TTf% ^ for the sake
of which, wherefore ; cf f% ^ #
f%W, (F. 4) whatever: ^
whoever.
^ (2), conj. that.
5T rf^ adv. as, like.
orfViY, adv. wherever, where.
# see
(fern, ^fs-), eldest, according to
Hindu custom , the wife of an elder
son can only talk to, or joke with
her husband's younger brothers,
and, similarly, a husband can only
talk and joke with his wife's
1881.]
voc\Bin,AHY.
177
/
younger sisters, hence the prove r-
***4-
hial piece of advice wfaf
^TPC, by marrying the
eldest daughter of a family, all
(her sisters) are your sisters-in-
law (and you can joke with them),
the share of an eldest son.
^*IT, adv. as, like
’sfare, v. a. to feed : to satisfy ( Vul .
L, 8).
feeding.
-N
adv. where, wherever, =
q. v.
adv as, like.
{F. 2) = #^«t.
adv. when.
5r, interj., victory !
5f%, conj. even, though.
STcrff , 5Tcir5,^rf , see T (1).
adv. as, like.
see «T.
^[3T, adj. fit, suitable : suhst. name
of a sept or tribe of Brahmans : a
sacrifice, a penance.
iTTJIrrr, fitness, suitability.
<§TTJTfi<T, great, of high dignity,
an ascetic.
a female ascetic.
^Toi*r, a league, a measure of dis¬
tance ; Prov.
^ht^, he who enjoys a property
extending over a league, is dis¬
gusted at one extending over only
a kos.
v. a. to unite, ^ttst
or ) WPC, to join the
hands in respectful supplication
{Sal. I) : to clasp in one’s arms,
uniting : clasping.
^TfTPT, astronomy : astrology,
brilliancy : brightness.
(1), (yj)), strength ; force.
forcibly.
$1X (2), — q. v.
#rte, (Properly Indecl. Part.
of^TX, used adverbially ) tightly,
firmly, but see
a man of the Jolha or Weav¬
er caste. They are renowned for
their stupidity, and for doing
things at the wrong time , F. g.t
Prov. efHEfT 5S, ^TT^T
5T, the Jolha went out
to cut grass (in the evening),
when even the crows were going
home ; ef ^f^r, and
v. a. to look for, seek,
search.
m) (1), barley ; Prov.
, does a Jolha know how to
cut barley ? i. e., he can’t do any¬
thing.
sf) (2), (Sal. XVI) = 5JS|, when;
sn ^rifit, until.
^ O • t ft
^TT, conj. it.
v ^ O ^ ^ <j
q. V.
q> v.
^vr, youth (of a man or woman),
prime.
WtefcT, a damsel.
«fHT, a rope made of hemp, or grass ;
Prov. sftK *rc^r ife?r ^ ter,
the rope may be burned, but the
strands still remain; i. e., a rich
man who is come down in the
world retains his pride.
'5fT«r, knowledge, wisdom ; {fre¬
quently 'sfte for sake of metre).
z
178
MAITHIL CHRESTOHATHY.
{"Extra No.
W
W3(T, see ^f^-
quarrel.
^aPS^T, ctclj. quarrelsome.
*5^, ^mfx, ciclv. quickly ; cf mX-
adv. quickly : unawares.
3fi«T, a chirping sound (as of a crick¬
et) : a tinkling sound.
3fiefSg«T, a tinkling sound.
«JHT, (Ard. 3, &fiq ^q), adv. at once.
see *?ifq.
9fjq^, swooping down suddenly upon
anything, a swoop ; ^fjq^ TiR, to
swoop.
a cover.
^q$jrt, a long continued rain ; cf.
*i7q^. [^Tq^
Sfiqre, a violent shower of rain ; cf
a cascade.
SfRjfqf^T, a dim light, twilight ; cf
**if%*W, a player of cymbals ($fqqr).
the act of spying, or peeping.
v. n. pres. part. fem,
(Yid. LXXII, 5)^i;f?r, verbal
noun irreg. {Sal. XIV.) for
Wpif, to hang down the head in
shame: to grieve, lament; Prov.
(in Aghanthe crops are stored for
the year J 'qjJTxfcf qicjqf,
if your store is exhausted in
Aghan, you will lament (the whole
of the rest of the year) ; cf.
a bush, a shrub ; cf
a small kind of Nepali dog.
the hair of the private parts.
Prov. ^qR?T f\r^\ is
a corpse lighter by pulling out the
jha/ti? i. e., it is no use to pay
five rupees, when you owe a lakh.
*fTfq (1), v. a. pres. part. *f?q?7T
( Vid. VII, 6), indecl. part. (Yid.
XXXVII, 2) for sake of
metre. To cover, conceal. ^jffq
#, to cover, to conceal ( Vid.
XXVII. 4. for for sake
of rhyme) : (Yid. XXXII. 1) ^ffq
xflv, cannot be covered.
Hifq (2), ^ifqq, the act of covering,
a cover: (Yid. XXXVIII. 4, *fi?q
Loc. sing.') qff^, *57*7
she trembles as the
moon doth at the covering of
Bahu, i. e., as the moon when
eclipsed.
adj. pungent.
damp firewood placed on the
top of a fire-place to dry.
*fjT*sTf , a shrub, a bush.
vfTPgT, ordure.
♦ *
a small kind of drinking cup.
that which* sweeps, a broom.
i-fqq = *f)fq, q. v.
^fjrqfiT, a cover.
nm^, a violent shower of rain ; cf
^q^, WT¥,
WRT, black, over-burned bricks.
adj. having the colour of
black.
(1) a series of iron bars let in
horizontally to the sides of a well,
serving as steps, like the rungs
of a ladder ; tv omen sometimes
threaten to drown themselves in a
well , but never intend to do so :
hence the saying to a man who
makes great professions without
1881.]
VOC A BULAEV.
179
intending to carry them out , wrf
Wq ifrfq, “ you say ‘ Let
me drown myself,’ let go the
jhdr, (to which the woman is sup¬
posed to be hanging)” : bushes,
brambles.
(2) v. a. to sweep, repetition
(JVa. 1), having swept :
to shake, at once : to
comb, or straighten the hair.
sfiTUq, a sweeping.
WIVt, a vase ; a drinking vessel.
^T^T, cymbals.
v. n. to struggle,
struggling,
a kind of vegetable.
ftfrJTU, a cricket ; Prov. fifrJTT
vj »
qTqqf, the cricket perched on a
bundle of clothes, and said it was
his father’s elephant.
(cf. a potsherd, Prov .
'3 ^3
f^fqr when a
j j
dancer is tired he collects only
potsherds, i. <?., leave of! in your
prime.
(Sal. VII) name of a servant
of Salhes.
tinkling toe ornaments,
a lake, a marsh,
a strong bowed piece of wood
with a heavy chain hanging to
the two extremities. It is used
to test the lifting powers of a
gymnast.
{Sal. XIV.) small lakes,
ponds.
a slight drizzling rain, see
adj. poor, indigent, mean.
or a potsherd ; cf
vj
an earring.
WC, v. n. to wither, to be parched :
to burn.
burning, withering.
*WK, repetition of ^TTU, Nd, 1.
vj
adj. false, lying.
SfiT, adj. burnt.
a thicket, an impassable and
dark collection of brambles.
ififwT, a length of split bamboo.
^ff^, (Sal. XI), the pig- tail
of hair worn by certain castes of
Hindus.
^fq^t, a small grass hut.
low scrub, underwood ; scrub
jungle.
broth, soup.
a small bag. a ditto
of a larger kind.
lampblack, soot.
the time for lighting lamps
when night has set in ; cf
adj. half-burned, scorched.
z
"sqrr, money : a rupee :
Prov. (in Musalman dialect)
5 «i^T, ^qi q W$%f, I may
die, but I won’t change a rupee,
(of a miser).
(P im. of a small
skewer.
a needle, a spindle,
^sfrT, see
180
MAITHIL CUEESTOMATHY.
[Extra No.
a spasm, a pang.
zufk., the foot, the leg ; ^Jrfc ^nf^rr I
to have one’s foot established,
hence to dare (Sal. N) ; cf. ^fJT.
t, a mat ; a screen, a mat shutter
or door.
Z*[Z*n^fz, a tinkling sound : tink¬
ling.
^WT, fresh water, water newly
drawn.
^C, v. n. to break, «T ^
( Vid . LI II, 3), my sleep did not
break.
a servant.
ST, a definitive suffix used after nu¬
merals, , e. g. W\Z\, six, see Letter.
STJT, (1) the leg ; cfz?\XK.
ST3T, (2) v. a, to hang, to hang up (Sal.
VII) : 3Tf.IT % id. (Sal. XVIII) ;
JProv. about two misers , TffjT a!T^f,
IfT one goes to beg, and
the other wants to hang him ;
to cause to carry, to load : Vrov.
(a weaver addresses a man who
has seized him to carry a load ,
but who is delaying) <r JT^,
?T «TT T^cT, if
you will load me, load me quickly,
otherwise I shall lose an amount of
work corresponding to nine shut¬
tles.
a skewer.
ZJZ, a mat, a screen.
SFf or sr§7, an earthen oil-pot :
diminutive
SRt, a kind of bamboo fish-net.
an immature mango, before
the stone is formed.
a patch, a wafer : a secta¬
rian mark on the forehead ; a
patch of silver or vermilion on a
woman’s forehead, surrounded by
the t»ft, = and
c.f. Sal. XVII, XVIII.
a young mango.
a kind of bird. It is a bad
omen to hear its voice.
a pigtail (of hair), worn
by certain castes of Hindus, when
worn it should be worn long.
Hence Lvov. q?T •Tg'^T sW,
c\
a gipsy’s son has a short pig-tail,
i. e., is not a good Hindu ; cf. Sal.
XVII, icher e Sallies is directed to
shave ojf his pig -tail, in order that
he may resemble a gipsy.
€^T, a mark, a patch, a commen¬
tary : a patch on the forehead,
a mark of disgrace when white.
( more properly ^T^RTvT), an
asker.
ZZ (1), ZZ (1), v. n. to break : to
j
be disarranged,. put out of order
(F. 67) : (of sleep) to cease, break.
(Sal. XII) : zfz ofT (or ^f?T
Vid. XXVI, 3): to break in pieces.
33 (2) ,33 (2), breakage; loss ; Lvov.
^JJSfTCTjthat (the posses¬
sion of) which is a loss to a har¬
lot ( i . e., chastity), is (gain to)
a saint ; i. e., what is one man’s
meat is another’s poison.
Z<$, a piece, portion (Sal. XXI)
the five pieces of cloth
which form a complete suit, see
p. 19, note.
zj\K, an orphan, — one whose father
or mother is dead.
1881.]
VOCABULARY.
181
BB, — BB (1) and( 2), q. v.
B?TU, a kind of prickly fish.
BB, adj. crooked ; Prov. *f
'STT^ft, ^JI«TT BB, you do not know
how to walk, and you blame the
unevenness of the courtyard.
B^, to note : to notice.
B^B, the act of taking note of any
particular thing : a thief
notes houses in which he can com¬
mit a theft on the following
night). (Sal. X), BBB rqiT, to go
about noting houses (as a thief).
Bq«i = BBB, q. V.
w, (i) a grove of trees, a wood.
BT3T, (2) v. a. to ask, to question.
BWBr = TBf^T, q. V.
Bf^iBT^, one who asks ; cf BefT^TB.
BpqB, an application to prevent the
recurrence of ague. It is com¬
posed of certain leaves and medi¬
cines wrapped together , and is
fastened to the feet or limbs.
BT^T, a quarter of a town, a village :
BT% Bi-if (I1. 70), in every quarter
of the town.
BNiR^T, adj. unlooked for : unno¬
ticed.
z
B^jR B^t;, a fixed residence, a home,
rid. LXXXI, 4 ; cf. sfc.
B3T, or BTT, a robber : an assassin.
adj. robbed.
bbR, a worker in brass : Prov. bbIt
BBfu Bft two workers
in brass never traffic together,
(for if they did it would be
“ Diamond cut diamond”).
BTTB, ( fern .) barren, (of a woman or
female animal) .
BTB, the bamboo frame of a thatch,
or of a mat house. [to stand.
BTB(l), adj. standing erect. BTB
BTf (2), BTfB^T, v. n. (Indecl. Part.
(Sal- X.)yw* BTflr), to stand :
to stand still.
BTB^, the act of standing.
BIB, v. a. to drag : to hold fast, to
grasp ; cfTTR 5T«T (P. 17), to fast.
BT«?B, pulling.
BUT, BTUT, a place : appearance, form.
(Vid. II, 2, and XXXVIII, 6, BT^f
for loc BTB).
BTfu, the branch of a tree ; Prov.
btk^t sr-sr, ^ifrcjr
Vj ■J
RT^TB, a monkey fallen from a
branch, is like a cultivator who
loses the crops of his field.
bW, adj. and adv. exact : exactly.
BlBTT, a contract, piece-work.
B3IK, adj. one who refuses pertina¬
ciously to obey orders, obstinate.
B^TTBT, ( P 31), a fixture, an appoint¬
ment.
BB, or BBF, adj. pure, genuine.
BB, the act of stumbling : Prov.
BTT Wfrf, SRcf*
he stumbled over a mountain, and
(out of revenge) smashed his curry
stone ; BB stum-
vj •
bling increases a man’s careful¬
ness.
B^T, a word without definite mean¬
ing, attached to B1R, see B^K
182
MAITHIL CHRESTOMATHT.
weariness, see note to F. 43.
Trans. ; to take away
weariness, to shampoo. B® ^3cT?;,
to be shampooed.
B'jg'ST, the knee.
BTB", the bill of a bird.
BT^TTT, a wooden peg for stirring up
grain while it is being beaten in
•s'*
a
Bfq, a drop : Prov. WT %* Bfq
?rft, fsr^TT mi, (at a
wedding) not a drop of vermilion
and oil have been given to the
near relations, while the cat has
it all over the parting of her hair :
Hence generally , the division has
been unfair.
-SIT, the lower lip.
place, BKfs, there, Prov.
bW% if you would
find a thing lying before you,
look for it there, i. e., there are
none so bad as those that won’t
see; cf. BijTT.
3
'iTTT, the boundary line of a field.
^rf, a robber, a “ dacoit.”
a winnowing basket.
mm, the act of trembling, or
quivering.
^■JK, waste land used for a pathway :
a road.
^53fr, (cf. SindU ^3l), the bite of a
venomous reptile, or insect.
the foot stalk of a plant : the
beam of a pair of scales.
[Extra No.
the bark of a tree : bark.
vjf^, a ladle.
<v
q. v.
^T^r, a tabor, a kind of drum,
pomp.
v§T, fear, alarm. Instr. m., through
fear, e. g. F. 21.
^TB, (1), the foot stalk of a lotus.
m?, (2), v. a. to threaten : ^ffB
#, id.
^"TB^, threatening.
<§%, (1), a staff.
vsip^T, (2), v. n. to stand upright,
standing upright.
^§7%, a rower of a boat : a line.
the waist, the loins : Prov •
fifeC f UK,
the dog is dying of hunger,
and you have put a chain round
his waist, spoken of one who does
not take proper care of the things
he possesses.
^T3T, a calling out : call, the distance
to which a person can make his
voice heard ; hence , influence,
power.
a witch,
robber.
'gTHt, a kind of grass, used for mak¬
ing string. [twig.
the branch of a tree ; a
^gT3T, a kind of large earthen cup.
TgT^TT, a present given to the father
of the bridegroom, on the depar¬
ture of a marriage procession.
to blubber : to cry foolishly
(as a beggar by the side of a road
who gets nothing').
1881.]
VOCABULARY.
183
onomatopce. adv. patter, with
a pattering sound.
v. n. to dive : ^ id.
v5 J
vg-^T^, (v. a.) to cause to dive, to sink
( active .)
^K, (Skr. the
glomerous fig tree, Ficus glomerata.
It is said that men cannot see its
flowers.
^TST^f, the doorway, or entrance, of
a house ; the outer portion of a
house through which entrance is
made into the inner portion ; this
is specially adopted when the house
is a large one ; hence a large
building, a palace.
’gJT, ^31, a footstep.
one and a half : a few ; Frov.
3T1"£ sffift, ^Pt 3ijs ^toT, (spoken
of one who makes display when he
cannot afford it), the owner of
one and a half (i. e. two wretched)
mares, goes about (like a lord)
with an army of nine servants.
<?T ^nXj a necklace
• vj ' • '
reaching to the navel, with only
one or two beads on it.
^«T, the arm ; the wing of a bird.
ttr, (1), v. a., and v. n., to fear ; to
be afraid of : Fast Fart. ^T^f,
fearful, terrible.
(2) a temporary residence, a
lodging : a tent, 1RT to
pitch one’s tent, to fix on a place
for a lodging.
a kind of spoon, used by
Musalmans, for stirring pottage.
The corresponding word for
Hindus is
%TgT, a stream, a small river.
a string : a lace (of a
bodice &c).
(1) , the bucket of a well, see
and J
(2) , v. n. to swing. To shake,
to move, to be put in motion :
'gtr^jT 'SfT, id. ; «T iffoT, it is motion¬
less.
gT3T, method, manner : ability ; Frov.
tlW ^31 ^fft, 3RT he
did not know how to speak, and
went to the eutcherry ; (natives
always select their most eloquent
friend to go to eutcherry and give
evidence for them).
^X, v. a. and v. n. to distil ; to shed :
to flow.
’&X3, flow.
<cT3F, a large kind of drum.
an earthen cover of a pot,
&c.
eTT^t, a kind of large open basket.
coTcT, a fence or railing.
manner, way, custom.
gTT«W, a toad,
a shield.
(1) , the high bank of a river.
( 2 ) , to level, to raze.
■^F^, levelling.
fe^lT, (see #13'), firmness.
(Skr. X^), adj. firm.
^t^T, a gravid womb,
a louse.
a belch ; considered a sign of
184
MAITI1IL CHRESTOMATHY.
[Extra No.
good eating , hence Prov. EHC
be has no
money in his house, and yet he
belches as he comes out of the
doorway (to persuade people that
he has had a good feed).
the counterpoise of the lever
of a well, see ^h*r,
and Tgvn 5 a machine for pounding
grain or bricks, a pestle.
<o 3T, the stump of a tree (Sal. XV).
<=NPt, or ir^t, a mortar, a pounding
machine.
constant repetition ; perti¬
nacity.
"§K, a heap : a quantity :
much.
a sling.
the cost of carriage of any¬
thing.
a kind of non-venomous
serpent.
the navel.
a drum, the
music of drums.
srfa, v. a. to make clean : to polish :
adorn.
the act of cleaning.
<T
?f, *|r, conj, yes : illatively then.
?TTWt> ac^v' stiH : nevertheless.
adv. at that very time :
immediately.
(Vid. XLV, 1) a sign of the all.
case (rare).
H^,prep. up to, as far as.
see <TT3i.
rf^'V rT^ry, see
rRfTaTT, (L^lftS), dunning, repeatedly
asking for anything.
rrf^TcT^, fT^TrT, see rTI^T.
eT^vr, adv. at that time, then : when
declined , takes a base rP3«T, e. g.,
rT^^T, of then, of that time.
vj
cP3«T, see rf^cf.
?fJT, a horse’s girth,
rjsff, a load, a burden,
cf^r, v. a. to desert : to leave : to
give up.
ef^T^, desertion : giving up.
cfaj^taT, (ft, decision : thinking :
3iT, to decide : to think ;
(Sal. XIII) she began
to think, being understood .
an ear-ring.
cT^frrVT^f^, trickling.
cT^fW, quickly, immediately ; sud¬
denly.
<Tfif<T, lightning.
r? <T, <ToRT, see %. ,
cjcTiTcT, delay.
<Trff^, adv. in that place, there.
adj. so far, so much.
rrfaiJ, adv. there.
W«T, the body : c[ «T5T«T, body and
soul.
fT«T^, a son : (Vid. XVI. 3) the son
q/llukmini was Pradyutnn, icho
was an incarnation of Kam Deb,
ivhose wife was Dati, see
^f«T, ^<TT, and i (id. 5) the
sons of Aditi are the gods , and
their enemies (tea, are the
Daityas, see and (id.
Y0CAT3ULATIY.
185
1 881.]
6) the son of the sea which was
swallowed hy Agastya is the pearl-
oyster, and its treasure is the
pearl , see ^V}rr«T3f, and
rfcRT, a daughter. (Vid. XVI, 7)
the daughter of Yasoda, the wife
of Nand was Maya, or illusion,
who teas an incarnation of Durga.
Hence Durga is here called the
daughter of Yasoda : (Id. XVII,
2) the daughter of Banasur the
son of Bali was Usha, and her
husband was Aniruddh who was
the son of Pradyumn, the son of
Krishn.
<rf*r, <Tf*r^ (l), <TDBfrc,
fff^T, see
rff*T3\ (2), straw, thatching-grass ;
Prov. ^rffiT^T crf^T^T *T,
(a man) who does not know how
to blow alight a straw (fire), i.e.,
an idiot.
= <T«T, q. V.
cpT, penance.
rPT#t, one who performs penance.
cfi?T3«T, a grove devoted to penance.
<T^, adv. then.
cTTT, darkness.
a water- jar.
rim^r, v. n. to be enraged.
cR^«T, rage, anger.
= <T£Pj, q- v. [obligation.
(*-^—♦3), a bond, a written
rW^T, (L«U3) show, spectacle.
a seller of betel leaf,
surface : bottom : hence prep.
below, at the bottom of, beneath,
under.
a wave : a whirlpool {to
which a woman’s navel is fre¬
quently compared) : love, passion :
Vid. XL VI, 1, and LXXVIII, 2,
rJVJT for the sake of metre.
?pd%, the sun.
(oj-Id) a side : a party to an
agreement.
rJT^T, a kind of dish consisting of
vegetables cooked in ghi or oil :
it is peculiarly a rich man’s food ,
and is supposed to be fattening ;
Prov . ?pc;^r 31 W ^T*T, he
is a rich man, and yet he is lean.
fTVT3[«T , plural of fjTYT, a star ( Vid.
XVIII, 2), q. V.
<TYj^ (1), thirst.
cT^T^T (2), trembling: fear, terror:
Vid. VII, 5, and XXVII, 1, <rot
for sake of metre,
adj. thirsty.
<T^, a tree : a shrub, a bush,
a thorn -bush.
«T^TfY, a sword, [grown.
adj. tender : ripe, full-
a full-grown damsel (Vid.
LXXIX, 1). [XIV).
<TT3T«TT, name of a mountain (Sal.
?T^r, surface : bottom, base : the
palm of the hand.
cT^HX, a small pond.
the sole of a shoe.
rT^nc, silk, “ tusser.”
a rice-pot.
7nj, see w.
ril?, prep, amid, amongst : adv,
therefore, consequently ; cf
<T5T, adv. there.
<rf^, adv. therefore.
<rfw, correl. adv. so.
A A
186
MATT PIT; CHIiESTOMATTTY.
WT, cTT*W (1) ( Vid. Ill, 3), set
a leathern thong.
?fF^ (2), v a. 3. Simp. Pres.
(F. 18), and (Vid. XXVII, 4,
and LXXIV, 4) : 1. Betro.
Con. rrt^rrj^' : Pres. Part. W^rT,
to look at, to watch : to seek,
looking at : search.
-N
see •
fTf^U, a hollow in a wall, used as a
shelf, or cupboard,
a cap.
?TTjftx, (j-i i*3), adj' removed, dis¬
missed; of land diluviated, wash¬
ed away ; Prov.
aJTjflT, VI ^ cTTJfft ;
JTf^T, 3lff% 'VjfNt’t
*af, a Miya' bought an estate,
and next morning it was washed
away ; he went back to look for
his village, all in rags with the
airs of a lord, ( see
cJTrT, a father. ( Vid. XVI, 10) the
father of Sita, loho teas the wife
ofP am, who teas the enemy of
Ha ban, was Janak. See
and Janak obtained
Sitajhr his daughter , after per¬
forming a very severe penance.
(Id. XVII, 2) the father of Ani-
ruddh, who was the husband of
Usha, was Pradyumn, whose
father was Krishn, who being an
incarnation of Vishnu, was the
husband o/'Lakshmi, whose father
was the Ocean.
< RTV, adv. so far, till then, see *jf.
<f'«T v. a. to pull: to tighten: to
pitch (a tent) rff *r id.
[Extra No
«Tr«r«f, pulling : tightening.
rTI^t, warp : <?T^t warp and
woof.
eSTqt v. n. to warm oneself. ^[TfjT
WT^T, to sit over a fire.
the lord of that, (cf. ?f).
(Vid. XVI, 8) the lord of the
bull is S'iva, who rides on a bull,
see ^frr, and
«TBPC, see ^T.
cTR^, one who performs penance : a
hermit.
rJTiT, ?TWT, copper.
fTTTO, anger.
WT , see
the stars and the moon ;
the moon encircled by stars.
«TRJ, a star : (Vid. XVIII, 2)
tfjTjjrsT, plur. the stars : here
means the ring of silver-coloured
stars on a forehead (called
surrounding the round patch of
vermilion (called JTJT*T
?riTF, the stars pf the sky.
<rrer?, <rrf%, rrrTf, see #.
frp^, a kind of starch.
fVT'sn, adj. third.
fhcf^T, adj. wet : slack, limp.
a lunar day.
frrPr — crtfiT, q. v.
cooked vegetables.
fmVr, darkness.
an inhabitant of Tirhut,
a Tirhutia Brahman ; they are
very particular about this caste, —
hence proverb , ePffVr TcjniffT^T,
<TI3f, three Tirhutia Brahmans
will cook in thirteen different
places.
1881.]
VOCABULARY.
187
*
frrft^T, (^t), a woman : a lady : a
damsel.
adj, pleased, satisfied,
the mark or marks made by
Hindu males, Avith coloured earths,
on the forehead, and between the
eyebrows : hence , as in Vid.
XXXIV. 5, any ornamental mark
on the forehead, even on the fore¬
head of a female, such as the
0*
ffTWTT, a native soldier, as distin¬
guished from JTlTr, a British
soldier.
fw^T, a grain of sesame : a mo¬
ment, an instant : i«T^JT ^
for a moment, for an instant.
see B v?.
adj, bitter : Prov.
?Pt<T, a satiated crane con¬
siders the pothi fish bitter,
Hunger is the best sauce.
wt«T^T, = HTHUf, q. v.
Btfej, ( Vid. LXVI, I) = firfw, q. v.
adj. three. In Vid IX, 1 andff.
there are many plays on this word,
viz., (1.) the third
vowel after the third = ^
3fRT, that which is to the left of
the third vowel, i. e., WT, which is
to the left of V ^fT and ^ form
together the word “come.”
the third number
after three = five — which
also means ~%tlte God of love,
(2) a word of three sylla¬
bles, viz., ivhich is a name
of Krishn. the third
day after the third day (Tuesday)
of the week = Thursday =
which also means li life”
( Amara . I, 3, 24). In the third line
and cTUY mean the
same as in the second , except that
does not mean “ life,”
hut the Saint Brihaspati. (4 th
line ) concerning, or , con¬
nected with the word three,
the three (Sal. XX).
«?fT an arrow ; Prov. ?pK «T
he has neither
bow nor arrow, and how does the
Mia' call himself a Paithan : the
bank of a river, ( Vid. LXXVI1 1, l,
locative).
<rt^r = f«T^T, q. v.
see ^Nf.
an ascetic’s gourd ; Prov.
jrraft Y arWf^, a
pretty ascetic ! with a broken
gourd !
^ •'S*
tpC, cotton wool, Prov. rf
xr®r the bullock which
now carries cotton, will bye and
bye carry iron.
HT3T, a horse ; Prov. ^
gT^T, the bullock is
yoked, and the horse does nothing
and eats.
cp5!, cT^r. adj. equal to, like :
equal alike.
see
the mulberry tree.
TgK., cotton, = q. v.
TgYfff, adj. like, equal to : alike,
equal.
B, B, adv. therefore : for this
reason.
?Nt, ( F. 22) = q. v.
188
MAITHIL C1TREST0MAT1TY.
[Extra No.
riX, adv. emphatic, even thus (IT,
19).
?Npr, (Sal. Ill) a kind of flower.
cfrTX^, adv. so, in that manner : cf.
XT.
?IViX, adv. there, = q^T, q. v.
(1*£>), a sword : a scymitar.
ftm.v. a. ( Vid- XXVIII, 7) 2nd
Imperat. 7TW ; to desert, to leave :
to give up : to abandon : to shed
(tears &c.,) : to distil: irfaf "X,
id.
7T«TT, adv. so, in this manner.
TTq^XT, the afternoon, (lit. the third
watch.)
^■^X, adv. there, in that direction,
on that side ; cf. %£iX.
adj. thirteen.
oil; TT^T <ff, oil and pots, i. e.,
the necessaries of life.
an oil-seller; Prov. xfXTXT
MtfVX1! ms, XXXT wtxT, ^EfTXT
^T2T, a washerman is no worse than
an oil man, the former has his
pestle, and the latter his mill-
post.
TT^X, adj. third ; in Vid. IX, there
are many plays on this ivord. viz.
oXX see eftf*? : Vid.
LIX, 3, txx, the third
after the son of the earth i. e.,
(see f^m^rT) after the planet
Mars (iiJiXjf). ^3T^r also means
Tuesday, and the third day after
Tuesday is Thursday, which is
"SXXTiTX which also means the
planet Jupiter. This planet does
not rise till near moraine/, and
hence is said to increase the pain
of a woman separated from her
husband.
^XfXT = %XTX, (only used in oblique
cases, e. g., Vid. LX, 3) q. v.
adj. and adv. such, so.
cffNr, see X,
cffxi, adv. so.
7Tf%X?«T, adv. then, at that time.
adv. there, in that place.
?rwr, w^fr, n^r, conj. still, never¬
theless.
X = H, q, v.
v
conj. still, nevertheless.
efX, adv. so.
XT, Kindi for xf (F. 39), q „ v.
XT, xfx, Pro. 2ndpers . ; the following
forms have been noted ; nom. Tp,
or emphatically ,
especially, in the vocative, XTxT
o -v o •'4s' -.oSiO
Xp?, 31% X1^ , Xi^ : obi.
XTf%, XF'ft, (lengthened for metre ,
Vid. lxxviii, 5), %mr, xtxt ;
instr. : gen. 73% 73% XFfX
XTXTX ; the forms Xl^XT and
XTXT are also found, but only as
oblique genitives (e. g., Sal. XIX)
or with the final vowel lengthened
for the salve of metre (e. g. Vid.
XXXIY, 1) : XT% (Sal. YII)
occurs only once and is borrowed
from Kindi . Voc. &c. as
above; thou.
, X]% fTpS, nix , see XT,
XFf , XTX, v. a. to break ; to pluck
(a flower).
XTXxr?, one who stutters.
XFX, a pot-belly.
XTX% adj. pot-bellied.
^TX (1), — XTX, q. v.
189
1881.] VOCABULARY.
(2), ffKT, see ?rj%.
^tRcT, adv. quickly, instantly.
3t^T, frr^T, trcir, Wlf%
_3\ 'N 2
<rm, c?T^, see ?rf
fiT, Iff. Iffq or q«I, conj. ( correlative
e/ oif, if) then ; in that case.
a small outer garment : a
towel.
<tWt, an earthen boiler.
fq^lT, a woman ; a lady, a damsel.
; the three wrinkles or creases
on a woman’s stomach below the
navel.
a trijunction point ; a
place where three roads or rivers
meet.
the three worlds, earth
heaven and hell, the universe,
the bark of a tree.
>q*T, the udder, or dugs of any lower
animal.
v. n. to remain, continue : to
be weary.
weariness.
remaining, continuance.
adj. (fart.) weary.
*JK, {or dim. a plate for eat¬
ing from, a “ tlialee.”
mud.
vjt^, bottom.
few, v. subst. to be, see grammar.
see
f«IU, adj. firm ; quiet, tranquil.
see -faefr.
vjqr, v. n. to spit.
one who spits often.
o 1
the mouth of a lower animal,
tif-g, adj. toothless.
adj. toothless ; hence garrul¬
ous, talking nonsense, voluble ;
JProv. $T*ft ^T3iT uT'sff fqr qru?r,
what good is a book in front of
a babbler,
^TsT, old abl. adj. little ; short :
small : few.
the mouth.
a queen.
see f .
the act of biting or stinging :
<~J ' o o /
frequently for metre,
see
the south.
an inhabitant of the
south.
adj . burnt, parched.
^3TTXf«f, a midwife.
a quarrelsome man ; a braw¬
ler.
the south : see
the celebrated hero Daksh.
{Vid. XVI, 8) he was the father
of the 27 nakshatras, or lunar
mansions. The fourth lunar
mansion was Itohini ; see ^rTT.
adj. southern, belonging to
the south : also subst. the south.
^fw^TT^T, an inhabitant of the south.
q. V.
a kind of dried mango, see
a staff : a measure of time : a
190
MAITHTL CTTRESTOM ATTTY.
[Extra. No.
fine : (Sal. XVII) an exercise
among gymnasts in which the
only portion of the body touching
the ground are the palms of the
hands and the toes ; the body is
then extended or swung backwards
and forwards.
adj. wearing a beard, bear¬
ded.
breath : w ^ (Sal. XX) at
one breath, at once.
a small coin ; 2 damri = 1
dokra, 4 dokra = 1 pice ; Prov .
tT^T you
cliarge a damri for the nightin¬
gale, and a dokra for plucking out
(its broken feathers).
v. n. to be enraged,
rage.
husband and wife : consorts,
pride.
S66
^T, mercy, pity.
^sjT^r, adj. merciful, pitiful.
^T. (^), prep. in, at, on, in such
phrases as ^TT^, lakh's
upon lakhs.
^^ToTT, ( tyjfi ) the outer
room of a house, open to the pub¬
lic. Same as ^TT, q. v. ; it never
means a door, the JMaithili of
which is nor a door-way,
ivhich is
(uhjjjz) a Dervish, or Mu¬
hammadan beggar.
sight : an inter¬
view.
a kind of venomous snake ;
Prov. (in charming a snake , the
charmer touches the head of the
reptile as he utters the charm )
5TRrf?T '#tW
JTT'SJT xfTSb he only knows the
charm for the bite of a non-
venomous Dhorh, and puts his
hand on the head of a Darddh ;
i. e., a little knowledge is a dan¬
gerous thing,
a mirror.
^STTrT, brazen utensils.
an army : a faction : a leaf (of
a plant), a lotus.
a stick for stir¬
ring dal, or pottage. It has at
its lower end a kind of horizontal
paddle-ivheel, which is made to
revolve rapidly by rotating the
stick or shaft between the palms
of the hands.
adj. pierced.
or adj ten : hence , any inde¬
finite number, many : hence also
a few : ^¥[31 «T, multiplied ten times,
see ai^r.
^yrr, definite num. the ten.
f^fk, in the ten directions, i. e .,
the eight points of the compass
(N., N. E., &c.) the Zenith and
the Nadir; hence in all directions.
^¥y«r, the teeth : the act of biting :
the marks caused by biting.
see
q> v.
^T, form : condition.
^ (1), ten ,for ^r, see
o
^ (2), see
(3), v. a. to burn, consume,
fire : anguish ; adj. burnt.
1881.]
VOCABULARY.
191
n. to float, to swim :
5fT, to he washed away.
the right (hand) :
Inst. ^rV*f used adverbially , on
the right : (adj.), southern fa¬
vourable, e. q. fWrrr
the Creator is favourable.
curdied milk ; the food of the
richer classes , hence the Pros. ^ry
only he who eats
curds at home, should eat them
abroad; i. e., avoid vain preten¬
sions.
dower, taken from the
bride’s people by the bridegroom.
Pros. qy #ef %, the
bridegroom is a fool, who will
take the dower ? i. e ., somebody
else must, as he will be content
with too little.
a trick (in wrestling, &c.)
see eTJT^T.
^fcT, a tooth.
Kpft. lock-jaw.
a gadfly, [grain.
^T^f»T, the process of treading out
a vine.
a law term signi¬
fying “ filed in Court.” It has,
however, been adopted by the
lower orders from the Court lan¬
guage, and in their mouth means
“ produced, made over to a per¬
son e. g. (Sal XIY)
"3R they produced him (before
the king).
a pomegranate, to the seed of
which a woman’s teeth are fre¬
quently compared.
^TS', a long beard.
a beard ; Pros.
WT JTT^T the better the
Mnyai’s beard is, the better shines
the village; i. e., he puts an ab¬
surd importance on himself.
^T^T, a grandfather, Prov.
^Ty^\ including my grandfather
we are thirteen ; of a greedy guest,
who tries to make his host give
him a quantity of food to eat.
a frog, whose voice is sup¬
posed to be an incitement to love.
^T«T, the act of giving : a gift.
^I^T, seed of a plant : grain.
3TPT (1), V. a. to press, to squeeze.
(2), pride: anguish. ( Vid.
XXII, 5, § for metre).
pressing, squeezing.
^Tf%, a spoon used by Hindus for
stirring pottage : cf.
^T*T, price, cost of anything : a small
nominal coin, one and a quarter
cowries, Prov. JT3-\ % «r,
^y^t he has not a farthing in
his pocket, and he wants to walk
to Patna (Ba'kipur).
a flash of lightning.
^Ty^T, adj. hard, harsh : intolerable.
spirituous liquor.
^TT%, pulse, vetch.
(1) , f^T, see %
(2) , a light, a candle : see
v. a., causal of to cause to
give.
vj 3T, a name of S'iva.
firmness.
f^<T;s, see \.
f^/T, a day, day-time : f^»r,
192
MAITHIL CnRESTOMATHT.
[Extra No.
fq«T, fqq fqq, every day,
constantly : ^ f^«T, once upon
a time.
fqyrq, the lord of the day : the sun.
f^T, a light, a lamp = qtq, q. v.
(English), a deputy magis¬
trate.
fqqq, a day, day-time : adv. by day :
qr, day by day :
every day.
f^fa, Kf%, direc¬
tion : region ; see
a lampstand.
See
^t^T, a light, a candle : see f^f.
ft^K, Ob*>) , an interview.
see
CW, see %
ftq, a light ; a lamp ; a candle ;
^tqqf a wick.
ffqRT, ( ), a prime minister
a “ Divan.”
qpiq, adj. long.
adj. slack, working slackly :
long-winded {of a talker).
ffrr = f^, T v. {Vid. XYII, 3)
There are ten directions, viz. N.,
NE., E., SE., S., SW., W., NW,
the Zenith, and the Nadir: hence
here means ten. The num¬
ber of the Yedas is four, and that
of the faces of Brahma four : the
directions added to the Yedas,
added to half the faces of Brahma
equal therefore 10 + 4 + 2 = 16,
which is the full number of graces
(■qjIR) which a woman can pos¬
sess. See Tq<qTq.
adj. both.
a door- way, as distinct from
a door : cf. qyqiaiT.
T?, adj. two. ^ q^, mid¬
day : {Vid. XXII, 4). Here the
word means means a word oftivo
syllables , viz , qff. not : see qT<T,
and qpq. The meaning is that
he accepted the sentence qfq
^Rq, “you will not come,” and
then rubbed out the «Tp5t; ^fRq
then meaning , I will come : {Fid.
LXIII, 6), see qq.
adj. distress, agitated : com¬
monly sick.
^RT, = fRT, q. V.
sorrow, grief, pain, distress.
^HR^T, ^f^rr, = ^:R5rT, q. V.
adj. two-fold, double.
adj. second.
a female messenger : a go-
between : a news-carrier : see
^qT, milk, = ^sr, q. v.
^TY, {fern. ^TfT), adj. full of
milk : milk-producing.
Trov. q * fq*W qT^q,
•y'J
^Trf 5,
v5 J
*T?rT W
From whomsoever you receive
benefits, you must bear abusive
words: even while being kicked,
by a milch cow, a man will endure
its actions and pat it.
ls*r = ^T, q. v.
°^d'
a kettle-drum.
adv. double, two-fold.
l^qqfY^T, mid-day : adv. at mid¬
day.
1881.]
VOCABULARY.
193
■^iTqroir, a part of a horse’s harness,
corresponding to the crupper,
but used also with the saddle ?
P rov. {on an over-worked and
starved horse ) qT«FTT «T
"^flq^T, he gets neither
grain nor grass, and has the
crupper on night and morning.
adj. distant, far ; a dis¬
tant land : suhst. a distance ;
a great distance : cf.
a wicked person.
adj. distant : qfK, to put
away, to cast aside, disbelieve :
ojT to go away, to be thrown
aside, to he lost ; Prov.
tW qf^, Vf^fT IT-TOT qrqqf
qp^, shall I disbelieve what I
have seen with my eyes, and do
what another says, be he ever
so respectable : cf
■^rq, (sTcr. mischief, damage.
a beloved one, a
darling.
a bride.
■^^T, a bridegroom.
•^g, adj. wicked, vile.
"<2^rTsr, name of a caste, Dusadhs,
whose caste-profession is either
thieving or watching.
-^Tq, v. a. to milk (a cow) : cf. .
a daughter: ( Vid. XVI, 4),
the daughter of the enemy of
Indra was Parbati, the daughter
of the Himalay, whose wings were
cut by Indra ; and her husband
was S'iva. See ^qfcT, qfft, and
qra.
adj-
num • fcw0 : cf 1R-
a male messenger : fern. tJ* or
a go-between,
milk : YP ^^*TT, see
^«T, adj. both.
a creeping kind of grass, Pub
grass.
iLc, = -5ft, q. v.
the outer room of a house,
open to the public, = qrqTafl, g. v.
v • «• to sneer, or jeer at a per¬
son.
^r, ». «. to milk ; Prov. 3TTq *f
when you haven’t a
cow, you (are trying to) milk a
bullock: of a foolish substitute :
Of
^c?, adj. hard, firm : hence (of an
embrace) warm, passionate ; %% q?,
firmly.
^g’rTT, firmness.
v. a. The following forms have
been noted. Pres. 'part. qyr, [but
P. 72 gives Kanauji ^<T) : Past,
part, : 1. Simp. Pres, qrf :
3. Do. t, t*» |*» :
2. Imperat. q/q, q/^qf,
: 3. Do. : 1. Put.
i(q,qq^, qqg (Sal.XV), qqrqf, :
2. Do. qq, 3- &0-
1. Retro. Cond. f^rT^: 3. Do.
fern. q<?W •* 1. Past . qqr,
qqT3?: 2. Do. qqr, qqrq : 3. Do.
(F- has thrice the
Western ILindt ft5?) ; also vul¬
garly , and in poetry qqr, q%fqc,
which properly belong to the ls£
person : Pern, of qqr, qfqr, but
Vid . XXV, 3, (3 rd p.)y and
B B
194
MAITHIL CHEESTOMATHY.
[Extra No.
Vid. XLY, 4, (1 st p.), for
sake of rhyme) : and are
sometimes lengthened to (2nd
p. Vid. I. 4), and ^TT (1 st p. Vid.
XL, 9; 3rd p. Vid. YI, 3), re¬
spectively for sake of metre :
Indecl.part.
also (Sal. Y.) f^T ; obi. verbal
noun see gram. § 189, add. :
For other forms see the
conjugation of which is exactly
parallel to that of \ : see gram. §
174. The causal of \ is
q. v. To give, to pay
attention ; (in Vid. YI. 3. the
form is used after
where would be more gram¬
matically regular ; the sentence
meaning , even though the Creator
were to give his best endeavours,
still ...): to put, lay, place: to
bring, accompany; to put forth
(leaves, &e.): to make: to add : to
pay : to penetrate, indecl. part,
frequently used adverbially in this
sense , e. g. through the
burglar’s hole ; f^?T, through
whom, by means of whom : fre¬
quent at the end of compound
verbs , e. g. to write,
(Vid. XXII, 4, \ for metre)
to efface, to close
(a door), to make over
charge of, or in permissive com¬
pounds, see gram. § 191.
ix, t*, see t-
a goddess : a queen.
^T^;, a kind of relative, any per¬
son related to another through a
common great-great-great-great¬
grandfather is his dead.
a husband’s younger brother.
v. a. the following forms have
been noted : pres. part. ^*irT,
; 1. simp. pres.
3. do. To see : note the
form ^T, an impersonal verb
meaning to be seen, lit: the act of
seeing is going on. ^T, may be
added for the sake of emphasis ,
e. g. tTCT % «TT even the
act of seeing you did not take
place, i. e. you were not even seen.
^«T, (in ^T) anomalous form
of infinitive of meaning , for
the purpose of seeing : ^t, to
come to see.
the act of seeing, vision.
(fern. °^Tf%) participial
adj. seen.
^T-^, v. a. to cause to see : to show,
showing.
$fm, see
t<T. ^f*T, see %
(1) , the act of giving.
(2) , ^?TT, a god.
t*f (3), %T, see %
a godde ss : a queen.
wr,
see
^fT^T, a fund, a purse :
he became bankrupt,
a country : the interior of a
country as distinct from its head
quarters, the “ mofussil.”
belonging to the country, na¬
tive.
1881.]
VOCABULARY.
195
the body : a part of the body,
%T«T ^ *rrcw, on what part
of the body did he strike you :
^RTT, the general appearance.
a doorway, a threshold.
| (l),*ee?.
^ (2), a goddess : a queen.
^?T (2), a demon, an ogre.
^*T, indigence, poverty.
fate : Providence, God, ^
a portion or incarnation of a por¬
tion of the deity.
S66
^T, num. see
adj. two : both.
^T3T3T, a small coin, see
■^T3Tr«T, a shop,
a fault = q. v.
«T, adj. twofold.
^Tq^T, an outer garment, composed
of two widths of cloth sewn to¬
gether.
%i?, the tail, %*T *T3«re, to hide the
tail, to be ashamed, to carry the
tail between the legs.
^TRT, a fault, a crime,
to blame, abuse. (Vid. XL, 1
Sjwfor metre).
adj. {obi. form %^t) second,
another.
adv. secondly.
see sip* : see xn-ft
a body-cloth, a double-sheet,
reduplication, doubling ;
Frov. !£;iT, by
reduplication the shop-keeper
makes it twofold, i. e., if you
make him weigh a thing twice
over, the second time he will
make it come out twice as much.
%r? (l), jk, the act of running, a
course, circuit ; Prov.
rf^f, a Miydf only runs to
the mosque.
^Ff (2), ^TJT, v. n. to run.
running.
(F. 54), adv. speedily,
quickly.
a basket : a proper name
Dauna Malin, the wife of Salhes.
= ^K, q. v.
f^f€, sight, vision.
'^T, a push, a shove.
^TC, a headless trunk.
a narrow cloth worn by
children to cover their nakedness.
styit, the dhatura tree.
"^cT, wealth, treasure,
srerrfu, proper name, Dhanvantari,
a famous physician of antiquity.
'SlfiT (1), spFft, adj. wealthy: fortu¬
nate : generous.
^fcr (2), a lady.
= m<T, (1), q. v.
= ^fsr, (2), q. v.
= stfsT, (1), q. V.
WU, a bow (the weapon).
^ VJ
adj. prosperous, happy.
see JTK^
’s^T'S?:, excessive frolics, mad sport.
«re, see *rc(l).
(1), v. a. the following forms are
noted, 2. S imp. Fres.
190
MAITHIL CTTRESTOMATITY.
3. do 'srrfa ; 2nd Imperat.
^x^, ^xm, 1-
Fut. 'SfR : Fres. Part. ^TcT,
VTT<T ; 3. Past. , vulgarly ,
and in poetry th?, which pro¬
perly belong to 1st person : Indecl.
Part. W, §, vfx, 3Tfv ( Vid. XV,
7) : for other forms see mx (1)?
the conjugation of which is
exactly parallel to that of 'SPC ;
see gram. § 172 : to hold : to
grasp, to catch ; to keep : to put,
place : to put on clothes : to lie
upon : 3TR t%X, to conceal, ^ fx
to take : «TT , to wish to seize :
V to keep, retain.
(2), a headless trunk = ^Rf.
'QXT't, see VT (1).
'QXftr. the earth,
the earth : the ground ( very
common in this sense), ipC
seated on the ground or
'QXf'q, see ^x (1). [floor,
•s^fcr, see 'tFtfqr.
the act of putting, placing, &c.
■«PR, virtue: justice: chastity;
Prov. 'QXtt 3fYri 5T 'tp?; ^Tf*r,
f rtft ^XX^ ^Tffr, even
if you suffer loss while acting
virtuously, forsake not virtue’s
words.
a large house, a palace ; Prov.
^§;ft -ax, xm?nt ^^x, he
sleeps on a common mat, and
dreams of palaces.
see (!)•
'eRP*?:, a mountain.
properly Indecl. Part, of ^
(1) q.V. used adverbially , up to.
[Extra No.
qfxx, see (1).
VV = -sryTf, q. v.
a holy work.
■^■flftT, adj. very virtuous.
SR v. n. to sink : to be in disorder.
Vif #R, dishevelled hair,
to sink and fall, i. e., to drown
oneself.
the act of sinking : disarray.
VT v. n. [Past part. ‘SJT^T or :
(Vid. XL, 4) is not used
in the modern language) to run :
to hasten.
^JTR, running.
WR, «rRR, a bull.
^ToTT, a flag, a banner.
ETR, unhusked rice, paddy.
WT, abode, residence.
^TV, (loc. mT) a river, a stream: a
line : a piece, block, portion : in
Vid. twice VPCr for metre.
Tfjfx, Irregular for ^fx Indecl. Part .
(i-)
^1% flame, blaze : burning.
fa^fT, *ft, a daughter ; Prov.
3*mft ^qR, the father
owns granaries, and the daughter
fasts ; *nft § ^R, beat
your daughter, to frighten your
daughter-in -law.
ffqT3, v. a. to cause to light, to set a
light to : to warm.
'ft = fq^T, q. v.
■ftq^T adj warm.
ftv,^tT, adv. slowly : subst. patience,
steadfastness, — ffa *:rt, to be
patient.
'Sf^T, ^T, smoke.
o.
^^\X, the thorn-apple.
» ^
1881.]
VOCABULARY.
197
vifsr, a sound.
a cotton-carder ; Prov.
**fsTOT, <T«T the father a
-J C\ J
cotton-carder, the son a mur¬
derer.
^3T, a road, embankment.
'fcR5!', the pole of a carriage.
WT, ^^lf, smoke.
knavery: scoundrelly beha-
viour.
■\r3f, Interjection of Contempt.
Shame !
iNlT*r, ( loc . religious con¬
templation.
i?«T, a milch cow.
V, see (1).
firmness : patience, V?*! or
§ tr, to have patience,
*rfi his patience did not
remain, he lost patience.
see ^ (1).
ft, v. a. to wash : ’sft^T well
washed ; Prov. $R^T *TR^ inft
xfpafjT ^TR the sheep
washed (for sale) is about to fall
into the slough, i. e., there’s
many a slip between the cup and
the lip.
TfNfir, the art of washing.
adj. wicked, foolish.
a bag : a vessel, receptacle ;
Prov. 7R 3T ;®TT «T,
j 7 • VJ J
only the vessel knows the pain
(or weight) of the molasses : i. e.,
only he who suffers knows the
pain.
a loin cloth, a “ dhotie.”
Vfa, a pot-belly.
*fh**T, adj. pot-bellied.
a washerman ; washermen are
notorious foi destroying things
given them to wash ; hence the
Prov. 'sfrto ^rft
nothing belonging to a washer¬
man’s father is ever torn by him
i. e., charity begins at home,
a Hag, a banner, = ^T^T.
«T, adv. not.
cRR, •RffR, a lunar mansion : a star.
»RnR«T5t, a small nose-orna-
j <\
ment.
a finger or toe-nail :
or o^rT, a scratch.
cT^R, a place for the sale of horses
or cattle, a cattle-market ; Prov.
irfT snarer the horse is
kept at home, while it is being
sold in the market, i. e., selling a
pig in a poke.
♦RT, a town, a city.
a waist rag or cloth ; Prov .
JTjff *§?, he has only a
rag over his rear, and he calls
himself Fatih Khan, a beggar
with the airs of a king.
(Pent. an actor,
a dancer.
a lunar mansion, = •RffT.
*mf<, (J&) , vision, gaze. ♦Tolft
see f*sRR.
(fern. •rf^f*R|T) a nat ;
nats are a tribe of wandering
gipsies, or gymnasts and thieves
198
MAITHIL CHRESTOMATHY.
whose women are prostitutes and
dancers : a professional dancer,
an actor, a dancer.
cidj. short, curtailed.
•PflR, v. a. (3. fut. ( Vid . XXXVIII,
6) *r^Rrr) to leave, desert ; lay
aside : ‘•TflR to kill and cast
away: cf. (2),
•1%^, a vagabond.
♦PT, adj. bent; lowered, ( Vid.
XXIV. 3. ) cTrT hang¬
ing down her head (in shame).
«R7»T, ( ), a fool : ignorant,
Vid. I, 6, R for metre.
•nft, a river, a stream.
♦fcrfir, a husband’s sister.
■5T^r^T,«T«r^T, a boy, a child : young,
the foster-father of Krishn :
his wife was Jasoda.
»fft = wstfct, q. v.
*r (1), adj. new : strange : fresh.
RRT (2), adj. nine: ( Vid LXIII.
3 and 7.) nine and also new, see
and ^RT.
*T«nr^, an armlet composed of nine
pieces.
•r^T, adj. new, fresh.
*TTiT (Fern.* Pfft), adj. long ; Prov.
^Trr,
a foolish Miya' has long long
words.
cfTTTV^, bringing down.
rrr v. a., Indecl. Part. RRR,
•TT^, or RT?; : to bring down, to
make to bend.
rtr^, {Fern. RTfsRfT), a lord ; a
lover.
rrr, rr, rrt, the eye, often com -
pared to the lotus , see 3TRRT : the
[Extra No.
eyes ; RRR RTRT;, the range of the
. * ^
eye ; msir. , with one’s eyes.
rrrtr^t, the fire of the eye.
^ (1), a man, a human being.
•PC (2), RfxRfT, v. a ., to refuse scorn¬
fully ; Prov. 1 R RTRR Rf^TR-
fa, if you offer ababhan even gin,
he (is so particular about his caste
that he) refuses it : cf. rrtr, r^r.
the spool of a weaver’s shuttle.
RW> (loc. R%), a tube, a conduit : a
stalk (of a lotus &c.) : cf. RT^T.
•rtr'I, Rl%fR, a lotus : rrtr1!
a lotus leaf.
RR\ «?W, a finger or toe-nail.
•PoT^h", a nail-parer : an instrument
for cutting nails.
•RT, v. n., and R’xfR, v. a ., to wash,
to bathe ; R^TR RTRTR after bath¬
ing.
R^HR, bathing.
Rf%, Rfft, adv. not : Rf^ Rf% nay,
nay.
a barber.
*TT (1) , a word without significance,
frequently used at the end of a
verse, to fill out the metre : e . g.
Vid. XXVI.
RT (2,) = Rft, (rare).
RT-?;, see RRR.
RTT, RT\3, (Fern. RT^Tr) a barber ;
Prov. RTH3 RP3fR RRbRf
(sarcastically) a sharp barber she
is ! why, her nail-parer is made of
bamboo.
RT%, a boat, a ship.
cTTJI^, adj. naked,
the penis.
RT?ft, a grandson.
1881.]
VOCABULARY.
199
«Ti3f, the nose, *TT3f TJTR, to have
one’s nose painted red, to be dis¬
arm, a serpent. [graced.
Wife a tail.
^TTJir, ( Fem . wrfc), adj. clever, skil¬
ful : beloved.
•sTTfsrf^r, a serpent’s wife.
*rr^, v. n. to dance.
«TT^, dancing.
«TT^, {Fem. «nfe, or cTT^), a dwarf.
*TT^ = ♦Tf^ F v'
«TTYj, a lord : a master : a husband :
a nose-ring, Frov. ^JTT *T[^ *T
xffeT (an ass) without nose¬
ring in front, or hobble behind,
i. e ., entirely free.
cTrf^T, childhood.
«TTTT, v. a., to measure.
cfT^, measurement.
cfHT, a name : a word :
(to pray) in the name of God, (to
pray) to God. Vid. LXXVI, 2,
«TT x\for sake of metre.
cfT^J, see •T3TT3'.
*TJT, stubble, the stalk of a grain left
in the held after cutting off the
ear : cf UT^fK.
«TTfe 'STT^t, a woman, a lady.
•fX^r,the stem, or stalk of a plant ;
cf. WT.
*fT^T, the nose.
*TT^, a husband : a lover : Vicl.
XXVIII, 1, «TT ^ for sake of metre,
adj. own, one’s own.
f^x, fe*rc, adv. Sf prep, near :
fe^TT, empk ., even near,
fcfcfr, adj. good : in the modern
language «rfe is the usual formy
hut Vid. always uses
fww, v. n. {Kanauji 3. Fres.
^<t), to come out, issue.
neighbourhood : adj near.
f^rarr^T, (F. 54), v. a. to bring out ;
commence (a road) from a certain
place.
f^T^, (Fem. fecfnfe) adj. good.
f^Tfc^T, adj. without cowries, or
money, Frov.
fe^JT the man
without money went to market,
and his heart broke when he saw
the cucumber.
fe?§?, adv. thriftless : exceedingly
distressing or painful,
few, the Vedas: (Vid. XVII. 4.)
there are four Vedas : see
fean^-, ( ) a look, a glance :
attention.
adj. own, one’s own.
fe^T!, adj. harsh, stern, cruel.
'j
fe?T, adj . continual, Instr. used
adverbially r«T<T, always, con¬
tinually, every day ; Frov. few
^JrT T, ^X 3TT^, ^ *Tfe ^ cl^X
if a man does not look
up his fields every day, and his
cattle every second day, he is sure
to lose them.
fe<q = few.
fe^TW, end, limit, f^T<^T«T ^X, to
drive to extremities : adv. finally.
feWTW, a receptable : adj. full.
fe^T, abuse, reproach.
few% feww, adj. skilful, clever.
vl ^
the act of fixing or deter¬
mining a marriage between two
persons.
fe«lTW, abode, residence.
200
MAITHIL CHRRSTOMATHY.
accomplishment : protecting,
caring for.
faf^cr, that which binds a woman’s
petticoat : a kirtle.
v. a. to tell : to betray,
fairer, the act of telling.
fcT^, fc^K, adv. Sf prep. near.
fiK water : tears = q. v.
v. a. to see, watch,
sight.
firmer, adj. devoted, attached to.
pitiless.
without wealth, poverty-
stricken.
v. a. to fulfil, or act up to
(a promise).
acting up to.
f^TTre, v. a. to create, fashion,
creation.
fcr^jcT, (1), v. a. = q. V.
(2), the image of a god.
adj. less.
UKW, (Vid. XLIX, 4, f^T % for
sake of metre) , adj. hopeless : dis¬
appointed.
fer^, v. a. to suspect of (anything),
fcppjq, suspecting.
fcjTPL cessation, Vid. LXXVI, 5,
fcp^ybr metre.
v. a. to put, to place,
putting, placing,
fcf^, adj. pitiless.
one who moves about at
night : a goblin : the moon.
faWJ, the breath, breathing, Vid.
XL, 8, Sf LXX1V, 4, fasnt for
metre.
fcf5i, the night.
f^fW, adj' sharp.
[Extra No.
the lord of night, i. e., the
moon : it is supposed to be mark¬
ed with spots resembling a deer
and hence a deer is said to have
an undying affection for the moon ,
see
fcrNrr, easy in mind.
adj. and adv. certainly, truly.
fcTT% = f«rfa, q. v.
v. a. to look toward, to spy.
fi^Kq, gazing at.
#t%, sleep.
^t\T, fV^r, reproach, censure.
adj. good ( the usual word');
Frov (for ) #,
^t3i it is not yours, and
as it’s another’s, you say it is not
good, — the grapes are sour : see
*ft^, adj. low : vile : mean.
^Pt^T, sleep.
^tfa #, to plaster.
«ftf%, a woman’s waist-cloth.
the nim tree, whose bark is
bitter : {Vid. XLIII, 5) a basket
made of twigs of this tree is here
compared to separation , in which
the speaker represents herself as
a lotus lying withering.
water : tears, cTSjcT
my eyes fill with tears. Frequently
•ft xfor metre.
#t^T, dark blue : black.
v. n. (3. Fast crqr^TT^'), Sf
vj ® _
•iq»rq, v. a. (3. Fast to
.J *
hide oneself : to hide (c/1 ^T*?).
•f3\T<iq, hiding, concealment.
\» * j j
see ^rq\Tq.
1881.]
YOCABTJLAST.
201
v . a., 3. Pres. (Vid. XXXVI, 2)
\j *
: to press, to squeeze,
pressing, squeezing.
«T <T«T, ef <T^T, cidj. fresh, new.
«TqY, an anklet.
C\J
*iq, ^qfrf, a king : (Vid. XVII, 2)
the king of the world (^«T^r)
was Bali.
q, «T = 5fff, q. V.
adj. confused : complicated :
unintelligible.
q%rT, an invitation ; Prov.
qpf, qqfhT he has no money
in the house, and invites the
whole city to a feast, (of foolish
extravagance).
q^Tq, v. a. to lay, to place ; cf qpfTq,
Sf spc.
q^iqq, laying.
q*TT, (Fern. q^Vor^fq^T) a boy, a
child.
qq^, an anklet.
vj
qqT?: (1), v. a. to prevent, hinder,
qqi?; (2), a kind of flower : its blos¬
som is scentless : (Vid. XLIII, 6.)
the speaker compares her rivals to
the scentless nevar, and herself to
the fragrant lotus.
qqixq, prevention,
q^-, q^f, love, affection : qq,
the friend of my love, my beloved :
Vid. LII, 2, qqT for sake of metre.
qqf, (P. 43) a friend.
t^TT, an anvil ; Prov.
qXTI^v qfsq, if the anvil is empty,
(i. e., has no iron on it) the blow
falls on its head.
a prayer, a request,
q, adv. not, (rare).
qq, qqr = qqq, q. v.
a wife’s father’s house ; Prov.
(a servant addresses his mistress ,
who makes excuses for not paying
him ) qqr W
q iqq, your father’s farm
may be washed away, but I can’t
let my three sers of marua go.
0 ^y), a servant,
service.
), loss, damage.
qT^, (fern. qrf%) sharp ; intelligent,
qpq, v. a. to pinch, pull.
«TT«T, salt.
FK, water : tears.
ST, adv. nine.
rf2T, qTJT, cloves.
n€t, a maidservant.
♦ 1
ft*, ord. num. ninth.
i?
q^cf% old loc. of qm, on foot,
or feet.
qqrq, v. n. to catch, seize.
qqft%WT, name of a town.
qjp?T*T, sweetmeats, delicacies ; Vid.
LXXVII. 3, qqfTnq for metre.
q^T«T, stone ; Vid. LIII. 7, qWT
for sake of metre.
q3Fgt, a pagari , or turban,
qq, qJl, the foot.
vj7
qarqr, a thing for tying the feet, a
fetter, a hobble,
qqf, mud : paste,
qqfsj, the lotus.
q$=?, q^T, the wing of a bird : a fan
q% v. n. to be cooked, digested,
an armlet.
c c
202
MAITHTIi CTTTIESTOM AT7TY.
[Extra No.
v. a. to regret ; cf. xnerrR,
which is the more correct form.
xTRcTT^, regret, sorrow.
five twos, five times two =
ten, see 3IW.
TWW, xfxRT«y iq-^HT «T ,
he who has five arrows,
— the god of love. Vid. I. 1.
xj^rt q for metre.
xpm, fifty.
twenty-five : Vid. LIX. 2.
the twenty-fifth consonant, viz., 3?
(see ^'?J3T,) the middle letter of
a lotus : also the first letter
of the god of love (id. 8.) ;
and the last letter of sjTff virtue
(Vid. LXVII. 1.)
q. v.
xr^, side, direction : xr^ to turn
one’s face towards a person • also
to prove the premises of an argu¬
ment (F. 5 ivith double entendre).
xf^rfR, (cf v. a. to grieve,
regret.
sorrow, regret.
■qfw.il, the west : xrf^H
looking towards the west.
xj^T = qiW , q. v.
x?f%3JT9 adj. western.
xrfsf'fsi^T, an inhabitant of the west.
adj. behind, hinder : meta-
^ ^
■ yhor ., invisible. Frov.
fqfe xfW^Ff, for the purpose of
seeing (so far as your eyes go)
your back is invisible, i. e., turn
your back to anything you do not
wish to see, i. e., there are none
so blind as those that won’t see.
xjfsr^rc, a hereditary
genealogist, whose special duty it
is to arrange marriages.
q*q five : an assembly of five per¬
sons : people in general.
xfaKT = qj^iX q. v.
qz, silken cloth.
xr^sn^t, a village account¬
ant ; ivho is generally the educat¬
ed man of a village ; hence the
proverb, 3Tiiir *b
in a village of fcayaths,
even a dhobi may become patwari,
i. e., association with the educat¬
ed, will make even a fool learned.
onomatop. ‘ smack’.
qz R, v. a. to irrigate, to water a
plant.
qznq, irrigation.
xf^T^, adv. immediately, suddenly,
xj-^, (xpg), an object of study.
xfS’R, v. a. to send : xf^T^; id.
xts^t^, sending.
qq, qK, or xf^-, v. n. to fall :
to lie ; to take place, be : happen :
xfTW xj^, to fall behind, linger :
C\ * °
fR«T xpf, to fall on the back,
to fall on the face, x}^r,
to fall sideways : to take a posi¬
tion, e. g. ^xpr qfq mq M qfg ^
*S3FfT be good enough
to be arbitrator in this matter,
and settle our dispute : ^TT,
(F. 27), to become ; often used
ivith the indeclinable participle of
another verb to form a passive
instead of afT e. g., xf^, to be
understood ; see gram. § 185.
xnfsf, falling : news,
xj^f, xpf<f; a buffalo calf : Frov,
>3
1881.]
VOCABULARY.
208
*I<T qf^ft WTC,
buffalos are grazing in the field,
beat the calves, i. e , in a fight,
the smaller men get caught, and
the richer and more powerful real
culprits get off.
q%qT, q€tq, the first day of a lunar
fortnight.
q^, v. a. to read : recite,
qf q, obi. qsqT, the act of reading,
q^qiq (2), v. cans. To cause
to read or recite.
q^Rq, the causing to read.
qfg’cT, a learned man, a “ Pundit.”
qferqq, qfemt, learning,
“ Punditship.”
qfc?^T, a cloth with a coloured bor¬
der, see ■qrfcg'.
qq^T, a flag, banner,
qqff , a wife : (Vid. XVI. 10) the
wife of Ram , who was the enemy
of Rdiban, luas Sitd, see and
q^RT, a flag, banner.
qq^T, hell, the infernal regions.
qfrT, a lord, master : a husband ;
( Vid. XVI, 3) the husband of the
fourth daughter of Dachh (Dak-
slut) — the husband of Rohini =
the moon ( Som ) ; the whole com¬
pound is in the genitive governed
by SifJTwt (sister) ; the sister of
Som was Lahshml, who toolcbodily
form as Rukmini : (Vid. XVI, 8)
the husband of Kdm Dhenu (see
qqu’Sjq ) is Ibe bull on which Viva
rides , cf. qrqVr : (Vid. XVII, 2)
the husband of Tisha (the dawn)
who was the daughter fqqqi) of
Bdndsur was Aniruddh ,
the son of Dradyimn, the son of
Krishn : (Vid. XVI, 4) the hus¬
band of Rdrbati teas Viva, whose
foe (q^) was Dam deb ; see
■^f%*TT, and : qfq 3sq, the
husband’s room, the bridal cham¬
ber.
qTfTWR, v. a , to trust, believe in.
qf<TWqq, trust, confidence.
qf<ro^, see qfq.
q^T, the leaf of a plant, of a book :
a detailed description,
qvp a road, way, path.
q^K, v. n. to lie scattered, be scat¬
tered.
q^Rq, a scattering.
q^W, a stone ; q?f^r, a stone.
q^qfoFRT, a wayfarer.
a word, a sentence.
q^TT, (Rem. qq^ff) , one who breaks
wind excessively : one who talks
foolishly, a spendthrift ; Rrov.
qqqiqt in the
consideration of a spendthrift,
money is like potsherds,
qqrvvf, a blessing : there are four
blessings, and
virtue, wealth, love, and
salvation : a thing, fact (very
common in this sense).
qqqfT, a betel-box.
qRIT, a conduit, channel : adj.
streaming with, soaked in :
qiTK (Vid. XXXVIII, 2,
locative ), in a conduit of red, hence
soaked with blood, see
adj. covered with water,
flooded (as afield).
qfqq^, a canal, conduit.
qqq% the eyelash.
204
qqq, the wind,
qq, q, Prep, on ; upon : in : from (of
time), a?qq qq, from the time of
my birth : conj . though, although :
properly indecl. part, of qiq.
qqiqxc;, the bosom : a cloud.
UK (1), Prep, over, above, on, upon.
X(K (2), adj. pro. other, another :
see q^fqq\.
(3), v. n. — q^f, q. v.
xrc^K, way, manner, means, method.
q^qTTq, v. n. to shine ; bloom.
qrqyqq5 the act of shining.
q^qK, v. a. to reproach a person
concerning anything, to cast it in
his teeth.
q^qT^q, reproach,
q^’q, (q^q), end, termination,
q^qfq, (qf^iffli), plan, device:
'j ^
contorsion, twist, wriggle,
q^fqq^, (qfqq^), a gift, present,
q^ypt, fallow land ; any open space,
fq^#f ^ mid air.
qxiqffq, trust, belief, confidence :
q^cTtfq qT«T {with genitive of
object ), to trust.
q^q^q, qTipq, a foreign or distant
country.
qqq, a festival, holiday.
q?:qq, a mountain,
q^^t, see q^qqqt
q^^'ST, q^qq, subject to another, not
one’s own master : dependent on
another, q?;qq Tt, to yield, suc¬
cumb : unhappy, distraught,
qxtqq entering, entrance, q?;qq #,
to enter, commence.
qTqrq, v. a. to console, comfort,
q^qfqq, consolation.
[ExtraNo.
q^q, adj. and adv. excessive, very,
much.
qK*nq, an authoritative saying :
confidence, trust ; Vid. XLIX, 2,
q'CfTfq/br sake of metre.
q^q^, q^q^, (uAj^), relief,
protection, nourishment,
q^qr, a dove, a pigeon,
q^qf (1), the act of touching, touch,
q^q (2), v. a. to touch,
qq^q, adj. pleased, delighted,
q^qq, the act of touching, touch,
q^wfq, lit. a touch -jewel : hence , a
very precious jewel ; a term of
endearmen t.
q'Crqqr, gen. of qvf%, emph. for
XPC (2), (Vid. LI, 6): it is
possible however that qTfi[ in
this passage is fem. of q^, an
old obi . form of q^ (2).
q^f^q, adj. friendly, or profitable to
another.
q^Tifiq, manliness.
qxqq, life : heart ( metaphorically ),
Vid. LXIII, 7, qqrq for metre.
*
q^jvjq, adj . overpowered, conquered :
subst . defeat.
qfc, Prep, on, upon ; qiTq qfx, how ?
qfcqq, previous acquaintance with,
or knowledge of a person.
qKfqq, known, acquainted with.
qfefeT, relations, family.
qftqnT, adj. submissive, obedient.
qfcqfTsr, end, conclusion, Vid. XLI,
5, for metre.
qfk;qqf, v. n. to abscond, retreat.
qn:qo?q, desertion,
qfcqq, adj. submissive, obedient :
qf^qq to yield to.
MAITIITL CHIiESTOMATlIY.
1881.]
VOCABULARY.
205
qf^TTO = qfwm, q- v.
qfcqK, family, relations : dependents,
qfrtrq, qf?;trqq = q*itm, q- v.
qfTijqr, soft, yielding.
qfcT*?f*r, embraces, the act of em¬
bracing.
qpmfffi, way, manner. %m
bow? cf. q^STJlfq.
j j
qft’q*:, v. a. to give up, desert, for¬
swear.
qfrqf%, (Vid. XII. 4 .) old 2nd sing.
Pres. of supposititious root qfcq
( per metathesin for qfqr), to
wear (clothes) : Thou wearest.
q^3, v. a. to see.
qu*3q, seeing, sight,
qtq, love, affection,
q^, v. n. to run away, abscond.
qUTt%R?T, a neighbour.
qiT^^T, a vehicle, animal on which
to ride ; Prov. Jiq/^T q« qmx
Jim q?T, ST qmu q^q,
an ass has only one master (a
washerman ), and a washerman has
only one vehicle {an ass), i. e.,
every one should stick to his own
caste-trade.
qqjJT, q^fJi^T, a bedstead,
qqm, v. n. to be reversed, q^rm
qfT, to return,
q^mq, reversing.
qqm«T, an army, a regiment,
q^pjff, a position of sitting with the
feet crossed under the buttocks :
q^psft qm, to sit in this position :
cf Jim,
qqfm, v. a. to spread (as a cloth or
skin).
qfqiT?b a match ; a light, a candle.
q^q, a sprout, a shoot, a young
plant.
qwqur^f, the king of delicate plants,
the lotus.
qi^q, a tender of beasts, a cowherd.
qqK, or q^rTK q, v. a. to scatter
{seed dfc.,) to spread out, open
(wings Sfc.).
q^f^qfT, an inhabitant of mountains.
qifU, a prahar, watch, or quarter of
a day or night, see ;
the beat of a chaukiddr or
Police officer : watch and ward.
This toord has an oblique form
qW, only used in the oblique
cases : e. g. (Sal. XIX)
Wi qW tf, I have
stolen them, and brought them
from Sallies’ beat.
q^^F, a guard,
qqpf, a mountain.
qflT, v. a. (cf. qfcqfq) to wear
(clothes), qfff?: <q, to put on
clothes.
qfqqr, qpq^, adj. first : loc. qfqqjf%
( Vid. LX, 4), or qf%# (Sal.
XII), at first. The lit. trans. of
Vid. LX, 4 is ‘at first the sentence
put an end to her life.’
qfiq#m JTrq, a cow that has had one
calf ( = Skr. Jzfq).
q®, q^, a husband, a beloved.
q#% q^rq, v. n. to arrive.
qlNq, arriving.
qi^R, v. a. to cause to arrive, to
take, carry, qfrqr q, id.
qjgqr, a guest ; a bridegroom,
q?f — qs, q- v.
’TIT, KT’T (1), see qiq.
206
MAITHIL CHRESTOMATITT.
qR (2), qTO, the feet, old loc.
q<Rfq, q. v. : qR qTO?T, an
under tenure, lut see qT^t efriUfT,
from which it should he carefully
distinguished. This distinction
has not, so far as I am aware ,
heen noticed hy any writer on
land tenure , and hence great
confusion has risen on the subject.
^T%fT, qTW^T, see qR.
qT%q, {Slcr. q?q, Tier. qi^?!) the
rainy season, including the months
A'sharh, and S'raban.
qf5^, mud at the bottom of a lake.
qff%, a wing (of a bird).
qK Hum. five: (Vid. XXII, 3) a
sentence of five syllables, viz., *TRT
“you will not come,” cf
and 5 TT ^ five each.
qy^T, clef. num. the five.
he who has five arrows,
Earn Deb the god of love : cf.
qxRR, Sfc.
qjRT, a side : the side of the body,
qffef, a line, row : a necklace : a
sign of the 'plural, e. g.} Yid.
XVIII, 3.
qjqRT, adj. ripe.
qT3T, a pagan, a turban.
qT% (F. 57) = q|%, q. v.
•q-jlf, qiW, ado. and prep, behind:
C\
Trov.
qiw the pretty girls
of south Mithila are pendulous
before and weighted behind. ; cf.
^T3T ,for another version.
0\
qjff, half of a head of hair, when
divided down the centre.
qi<3"strqjT, a college, a school.
[Extra No.
qfff, ( Fem . qpi2)') a buffalo calf.
qifs", an edge, a margin : the colour¬
ed edge of a cloth, see qfs"^T.
qTPrr, = qT^t (2), q. v.
qicT, the leaf of a tree, or of a book :
an epistle, letter : a leaf platter ;
Trov. *TT, eRR qT<T W
$5TrT, (at a funeral feast, the per¬
son who is comforted most, and
whom the relations try to induce
to eat , is the son of the deceased :
here he is neglected by the greedy
relations, and the translation is)
he whose mother is dead, has nei¬
ther platter nor food : the act of
falling, — see «j^f.
qTtTC, (fem. qRrfx), adj. slender,
delicate.
qTSTC, a stone.
qiq;, a breaking of wind ; Trov. qR
qqrrqf the concealing of
such under pretence of clearing
the throat.
qi*T (1), betel leaf : the red colour
imparted to the lips by the juice
of the leaf.
qrq (2), the act of drinking : qRf
qry, to drink : qpq, drinking
nectar : Vid. XIV, 10, qjq,
locative.
qTfsr, water: Vid. LXXVIII, 3,
q"Nn for metre.
qrft (1), Hindi for qTfsr, q. v.
qR?t (2), a hand.
qiq (1), adj. and ado. across, on the
other side.
qpc (2), v. a. to cross, to pass over :
In Tangdli this root is used in the
sense of to be able ; Tandits say
1881.]
VOCABULARY.
207
that it is not so used in Maithili ;
hut I differ from them on this point,
having noted three passages in
Vidyapati in which it is used appa¬
rently in this sense. They are (1),
IV. 3. qqq % mx,
V* J
which I translate “ who can turn
aside a greedy eye” F audits make
qiq a verbal noun and translate
“who turns aside the crossing of a
greedy eye,” which is an awkward
translation , and hardly makes
sense : (2), XXXIII. 5 iSTRW *r
'IS ire HreT, which I tram-
late “ I cannot tell the words of
my love” Fandits make
a noun , and translate “the telling
is not crossed, i. e ., attained to”
which is practically yielding the
position : (3) XXXI. 4 qpiqtq
qffsq- qqq % qiq, which J? audits
translate “ who bears warm em¬
braces to their utmost limit
(qTU) hut which seems to me
much more nearly to resemble the
Tang dli qjiq^q qfqq % qK,
“ who can bear warm embraces
anyhow , in modern Maithili, , I
have not met mx in the sense of
“ to be able.”
qTC (3), Vid. V, 1, qi^ for metre'),
qT^q, the act of crossing : qru ^X,
to cross a person over a stream.
qT^T, snow.
qiq, v. a. The following forms have
been noted, Simp. Tres. 1 qT^Pf,
qTfq% 2 mix, mf^, 3 mx,
qT^fq ; 3 Tut. qi%q ; 1. Tast.,
f in poetry , 3 Fast qpilT^r ; Indecl.
Fart, qR ; to get, to obtain :
Indecl. Fart, qq, ^,mi(Vid. XIV,
5), or qR, used as a preposition ;
see qq ; afefq qR, from my birth :
with obi. verbal noun to be able,
e. g , W qTq't qfq, I cannot bear :
to find, see, distinguish : hence, to
come upon, arrive at.
XTR, xnqfa, qifqqf, qifqq, qTft, see
qrq.
qi^T = qW (2), q. v.
qTq (1), neighbourhood: qrq or
prep., near.
qiq (2), a net ; a collection qrB
a head of hair, a lock of hair :
locative, qT% Vid. (XL, 7) or qTW
(Vid. XXXIX, 7) for metre.
qi^r, = qiq (1), q. v.
qTq, a line, a procession in line.
qTqq, a stone.
qpit adj. foreign : qrff qrmrT, cul¬
tivation by a ra'iyat who lives in
one village, and cultivates in
another ; to be carefully distin¬
guished from qR which is
derived from qR feet, and means
an undertenure : see qR.
fq, or qf, v. a., the following forms
have been noted, 3 rd Simp. Fres.
fqqq, fqq, qfq : 2nd Imperat. fqqf,
fq^q, P res. Fart. fq^er, ffacr
( incorrect , Sal. XIV) : Fast. Fart.
fW^T, xhw: Indecl. Fart, fqfq,
qtfq, verbal noun qt^q ( e . g.
qlwq> ^TTJq, fit to drink) Sf obi.
fqq (e. g. fqqqr VX, sufficient for
a drink) : to drink : to absorb : to
be full of : comp. verb, fqq %for
fqfq to take to drink, to drink.
20S
MAITIIIL CHKESTOMATHY.
fq% see fq.
fq^q, qf^q, the act of drinking.
fqqfT adj. beloved, subst. a beloved
one, a husband ; cf. qfqp.
fq^Rq, causing to drink.
fq^R, fqqiTq, or qf^TTq, v. a ., 2nd
Imperat . fq^Tfqq ( Vid. X, 10), to
cause to drink, to give to drink.
fq^Tqf, a drunkard, one who drinks.
fq-^TT, {fern, fq^lfc), a beloved one.
fq^lTO, thirst.
fq^TIW, adj. thirsty,
fq^r, see fq.
{fem. participial
adj. drunk.
fq%, fq^T, a lump,
fqqr, the Indian cuckoo,
fqq^rft, a spittoon,
fq^f, {fem. fq^f¥), adj. slippery.
fq^^T, slipperiness,
fq^fre, {fem. adj. slippery.
fq^T ,adv. and prep, behind ; cf. qf^T.
fqWR, fq^T ' % pursuing : fq © qR, to
fq«m, a cage. [pursue.
fqs-K, rice pounded in water,
fqfs-, the back ; cf. qffe.
ftr?, ®- »• to suffer pain : to be hurt,
or wounded ; cf. qf^T, fqTT.
fq^q, pain.
fq^R^T, adj. tired, weary; cf. qffR^f.
fqfc?, a stool ; cf. qffT.
fq?R, a father : brass ; Prov. fq?Rqr
q^ qqqr JTORT, so much pride
about a brass nose-ring !
fq^V, a paternal uncle, fqfq^TcT, a
paternal uncle’s son.
fqqq, fqq^rq, fqq, fqqcT, see fq.
'J
fq^T, adj. pained, weary, tired ; fq^T
5fT, to be tired : cf. fq^fj.
[Extra No.
fqff <T, fqftfcT, fq^tSf, love, affec¬
tion.
fq^X^, or fq^fa, slightly yellow
yellowish.
fWR, see fq^R.
fqstrq, fq^rq, a goblin.
fqi3*r, fq^-q, a slanderer, a back¬
biter.
fq^R, wages for grinding.
fq^TI«T, the act or profession of grind¬
ing grain.
qf, v. a. to drink, see fq.
qf^T = fq^T, q. v.
qfqj?;, adj. yellow,
qf 'Sq, see fq.
qf^qr, see fq.
qf ^T, qfw, adv. behind : afterwards ;
* ©v ^
cf fqWT, qriF.
qfe, qffs-, the back ; cf. fqfe.
qff b pain, agony ; cf. fqf T, fq^lV
ftrr.
Tt f R^T, fatigued, tired ; cf. fq^R^.
a stool, a seat ; Prov. 3iqT
3IJ ff, qclR^ qff r, he has his but¬
tocks in Gayq, and his seat at
Banaras, i. e., you can’t be in two
places at once,
qfqx;, a pipal tree,
qfiq, qft, qfqrr see fq.
ffaT = qffT, q. v.
qfft, yellowness.
ql^fR, v. a. to cause to drink, see
fqqqq.
qfqT, a worm.
adj. {properly participle)
pounded. Subst. dust,
q^, Pushy a, or the eighth naleshatm
or lunar mansion of the rainy
season.
1881.]
VOCABULABY.
‘209
xf^, the feather of an arrow.
qwq^fHr, q%, q^, qwfw^f^T, see
\3 *-» v» ,j
qW-
qfw%, see qfq.
• C\
qWTvt, a present of clothes, sweet-
\J> 1
meats, &c, sent to the house of
a bridegroom by the guardians of
the bride, some months after the
marriage.
q^iTlS see q^f.
3 CV
q^fiq, v. a. — qoj, q. v,
q;5TRq, worship.
qcT^, a son’s wife.
q*T, adv. again, see qfisf.
Vj sj
q*fqf?T, adj. fern, agreeing with 3R
* (Vid. LXXVIII. 2), holy.
the seventh nakshatra
( Funarvasu ) or lunar mansion of
the rainy season.
qf«T, q»r, q*r, adv. <Y coni, again : on
the other hand, still, nevertheless.
q«ft<TT, adj. holy, sacred,
q^sj, holy : a good action : the good
actions of a former life : Vid.
XXXVIII, 1, instr. for
\J u \5
for metre.
^ (0. a city, a town : q^ qiTaf»r,
the townfolk.
(2), and q\, v. a. and v. n. ; fol¬
lowing forms are noted : 1 and
2 Imperat. Sf Simp, Fres. qfaq ; 2
qV^; 3 Fut. q*3?r ; Fast Fart.
\3
q^^T, q^ ; to fill : to fulfil, com-
VJ Ov
plete, do : to fill, be filled.
xr?t, see xr (2).
qx:^, the god Indra.
q^q, adj. former : subst. former
times, olden days : q^qqf q?q (Vid.
XXXVIII, 1) the virtuous
actions of a former life : cf. qqq,
xr«t.
q^qT, a collective name for the
vj
three nakshatras , or lunar mansions
Furva-Fhalguni , Furvdshdd ha ,
and Furva-Fhadrapadd ; the first
of these is the eleventh nakshatra.
q^qrqt, a citizen.
vj
qx;fq^T, adj. Sf adv. former : for¬
merly.
q^W, q^, see XR (2).
vj \J J
q^Tq, v. a. to fill, fulfil.
qTRq, fulfilling.
xf^T«f, (Vid. LXXIII, 2, viKtf for
VJ , J
metre) adj. old.
qf^R, see q^C (2).
qqx^, a man, a husband.
's*
qqq, = q. v.
qqq — qqq?, q . v.
qRqr^*T, the fore-noon.
q^fqrq, adj. with the hair standing on
end : thrilled : delighted, pleased.
qq?ft, the earth.
'J
xrg = q% q. v.
q^ v. a. to ask, inquire : this verb is
Cv
frequently written xf^ST, but- this is
incorrect, except when the vowel
is shortened according to gram.
§148.
qwq, qf*, emph. qfqqjT, the act of
asking, a question,
xiaf, v. a. 1 Fast, q^^rls ; Indecl .
<\ j
Fart, qfqf ; to worship, offer wor¬
ship to ; also q«ITq (Vid.
XXXVII, 2). *
qwft, a worshipper.
Cv
q#t, a kind of cake, or sweetmeat ;
it is not easily digested, hence the
proverb, about one who attempts
1) D
210
MAITDIL CHRESTOMAT1IY.
[Extra No.
things he cannot do , q*q *rff,
q^f ^TT *nfr, a fight for cakes,
when ghi won’t digest,
qq, the East.
'S
qqT, an inhabitant of the East.
C\
qT, v. a. = qq: (2), q. v.
qq;«r, adj. full.
C\
qxqw (F. 5), the premises of an
C\
argument, qqqw Tr*H to prove
an argument.
qqq, the East : also qqq, q. v.
Vj 1
q^, see qT(2).
C\ \J '
q^t, wheaten dough, for making
cakes ; cf. 1J^.
q^f, a bridge.
qWT«f, onions.
q^, the belly, a glutton ; cf. q3\
q^|ifir^T, the act of lying on the
belly on the earth.
q^TT, a basket, a trunk ; Frov.
'mqrqr qr° q^rc vjft, for a
tired bullock even a basket is too
heavy.
q^, q^T, a glutton.
vj
q«T, the belly ; cf. q^.
qfe, a market.
qqqT^, a driver of cattle with aq*TT,
q. v.
q% v. a. to put on, wear (clothes) :
to adorn one self with any thing,
q^q, the act of putting on.
q^TT, (j,\lLxs) adj. first,
q, qq, adv. used to give emphasis,
surely, q, he alone,
qqff, the foot.
q%T, or q%, the act of borrowing.
q%T, a road.
qq, v. a. to enter : to rush into,
q^q, entrance.
q*TT, a cattle -whip or goad,
qfq, a “ pyne,” or main drain for
irrigation.
q T, the feet, the leg : see qqq.
qq% ( == qj^q), manliness, cour-
q^, v. a. = qs-, q. v. [age.
qqrT, a pice : a small copper coin.
qT^IT, straw, after being broken and
trampled on at the threshing floor :
that part of the stalk which is
cut oft with the ear : cf *rTq.
qfw, r.
qrqjq, qT^fT, q^5t, a tank : oil. plur .
qT^q^r, F. 31.
qT^, v. a. to rub, or wipe oft.
qT^q, wiping,
qi^t, a small kind of fish.
qpfT, adj. stout, robust.
qT^r, qT^ft, a book,
xnqr, v. a. to nourish, bring up,
cherish : (Sal. Ill) in neut.
sense , to be nourished, to grow up.
q^?ft, a small kind of basket for
holding clothes.
qJT^T, a fiscal division, a pargana.
Frep. in the presence of.
qffrqT^r, the act of protecting : qqr*T
qfrrqr^T q*q, to act up to one’s
words.
q?q^, adj. visible : in the presence
of (very common in this sense).
q^^T, adj. first : ( Vid . LIX, 2) the
first consonant , viz. qr : the ls£,
2 5th, and 28 th consonants form the
word qm^T, a lotus ; see q^q,
andwsj\m (Vid. LXII, 1) the
eleventh consonant is "S, which
with qf , forms mv, a promise ; see
qq»Tq;^.
1881.]
VOCABULARY.
211
qsjRfe, adv. first, for the
first time.
q*TT?T, obeisance, reverence ; in corre¬
spondence , “ my compliments” to
so and so.
ST5T, a question.
q^T*T, qqsj, adj. pleased, gracious :
see qV¥?T.
qfq, VTT«T, life: {old all.) qTVT#.
qn^fr, (Vid. xxxvii, 8) n. p.
ur?r, = sht, q. v.
fqq, adj. beloved, = fqqT. q. v.
ft<T, affection, love.
'sftrfR, a beloved one.
ftfa, = ftrT, q. v.
qq, love, affection.
q
qqT, the act of putting or throwing
a handful of food into the mouth ;
Prov. About a poor man who
should be modest , but who is
greedy at a dinner-party ; fsTejqv
qft, qrqr he who
(at home) never touches parched
grain, is now gobbling large hand¬
fuls : cf. qrf q.
qizq v. a. to separate : to winnow.
qr^qqii; the act of winnowing.
q^qq the act of winnowing.
q^qT {fern. q^eff), q^qf^ (fem.
qr^qaff^) adj. scattered ; hence
large ; Prov. q^lf%
^ ^ *
a foolish Miya' has large
eyes ; qff *ftqf a
foolish Miya" has a ragged beard.
qr^% q^rq, adv. separately, apart.
qr^T^f, unconnectedly ; suddenly
unawares.
qr^T, qf£T, a split length of bamboo,
qrf, v. n. to bear fruit, to fructify :
to ripen.
qf<!T, possessing the expanded hood
or neck of a snake, but especially
of the Cobra : a snake : qfivT ?rfqr
a precious jewel supposed to exist
in a snake’s head : often com¬
pared to a lady'> s face.
qr^T, a snake’s hood.
q>^, ( (3p )> adv. separate,
q^q^fe, throbbing.
qr^Tqr, distance.
qVfW, dawn.
q>*:, qq, q^f, a fruit : ( Vid. XVI, 8)
the fruit beloved by S'iv is the bel ,
noted for its roundness and hard¬
ness : see cT[qf?T, qfrf, and qi^TW .
qftq, ), a harvest,
qrjqf (1), v. a. to gobble, to toss
into the mouth hurriedly : cf
qqT, qfq.
qrf^f (2), = qq, q. V.
qfq^, the lungs.
qpJ, a noose, a snare: old loc. qf#
( Vid. I, 5).
qr^, v. n. to be torn : to be tom
out.
qfTZq, the state of being torn,
qrrf^q, glass, crystal,
qpf, qTV, v. a. fact, of qr^) to tear,
to break : to open,
qpfq, a tearing.
qrrfRT, Fatima, the mother of
Hassan and Husain,
212
MATTHIL CTTRESTOMATTTY.
[Extra No.
XRTT (1), = Wf, q. v.
crtt (2), a ploughshare.
fxRT, xffT, v. 7i. to turn, to twist, to
leap, (Vid. LXXVI, 8) 1 wfw
=
a European.
fqTT^, a turn.
fxfifr^T^, ((^Ij ji) a complainant.
xff-eRT, adj. tasters.
xftT, v. n. — fane, q. v .
xRsff qrr^t, pen and inkpot.
■qre, cfi^r, xr^ v n. to blossom : to
v» v» C\
burst into blossom, to burst out,
burst : (of a, burglar) to break into
a bouse : to be broken, cracked ;
PrOV. XR^^f TfJpt ^«T SftlT, a
Vi * Vi vi
cracked pot looks for a companion,
i. e ., the fox who lost bis tail : to
quarrel amongst oneselves, Prov.
jrflTT W, when there is
<\ <\
disunion in the house even fools
loot it : cf. xrt.
J
xRirf , a small kind of bird.
vj
TRTR^yT, the hissing sound of a ser-
vi °
pent.
"crt, v . n. to be guessed, Prov . xrt^jt
«iref , ^T^W STCT, where was it
guessed by you ? where he beat
me, an allusion to the instructive
'power of the ferule : cf. xRuJ.
xRT^feT, (^*y) leave, liberty.
(1), = xR;g; q . v.
xr^t (2), xr^j, a flower, a blossom.
vi ®s
xfi^FST^u, a flower-basket.
vj
xR^rgT^t, a flower-garden.
xr^tt, v. 7i. to blossom.
xR^j^r, sweet oil, 7nade from the
or other sweet-scented
Jlower.
xRTfXR^Hff^ whispering softly in the
v» J
ear.
xRfTT^T, xRfq-Rj^ (fem. °^Tf%), one
who whispers : a deceiver, one who
speaks falsely ; Prov. xsf^^yf%
^f^r^TTfsT 5T ^fr wt «iz^Tr, a
dishonest shopkeeper has her
house full of weights.
xr%, xR^y v. a. to blow ; to blow up
a fire ; Prov. xrcr xrj^T, 3T?t
f^Tfr cr <TTcp you don’t even help
to keep the fire alight, and you
stretch your legs before it to
warm yourself, (thus preventing
other people enjoying it).
xr^t, adj. loosened,
xyrs, see xr"3.
Ov v»
xrtT, adj. active, intelligent.
w® = ^ (2), q. v.
xrtt, v. a. to whisper : to speak
falsely : Indecl. Part . used as
a lie. [adv., falsely.
v. a. to throw.
xR3f^, a throwing.
puffing and blowing.
XRT, v. a. and v. n. * to turn aside, or
away ; Vid. XLIX, 1, ^ xrt, to
'i
turn aside the face : to whirl.
xfiT^, turning aside.
W, ^Tf, a circuit, routine.
^fr, adv. again : he7ice> on the con¬
trary, on the other hand.
xRXl' = "^TT, q. v.
xRi^f, v. a. to toss by the handful
(food) into the mouth, to gobble :
T#frr, a boil, a sore. [cf xRp^.
xrt^^TT, a small fish, whose belly
swells enormously ivhen blown
out by ivind — a cruel amusement
of little boys.
xrtt, v. a. to break, smash.
1881.]
VOCABULARY.
213
Note. Many words commencing in
this dictionary with ^ are , in com¬
mon use and in the selections ,
spelt with q.
v. a. to cause to sit, =
qYY, the jujube tree. \_q_. v.
q^YT, age (of a man or woman),
period of life ; qYYf, first
youth,
a family,
qqr, a crane.
verbal quarrelling, wrangling.
qqTYT, the English word “box.”
q^YT (fem. wft), a goat : cf. <T^Y.
adj . foolish.
(<jk&^), a present.
), a bundle of clothes.
31? Y ( fern. 335^1), a goat : a she
goat's face is supposed to resemble
that of a poor man , hence the prov.
33fY^?T YIYTY YT«T he’s
os
got a face like a she goat’s, and
yet he is as stout as a pestle : cf
33TYT.
3*3YT, division, the act of dividing;
Prov. xfTf^r M HTf,
qqiYT, the fish are still in the water
and they divide them each into
nine slices, i. e., they count their
chickens before they are hatched,
a tale, narrative,
a granary.
a kind of sewing, coarse
quilting.
spiT^T, the bark of a tree.
* '
■^It, name of a tribe of gipsies ; Prov.
about one who does badly what he
might be expected to do well , 3R33?
3%qr ixh the foolish
Bakho set up his tent in a pit.
qjpf T, a sparrow.
SRI, form, shape, appearance.
q?TT, the cotton plant.
sfJTT^ft, a Bang all. The Bang aids
speak very bad Maithili and hence
cannot be understood , hence the
following Prov. is used with refer¬
ence to any one ivho does not speak
plainly fTYTY fTTYTYR?,
in the first place he is a Bangali,
in the second place he stutters.
WYT, adj. foolish ; Prov. 3Tq WYT,
q?T ^rTTY, the father is a fool,
and the son intelligent.
o
(1) , voice, speech : a word,
(2) . snNr, v.n to escape, be saved,
voice, speech : a word.
3^3, escape, the act of escaping.
v. a. to cause to escape, to save,
(Vid. XL, 12) for
you will cause to escape : hence
you will conceal.
, q^frT, see 3P5T.
a kind of millet.
q^f«REfT a player on musical instru¬
ments ; Prov. 3T3T5ff37
the saint of
saints has turned fiddler of fid¬
dlers ; i. e his pretensions to
holiness are all hypocrisy.
q5R, ®T^, a thunder-bolt : hence adv.
violently, tightly, 3«?Y 3*Y*
to fasten a door tightly : ^Y
a thunder-bolt sleep, a sleep so
sound that even a thunder-bolt
will not break it.
3^315, see 3U5J3.
3;5iTY, Qljb) a market.
3^T^, 3ajTt q«n3, v. a. to send for,
or call a person = Hindi 3*rRTT.
33rf see 3T*i
214
MAITHIL CHEESTOMATHY.
[Extra No.
?^ = ??k, q- v.
TO»TT?h the art of rope-making.
TO?R*t, high-waj robbery.
?^C, a kind of quail.
?^TT. v. a. to collect.
?irfiTOlT, (fem. ?^Tf?f?), a
wayfarer.
?IT, a kind of large metal cup.
?f , a pot for boiling rice, of globu-
lar form.
TO (1), adj. andadv. (fem.^ fe) large,
great : very : TO # ?^f greatest :
see ?^T.
*
?^ (2), the “ bur ,” or banian tree.
?;f^ , ?^> an ox.
?TO*T, ?^fTO', greatness.
?1H, one who is great, a great man ;
no7n. plur. TO : ?^T is propeody a
Hindi ivord. The Maithili form
is to ' in Maithili the form ?‘^tt is
properly only used as an oblique
form or agreeing ivith a noun in
an oblique case , as in Vid. Ill, 6 ;
XLI, 6 ; and XLIY, 5.
3cT, ?r3T, v. n. to increase.
a broom for sweeping with.
TO-?* increase.
m '
TOT?, v. a. to cause to increase.
TOT?, v. a. to show, explain : ??TR ^
or ?rTT t, to tell.
TOT^T, wind : ?cfRT ?R, to fan : Vid.
LXXI V, 4, sake of metre.
?cTT?T, adj. mad.
?3?n^, adj. rheumatic.
a lath, or thin piece of wood :
hence the cross pieces of a roof,
see ^TKT*
?*TO, a fold, or enclosure for cattle ;
Prov. ?;f??T ^(WT Jim ?^RT,
the foolish Mija' has his cattle
fold in the midst of the village.
?TO? face, countenance.
?TOT^> reign, majesty.
??TJT, a kind of grain, “ gram.”
?^, a scoundrel, a blackguard.
?*T, murder, slaughter.
TO?^, {cf ?to), a man who watches
the fields of a village and guards
them ; a garde champ etre.
TOT?, a song of congratulation.
TO, a wife.
<N
TO (1), v. n. to be made, to be
manufactured : (of a field) to be
ready, prepared, cultivated ; Prov.
sfapc; to^t ?i*to?t ??r ?k%t
TOET, he whose fields are ready in
Xsharh, is ready also all the year
round.
TO (2), a wood, a forest: old loc.
TOf%
TO (3), that which binds : f^rfaTO,
that which binds a woman’s
petticoat (*ftf?), a kirtle.
TO?, the state of being created.
see TOT?*.
TOf^J, a fish-hook.
TOR?, shaping, making.
TOT?, concord, reconciliation.
TOK, a trace, a sign.
?«TT?, v. a. ; 3 Periphrast. pres.
???wf*I ; to make, concoct, create.
?froif, (fem. ?fa%?;f?) a shop¬
keeper.
?fTOlT, a binding-house, i. e ., a
a merchant. [prison.
TO^T, adj. wild.
^«Fftf??fT, a man of Banaudh, whence
the best peons are supposed to
come.
1881.]
VOCABULARY.
215
a tie, a knot or button for fas¬
tening clothes,
w (i), a bond.
•eR (2), to bind : to perform.
pawning, giving things in
pawn.
bonds, binding.
= ^T5^, q • v., Muhammadan
8 past,
a friend : a relation.
vJ
^^EfT, a prisoner.
vj
sp^r, = q- v.
«facjr a kind of red flower so called,
a father’s share in the family
property.
WT, a father.
plur. of cfR, q. v.
v» x <\
a thorny kind of tree.
adj. left-handed,
enmity.
age, period of life,
good, excellent : a bridegroom,
a year.
3R73T, rain.
a spear.
an excellent, or
beautiful damsel.
^5j*r, an excellent man : a great
person.
one who fasts, an ascetic.
a bullock : JProv. %Tfe
3T TO? T, it’s the lazy
bullock that puffs and blows ; cf.
for a similar proverb.
3PC*T, v. a. to tell, (F. 1 Sfc.),
Hindi form, I tell ; (id. 78)
Hanauji for
a tale, a story,
a rope.
a brahman.
^f^TrT, a bridal procession.
(1) , a year.
(2) v. n. to rain : also active ,
to rain, to pour rain.
the rainy season, the rains :
rain.
adv. rather.
= «TT^r3f, a child, an infant.
force, strength,
a great hero.
name of a town on the south
side of the Ganges, near Mokama.
adj. surrounded.
sandy,
a fool,
folly.
3%, a creeping plant, a creep¬
er.
eR (1), adj . under the control of,
subject to ; sr to be
under the control of.
(2) , v. n . to dwell, to be, remain.
Indecl. Fart, for sake of
metre.
«R*T, clothes, dress.
^TrT, the Spring season, including the
months of Chaitra and Faisakh ;
(Fid. LX, 4) cf. ^«t«j ; here
3^fcT means the time when flowers
(liOT) appear ; also means a
woman's courses , and hence ^cf
means the three days of a woman's
courses, during which her husband
may not approach her. The
younger brother of ^rr
is therefore the fourth day , when
her husband may approach her,
the act of dwelling.
216
MAIT1I1L C1IREST0MATHY.
[Extra No.
a bull.
TOTrT, wind.
TO, v. n. to be or remain under
control, cf TO (1).
TO, see TO (2).
TO^TT, a kind of adze, or axe.
TO^lT, a young bamboo.
TO*b clothes, dress.
TOI^, a dwelling.
TO, a thing : goods and chattels.
TO v. n. to flow (of a stream ), qf%
oJT, to float away, be washed
away; to blow (of the wind): to
bear ; to work a plough.
TO^, the act of flowing.
TO^T, v. n. to go out, TOTOT
to go outside.
TO^^f, adj. wilful, spoilt ; Prov.
qwr% ^rf\ %% a
wilful Jolhini will pull her own
father’s beard.
TOkf , v. a. to sweep.
TOFf^, a sweeping.
TOTTO a pretence ; a concealing, dis¬
guising.
TOT^T, cidv. and prep, without,
outside.
TOT^, (JU:-?), the act of preserving.
cjfe^T, a slave without pay : cf
(1), and ^73^.
qfTO, a sister.
TOK, adj. deaf.
(obi.) a deaf man; Prov.
cfit, what does a deaf man lose by
sleeping, or a blind man by wak¬
ing : this word is properly an
oblique form of and can
only be used in the oblique cases :
so also is an oblique form
TO^F = ®f%T, q. v.
TO (1), 3 simp. pres, o/'TO, q. v.
^35 (2), a wife, a spouse.
TO (3), TO<T, TOTO adj. many, much :
adv. very : again : in many ways.
TO^f, adj. incapable, lazy, inatten-
TO^TO, laziness. [tive.
TO, see TO-
TO3?;, adj. mad.
«T, a dwarf.
(1) , adj. bent, distorted : cruel,
(2) , an armlet. [averse.
qf^T, adj foppish, well dressed : ex¬
cellent, «tT3\T Iffa, an excellent
hero.
qfjg cotton.
v. n. to escape, remain secure
TO , q • v.
TOTO, escape.
barren (of females).
qf^, v. a. to divide, partition ; Prov.
^Nf qfro, (where
is a Muhammadan form ofo
Fut.) The Miya' will die, and
then distribute sweetmeats, i. e .,
he has promised to do so, but
keeps putting it off.
*fN (0, v. a. — q. v.
sfa (2), an embankment, 'qijfcr
(Sal. XII ) an embankment made
by the power of my virtue,
qf^r, a bamboo ; (Sal. 1) green ba7ii-
boos are considered lucky to make
a bridal chamber of.
a flute.
VOCABULARY.
217
1881.]
*rN, Irreg. ace. «*T#
the arm : «ff^ ■#, to fight.
^T3T, the voice ; there was
no voice, I could not speak. Vid.
XXXIX, 8, $\for sake of metre.
^T3eC, a goat.
«fT?T, a horse’s rein.
a tiger.
^T^T^T, adj . eloquent.
^T^T, ^I^T, the young of any animal,
esp. a calf.
^T«T, v. n. (Pres. Part. ^oT<T, Irreg. 3
Pres. umip (Vid. LXXXII, 4),
(Harkh. XI, 6, Kanauji pres,
part. ; to speak
«JP5T^, (old Loc. crafts, even in
speaking) speech ; music,
a horse,
an armlet.
a path, a road : cTT^f, to
look for the path, i. e., to expect
anxiously.
a small metal cup, or vessel,
the ground immediately round
a house ; Pro v. cfT^T ^Trf «rr|,
^ %^T, if he went into the
garden and could not find a plan¬
tain-leaf, how could he find a plan¬
tain in his house.
me?, v. n. to wax, increase,
a broom.
» '
wax, increase.
cllfe, a flood.
^T<T, news ; speech ; thing, subject.
^T<TT, wind.
a light, candle,
a cloud.
(1), lands surrounding a village,
as distinct from the or home¬
stead, and from the or rich¬
ly manured lands close to the
houses, and the or lands at
a distance from the homestead.
(2) , a prohibition, objection :
hindrance.
(3) , v. a. to prohibit, object to:
interfere with, hinder.
hindrance.
= cnsr (2) q. v.
^T«T, an arrow, cfi^r ^r^TT«T, like an
arrow : Vid. XL IX, 5, for
sake of metre.
a monkey, Prov. ^Tcf^
^ *rTtT^TC, a cocoanut in a
monkey’s hand, i. e., it is of no
use to him.
^Tfvf, habit, custom.
voice, words.
sfT’f, *rfa, and ( the
first of these forms is considered
the correct one ) or v. a.
to bind, tie : hold fast,
to have patience : to build.
sip?, a father.
cfT^rT, relations, brethren.
mm = mv.
a mendicant present, Prov .
(about a poor temple)
^T, the priest
went out, and the temple was
then empty.
m^, a title of extreme honour,
a gentleman of high position :
irreg. plur.
a brahman, usually applied to
brahman’s of the Pachhima sept
of bastard brahmans.
cqtf, or ^ruT adj. left, not right,
£ E
218
MAITHTL CnEESTOMATIIY.
[Extra No.
(Vid. LXIII, 7, see w) ; ( Vid.
3
IX, 1) the vowel to the left of
the third vowel (f) is which
forms the first syllables of
“ come !” : adverse.
{or for sake of metre): a
fair one : a damsel,
wind.
WT'd, num. twelve.
(1), adj. young, tender.
mfT, (2) water.
(1) , see m^(.
3
(2) , adj. young : a child,
baby.
ejl^rqW, or childhood.
5s|T^«, a bridegroom, a husband.
V*
see ^T^PT«T.
sand.
j C\
ifT^ (1), scent, odour : fragrance :
{Vid. II, 1, cjT^/or sake of metre).
cfTg (2), v. a. to scent, to give fra¬
grance to {Vid. LXXVII, 3)
cRT-qX I scented the
c\
pan leaf with camphor, I put
small pieces of camphor into the
pan leaf.
(3) , = q_. v.
^pg«T, a vessel, a basin.
«iT^T, a dwelling house.
e}R«T, a conveyance : that on which
a person rides: the animal on
which a deity is supposed to ride :
the ^TT«T of Indra {Vid. XYI, 2 )
is Airavat, the king of elephants,
that e/S'iva (Vid. XVI II , 8) (or
Har) is a bull, that o/Durga (or
Debi) (Vid. XVI, 7, and XVIII,
5) is a lion.
adv. outside.
adj. external.
^IRT, a stream, a current.
sfTijs, Irreg. ace. of q. v.
■^I^^rTT, the creeper of the arm, a
woman’s arm compared to a cree¬
per.
fN^r, (Skr. Pr.
fq^WT), a fan.
iw, ?NT, seed.
f^^T^r, the act of having young,
e. g., 3TR, a cow that
has had one calf.
t, v. a., to marry
one person to another : Subst. a
marriage ; Prov.
Ct, (a woman addresses an
old lover), I am now married,
what can you do with me.
fsRT’fl', wedded.
IViuar, separation.
(Pern. f^%Tf3rf*r) deprived
of ; forlorn,
sale.
adj. uneasy, anxious : con¬
fused, confounded.
adj. bright, shining,
a sect of high caste Brah¬
mans, who make a living by
selling themselves (f^RT, to sell)
as husbands to women of lower
caste,
poison.
adj. poisonous.
fsRW, f«R*T, adj. uneven : intolerable.
adj. uneasy, tormented : un¬
bearable, intolerable,
a thing, subject.
f^JFfWr, a spoiler, one who
spoils.
1881.]
VOCABULARY.
219
v. a. to spoil, to cause to
turn out badly,
spoiling.
adv. Sf prep, between : in
the midst.
f^^T, v. n. to change, alter.
fsr^«T, change.
to<?rr, (fem. c^t) adj. middle.
f^T'C (1), discrimination, judgment ;
( Vid . LI, 1, metre).
toK (2), v. n. to consider.
fM^T, (Fem. one who col¬
lects ; JJTI37
how can a woman who collects
cow-dung, (expect to) sit in a
bridal chamber.
torto, = toto, q- v.
toe-rings.
toto the bedding of a bed.
victory.
fqaT, ftol, a seed.
fq^K, a seed-bed.
♦ '
f^rT (1), wealth.
to (2), ft?r, v. n. to pass away ;
also torf 5TT.
fq?j q, passing away,
fqfrj rT, adj. passed away, expired ;
f^fcfrT = to, (2), q. V.
tolR, v. a. to stretch, extend.
f^f^jrT, adj. rent asunder : (fig.)
heart-broken.
fq^T, the act of leaving a place, tor
%, to go away, leave ; f^r 3R,
to allow to go.
v. a. to tear, rend.
f^PC^T, tearing, rending.
f*to, a foreign country, a
distant land, (Vid. LY, 1, Drt#
locative).
the god of love, Kam Deb.
the celebrated poet of that
name.
to, a ceremony ; Frov. fq^T
tor, the ceremony is more look¬
ed after than the actual marriage,
(following the letter, and avoiding
the spirit of the law).
f^sjTrfT, God, the Creator : fate.
manner, method, way, cjupf
fefw, how ; ^ fan*, adj. various,
of many kinds, ado. in many
ways : fate, qyr, accidentally :
God, the Creator, Brahma, who
(Vid. XVII, 4) has four faces ,
see and fu^TTW.
fq'fcrar, v. n. to become melancholy,
j
sorrowful : to become angry ;
Frov. if
you speak the truth your friend
will get angry.
to, f%«TT, tor, prep, without ;
V) 3
is the usual word in Vid. ; it
occurs 14 times , agst. f%«TT, once ,
and to, not at all.
toto, (Vid. LXXVIII, 2,) obso¬
lete 1st Fres. I pray to =
from root
f%«TT, = to, q • V.
that which puts to shame,
prayer, a prayer,
to, = to, q. v.
>3
tor^, pleasure, gratification,
to, to* a drop, spot, bead.
Dto, one who discriminates, or
appreciates.
fq-^, to, a drop, spot, bead,
fqqfrj, distress, calamity, misfor¬
tune.
220
MAITHIL CHRESTOMATHY.
[Extra No.
f^xfxx, fxxxfa, adj. reversed, con¬
trary, averse, repugnant : (Vid.
XXNIII, 1) fWxx ^xx (^xx),
coitus a tergo.
fxXTX, marriage,
fexrfxx, adj. wedded.
one about to be married, a
bride or bridegroom.
wisdom, discretion, discrimi¬
nation.
pure, spotless. [ed face.
(fem. fxXtXl) adj. with avert -
» j
fsfx, a tree bearing a red fruit.
f^XJT, in the 'phrase XJT fxXX (Sal.
XVI), of various colours, cf. XX
XX, id. III.
fijXXTX, a queen (?)
= ft^T, q. v.
-v
fijX^, (instr. TXX^) separation.
f%XTTX, see XTTX.
f^XTX, agitation, disturbance.
M^T = fte, q- v.
f%XTX, opposition, XiT^ ^T^TX 1^3=
ifXX fnXTX ( Vid. XX, 5) between
action and sloth there is a great
difference.
f^5r, for sFX, the country where
Krishn sported with the cow-
herdesses. f^5T XTXl', a woman of
Braj.
fx^lfi^b (<J^Jb) adj. all, entire.
( loc . fx^t) delay.
fx^rjx v. n. ( HarJch XVI, 3, Fanauji
3 Pres, fwxx) to caress, wanton,
sport amorously,
caressing.
xf%TX? IWTX, a cat.
f%^Tq- (Vid. LXXVII, 8, for metre
fa^TX), lamentation, a lament.
f^TY, (Fem. fx^nfx), a cat ; Prov.
fx<*nfx ^X XIX XTX,
j
an angry cat scratches the dust
with her claws ; i. c ., helpless
rage expends itself on the meanest
objects.
fx^TX, ( loc fx^TX, or for metre')
enjoyment, amorous sport.
fxxrTxfx, fxxnfxfx, a damsel with
whom one sports, a bride.
fxxfhft XTX, cf. wWt v. n. to ask
for a wedding present. Part of
the wedding ceremony.
fxX’X v. fxxxi.
fxxx, adj. white, shining,
fxxxx, fxxiXX, adj. venomous.
fxXX, fx*HX, adj. uneven ; cruel.
fxXTX> sorrow, dejection.
fxXXT — fx^XT q. v.
fxxx? v. a. to forget : desert.
fq^XXT, a thing forgotten.
fxxXTX, v. n. to be at rest, be
tranquil: Vid. 11,2, fxxXTX , ? for
3 Pres. f^XXTX.
fxxXT^, separation.
fx^JX, the god Vishnu.
TX^XT, v. n. to dream, = fxxXT.
fxx% fxiP3, speciality ; special
meaning, purport.
fxx>, fxfxr, xI’X, the Creator : fate.
fxXTfx, wind.
fxXTX, morning, dawn.
fxf%, fxx, xW, God, the Creator ;
fate, Prov, vixiT XX XX fxf%XT
J J
^JXTX, it is fate’s nature to fill
the full, i. e., to him that hath
shall be given.
fX3?X, v. n. to smile.
fxsXX, the act of smiling.
XtxiT, fx^T, seed ; progeny, offspring.
1881.]
VOCABULARY.
221
adj. between, middle :
suhst. that which is between, diff¬
erence : prep. between,
ftw, ftw, a scorpion : centipede.
eftaT, ff5T, a seed : algebra : =
VJ
semen virile, in opposition to
the menstrual excretion ; the
union of these two is supposed to
he the cause of production.
Hence, when applied to inanimate
objects, such as the earth, the two
together mean poetically
the soil, which is the efficient
cause of production : ( Vid. XVIII,
3) ft^T the pomegranate.
ft^T, fron, a roll o£ betel-leaf
prepared for eating.
ft?r, v. n. = f%<T, q. v.
the mistress of a house, a lady,
ftv, a hero.
iffa, num. twenty, (Vid. LIX, 3)
the twentieth consonant, i. e.,*r ,see
also = poison, as in
Vid. LXIII, 6, where there is a
pun on the two meanings of the
word.
f*F5, God, the Creator :
fate.
W
\J \3 vJ J vJ
see
v . a. forms noted are 3 Simp.
Pres. and 1. and 2
Put. 2 Put. : to
cause to understand, to search :
to satisfy.
instruction.
a persuading : hence de¬
ceiving.
3^, see W.
see
J
v. n. to drown, be drowned :
to drown oneself : n. h. is the
<v
correct form.
drowning,
folly.
or or adj.
^3 ♦ 7 \3 * vj*
foolish ; Prov. ^
^«T3fTTT> he looks a fool, but he
gets up early in the morning, i. e.,
you won’t catch him napping,
old age.
an old woman ; Prov.
\3 * ' ■
AT f 'ft ^c{g an old
j
woman dies surely (lit. in a vital
part), when her daughter and
daughter-in-law are ridiculed for
going astray.
^rTPT, v. a. to put out, extinguish.
■o 'L ^
^ST, adj. wise.
J
the planet called Budli.
vj
srep5T#r a wise man.
j
(fem. ^f^trsr,
\» W \i
adj. wise.
^f^cf = q. v.
v3 '^3
^<Ff, ^-ffTT ®r*r, a drop of water
j 7 j ° c\ y 1
(only and ^ in this sense) :
a cypher; (Vid. LXIII, 5) 60 — -
10 — 50 ; take away the cypher ,
and 5 remains, which is xf^ ; xf^r
also means an assemblage of five
people, hence people in general :
(id. 6), two added to a cypher
becomes 20, which is ffa, which
also means poison: (id. 7), a
unit followed by nine cyphers forms
a thousand millions called in
Sanskrit which also means
a lotus. Hence nine Oh) to
222 maithil chrestomathy. [Extra No.
the left of nine cyphers is
9,000,000,000, or TO q^[, a young
lotus.
a kind of flower,
and also v. a. the follow-
vj
ing forms are noted , 1 Simp.
Pres. : 3, TO , TO*T,
>J J J
TO ; 2 Inner at. to, TO ; 3 Fat.
vj vj X i 'J C\ C\
TOrT : Fast. Fart. TO<$T, TO^ ;
\3 \3
3 Past TO^Tt% : Indecl. Fart.
J
; to understand : to know,
C\ J
perceive : the passive is formed
with tot, thus to, to be
understood : see gram. § 185.
TO, v. n. = TO, q - v.
TO«T. the act of drowning.
o-. *
a fool.
c\ ♦
TO, {fern, qfej adj. old.
TO = TO, tf. v.
cv -J .
qTT, pudenda muheris.
C\ . . -i
TO, the country of Braj, where
Krishn spent his boyhood.
TOT<T, an account, a story : a very
common word , in conversation of
all classes.
TOU^r, {fern. TOT^if%), adj. dis¬
tracted, distressed.
TOTO, (Vid. XIII, 1, for
metre), concealing, excuses.
TOflfbT, disease, sickness : ruin ; Frov.
TO^f^l <n %T$f^ t^T
destruction comes to him who
displays excess of wisdom, i. e.,
too many cooks spoil the broth.
TOlfqrT, adj- pervaded : (of time )
completed.
TO, TO, a frog.
TO = to, q. v.
TO, a rattan.
(1), adj. discrete ; manifest,
visible, apparent.
TOcT (2), v. a. to perceive, Vid. IV,
2, TOTO TOiTTO ^ToT, your
■-j
heart perceives it, but conceals it
through shame,
tfrqr, (<S>ht ■?), a fool.
TO^, (j^i) prep, without ; *5Tq
without eating, without food.
tot6", one who is compelled to give
forced labour; a “ begdri Frov.
TO to M sift w
TOT^t trff <Tn?, it had been better
that a tiger should have caught
my Lord, than that he should
have been compelled to labour
forcibly.
= q3j, q. v.
TO, to, v. a. to sell ; (Sal. XIX.)
TO, obi. form of Qrd verbal noun
she went “ to sell.”
sale.
tTOT, TOT, TOp^T, a son.
TO^, a daughter.
TO, a hedge, wall, Frov.
^tfcT TO, when good
luck once comes, no wall will keep
her out.
TOT, a chain ; difficulty, sorrow.
TO, v. a. to hedge, fence in, sur¬
round.
TOq, surrounding.
a granary, a place for storing
grain.
TOT^T, TOT^T, a goblin, demon.
TOTTO, adj. wounded.
i*TO, a wound, grief, pang.
TOTOf, a door-bar.
a spot of silver fixed as an
1881.]
vocyb clary.
223
ornament on a woman’s forehead,
cf. t
sfa, v. a. to pierce, spear : to hook a
fish : to kill.
piercing.
- ^
= ^eT, q. V.
#^1, (1), small silver or gold
spots on a woman’s forehead,
which surround the or
vermilion patch on a woman’s
forehead.
#i?t, (2), a braid of hair, braided
in a single braid and falling down
the back like a tail, as worn by
a ividow, and by a woman whose
husband is absent.
sptw, odj. averse, against.
sr^f^RT, adj. taken away, abandoned.
or the afternoon
meal.
#^T, BPT, time, hour, o’clock, ^\B
wfw tfY, how much time is there?
i. e., how much of the day is left ?
time, repetition, BPC, once.
ffw, the afternoon.
t^T, the tree oegle marmelos.
a rolling-pin ; a potter’s
wheel.
BBft, a kind of flower.
a prostitute ; Prov.
qfag, a harlot’s son has become
as great a saint as Basishth.
BB, adj. good, pleasing.
full of passion, very amor¬
ous.
= tW, p v.
BBTB (1), v. a. ( causal of to
buy, purchase.
(2), buying.
^B, v. n. to sit = q. v. which is
the more correct and usual form ;
to have nothing to do ; Prov.
bbb 3ft 35 %Tfar^r
BTB %T^t BY a shop-keeper
without custom employs his time
moving his paddy from one box
to another : BB does not occur in
Vid., BB being always used.
BB3T, a seat.
BBB, sitting.
^BT^T, v. a. to cause to sit ; ^BF <B, to
put on (clothes) : a Hindi form ,
the Maithili being %BTB, q. v.
terror, = terror, q- v.
-1
q«T, «r?r, a word.
B Y a jujube tree.
bO, an enemy, ( Vid. XYI, 4), the
enemy of S'iv, the husband of
Parbati, was Kam Deb, who was
the god of love, and was burnt
to ashes by S'iv, and hence called
the bodiless one : {Vid. XYI,
5), the enemies of the gods who
were the sons of Aditi were the
Daityas, see und BB*i ;
their preceptor (by) was S'ukr,
see BY-
B^F, a bullock.
BB, or §B, which latter is the less
correct and less usual form , v. n.,
to sit : cf. BB.
BBB, sitting.
3BT3 or BYYTB, v. a. the following
forms are noted , Past Part.
BBTWtBb Indecl. Part. Bi;BFB, and
BBTY, to cause to sit : to place,
arrange: cj. BBTBF*
BB1YB, arrangement.
224
MAITHIL CHKESTOMATHY.
[Extra No.
v. a. to load.
load-bearing, a bearer.
v. a. to notice, heed: console,
notice.
ifKT, a sack.
cjkr (1), v. a. and v. n., the follow¬
ing forms have been noted , 3 Simp.
Fres. «ft^, «fhir, 2 Imperat.
; 3 Fat. sfb?f?r ; Fast. Fart.
sffiyRT ; Indeel. Fart. ^tf^T ; Fres.
Fart. ^t^rT, and : to say,
utter, (of a bird ) sing: to speak :
that which has been said, a
promise : Frov. cft^r^T^ % ,
•tfiR ^f«T you’ve said your
say, now hold your tongue.
(2), %T%, speech, word:
promise : consoling speech,
speaking.
«tNt, a boy.
«fNf, (fim. sftftf), adj. dumb.
^KTxT, adj . mad.
«q?Tt?r, adj. passed away, elapsed.
(Vid. LI, 2,o^T X for metre),
evil practices, debauchery, un¬
chastity, adultery.
(Fern, rafif), 37^, sT§J*L
a Brahman.
vr i
VR, see %r.
VTf ^T, a pimp.
WR, an humble bee.
*lejR, vf%RT, v. a. to swallow hastily,
, to gobble : to eat greedily, to
gorge oneself with.
, a fool.
vijt, pudenda mulieris.
^JT^ur^t, a fire-fly.
VT3l?rr, one who has bathed in the
Ganges and pretends to have be¬
come inspired ; low caste men do
this , and are much revered by their
fellows for their pretended sane -
tity ; hence the proverb, Jrf% *T
# tiJTrrr %r^, a fellow who
does not even wash his privities,
turns a prophet.
WT^t, a sister ; (Vid. XVI, 3) the
sister of Som, the moon, was
Lakshmi ; Som was the husband
of Rohini, who was the fourth
daughter of Daksh, see ^<T7,
and ^rfcT; Lakshmi took the bodily
form o/Rukmini, and as Rukmini
her son (?r«T*0 was Pradyumn,
ivho again was an incarnation of
Kam Dev ; Kam Dev’s wife was
Ftati. See FR^T, and 'ERRt
VfJRT, a cloth to hide the privities.
»T ( Vid. V, 4, metre)
God : Ivrishn.
vifurTT (= ^ifjRTT), a nephew.
a runaway.
vjjT, ^iRT, Indian hemp, a name of
Siv (Vid. LXXXII, 8).
v. a. to worship : to change
money,
worship.
the village custom of ex¬
change of services in ploughing.
vr, a warrior, a hero.
Vjfr, or vrT^l, a brick-kiln, a furnace,
vpft, (Dim. of vrfT) a still, a place
for distilling spirits.
a pimp.
1881.]
VOCABULARY.
225
a treasury, (Vid. XXX, 5)
vfeTT, the treasury of love, i. e.,
j pudenda mulieris.
a brother’s sou, a nephew.
vi^NfT, *TT^, the month Bhado.
*1^7, adj. slow in intellect, a fool.
v. a. to say, or old 3
pres, he says,
speech.
tfcr^crrsfe, a humming,
gx;, a cook-room.
^f»TcTr, the last line of a song, con¬
taining the author’s name,
a house.
■flfl, v. n. to wander, see (2).
wandering.
vmx, the humble-
bee, said to be fond of the
jasmine ; hence a lover, husband.
(1), fear.
W (2), see %T.
(1), adj. full, full of : SfJT the
whole world.
*1?: (2), v. a. to fill, viV, to take
a person in one’s lap ; takes double
accusative , ^Tfv *IV, to fill
the earth with water : to com¬
plete, *?fc having completed, hence
adverbially , till : to be filled.
a filling, a load : the being
entrusted with a duty : enlist¬
ment.
v^cTT, land given in mortgage,
woof, see
VXH (1), an error, mistake.
(2), wr, v. n. and v. a. to
wander, to wander over.
vn;^, Past. part, of VIV (2), used as
adj. full.
VfVT^tfa, the wages of filling
a hole.
vrv, adj. whole, entire : cf. also
WT (2) : filled with, covered with,
e. g. vnff, covered with
scratches.
one who bears or carries,
hope : the giving hope, con¬
solation.
adj. good : true : vj^r good
and evil, virtue and vice.
vr^fiqr^T, goodness.
= W (Vid. XLV, 5), q. v.
VRTf, ashes.
vmi3, v. a. to cause to float, or float
away.
vr^TVsr, floating.
see VfT*r.
Vj^, the eyebrow ; cf.
*fTT, a brother ; the first is
the more usual form.
an elder brother’s wife.
VIF3V, a whirlpool, a circle, v. ^^r-
vtlifi, nature : price, rate of sale,
vfp, the stimulating product of
Indian hemp, bhang,
breakage; Prov.
the plough is broken,
repair it.
*lfaT, a trace, indication.
a pimp : a rogue : a large
earthen pot.
vif^cpT, vtUf-Tcj?r, roguery.
VJlfcT, form, shape, appearance.
v. a. and v. n. to say, speak,
speech.
*T vtt^tt, speech, words ; dialect.
VIP (1), fortune, good luck.
F F
226
MAITHIL CHRESTOMATHY.
[Extra No.
(2), v. n. to run away, flee ;
a defeated army.
WTfjl^r, a sister’s son.
VTlh, Wrvft, = vifi, q. v. [rent.
*TE§T, (VTT^^O, hire, price of labour :
*IT<T, boiled rice ; food.
vnfrT^j, a brother’s son.
a furnace =
= ^T^T, q. v .
VJT«T (1), v. a. to say, to speak : to
appear ; resemble : to be dissipated,
dispersed.
*TT*r (2), or vri for metre , speech :
a saying, a word.
v}T«T®T, speech, &c.
v?TcT, (1), nature: love.
(2), v. a. and v. n. to like, love :
to please.
VTT^, affection.
^Tfqf^T, a wife.
vtt^, a burden ; hire : wages.
vJT^t, adj. heavy : great, important.
vrr*?r, the forehead.
viT^fT, a spear.
VIT^T, a bear.
see vit^.
= V1P3, q. v.
v. n. to float ; 5TT {Sal.
XVIII) or {id.) orlT {cf.
^[1%% and the JBangaU
form of the compound ), to float
away, be washed away.
WWT, = viT^r, q V .
f«*pr T = q- v.
f (jVa. Ill),
alms.
( Fern . ®^ITfV), Participial
adj. wet.
adv . § prep, inside.
fafcT, fafTT, ^-frr, a wall.
f*f«r^nc, dawn, morning.
f^TSTTHf^T, separation.
the mound round a
tank.
q. v.
vffa-, light friable soil suitable for
growing spring crops.
^tfrT (1), fear; (2), = fafrF q v.
vPfiT, adj. separate, separated,
tffa, (Fern, wfaj (Vid. VII, 3),
adj. fearful, terrible,
name of a king.
v. a. to tie.
V %^f7, the earth, ground :
floor, seated on the
floor.
vuirf, v. n. to wither.
v?5T, the arm, hand.
a
Wofjr, a serpent.
S'esh, the lord of serpents.
vj
VcT^f, the earth : VcT^T «Tqfef, the
Demon Bali.
Vjfmi, v. n. to lose one’s way ; Frov.
Vif?r^^rT^ ’irT, the
'j
Jolhas lost their way in a linseed
field ; Linseed , in flower by moon¬
light, looks like ivater ; and there
is a story about a number of Jolhas
{who are notorious fools ) swim¬
ming across a linseed field and
losing each other.
the world : there are said to be
a
fourteen worlds : hence *f3«T. also
means 14; similarly fYrj (a season)
means 6, and zohen a person says
he ivill take 14 + A, he means 20
i. e. fW, which also means poison,
{Vid. LIX, 1),
1881.]
VOCABULABY.
227
a store-house ; Prov. gssj
"si's a horse when
he gets loose, goes back to the
chaff-house.
VTW, cidj. light brown.
v3
VT^T, or vr^f, chaff.
vj . J
tbe earth = Q- v.
ornaments.
adj. hungry,
geography.
ifolT, parched grain.
adj. burnt, dry ; Prov. ^
HTJT *r, ftff ^T, there is
not even dried bhang in the house,
and the lady is gobbling chura in
public, (i. e. is extravagant) : cf.
*£?r, a ghost, a portent.
ijy;, a hole.
= **?§% q- v.
adj. fearful, terrible.
«s{2>
V-Z (1), an interview : deserts.
Wt (2), vr^r, v. a. to meet,
a meeting.
i?oiT3, v. a. to send ; the more usual
word is
a secret.
a spy, busy-body ; Prov.
wfT. JT^f, through
a spy in the house Lanka was
burned.
if IT, a beetle.
il’C, adj. <$f adv. exceeding : very,
sound asleep.
$c., see
q.v. a preliminary
tour of visits paid by a bride or a
bridegroom to her or his relations,
two or three days before the mar- I
riage. It is the custom for the
person visited to give the visitor
a present, ittjt, to ask for
a wedding present ; hence , to go
on this tour of visits.
W, form, appearance : dress : dis¬
guise.
vr (1), *r 5i^r, see ^fr.
*?, (2), fear.
Cj%t, a buffalo ; Prov.
^T%if the buf¬
falo is only a fool, and you’ve
given it a grand name, — Kunja-
lia.
adj. terrible.
a husband’s elder brother
with whom the wife cannot speak ;
a younger brother is ^STlT, with,
whom she can speak ; cf. VTP5TT?;.
I?t3r, v. a. to enjoy.
iftJR, enjoyment.
the act of eating.
ifK, morning, dawn.
?TT, see
?ff% obi. the eye-brows ; cf.
an elder brother’s wife ; a
wife is only allowed to speak to
her husband's younger brethren ,
and often has an intrigue with
one of them , hence the Prov.
^ W ^ VT5JT*;, the
vj *
wife of a fool, is elder brother’s
wife to every one in the village ;
cf
a whirlpool.
the humble-bee.
228
^f> postp. in ; the first
and last are not used by Vid ., the
second and third , each once.
a circle : the circle
of light in the clouds round the
moon.
postp. amidst, among, see J\.
scarcity, famine.
Indian-corn.
(Jy^0), adj. mortgaged.
C\
a spider.
nectar, honey : a bee.
*T«fi«iT, a male elephant with small
tusks.
*?* *§*RT, velvet; Prov. ^
o
«l^iNT, sewing of (coarse thread
made of) hhunj grass on velvet :
i. e., incongruity.
a fly ; Prov. ^ Ji^ cfi^T, ^
where is the treacle that the
flies ate, ( a man offers frivolous
excuses for not providing sweet¬
meats for his friends).
TfJT, a path.
see iifjT (2).
3??TiT, adj. plunged : {of the heavenly
bodies ) set : pleased, delighted.
*?3T?Tt3T, one who gets a thing for
nothing, a swindler, a bilker.
5R3R, a beggar, one who begs :
Prov. HRif
the JSPiya is really (as poor as)
a beggar, (and yet he pretends to
be rich and has) his doorway full
of beggars, (who have come for
alms).
[Extra No.
TI3T^, the kingdom of Magadh, or
south Bihar.
adj. of or belonging to
Magadh, an inhabitant of Magadh.
■flJITcT, or % v. a. to send
for ; also = ■flTJT, q. v.
WTTOT, a summons.
name of the tenth Nakshatra,
or Lunar mansion.
Wrifar, an ornament for the fore¬
head, cf. ^fjr (1).
borrowing : a Muhammadan
betrothal ; Prov. wr^t, vpz
the marriage took place
immediately after the betrothal,
i. e there was indecent haste.
WT^r, adj. propitious, fortunate.
^R5TT = frf' IT (1), q. V.
WJR, see WIR,
see -flfjT (2).
a seat, chair,
a mosquito.
HWy a son, whose elder brothers have
died ; Prov. 'flW'fi 3TR #T?T ,
the mother of a niachhai bears
the sorrow of losihg sons.
a cluster of blossoms, especially
of the mango.
adj. middle, intermediate :
the middle of three brothers, or
the second of four brothers.
the cord, or string connect¬
ing two palos or bullock yokes,
an ogle, wink.
TRT, a kind of buttermilk ; Prov.
(of a man ivho has once burnt his
mouth with hot millc)
vfifdR- ipfit through fear of its
C\ °
MAITHTL CHEESTOMATHY.
1881.]
YOCABTTLA.HY.
229
being (hot) milk, he blows on the
buttermilk before he drinks it,
i. e., a burnt child dreads the fire.
*1w, a temple.
Yf%, the head, having
filled the head, carrying a load on
the head.
v. n. 3 rd Pres, irreg. W,
to hang about a place, to hover
over it, (of a bird).
a slip o£ bamboo which goes
round the edge of a round win¬
nowing basket, acting as its side,
see Yi^T-
a small house open on all sides
in the centre of the court-yard of
a house, erected at the time of
various festivities, as marriage, &c.
a grain, (Artinissia vulgaris )
much eaten by the poorer classes
of Tirhut.
a hut.
a hut, house : hence the name
of the sub-division YffiTUT®5!'
“ Sita’s hut.”
( 'English ) a Magistrate.
YffilT, a jewel : a diamond.
adj. composed of jewels.
a circle ;^TX Wg-^T,
the circle of the moon.
YiJT, opinion ; a person’s sect.
mother, a common word used
by the lower castes
??f?r (1), mind, opinion.
(2), imperative prohibitive par¬
ticle , do not.
YT?J, v. a. to churn : to cause to
foam, or boil,
churning.
yjyjt, the head.
an inhabitant of Mathura.
iT^;, wine.
adj. intoxicated, mad.
U^fcT, ( ^/0 )? help, assistance.
Kam Dev, the god of love.
adj (front ^ for
Vid. XXXVIII, 1, Instr.
for ; blind with
passion,
honey, nectar,
a bee.
'j
adj. whose life depends on
honey.
a draught of honey,
the city of Mathura.
YffcK, adj . sweet.
W^T^ffT, (for
■j j \j
name of Krishn.
• •
(or for metre ) adj. full
of honey.
old loc. Yjvff^, mind : memory
Yf«T ^T^T, v. a. to remember : heart :
attention, ^9, or having paid
attention, attentively : the desire
of one’s heart, ^cf a desire
has arisen, wilfulness,
vrDc, with all one’s heart, *?«T
^?:r, v. n. to fulfil one’s heart’s
-J
desires, YjYr qTPT, v. a. to fulfil
another’s desires.
Yl^r (2) , a measure of weight, a
“ maund.”
adj. pleased at heart.
ytytytst, the disturber of the
mind, love.
that which is born in the
heart ; love.
v. n. to boast, to boast
230
MAITHTI CIIItESTOMATHY.
about ; Prov. TPrg
rf RWr£ when he was
boasting of his bravery, he ran
away on account of a frog.
^■srr^t, old loc. offi* r (1), q. v.
wrcsr, ( Vid LXXXII, 8) Menaka
the mother of Uma, or Parbati,
the wife of S'ib ; this is the tradi
tional interpretation ; hut the word
appears to he really a voc.fem of
the Bhojpuri word ( men
It would then mean , 1 0 Lady.’
i?f«T = *jfvr, q. v.
5R«T^r, a man.
manliness.
born in the heart : love,
heart’s desires.
adj. lovely.
*i^;, (or for metre), adj. bad ;
vile, base, mean ; ^ ^T^7«T, evil
company ; ^ to become cor¬
rupted : gentle, slow,
a temple.
a maternal uncle.
adj. composed of, made of.
*K, v. n. (the following forms are
noted; 1, Prosp. Cond. ;
1, Simp. Pres, -flft ; 3, ;
1, Put. j 3, *KrT, also a
Bhojpuri plural form used hy
Muhammadans TlKlf is found;
3, Betro. Cond (F. 39) flT^T for
Past. Part.
J
to die, be killed ; Prov.
(obi. of Xfrfcfr iTT^T,
J
a dead son has many names, i. e.,
the dead are always spoken of in
affectionate terms ; ^ ^ ??»r *ff^,
you evidently don’t
[Extra No.
intend to die, for you keep sitting
up, ( said to a convalescent).
a cemetery.
(Sal XV), a future participle
passive of fiT, lit. it is necessary
to die, in the end a
man must die.
dying.
a vital part, ?TTY, to
inflict a mortal wound.
ThTTtftwr, name of a class of songs
celebrating the deaths of Hassan
and Husain, sung at the Muhar-
ram festival by Muhammadans.
*Trf, a mortal, i?Ti VRcf, the world of
mortals, the earth.
v. a. to rub, shampoo,
shampooing.
adj. black, dark, solid : sad,
melancholy.
"SlSU^r, see H^T^JT.
(iSj^'fMu0), caresses ; Prov.
«* ^
wre *TT^fw, cease
caressing me, it is killing me.
■JT^n»i, a burial-ground : any lonely
place, Prov. *$?T Tf^T«T *rr, if
you eat oil-cake (which has pur¬
gative properties ), you will have
to retire ; i. e ., a bad result follows
a bad action.
a torch-bearer, Prov.
aH 3Tff^ WT^rffa,
the oilman’s oil is being burnt,
and the masalchi is distressed
about it ; i. <?., he is a busybody.
"FWT^TT, , (^JLa/o) spices, sweet¬
meats, Kabuli fruits.
«fT> a first cousin, the son
of one’s mother’s sister.
Y0CAT3ULABY.
231
1881.]
*?fTOlft, an ink-pot.
ink.
*^3? (1), smell, odour.
(2), v. a. to smell,
the act of smelling.
TO<T, adj. great ; Prov. TOcT^
^'cTR^f «iT^, good men dwell in
the houses of the great.
TO<Tift = wft, q v.
a litter for women.
'ff^T:5I«T, a banker.
TOTW, adj. very frightful.
Ti^Ti|3I, a kind of pulse, phaseolus
mungo .
TOTfcif^, a great accomplishment,
greatness, majesty.
a buffalo.
TO, TO^T, the Bassia latifolia ,
“ mowa.”
a name of S'iva : a name of
Krishn.
^ir, wre, a mother.
postp. in, see TI.
iTfJT (1), WTT, the parting of a
woman’s hair.
i?fjT (2), WTTW, H3TR, V. a. the
following forms are noted; 3.
Simp. Pres. *3TJT ;1. Put. srfjHT ; 3.
Pres. ; Indecl. Part.
WlfjT: to ask for, demand : beg for,
yearn for, desire, want,
asking.
the bow of the boat, where there
is a comfortable seat , hence Prov.
TOK, the fellow who hasn’t money
to pay his fare, takes the most
comfortable seat in the boat.
*?f#t, a fly.
, the midst, middle : the waist.
a wild man, a man of the
woods : the steersman of a boat.
TfT^t, earth, clay.
flT'ffc, ‘TOT, the circle of light
in the clouds round the moon ;
vnfcr, flX
if the circle is near
the moon, rain is afar off, and
vice versa.
*rNb ^tNt, the head.
prep, in, see
Tn*sl, v. a. to impress, to leave an
impression upon, as of a foot in
soft earth , or of a pair of female
breasts over her lover s heart.
impression.
^RTJT, a woman.
^Hft, a chair =
*TT#t = ft, a fly.
q. v.
iTTfe, mft, earth, clay.
v. a. to knead, shampoo,
shampooing.
irri5!, over-boiled rice.
JTTfT^, added to present participles
as folloivs^^t r *?TrPC, immediately
on coming.
( fem . adj. intoxi¬
cated.
TiTrfT, 5RTg, a mother j mg fqrfT,
parents.
^T^TT, the head.
a name of Krishn : hence
generally , a beloved one, a husband:
the month of Baisakh (April-
May) : the seventh lunar day of
the month ( Vid. LXVI, 1).
fro %T*K*TT, a drinking cup
232
MAITHIL CHRESTOMATHY.
[Extra No.
after tbe fashion of Madhab Sih.
A sobarnd.
= unre, q. v.
^Tcf (1), or ( Fid LXXVII, 4)
for metre), pride, anger : self-
respect.
*TRT (2), v. a. to honour, reverence,
S}cfff?r TJT*T, to trust : to consider,
honour, fame.
^T*RT, the mind, the heart :
^TiT, soul-abiding.
^Rlf«r, respect, reverence, *?Tf«T
respectfully : pride,
a rubv.
TTT^f, (fem. ?ufrrfcr), adj. proud,
a man.
*TT*TT, («TWf), (fem. a
maternal uncle.
v. a. to strike, smite, kill ; Prov.
5RK f%*rr?t, ^Tl^T the
soldier fights, and his captain gets
the credit.
filT®r, a blow.
TTRhRTf*:, TTTlX, a fight : Prov.
%tKJ flTWltX, although a thief,
you turn round and tight (ci thief s
business being to run away), spoken
of one who refuses to admit him¬
self to be in the wrong.
ijT^T, adj. quarrelsome.
tfPsb (fem. *?Tf%fa), a Dusadh sur¬
name.
the jasmine.
UlW, a garland. [lord.
(cJJbo), a landowner, land-
^TT%*T, see *H^T.
LXYI, 4, *TT$ loc. but
in LXVI, 5 = ^tT^r for metre), a
month, f , every month.
(2), flesh.
^T^TTToT (F. 32), a great king, a
Maharaja.
faW, a Muhammadan title.
fflaTr^, v. a. to press, squeeze.
fiR^r^, v. a. to put out, extinguish
(a light).
extinguishing.
f4rar (fem. ffifs), adj. sweet.
ffHT, adj. measured, under restraint,
(F. 7) f%<T fflcT to keep in
one’s proper senses ; this is pro¬
bably incorrect for f%rj f-RTi, in
which f^Tl ivould mean 1 friendly ,’
the whole meaning £ Chitra did not
keep his mind well-disposed.’
fVr^r, a fish, poetical for q. v.
fflf^T, the country comprised be¬
tween the Himalaya mountains
on the north, the Ganges on the
south, the Gandak river on the
west, and the Kosi river on the
east ; the
Lord of Mithila, the present
Maharaja Bahadur of Darbhanga.
reverence, prayer.
v. n ( the following forms
are noted ; 3, Simp. Pres, ,
3, Fut. fa^cT, f^fTT^,
fsi ; 3, Retro. Cond. (F'. 4)
for Past. Part.
fR^RT : to unite ; to meet, be
found by, fR^frT T-jTTfT, lit. (by
you) Murari will be found, i. e .,
you will find Murari : to find
(rare) : to yield to caresses, (Vid.
XXX, 3), «T union
cannot take place.
union, caresses.
VOCABULAKY.
233
1881.]
v. a. to cause to meet, to join :
to add, (Vid. XVII, 4) add the
number o£ directions, 10, to the
number of the Vedas, 4, and add to
them half the number of the faces
of Brahma (a = 2) ; see
joining.
union, confederacy ; Frov.
^rrsr jfNir
the cow and the milkman
are confederates, — with (-out the
pail leaving) his knee, she lets
him milk water into it.
(Vid. LXXII, 1), adj.
vj
tied, joined.
black dye : collyrium ; ef.
v. a. to grind, knead, sham¬
poo ; ef
grinding.
#t«T, a fish ; in Vid. XXIX, 10, the
girVs eye swimming in tears is
compared to a fish swimming in
rooter, and the struggles of the
fish when hooked, to the rolling of
her eye : the fish sign of the
Zodiac, which is represented by
any word commencing with q-,
hence (Vid. LIX, 4.) = a
foot, cf. f€^.
(Sal. XIII) v. a. = q. V.
see
the mouth (F. 6, the word
should be for the sake of
6\. *
metre) .
the face.
Tl^cir, a pearl.
(old abl. the face:
(Vid. XVII, 4) Brahma has four
faces, see fatv, and :
the mouth, or even the lips (Vid.
XXXV, 5) : at end of an adjec¬
tival compound takes a fern.
e. g. Vid. VII, 7.
that which cleanses the
mouth, betel-nut; Frov.
rrfil^T
he can’t afford to give
his guest even a piece of betel,
and yet he escorts him out of the
house with as great pomp as if
he had been actually entertaining
him.
a leader, headman.
^JTT, a club.
*jJN, adj. passionately in love.
g. v.
° j
and to shave, to shave
off.
the head ; see
TJrT, v. n. to urine.
vj
TjfT«T, urining.
HcpFrT, one who urines much.
a desire to make water.
J 7
^f^yr, joyful, filled with joy.
^ (ls£^'°) an enemy, very
\3 \3 «
common in this sense.
enmity.
adj. closed, shut up ; more
properly see ^r«T.
adj. silent, without sound,
itf^r, a saint (old Gen. Blur.
J Vid? I, 2, & XXIII, 4,
JIT, (Fern. St?*)* a fowl ;
Frov. W J^jft JWT^TT,
\S
(a man who puts) nine seers of
spices to one seer of fowl.
TjT^r, v. n. to faint,
fainting.
G G
234
MA1TUIL CHRESTOMATHY,
TOX, TOfVr, an image ; idol.
*;rST, (*VC) a corpse : the dead.
totTT, TORL a name of Krishn.
v» \i * *
a fool : Prov. W«3T
\3 \J
TO*J» a fool’s stick hits you
on the head : i. e., only fools use
weapons ; cf.
<2S.
TO®??, v. n. to smile.
TO3FR, TO^t, a smile.
v» *
TOm, a mouse ; see TO.
Ov
TO^^f, a wild man, a man of the
forest : name of a low caste.
TOT, see to.
v» C\
c|F^, to tie a person’s elbows
behind his hack,
the face.
TO, TO, the head.
!>v* J J * -« *
TO, v. a. to shut up, close : Past
C\
Part. TO^T or TO^fT (Vid. XXX,
<N i
5), shut, closed.
TOR, a closing.
?lf«Fr — Tif^T, q. v.
TO, a root : principal (of a loan).
TO, a fool ; cf. TITO.
^R#T*T, foolishness, clownishness.
TO, TOT, TOT, a mouse : nursery
c\ j
nonsense-rliyme , TORT
TORT 3TO, tffC wfx XTO y
TOT; ifRnft TO ^TTf^, TO
fx^ «T^«I TO*T ir^r *TTfx a coarse
canvas bag, and a mouse’s ear ;
fill the bag with wind and bring
it here : therefore ( or perhaps
being filled therewith) the bag
burst, and the wind spread in all
directions : this rhyme is also sung
ly grown-up people to bring a
breeze, and forms part of a curi¬
[Extra No.
ous alphabetical rhyme called the
or “ Incantation of
Wind,” which is of much popu¬
larity in Mithila.
TO*:, a pestle for beating grain in
an vTOT, or mortar.
?2TOX, musk.
* (i), Pro , Lst pers. ; only used in
poetry and sometimes by Muham¬
madans ; the following forms have
been noted ; nom. abl.
( lengthened for metre Vid.
LXXVIII, 5), to;t ; gen. to; ; the
form is also found, but only
as an oblique genitive , or (twice,
Vid. LV, 6, and LXIII, 2) with
the final voivel lengthened for the
sake of metre ; from this oblique
gen. should be distinguished the
general abl. form used as a dative
of possession, e. g. «rf% «J3fTT
( Vid. LXXIX, 13). to me
there is not money, I have no
money ; has a rare fern. i?ifx ;
TOft only occurs once in Vid.
XXXI, 1, but it is there
certainly masc., the fem. form
being used for rhyme (cf. TOfx,
LXIII, 3) : the quantity of the
% in TOC is usually short ; in
Vid. it is twenty-five times short
and only four times (XXXII,
3, XXXV, 3, LXII, 3, LXV,
1) lo7ig ; TOCJ has always both
syllables long except in the loose
metre of LXXIX, 13, where both
are short ; the % in is always
short in Vid. ; in the one place
VOCABULARY.
235
1881.]
where occurs , both syllables
are long : (q. v.) the modern
'prose form of the pronoun is really
a plural ofH: I.
H (2), the sign of the loc. in ; seel if.
*13, i-3 (1), {English), a mate, cap¬
tain of a gang.
iRci, a cloud.
ilofY, ( English ), a Major.
WJ, (2) v. n. to be rubbed out, or off,
to disappear, also oJT, and
SIT.
*13^, a being rubbed out.
or % v. a. to rub out,
expunge.
the city of Mithila.
the city of Mathura.
the earth : the ground :
a kind of plant eaten with ganja.
mount Meru, the abode of the
gods.
union, see fu'sh
a cloud : the central up¬
right pole of a threshing-floor.
ihrc, a woman, a wife.
adj . of or belonging to
Mithila.
*»»TT, ( English ), miner fin Sappers
and Miners).
the cord which ties the polo
or yoke of a plough to the chauki.
adj. dirty.
ilf, sign of loc., in ; see n (2).
a moustache.
vfv, the turn or bend in a road or
stream.
the driver of cattle in an
oil-mill, who goes round with
them.
a mosquito, a gad-fly.
iTfarffT, the town of Mokama in the
Patna district.
a pad or buffer tied along
the two door-posts of a person’s
house, and made of straw, against
which the two edges of the tdti
door can rest.
(<JAa>), a Mughal,
fatness.
^frfeT, a pearl.
wtffT^TT, a pearl necklace.
*ft name of a brother of Sallies,
the wife of Raghab STh (?) :
her name occurs only in two of
Pidydp aids poems, Pfos.75 and 76.
a Muhammadan weaver.
(1), see 5 fl>-
irtY (2), a peacock,
ifhfrr, the territory between north
Tirhut, and the Himalaya moun¬
tains, now in possession of Nep&l.
«Kt, *flfY, see 5 (1).
sftg, a mosquito, =
( jil*-^), a traveller.
*rrf%, ink.
*ftvT«T, a name of Krislm.
a seal.
a writer,, a muharrir.
see 1 1 (i).
^ (2), q. v.
ifft, a mother’s sister; Prov.
*rft *JT^r9 I am
not even acquainted with you,
and you call me “ Aunt, aunt.”
^TiTrT, death.
^T3ft, a woman.
$T«f, silence : 3t*T to bear
a thing in silence.
236
MAITHIL CHRESTOMATHY.
[Extra No.
name of the fifth Naksha-
tra, or lunar mansion.
Note. Many words occurring in the
Chrestomathy and beginning with
will he found in this Vocabu¬
lary beginning with «!, like which
an initial ^ is almost always pro¬
nounced,
see
3<5f, see
see srf^.
^Isf^b^he family of Yadu, to which
Krishn belonged who is hence
called the beauty of
the house of Yadu, •5r^«TT'^, the
lord of Yadu, the child
of Yadu, and other names,
see sre.
for this, also particle of
affirmation , yes.
^3T, see spt.
see 5T3T^fT.
'j - j
tj^T, (fern. )adj. young, youthful.
§T3T, see %JI.
%131^'fT, see
^TTSJ, see #T3T.
inpsfjf, see #T5?*T-
T
XTf^, night.
the state of a widow, widow¬
hood.
$c., see Xjm, (2).
guard, watch.
XW3 = ^ (2), q. V.
v. a. to rub.
rubbing.
T’ERfiT, a name of Ram.
1 ^31 (1), (or TJT for metre) y colour,
hue, T?r ^JTpCJT f^T3T,of varied hue :
beauty : delight, pleasure, XTJT
to indulge in pleasure : a melody.
TIT (2), v. a. to paint.
T3R, colour.
TJrr?, v. a. to get painted, *TRT T3TR,.
to have one’s nose painted, see
TJTR^, a getting painted.
v. a. to make, construct : adorn,
a making.
(id 13), incorrect for
protection, which is required both
by sense and metre.
dust : menstrual excretion, see
€t*f.
the night, the moon.
^oRrT, a Rajput.
v. n. to wander, to go.
X^, wandering.
^z»TT, the act of wandering ; ^*TT
he has caused to wander.
?^r, v. a. (3 Fast. to
cause to wander.
T^q*r, actions of a Rar or S'udraj
meanness.
^fT*r, a jewel.
adj. beloved.
! xTri, amorous sport, dalliance : name
of the wife of Kam Deb : the
pleasures of love personified, sexual
pleasure.
adj. moonblind, a myope,
Frov. ^ ?T when
VOCABULARY.
2 37
1881.]
a man has to perform a penance
( a generous action), he becomes a
myope ( i e., lazy).
a grain, a speck, a small por¬
tion.
a chariot,
a tooth.
verbal quarrelling.
^«T, battle, the field of battle.
T3, v . a. to sound.
^rT, adj. tinkling, sounding,
the sun.
the spring-crops, spring-
mustard.
W3T(1), passion, vehemence : sexual
pleasure : passionate caresses.
(2), v. a . to be passionate : to
smile.
passion.
v. a. to enjoy.
^f*T, a pleasing, or beautiful
damsel.
enjoyment.
sending, despatch.
^j, juice, nectar, honey : flavour,
essence : love : enjoyment, plea¬
sures of love : relish.
^sirT, adj. full of love.
adj. full of juice, sweet.
'Cf^T^Tj a gallant, a lover.
adj. ingenious, clever : appre¬
ciating.
v. n. the following forms have
teen noted ; 3 Simp. Pres.
T53; 2 Imperat. TM,
3 ; 3 Put. v^rr; 3 Peru
phrast Pres. ; Past
Part. ; 1 Past, ; 3
2S> „
masc. : jem.
and to remain ;
abide : be : become : the simple
present is used as an auxiliary
of the Imperfect tense of other
verbs, see Grammar.
the wheel fixed at the top of a
well.
^T^>, one who has dwelt long in a
place, an old inhabitant.
, TTf%, ;CTfw, a widow, Prov.
the fine airs
of a widow are the troubles of her
heart, an allusion to the wretched
condition of widows in India.
TP3 (1), ashes.
(2), and v. a. (the follow¬
ing forms are noted; 3 Simp .
Pres. (P. 73) j
2 Imperat. VT^t, TRJ, ;
J C\
1 Put. ( also in Letter as 2
Imperat.) ; 1 Petro. Cond. ;
1 Past. Twi, VTW ; 3
; Indecl. Part. TIRf, and
^!*§R) : to place, to lay : to place
one’s affections : to put by, collect :
keep, retain, have : to agree to :
( Vid . Ill, 6) ? to perform,
TF3, to comply with requests,
which is the pandits ’ explana¬
tion ; I would, however , translate ,
lay (the burden of performing)
great obligations upon the great :
%, to arrange, (hair, dress,
&c.)
a demon, a goblin, a Rakshas.
VTfjT, colour, tint ; Vlf?I 3TT, to
colour, paint.
and fw%, name of a king
of Mithila contemporary with
Bidyapati, his name occurs in Vid .
LXI, 5, and LXXVI, 10, seep. 41.
238
MATTHIL CHTtESTOMATIIY.
(1), a kingdom : a king.
KToT (2), v. n. to shine.
TTot {fern, a prince.
^ToJT, a king.
^Tf^jTT, adj. shining, splendid.
a low- caste man, a S'udra, Prov.
TO TO
cattle, S'udras, wives, and maid¬
servants, always want the cudgel ;
TOT UTO # a low-
caste labourer (goes away) to
make water, and you won’t see
him again for six months: i. e.
they are always making excuses
to get away from their work :
JTTO % TO can a
S'udra be a genealogist in a village
of Brahmans ?
*T?t, a kind of thatching grass,
a widow, = q- V .
(gen. Kr&X, Sal XXI), night,
TTffT, a moonless night,
TOTfTOT KTfrT, a moonlit night,
Tlfw f^TfrT, throughout the whole
night, TJ 7?$ TO*h by a journey
of the night, by a night journey.
(Sal. I ),on the sixth night after
birth a child's fate is found by
astrology.
TOT, name of Kristin’s favourite
cowherdess, the daughter of Vri-
shabhanu: TOTW*!T, Badlia and
Krishn.
• •
a queen,
voice, sound.
the celebrated king of Lanka
(Ceylon). The enemy of, and
conquered by Lam.
the celebrated hero of the
Bamayan : his name, frequently
[Extra No-.
recited by devotees; Prov. TF3
TO, ^ WET, “Bam” in his
<N
mouth, and a dagger under his
arm ; TO jfT^T TO, ^f^‘
2, * ’ c\
fNT-r TO, although he utters
“ Bam, Bam,” he sticks in front
of his kitchen fire, and has his
plough going in the neighbouring
fields, i. e., he is only a sham de¬
votee ; toto to # tot *nt,
3rf% ^Tt ^ TOT *TTt, he who says
“ Bam, Bam” gets pushed away
while a dancing-girl who wriggles
her person gets money.
ET^T, a beautiful woman, a beloved
one, a wife: (Yid. XVII, 2),
the wife of Vishnu, who took the
form of Krishn, was Lakshmi •
her father was the Ocean, from
whence she rose when it was
churned by the gods; the son of
the Ocean was Som, the Moon.
ET*J, a king : an honorific title.
TO = TO, q. V.
ET^, (or et% for metre') a heap, a
quantity.
KTf, Ob), a road.
TO3 = TO ar, q. v.
a coarse kind of pulse.
TO5*, a beautiful woman.
ET15, the demon of eclipse, so called :
he is supposed to endeavour to
swallow the moon.
fTOS, a bear.
Peg. ^tg> a season, there are accord¬
ing to the Hindus six seasons ,
hence stands for six, see
WT.
J
TTO, debt.
frq, an enemy, a foe ; (Yid. XVIII,
VOCABULARY.
230
1881.]
5), the enemy of he goats is Debt,
to whom they are sacrificed ; (Vid.
XXII, 2), S'iv’s enemy was the
god of love, Kam Deb : ( Vid.
XVIII, 7), the enemy of the
pearl (who eats it) is the swan
which also means the sun ,
whose daughter is the river
Jamuna.
v. n. to become enraged ;
F. A 6, incorrect for
rage.
CWfT, vWf, established usage :
fashion, manner, custom : love.
ftn = i- »•
debt.
(1), adj. dry.
W (2)> (£j) face, direction,
a chisel.
beauty, brilliancy.
^p^r, a kind of rosary affected by
worshippers of S'iv : Frov.
3TCT JT’TT the
•» <5V
father has a club on his neck,
and the son a rosary, i. e., the
father is a scoundrel, and the son
q. v. [a devotee,
a rupee.
and v. n. to be angry,
T^, to continue angry,
anger.
^■^T, a quarter of an ana, one pice.
(loc. ^ Vid. XVI, 13), form :
beauty : silver.
•TTUT^vr, said by some to be a son
of Sibay or S'ib Sih, and by others,
to be the same as that person :
hut see introduction to the songs
of Bidyapati.
W, v. n. = q. v.
T, interjection , Fie ! 0 ! (in contempt
or disgust ) ; also a pleonastic word
in poetry , for filling up the metre.
(bU-;), plur. raiyats, ten¬
ants.
V^T, a line,
geometry.
v. a to push aside.
U^T, (English), a railway.
— V^T, q. V.
T^T, Vf*r, night.
YT, v. n. to cry, to weep, Indecl.
Fart. : this word is princi¬
pally used by Muhammadans. The
more usual ivord is 3TkT.
TTVW, weeping.
TT3T, v. a. to stop, impede,
stopping.
(1) , anger : adj. angry.
(2) , v. n. to be angry,
anger.
YUTTV^r, VT^t, adj sick.
VI57, ( jjj), a day’s earnings: earn¬
ings, wages.
^rft, a red powder used for painting
the forehead.
TT^T, weeping; TJ° XRIT, to spread
abroad or scatter weeping, to
lament.
VTq-, v. a. to plant, transplant.
TFCR, planting.
TTq"sft, transplanting of dhan.
the line of hair near a
woman’s navel,
vra, see tr.
xm = Jjm, (1 Sf 2), q. v.
Tl^T, or XW for metre , anger,
trfefa, the fourth Nakshatra, or
lunar asterism.
210 MAITHIL ciirestomatht. [Extra No.
TTs5, a large kind of tisli : Prov .
the little
tegarai and pothi fishes are used
as bait for, and get the Rohu
caught, i. e., zamindars suffer when
their servants fight,
drought.
see
the penis.
see
a stick, wood.
(j& ), a line.
^T<U (1), a hundred thousand = ^TT^,
q. v.
(2), v. a. to see, watch, gaze at.
name of one of the queens
of S'ib Sih.
ftnr, name of the present
Maharaja of Darbhanga.
^3T, or ^I3T ^ , prep, near ;
along with.
&c., see
inquisitiveness, pertinacity
(in a bad sense).
adv. properly loc. of ^TTJI^r>
verb, noun of ^TJT, immediately :
^T^rt very near.
^3TT^, v. a. to apply, to apply
to some one else, ^fJTT^ ^T, to apply
to one’s own body, ^fTfJT ^fJTT^F, to
set fire to : to plant : ^gjrJTPC % to
close (a door, &c.).
^TJlTO, applying.
^TJTT^, adj. inquisitive, pertinacious,
inquisitiveness, &c.
^5fjT, prep . up to.
anything attached : a mark.
&c., see ^T?T.
^Rlf<T, assessment.
urine : the act of making water.
Prov. Wt, # ite,
a low caste man leaves his work
to make water, and you won’t see
him again for six months.
^jjrar, naked, a blackguard, see *fJTCT.
^JT^cr, blackguardism,
a hundred thousand —
^T^fW, the goddess Lakshmi.
^ToJT (1), shame, modesty.
^TojT (2), or ^TR! r?, v. n. to be
ashamed, ^rsjTQ;^, modest; Prov .
(of one who has been boasting of his
power to raise heavy weights , and
has failed)
now I am ashamed, help me to
lift my own body.
^ITR^, modesty.
adj . ashamed.
struggling : halting in speech,
a wielder of cudgels.
v. 4i. to fight.
(Sal. XX) for %, loc. sing,
of verb, noun of ^r^T, to
fight ; in fighting,
fighting.
^Tf<frT, a boy : a son.
a fight, a battle.
adj. quarrelsome,
childhood.
^TffT, ^T^f, a creeping plant.
^rqejr, v. a. to snatch, grab at.
v. n. to cling, to stick,
clinging.
^fxx^T^, v. a. to wrap up : cover,
covering.
1881.]
VOCABULARY.
241
prating ; Prov. ^rf5?
RR, 3\T, you’ve neither
plough nor ploughshare, and are
prating about them, i. e ., giving
an unasked opinion.
^VRT, see ^HT^Virr.
see
( fern . adj. red : dark
brown, a stick oiled
to a dark brown colour, and hence
made strong and elastic.
or ^5 v. a. to hasten,
incitement, [urge, incite.
^%rT, adj. sportive, wanton : charm-
redness. [ing, lovely.
WI^T, or ^r^n’vT, adj. reddish.
^23^, a kind of bracelet.
(j&J), an army.
adj. shining, lovely,
gum.
v . a. to set on fire, kindle,
kindling.
(1), \,prep. for, see (2).
^T, or §^[T, f^RIT, v. n., the following
forms are noted ; 2, Simp. Pres.
3, 1, Fat. <?TRq;
2, ^fi^, ^ 1,
Past wS; 2, 3, <?TTW,
; Past Part, Indecl.
■ Part. WX and ; in the
modern language it is not consi¬
dered correct to use this ivord , ^T«r
toeing always substituted : to bring,
lit. having taken to come, hence
it is a verb neuter : to take : to
rally (an army) : Indecl. Part,
used as preposition, for.
^R*b a bringing.
^RFf, a tail.
^IR?, or ^TRi, for metre , a. hundred
thousand ; ^Rl ^ hundreds
of thousands ; indef plur.
lakhs.
v. n ( the following forms are
noted ; 3, Simp. Pres. ^R, ^jr,
wfjr, WT; 3, Put. tfTRcT ; 3, Peri -
phrast. Pres. ;
3, Past. ^jR^b ; fern.
^RT%, ^RRff%, ^Rtfb?; Indecl.
Part. W3T): to adhere, stick,
cling to, be attached ^rR?r
3fnfT, to whom will murder be
attached ? i. e., who will be
blamed for it : to seize (a person)
as fear, &c. : to be felt : to seem,
appear, be manifest : to be ( with
an adjective, e. g. qrf%<T ^TR,
to be of use to others) ; to bear
relationship, % ^frj what
relationship is he to you? : to
strike, or (of a thorn ) to prick :
in the past tenses only, to begin,
used with the 3rd obi. form of
the vei'bal noun ( see gram. §§
189, 194) of another verb,
e. q. qn: he began to do :
.■4 , ^
^5T5Rr, he began to say ; eftR
^fR^f, he began to cut ; efTR ^PJRT,
he began to cry; jtr ( not ?r!)
^TR^b he began to sing; (see
^R^b he began to hang his
head ; tfW he begcan to ask ;
'§URU"^R^f;he began to remember:
the Indecl. Part, is used adverbi¬
ally in the senses of (1) for, for
the sake of, (2) till.
H H
242
MAITHTL CIIRESTOMATIIY.
[Extra No*
^TT3T^, adherence.
see ^fRT.
^ifsr (2), enmity.
^T«J, ^T^T, (or for metre ^1^),
shame : modesty, bashfulness :
-Prey, (of an inhospitable man
who is surprised by the sudden
arrival of a guest),
SHUT v ^To-iT, he happened
to be here, and feels ashamed to
go away.
(English), a Lord,
a stick, a club, a cudgel,
a stick for stirring grain
while it is being parched, see ^TRT.
^TTfT, a kick ; a trick.
(instr. ^T^i), an excuse, apo-
iogy.
v. a. to load.
^TT^T, loading.
^TT^T, the cord by which the pcilo
or yoke is tied to the body of the
plough.
^nr, straw cut in the field, and not
broken or trampled upon at the
threshing floor, of.
adj. red : beautiful, lovely.
<sTT%SiT, redness.
adj. red.
see W (2).
■^T^T, parched grain, see
see #.
f%^T, v. n. — ^T, q. V.
or f, v. a. (forms
noted ; 1 Fut. f%^«T ; Past Part,
(fern. 3 Past
; Indecl. Part.
€Y%) : to write : draw,
paint : Past Part, written in the
book of fate (Vid. LXXIX, 8),
pictured, painted : W, to be
able to write,
writing.
y. a. (forms noted , Past Part.
Indecl. Part. f^sTR) :
to cause to write : to get written :
to cause another to
write : #, to get a thing
written for oneself.
a causing to write.
adj written.
T%^, the globular dung of a horse,
mule, &c.
f%^T, blood.
the forehead.
see fOT.
adj. covered, hidden : emaciated:
close to, close by, connected with ;
hence attentive to, with Loc. e. g .,
he is an
attentive student.
^t^T, play, sport.
to be on the point of
setting, used of the sun, see jftaf?;.
y. a. to conceal, hide,
concealing,
dissolute living.
j , °
adj dissolute.
y. a. to rob.
'-i 4 #
y. a. to desire : Past Part.
J !
greedy, covetous, desirous
of.
adj. one-armed,
a bundle,
pillage.
■^fT, skill : wisdom.
qT, v. a. irregular, ( the following
forms have been noted ; 1 Simp -
pres. ; 3 : 2 Imperat.
f%% : 1 Fut. ; 2 :
1881.]
VOCABULARY.
243
2 Past #9 ; 3 ( fern . #f%),
3 Plup fern.
( for ) WT% : Pres. Part.
o^5i v
^TrT ; Past Part. {fern. 9%) :
Indecl. Part. ( for
^ 4), 9, ^T9, ^ (Sal. X) : for
other forms, see % the conjugation
of which is exactly parallel to
that of%) : to take : bear, carry:
^ ^T, ^T, and f%^T, laving taken
to come, to bring, see : % «ir,
^ «Tr, «ir, mi, and mi,
having taken to go, to take away,
of these ^3f or qjtsr o?T is con¬
sidered the correct form, see
Gram. § 197 : Indecl. Part.
or 9 used adverbially mean¬
ing (1) for, (2) from, with, as
sign of instrumental or ablative,
instead of % : F. 71 has the Hindi
f^$\for
#-*=! (]_)5 v, a. to count : to write:
that which is written, a
story, tale : Prov. mvs ^
EK WU 1 mounted
a high place, and saw the same
tale in every house, i. e. rich and
poor have the same sorrows and
misfortunes.
%*§ (2), account : consideration, idea :
Instr. used as a preposition
for the purpose of.
counting.
receiving and giving : deal¬
ing.
#9, #,9 W^t ^«T ml, Sfc., see #.
v. a. to besmear, anoint,
anointing.
#3 (1) , see #.
obi. the act of taking:
the Sanskrit is translated
^cfTcff ^T3T.
#f%, &c., see %.
blood. *
^T, prep, for, for the sake of : with,
see qf.
9 ^TT, see #.
^ ^ ^ ^ vj; ^
WT^, see
%I3f, people : world : Xhi <lT3f, the
world of Indra, heaven.
a maid -servant ; Prov.
WrT^r , 3T6T,
if one has one’s feet shampooed
by a maid-servant, it is as good
as living in one’s father-in-law’s
house : a man is always ivell
treated in a father-in-law' s house
hence a jail is called in slang
^TTfc
^T^rfsT, people, sign of the plural ;
see gram.
€t3T, a person ; people.
<5nHsr*T, an eye ; qTT^r«T to throw
a glance ; 9Wb play of the
eyes.
#T^:, #T^T, v. n. to roll, wallow.
#T^, rolling.
#T2T, v. n. — g. v.
a small metal pot.
#rvr, desire, envy.
v. a. to charm, enchant,
enchantment.
#Tf^r«T> adj. desirous ; allured, tan¬
talized.
#TV, (or €tv for metre) a tear, tears.
■# TYf, iron ; the second form is
not much used, and is said to be
borrowed from Hindi ; Prov.
^UT«ft, you attract iron by
244
MAITHIL CIIRESTOMATHY.
[Extra No.
iron ; i. e., birds of a feather flock
together.
adj. belonging to the world ;
*137 a reputable family.
v. n. to go back, return,
returning.
a pestle for pounding curry ;
a cudgel ; to wield a
cudgel, see
Note, words beginning in Sanskrit
with X, will he found in this voca¬
bulary beginning with like
which an initial X is always pro¬
nounced , except in the few follow¬
ing exceptions.
3T %, ( Harkh . XVI, 7), Braj for
, dat. non-hon. of XIT.
(1) , a termination, equivalent
in meaning to the Hindi ^T^TT,
signifying the agent ; before which
a word is lightened in pronuncia¬
tion under gram. § 5 add. ; e. g.,
a wielder of cudgels,
from ^T^t, a cudgel.
(2) , interj. excellent! Brov.
{on the proverbial fool ish Miya)
% ir^T, the
Miya/’s beard went to the tune
of “excellent!” i e., the people
stroked it admiringly, and as they
did so pulled it out hair by hair ;
i. e., you can do anything by
flattery.
t'S (Sal. XVIT) = % (2), q. v.
ST
Note, this letter is of comparatively
rare occurrence in Maithili, being
generally supplanted by x, under
which letter will be found many
words commencing in Sanskrit
with S7.
the god S'iv ; {Vid. XXII, 2),
the enemy of S'iv was Kam Dev,
the god of love.
■3777, adj. num. a hundred.
■gjvf, W, the god Siv; a phallic
emblem, or ling a sacred to him ,
in Vid. XXXVII, 2, compared to
a girl’s bosom, cf. XXRxf.
37X«T, sleep : a bed.
"SKW, protection, refuge,
the body.
¥7fs7, the moon: 3lf37 {fem.
%
moon-faced.
adj. autumnal.
fw3, or fsst f^, or *?t«r fxx, Sfc.
name of a king in Mithila, who
reigned at Sugauna, the patron of
Bidyapati : fxir is frequently in¬
correctly spelt fx^.(
f?R, the head.
fsufiR, the cold season, winter.
, adj. cool,
gentleness.
3RRT, a parrot.
■3R7, adj. fortunate, propitious ;
3R, to consider anything propi¬
tious.
, the trunk of an elephant,
a head ; a chief.
{or for metre), the remainder :
adv. in the end, finallv.
"VOCABULARY.
245
1881.]
childhood.
WT*3 = ijT*r, q. v.
WH, v. n. (3 Simp. Pres, in Vid.
LXXII, 1, tmv), to shine, be
beautiful.
tfTVjef, splendour.
■311% v. a. to dry up, to cause to
evaporate.
sfm, a drying
3STIYYJ, ^TY^I, adj. dark-coloured,
dimmed,
the ear.
adj. fatigued.
35pf, a title of respect.
the nut of the betel-palm,
noted for its roundness, and hard¬
ness : the Bel fruit, which pos¬
sesses similar character,
the ear.
vj
y
Y; ir, YT- YT , sign of the ablative case.
Y'SIY, doubt, fear.
YYTY, the world.
Ye", yty, = q. v.
Y3\, v. n. to can, to be able, used
with the Indecl. Part, of another
verb; e. g , Y Y%, he can be,
Y3\f%f^, she could write,
Y3f^H, I could watch.
Y3b Y3v*T, ability, power.
Y^^T, adj. all.
Y^iTY, the letter Y.
Y^Y, v • n- be Presse<^j squeezed.
Y*U, YW, {fern. Yf<H, Y*ft, old instr.
a friend : in Vaishnava
poems , the companions of Pddha
or whoever for the nonce is
represented as the heroine of
the poem , are called her Sakhis ;
Yf*U, may often be translated as
bridesmaid, and , conversely , in
Vid. XXX, 1, the bride is called
the Yf%, or friend of the brides¬
maids : {Vid. XYI, 2), the friend
of Krishn was Arjun, one of the
heroes of the Mahdbhdrata.
YYU?Y\ a Sdl forest.
3
Y^Tf, a small kind of cart.
YLi^fPf , adj. noisy.
YRK, YRTY {Net. 3), adj. whole ; entire.
YYY, an omen, a sign.
YYY, adj. dense.
Y*3T^, affliction, trouble.
Y<§, a shell.
YfJL {Loc Y3T) a companion, Prov.
YRIcfT «JYTYY ^TP^, one who
is lucky in having a (rich) com¬
panion, will go to Banaras with
him : company, society : the act
of meeting, or attaining, Y^^iTY,
of the same caste : prep, governing
gen. or acc., with.
YJTY, meeting, union.
Y^-, adj. true.
Y^^, truthfulness.
YI^Teft, a friend.
Y^YfY, a pumpkin.
Y^Nr, a bed, a couch.
Yf^BT, a good man.
YPW, v. a. to store, collect.
Y^^, collection.
Y"% a collection, or heap.
Y^Y (1), v. n. to go, move.
246
MAITIXIL CHRESTOMATIIY.
[Extra No.
(2), motion.
adj. accumulated, pent np.
an evening candle or taper,
Prov. ^ ^ wrr?r q, ^
^TWt, at home he has not even a
farthing dip, while abroad he has
an illumination like a torch.
v. a. (Muhammadan 8, Past
to unite : to
paste, to gum.
adj. close to, near.
or W3T, a road.
adv. continually.
^3^7, a kind of bracelet.
adj. (fern.) chaste, faithful,
a step-mother; Prov.
mft ^Tcr, a son will
go so far as to blame even his
father, when he has a step-mother.
^rflT^b twenty- seven ; ( Vid. LX VI I,
l),the twenty-seventh consonant,
T.
^<71^ (or ^riT^for metre), adj. pos¬
sessing lakes.
a kind of flour of Indian-corn
and other grains.
^Trp4T'?^T, a festival in Baisakh,
when satud is eaten : Prov .
vKX, r he went away
in Phagun (the month when barley
is eaten), and returned in Baisakh :
i. e., he has been long absent.
adj. chief; special,
^rq, adv. always.
adj. gentle, calm, quiet.
^rqi*f, the paying oft of debts.
(1), (fern. ^rf^T), adj. like.
^cf (2), hemp.
adj. harassed, agitated.
adj. facing : in front, before,
a humming in the ears.
^T«TTW, one who has obtained all his
desires.
news, tidings, a message : a
present sent to a person.
Betf, affection, love.
wf*T> a good, or virtuous man.
WTq, affliction.
WT^, contentment,
contented,
search : a message.
suspicion, doubt.
v . n. to be accomplished,
accomplishment,
an oath : (F. 6.)
even for taking oaths, (enough)
to swear by.
^q*T, and ^qqr, a dream; ^q*T^,
in dreams.
^qqT (2), v. n. to dream; v. a. to
dream about.
^q^ffiq;, a mongoose.
^rqq;. (q;A^),the act of making over,
^xqy a serpent.
^fqfx:, (English) a Sapper, see riqT.
^qf^T, adj. bearing frb.it, fruitful.
adj. all. Hindi for *iBT, q. v.
a sound : words : song.
adj. all:
every one.
(or oqq# for metre, Vid.
XXI II, 9) earnest desire, passion.
W, ^Vi^T, adj. all ; W fqq, every
day ; ^ from amongst all ;
3TR, every where; %%
every one ; qiq, always ;
^qf'crqir, omniscient, a know-all :
a sign of the plural.
1881.]
VOCABULARY.
247
^vreT, all, the whole.
plur. of ^r*T, used when the
idea of plurality has to he empha¬
sized ; tints all taken as a
ivhole , hut all taken sever-
ally .
adj. equal like, equal to.
Vid. LXXVIII, 5, obsolete
form , I pray, for from root
W9T»T (1), ( or for metre ),
adj. attention : subst. appeasing,
coaxing (a beloved out of a fit of
pride, or sulks) : the act of making
ready, or drawing a bow.
^ire^TeT (2), v. a. to arrange, prepare :
( Vid. XIV, 9), to stretch, or
make ready (a bow).
a kind of relation ; a father is
samdhi to his son’s wife’s father,
and vice versa.
^HR, time, season.
(fem. adj. of the
age of puberty.
the age of puberty.
(or for metre ) resem¬
bling, of like beauty.
adj . whole.
WT, v. a. to enter : to fit into,
<TT W ^T«T, it will not go
beneath my cloth ; my cloth will
not contain it, (Vid. LXIX, 2).
entering.
(^T^T)j one’s relations ; the
members of a household ; Prov.
W ^WT ^
C\J
a barber gets churd and curds,
while a relation gets only parched
grain.
meeting ; union.
iJiTUsT, association, company : a
neighbour, one who lives by one,
e. y., a husband is not a
when he is away from home,
news.
(or ^(WU^for metre), adj. equal
to, like.
^TUTq, v. a . to finish, conclude,
conclusion.
WTY, v. a. to adorn : to ornament
with, to place : to arrange
#, Sal XVIII).
adornment,
the wind.
adj. face to face.
v. a. to explain, tell.
Vj
explanation,
and the sea.
a rope passing round the
neck of a bullock, and attaching
it to the polo or yoke.
xii, time, season ; a year.
^f?T, wealth.
news, tidings.
^THT> see
WTY, or ^VTTfY #, v. a. to hold,
grasp, catch hold of.
a catching hold of.
^vrT<*iw, regard, respect, reverence.
In Pam. 40, the two halves of
the word , are separated by the
particle
^?T, sleep ; a sleeping apart¬
ment ; ^fTT^, to put to sleep.
(fern. x^Tf«T, or for metre
^sirft), *Nr*T, adj. full grown :
clever.
XT, an arrow.
248
{j^j •vs) "fcl i g Government.
^JT, heaven, poetical loc. wS;
Prov. ^ TWBfT tttIt, a
o
fall from heaven is a cudgelling ;
= hit a man when he’s down.
( adv. certainly, surely,
positively.
^r:^, the autumn season.
(ji^ ), a leader, captain.
adv. always ; continually.
a person’s whole wealth ;
property.
(|V")» bashful, modest,
ashamed.
adj. rotten ; Prov. ^TV^T ^T,
m "^r, {the Bhunna is a
large and excellent fish) , even a
rotten Bhunna is twice the size
of a Rohu, i. e., when a rich man
becomes poor, he does not lose
his importance. [ing.
adj. possessing juice ; charm-
a lotus.
a kind of mustard.
^PT, a curse.
{or for metre j the body.
{or for metre ^Wt), adj. having
the form or appearance of : pos¬
sessing a form, or body.
the wife of a wife’s brother.
^EpfNT, a tank.
a lotus, in Vid. XXXVII, 2,
compared to the nipple of a ivo-
man's bosom ; a lotus is placed on
the top of the phallic emblem of
S'iv, at the time of worship.
^jji, *3JT35, see
maidservant of queen Hansa-
bati, queen of Bhim Sain.
[Extra No.
^^TJTT, a kind of body cloth, of coarse
material.
the chaukidar of king Bhim
Sain, worshipped at the present
day by Dosadhs.
Wl^rr, a line, a mark.
salutation.
^°TT, one and a quarter j ’gqT
a cubit and a quarter.
^spC, v. n. to slip, to slip down ;
wfc to slip down ; OT,
to slip while rising, to rise with
difficulty, (of an invalid),
a slipping.
WTT, v. a. to cause to slip, to
loosen.
a loosening.
{fern. ^TT^), a husband’s father.
^T^K, a father-in-law’s
house, a slang name among thieves
for the jail, because they get ivell
fed there.
^r, v. a. {the following forms
have been noted ; 3 Simp. Pres.
; Put.
Pres. Part. ^f^rT ; Past Part.
*
; Indecl. Part. ^rf%) : to
bear ; qTq, to be able to bear,
it can be borne.
adv. slowly ; ^f%,
she went slowly.
^«TT, that which must be endured.
^■sf, patience.
( j-ifi3 ), a citizen.
^r^T, a thousand {Vid. XX, 1.)
help, assistance.
^rf%, the act of bearing ; cf
%R, it cannot even be borne.
^f%rT, prep. with.
MATTIIIL CHRESTOMATHT.
VOCABULARY.
249
1881.]
^gfv^T^Pt, a token, a sign.
(oU1a^v4)> Hindi fern. plur.
comrades.
^8% see
born o£ the same womb ; a
whole brother.
^T^T^T, the month of Sraban.
^rf qT, a wooden or ivory ring worn by
the bridegroom at the time of mar¬
riage ; Prov. *3TcT W
with seven “s’s”, (or words begin¬
ning with “s”) a marriage takes
place; the seven “s’s” are
vermilion, ^r*r, hemp, #T«T, gold,
a shell, a wooden ring,
the cover of a small pot,
and fg^rg, the parting of a wo¬
man’s hair ; the first six are placed
together in a bowl, and out of
them is taken some vermilion,
and applied to the parting of the
bride’s hair.
narrow: subst. a
narrow road, a lane.
^Nk, a kind of snake.
building materials.
gfftb a spear.
gf^T, (or gvt Sal. XVI) adj. true :
exact.
gf^ft, a kind of betel leaf.
gT^b evening; "^g gfifi, morning
^ «N«-
and evening ; Prov. m
gf*ff a foolish bridegroom
prepares his bed while it is yet
evening (it is considered impro¬
per for a man to approach his
wife before midnight ) ; gfgf gf;-
he died (long
ago) in the evening, and why so
much weeping; i. e., its no use
crying over spilt milk.
the third son, in a family of
four or more.
gT^-, v. a . to arrange,
gfg^, arrangement,
gfg-, a bull ; specially , a sacred bull,
a “ brahminy bull.”
gftT, (or gpr for metre'), (fem.
gTlVfg), a serpent, frequently
compared to a lock of hair.
gif%, a witness.
gT3T, gT5IVTeT, a kind of spinach eaten
by the poorer classes : Prov.
gmTrT, it gm, she
lives on spinach, and would sleep
with a prince, concerning a woman
who would make an ambitious
marriage.
gTSK, the ocean ; there are seven
oceans , and the word is hence
(Vid. XVIII, G), used to repre¬
sent the number seven, tvhich
added to nine, the number of the
planets, makes 16, the number of
the graces (fg^JTV).
g[5T (1), preparation: adornment of
the body ; garments, apparel,
gpsr (2), v. n. and v. a. to adorn, to
gT*!«r, adornment. [adorn oneself.
gT^fg, g^lfg, a female friend.
gT<nt, a pit in which mangos are
kept.
gT^T, a company, association, part¬
nership.
gT^, a brand for branding cattle,
hence metaphorically (Sal. XV),
gT^t, a brand made by the
application of flowers, i. e.f no
punishment at all.
h n
250
MAITHIL ClIEESTOMATHY.
^eifcr, sixty, see
^TrT, or emphatic, ^77T, seven ; ( Yid .
LX, 2), the seven letters in
^r^r«T ; ( Vid. XXII, 3), the seven
letters having eaten
poison, I will die, cf. ^1%
^X3T, clef, num ., the seven.
^nu, prep. with.
^fT^, v. a. ( Inclecl . Part. Vid, LIII,
5. for ^xfef), to accomplish,
make : rfN ^T«T, to be silent,
accomplishment.
^T^r, dignity, pomp.
^T^t, a kind of made food for cattle.
see ^fxf.
(c*j&), aclj. firm, estab¬
lished.
soap ; Prov . W?
no soap
* 'si
ever touches our clothes unless
many washermen live together,
(when owing to competition they
wash well).
^T?T, a kind of autumn millet.
%Tv,3T, a singer of the Sam Yed.
(Jem. *TT*ift), adj. nut-brown.
(!)> essence: ambrosia; adg.
essential, precious; the
essential thing, the ‘ one thing
needful.’
(2) , a brother-in-law, (a wife's
brother ), (Jem. ^TfO, a sister-in-
law, ( a wife's sister).
(3) , (SXT^I), a house in words
like
(a school), p v.
^IT^3T, the Indian cuckoo: a pea¬
cock ; a snake ; a cloud ; thunder ;
a bow : a bee, a swarm of bees : a
[Extra No.
deer : Northern India is full of
popular ditties on the many mean¬
ings of th is word ; Vid. XIV is an
example ; another will he found in
Fallon' s Dictionary , s. v.
Another Panjabi example will he
found in the Calcutta Deview for
July 1882, p. 54 in an article by
Lieut. Temple called ‘ Some Hindu
Songs' ; it is as folloivs :
■qrfv^T ^TTJi
5TT ^TY3T ^ I
^ ^XTJT
C\
fTT^T t ^ II
The peacock caught a snake,
While clouds their thunder rolled,
Whereat the peacock screamed,
And so let go his hold.
Cf. ^frjor a similar example.
^TKT = JJFC (1), p V.
a woman’s upper garment.
^XW (1), a year.
(2) , a thorn : a pang, pain.
(3) , v. a. to put in order, re¬
pair.
^T^5, a father-in-law’s wife, see
*
*X^C, a father-in-law’s house.
^X^, ( ) a king : (= ^IX^ ) a
witness, one who appreciates (Vid.
XLI1I, 9).
courage : forbearance. [hair0
the division of a woman’s
or more properly f^hf or
a lion : a certain surname: {Vid.
LIX, 4) the sign of the zodiac
(Leo), which is represented by the
letter it, and hence means any
word commencing with that letter,
here a head, cf.
1881.]
VOCABULARY.
251
the main entrance of a
house.
fv^TTt, a necklace.
fof^T, a reed,
even a reed.
a reed basket.
fr^V, a mountain peak : fv^V IftaJ
(Via. XVIII, 3), the seeds of a
pomegranate.
fVTTV, 35TTV, a grace, adornment, of
which sixteen are described , viz.
(1) personal cleanliness >
(2) T35TT, bathing ; (3) TST,
the wearing of clean apparel : (4) t<T
TTTVT arrangement of the hair ;
(5) ??fji T the application
of minium to the parting of the
hair ; (6) TT^I T Sr€t, the til ah
on the forehead ; (7) TV
the tila or spot on the chin ;
(8) henna for the hands
and feet ; (9) ^f?T T^VT^TT, scent¬
ed paste for the body ; (10)
ornaments: (11) flowers;
(12) ^JfT, scents; (13) T^TTT,
vj
betel for reddening the lips ; (14)
?T staining the teeth ;
(15) staining the lower
lips; (16) TT^TV, collyrium : a
different list is given in Fallon,
s. v.J& AO J Frov. ^rrf% TV TT
fvJTIV, ftn TtV ^T^V, for whom
shall I adorn myself ; my husband
is blind.
fgw, see-fir*.
fafw, see
fVTcf^T, €lrr^, adj. cool.
f%rjTT%rr, white and black : the
white and black rivers, i. e.} the
Ganga and the Jamuna.
fTcJ^T, a blunt kind of shell, used
for scraping out cooking pots.
TTTT, provisions, food ; Frov. f%TT
VT^, 3TTJ 3T«5J ^vfw, it is doubtful
if he should get anything at all
to eat from me, and he has the
imjDudence to ask for milk,
fvft, success.
uprightness.
ffvtT, love, affection.
fSTC. vermilion, minium, worn
by women who are not widows.
fTTT’ft, a soldier.
fTT<?TT, (&^ ) adj. loose, licentious ;
Frov. TtJTcT TTW TIT, a
rake dies in the month of Magh,
( they wear thin clothes and catch
cold in the coldest month of the
year).
fm fTT, see ffspf fvr?.
f%TT«T, (*i|jJu») a boundary, limit.
f%fTf§, memory.
fTV, the head ; f%V TT, to bend the
head.
a quilt.
fTV«^t> a tent, a hut ; Frov. f%v®ft
VTI rnfr, <TTi% tv T ^TVt?T
■q-rff^r, f%v€7 t tvi,
^T3l TTT «T TW TT^fT, he pitched
<3\
his hut, and it began to rain, nor
could he get an opportunity for
striking it, he was like an ass
without nose-ring or tether; cf.
frVTT, that end of a couch where the
head lies,
frfv, a nutmeg.
frfVT, a kind of flower.
252
MAITIIIL dlRESTOMATHY.
[Extra. No.
w = w, q. v.
a curry-stone.
finTOT, a temple of the god S'iv.
the cold and dewy season,
comprising the months of Mdgh
and Phdlgun (January to March).
v. n. to shiver,
shivering.
q. v.
T%f%, a reed, a spit ; the inter¬
stice between two teeth, ^ff%
between all one’s teeth : a kind of
net swinging from the roof of a
house, used to keep provisions
out of the way of animals ;
Prov. f f ^ WjT ^<5 ; it is
good luck for the dog, when the
stk breaks down.
v. n. to be cooked :
cooked.
fWo^JT, (fwspff), anything
soft and clammy, such as pan leaf
which has been chewed and spit
out, or indigo refuse.
sftTRr, adj. cold, cool.
#t*J, (f^RT) boiled rice.
= fw q- v.
the u Seemul” tree, ivhich
hears the silk-cotton , hut has no
fruit , or fragrance , differing thus
from the fragrant sandal tree
( Vid. XLIII, 2).
^t^r, bound, limit, border.
the fibrous root of any tree or
plant ; the shrine of a family god¬
dess.
a stone : the Salgram stone •
Prov. ft^r, w, fhr
jfaWi W, t *IT
SifiRK ; “ if a Brahman swear
even by the Salgram, his son, the
Haribans, and in the midst of the
Ganges, — Don’t believe him.”
a needle.
dried fish, Prov. srW
(in Nepal) you can
both sell dried fish, and see (the
temple of) Pasupati.
a good, or wise poet.
adj. dry.
adj. tender, delicate.
adj . of good family.
^H<T, adj. of virtuous deeds.
happiness ; the essence
of happiness.
or pTR, Part, dry, dried ;
loc. sing. on dry ground.
(fern, ®^nf%) Participial
adj. dry.
^*§IR, v. a. to dry ; ^s?T, v. n. to dry
up, wither : become sad.
drying.
^JTT, ^3RT, a parrot.
^RfgcT, adj. turning out well.
^Ef, v. a. to smell.
»
smelling.
Wi (1), = to sleep, q. v.
a son ; (Vid. LIN, 3), cf. fwfw ;
(Vid. XVIII, 5), the son of a
he-goat, i. e., a he-goat, ivhich is
the animal sacrificed to Debi.
Hence Debi is its enemy ; (Vid.
XVII, 2), the son of Bali the
king of the earth was Banasur ;
the son of ocean, the father (frrfr)
of Lakshmi, was the moon (^t)-
a sleeper ; sleej:>y.
^<TT, a daughter; (Vid. XVI, 3),
1981.]
VOCABULARY.
253
^ ^<TT = the fourth
daughter of Daksh, i. e., the fourth
Lunar aster ism , Rohini ( see q;^);
her husband (qm) leas Som the
moon.
^<Tiq, v . a. to cause to sleep : ^«r
^rTT^j to put to sleep.
OTHW, a causing to sleep.
a female S'udra, a maid-ser¬
vant.
^T, ambrosia, nectar,
the moon.
= W, P v-
^T, v. a. ( Kanauji Pres. Part.
Harlch. XI, 10, to hear, cf.
hearing. [^?T
adj. beautiful:
ironical proverb about an ugly
husband , qqr W qir ^TU,
^T^'C q^lTST, in the first
place the Maya's face is very
handsome {ironically) , and in the
second place his mouth is full of
onions, i. e ., it smells of them.
l^rTT X, beauty.
^qqTxf, one who hears complaints.
^TTq, v. a. to cause to hear ; to tell.
(fem. adj.
beautiful.
beauty.
^f«T, v. %*f.
= ^r, 2. Imperat. of q. v.
adj. void, empty : solitary,
lonely.
= ^C, P v.
( English ), a superinten¬
dent.
^q^, ^q^> ^qq;q, ^q^, a good
j ^
man, a good husband.
fjq^h (fern, ^qqfq), adj. beautiful,
handsome.
^JST, {fern, ^qfo or ^qfqfiT) adj.
wise, intelligent.
adj. comely, handsome,
nature, quality.
*5ufrr?ifq', a lady who possesses a
sweet mind, or thoughts.
v. a. the following forms
have been noted : 1 Prosp. Cond.
; 2 Imperat. vaUPCT? ;
Pres. Part, ^fiTUcT ; Past Part .
; In dec l . Part.
^f3K, and ( for metre) : to
remember, recollect.
%fuyq, re¬
membrance, memory.
(fern. adj. sweet-
O'
faced.
a tune, a sound : language,
words.
redness; beauty.
*♦
^TJT, adj- well-coloured : red.
^rof, the sun.
^T«T9 sexual pleasure, coitus.
form, beauty.
the king of the gods, Indra;
( Vid . XYI, 4), he is the god
who wields the thunder-bolt , with
which he slices off the wings of the
mountains , hence mountains, and
especially the Himalay, are con¬
sidered his enemies.
^vfVr, fragrance, scent.
wf, a kind of veil worn by a man
of respectability when going to
see his wife at his father-in-
law’s house. It is supposed to
hide his blushes ; Prov. iffqjf W
254
MAITTIIL C TIRES TOMATITY.
[Extra. No.
^ttR, «rreft w
Off TIT, t STIiSqT 3!<^, 3ITW
^lo IT^T, a Miya' went to
his father-in-law’s house, and on
the road lifted up his veil : the
damsel was not there, having gone
to her mother’s relations : he
counted his chickens before they
were hatched, (see ejr^V).
the river Ganges.
= *j£T5T, q- v.
adj . very cool.
WTt, wheaten dough for making
w, a rice-weevil. [cakes,
a distiller.
^sl, l*sf, adj. happy.
adj. dry.
WTT a pig.
Tgjg, 35^, an elephant’s trunk.
v. n. to see.
^W, sight.
W (1), ^ftT, obi. WT (suta), or
^rf, the act of sleeping ; Prov.
^rf3T there
isn’t even a mat for him to sleep
on, and he asks for a tent.
W (2), v. n. to sleep ; See gram¬
mar : (Indecl. Part, sometimes ^?rt
for sake of metre) : T^, to
lie down and sleep : Prov
#7, 1 am sleeping
while my marriage is going on,
(of a sluggard) : another form of
the verb is ^?r.
sleep.
^[frT, (1) a kind of ornament, a neck¬
ring.
(2), see ^ (1).
a propitious day.
(1) , = P v.
(2) , = q. v.
^xr, a winnowing-basket, see
xnFt ; Prov. ^T^rf*T % ,
SjfiW JITS the sieve,
whicli had a thousand holes in it,
sneered at the winnowing-basket.
^T ( or WXfor metre), ^T*T,
^T5f, the sun.
^TTcT, Wfrl, ( appearance,
form ; beauty.
7),pron., subst. and adj., correl. of
T ; the folio w in g form s have been
noted ; nom., T (with rel . #),
( Vid. LXXXI. 10), ( with rel.
Vid. XVII, 7), and (Hindi,
F. 70) TT ; or emphatically ,
Wt, and TPT ( Vid. LXII
4) ; obi. honorific, «rfsT (e. g.,
dat. rrf^r F. 6), ?rf^r, fTR^ff
(Vid. LXXXT, 1, 10) ; non-hon.
(Sal. VI), irfl (adverbially ,
so, correl. to as, F. 2),
WTTf (final vowel lengthened for
metre), WT (frequent in com*
pounds, e. g., Vid. XVI, 2, cfT-g*?,
like that), Ti^TJ .* instr. cf (in F.
19, rtT with emph. %), frequently
used as an adverb ; it is then
often written ?{", vit, rft, ^T, or
( with emphatic ( Skr. ^fif) )
fT^Tt, or fURl J genitive
hon., (or, agreeing with a
noun in an oblique case, rTfcf^T),
wftrqr, ?T^J (common in poetry),
or rilf^ (only once, Vid. XV 11 1,
7) ; non-hon., ?r^T (or, agreeing
with a noun in an oblique case,
TOCAEULATvT.
255
1881.]
TOTF) : the forms cff^r, rff^T^T. Sfc.
are often spelt with thus ffrf,
fyc. : the ivord is usually
correlative , but sometimes takes the
place of the simple demonstrative ;
he ; that : instr. ?f, ?T &c., there¬
fore ; Sfeft, INI' or ( =
Skr. TT^lTfq), still, nevertheless.
(fem. ), TRTRT, full
grown, blooming : wise, clever.
§^T»rq^r, cleverness.
*Nft, pro. even that.
.
^r, sign of abl. ; see #.
^TVf = q. v.
a mattress, bedding ; a bed.
#»![, a burglar’s hole, or mine.
#^T, a register for the entry of daily
receipts ; a day-book.
an inhabitant of Sindh.
v. a. to warm another’s body,
by applying to it the palm of the
hand, previously warmed at a fire.
red lead, vermilion.
v. a. to serve.
%«i^, adj. devoted : a worship¬
per : a servant,
service.
( Vid . LXXXI, 10), he alone.
3T^r, a kind of turban worn by
Muhammadans at the Muharram
festival.
fh^JT, ,pro. even that : even he.
ij, a hundred : cf. 3]«T.
^«TT, an army, Prov. f%«TT
^«T[ ^«T, an army without a Gene¬
ral is lost.
a Muhammadan title.
(***») the act of walking.
( correl .
#T, v. n. = ^.?r, to sleep, q. v. ; a
Hindi word.
the room in which a child is
born, and in which the mother is
kept for twelve days.
indecl. part, of #T, q. v.
?m = #, that {adj.).
^ O vA»
^TT, see
%TJT, sorrow.
adj. mournful.
Wqf, consideration ; anxiety.
adj . straight.
¥T^RT, prep, before, in front ; Prov.
3TT^f %^T, % R?T3
the whole village is full of en¬
chanters, before whom dare you
walk.
#T2T, a short stick of a handy
length, a walking stick.
?n?rt, the highest caste of Mithila
Brahmans.
#FT, (1), gold. The
second form is not much used , and
is said to be borrowed from Hindi .
th«TT, (2), v. n. to wash one’s self,
bathe.
#T«TK, a goldsmith ; Prov. #TWT-
^ a hundred taps
of a goldsmith are equal to one
stroke of a blacksmith’s hammer.
WTq, or ^T, v. a. to entrust,
make over to a person,
the act of entrusting.
fTR^RTT, a kind of metal vase, not
necessarily of gold , cf. TTPRi' .
^fRT, brilliancy, beaut}r.
%fv}ej, adj. shining, beautiful,
srrff, a miser.
0,7") > noise, utterance.
250 matthtl chrestomatiiy. [Extra No
a low-caste man, a S'udra.
definite numeral, the sixteen.
#T^r?:, a congratulatory song at the
birth of a child.
the cover of a small pot
used at weddings ; see ^T3f.
v. a. to comfort, please ; cause
to like, ( Vid. XXX, 1), nfcf JZxf
#TvTT^Tf%,they caused their
friend to like (i. e., they persuaded
her to go into) the bridal chamber,
cf. ^f*§.
^TxTT^, comforting.
#T^T^leT, adj. beautiful: sweet.
%rfTf3n%, a beloved woman.
a hundred. [man.
= % f^RT tR* Vf, without a
adj. whole, entire : the whole,
Prov. W,
^ «r he who leaves the
C\
half to run after the whole, will
drown himself in a bottomless
(sea), i. e., a bird in the hand is
worth two in the bush.
a^j- desirous, intent
upon ; Prov. ^iWt
a cat, though desiring fine
clothes, has only a blanket bod-
dice.
a half brother.
^T$T, ^TTii^r, adj. dark : a
name of Krishn.
the wages of sewing.
^[f^T, “ it is well,” a Samskrit phrase
of good omen, with which it is
polite to commence a letter.
^Trft, the fifteenth nakshatra or
lunar mansion.
^Tftrsrrw, ^TT#t, a lord, a hus¬
band.
breathing, — inspiration and
expiration ; cf.
^TTfafsT, a sister, while unmarried
and living in her father’s house.
¥
or improperly, a
goose, a swan ; a man’s soul.
or improperly , see =^r.
or improperly , the
queen of king Bhim Sain.
v. n. to pant, puff, Prov.
it is the
bullock who works hard (but says
nothing), while the (lazy) dog
(does nothing and) pants.
xfJT, v. n. cacare.
xR«TT, one who stools much.
(feni. ^3TTrf%), adj. desiring
to stool; Prov. tfx ^fiT^T
^JTWTffr, when the time for hunt¬
ing comes, the bitch retires.
Gf>A)> a thousand ; ^5TK*T,
thousands.
v. n. to turn aside.
a market, ( said to be derived
from because only held once
a week).
^B, obstinacy, wilfulness : in -
strumental .
xTcf^r, adv. obstinately.
confusion ; Prov.
the marriage
takes place in such confusion, that
vermilion is applied to the bride’s
1881.]
VOCABULARY.
257
temples instead of to the parting
of her hair.
a kind of vase.
the wooden handle of a mill¬
stone.
the hand, fore-arm : a
cubit.
the thirteenth nakshatra, or
lunar mansion.
^fsreiT, a weapon, a tool,
an elephant -keeper,
an elephant stable ; Prov.
\i
even a broken elephant stable
gives materials for building nine
houses.
dexterity.
(1), adj. ruined, destroyed.
^<?r (2), v. a. to smite, strike : slay :
to fix firmly, $ 3F 3TUf^T, he
buried deeply and fixed firmly ;
in Yid. XVI, 8, used in a neuter
sense , to be fixed firmly, i. e ., to
be firm and solid,
a smiting,
opium.
a brick house.
pro. 1^^ pers. ; properly plural
ofTi (1), q. v. but now-a-days used
generally in the sense of the
singular , see gram. § 64 : the
following forms have been noted ;
nom., or emph. I also,
we also {Yid. LXVIII, 1) : Obi.
dat. (Yid. XLIX, 3),
or emph. to me also : gen.
dir. or emph. ^ftVT,
mine also, even mine ; a gen. fern.
occurs {Yid. LXXIII, 3, ivhere
is a misprint) Vfufic : there
is an oblique gen. form
only agreeing with nouns in an
obi. case , e. g. (Sal. XIX),
(not in my house :
F. 69 has the Hindi in a
similar use : I : we.
interj. alas !
^ (1), a plough : Siva, who is borne
on a bull, (Yid. XVIII, 8),
a bull ; hence a lover, ef
the tauri ruentis of Horace.
^ (2) , or v. a. (old
3, Pres, to take away :
snatch away : seize,
a seizing.
(1), (1), ^?, pleasure.
(2), (2) v. n. to be
pleased.
adj. pleased,
loss, damage.
or turmeric.
^T^T, beads.
a ploughman.
name of the marriage song
of the brahmans ; the most essen¬
tial part of it is the drum, hence
the Prov. «lf%, ^y^y
JfW, a marriage song, and no
drum, = the play of Hamlet, with
the part of Hamlet omitted.
^yT*T, adj. fatigued, weary.
adj. lean, wasted.
^fy, Vishnu : Krishn : a lion : the
sky : a frog : a snake : a peacock.
The following rhyme gives most of
the meanings of this word,
258
MAITHIL CHRESTOMATIIT.
[Extra No.
xfx xfx
xfx^r x^x xfx xxt^ttx,
xfx 5W, xfx xfxftrx^r,
xfx^ srm$, xfx xwrx.
The sky thundered, and the frog
heard it ; when he heard the
voice of the frog, the snake
came along ; the peacock met
him on the road, the peacock
attacked the snake ; by the
might of the peacock, the frog
escaped ; cf. grxxr.
xfx«f, a deer : the marks on the face
of the moon, which are supposed
to resemble a deer ; (Vid. XL I, 6)
The deer is said to have an undy¬
ing affection for the moon , cf. the
line , xfxx X ^fxXX fxx*«X,
XXxf, XX XX ^XT^f, the moon
does not desert the deer, preferring
to endure being devoured by the
demon of eclipse.
xfx Xf, see XX (2).
xf^3T*iX, a kind of penance ; a con¬
tinued fast for two and a half
days.
Xxf = xfx, q_. v.
XXift, a kind of bamboo, with short
knots and a narrow perforation.
XX, xfXrf, see XX% X^f^rT.
XXXl'W, name of a living poet of
Mithila.
X^b v. a. to put in motion : strike.
X^rTTX, v. a. (2 Imperat. Yid.
LXXIXI, 3, x^f*IX), to cause to
put in motion ; to impel, drive :
to drive away, ( Vid. LXXIII, 3)
forsake.
adj. light.
^ 1/
X?T<sT, condition, state ;
Prov. xx^r ^t^t, ^fxxTfi^
X3T<?T, what kind of marriage
procession is this, when the bride¬
groom is too poor to wear any
thing over his head but a net.
XX, or XX, v. n. [the following forms
have been noted; J, Imp. x^£ ;
3, XX^; 3, Fat. XXrT, XXX?T;
Pres. Part. XXX ; Past Part.
XX^T, Indecl. Part, xfx, xfx# :
to laugh, smile. Prov. XXfX Xf^b
xfx XIX, one lends with
a smile, but has to weep, when
one can’t get the loan back ; easy
to lend, hard to get back.
XXX, a laugh.
XXT, v. a. to collect in armfuls.
XXTXX, a collecting.
XfXRfxfx, adj. fern, walking like an
elephant, a gait much admired in
women.
XTX, XTX, or XTX, interj. alas.
XTf^X, (f^), a high Government
servant.
XTP5?X, adj. present.
xt^ = xfexr, y. v.
XT3XT, gold.
XTX, a bone : cattle, see XPf.
XIX, ( Instr . XIX ), the fore-arm,
hand ; a cubit.
XT^ft, an elephant.
xifx, loss.
XTXi^, yawning.
XTX(1),(XK or XTXT for metre), a
wreath : necklace : = XHf, a bone,
rib.
XFX (2), v. a. to lose.
1881.]
VOCABULARY.
259
^TT*T, losing.
a string of white beads.
adj. lost ; f^T
broken-hearted.
(JL*.), account: tale, story:
message : condition : agricultural
term , moisture in the earth.
^RT, ( fy*>), wind, air ; climate.
^T^T, laughter, a smile.
^RT, interj. lo ! behold !
f^T, the heart ; f^T ^TT, to
be broken-hearted ;
broken-hearted.
f%rf3 'ffa, a friend : benefit, advan¬
tage : those who are dear to one,
one’s family (metaphorically) .
&c., genitive Sfc ., of\,
this.
the lord of the Hindus.
boldness ; snow ; the
abode of snow, the moon : gold.
R^JT, the heart.
fi^TTT, a diamond.
habit, custom.
'ftrT = fvcj\ q. v.
'ffcT, adj . deprived of, without.
^f^T, alliterative form of"* ft^T, q. v .
an emphatic termination :
old sign of the plural.
3p^K, a wolf.
* ' * '
s$«, (<•**■) , an order, command.
^«T, &c., oblique and genitive
forms of that, q. v. : often
written for sRT.
gR, v. a. to pound, or consolidate
earth : hence to pound, to pummel.
or % for metre , rejoicing,
joy ; Frov. fi JTR 3ft FT,
when a man is happy he sings.
confusion, turmoil, Frov.
JTRT ^ ^ ^Tf5^ W,
the whole village is in confusion,
and yet the wife asks her husband
for a kiss, (instead of looking
after his property) .
s?T, 3=^, a thrust, a shove.
jfVT, hog-baiting : killing a hog by
baiting it with a herd of cattle,
or an elephant.
q. v.
%, ^r, interjection , 0 !
"%rT, ^TrJ, a reason ; 1% %«r, why.
gold: snow, fsnfr, the Hima¬
laya.
fiJlfr, = YR fwfx, q. v.
YR, v. a. ( the following forms have
been noted ; 2, Simp. Fres. YTPCV ;
3, YPC, ; 2, Imperat.
YffrYSf ; Fres . Fart.
1, Fast ; 3, ;
Indecl. Fart. Adv. Fart.
%Rrrf^, or ( Vid . XVIII, 8)
: to gaze, look after, look
around : to search for ; to see,
to throw a glance at,
•s,
a vagabond. [see.
a fool ; Frov.
JTR ?TR, a fool, if he has
no cow (to take care of), sleeps
void of care.
^ Hindi for W, he is, they are,
frequent in F.
^t*T, a necklace.
f?T, ^r, Sfc., see % (2).
%, (1), interj ., alas !
% (2), verb, subst. ; Great confusion
exists in Mithila concerning the
conjugation of this verb , owing to
the irregularity of its past parti -
ciple , and also to confusion with
another root or also
meaning , to be : and arc
260
MAITHIL CHRESTOMATHY.
both not improbably derived from
the same Skr. root, but in Mai -
thill they must be treated as dis¬
tinct : Forms derived from the
past part, of %r cannot be used as
auxiliaries; forms derived from
or are used either as auxiliaries
or as simple verbs substantive
meaning, to be, while other forms
of 'tr are either used as verb sub¬
stantives meaning, to be, or to be¬
come, or as auxiliary verbs, exactly
like the verb %T«TT in Hindi :
According, however, to Maithil
pandits, the existence of the root
or ^3? is ignored altogether,
and all forms are referred to the
root f T : the following forms have
been noted ; A., derived from the
root ^ or ; 1 Simp. Pres.
ft ; 3 ^ which
appear frequently in F. are Fa-
nauji or Hindi) : 1 fut. ; 3
^ ^ ^ -jr ^ "Pl /
^nr, • Jr res. Fart.
B., derived fr om the root
%T; 1 Simp. Pres., and Imperat.,
%t, ; 2 %T55 ; 3 f 1^*?,
%T%
•* 1 Fut. ;
3 ( fern . ^RffT), f HJW, ^cT,
%TW • 1 Petro. Cond. ; 3
%Tf fT : Pres. Part. :
Adv. Part. : 1 Past
or contracted (Vid. LXXIX, 2)
3 ir^r (fern. iSf%), or
lengthened for metre *T^TT {fern.
\ " -v Si. ^
WT),
{fern. F. has also
the Hindi vr; (63), and *1T (22) :
Indecl. part. vr, : 1 Peri-
phrast. Pres. %E<T #t ; 3 f PT^TW,
: to be : become, f T,
to become sorrowful, or disgusted,
to show distress or aversion : to
come into existence, rise (of a
heavenly body), come (of the day ) :
to live, be, it has been, i. e.,
it has passed away, cf “ fuit
Ilium”: to take place, ^RIT ^TT,
as morning came, at day- break :
ii^T, it was seen, with the
Indecl. Participle in its proper
sense of a verbal noun , lit. the act
of seeing took place, so also 'SU'S
he stood : to be able
to be: fr W, 3 Past w
to happen, become.
existence ; a coming into ex¬
istence.
fr, ft, see %, (2) ; in F. 59. ^ is
for Hindi %, 2 Plur.
f T^fe, itch.
frjf, interj. stop ! Prov. ^ifs^lT
frjf, a lazy fellow is always wait¬
ing for some one to cry “stop !”
|hr, see (2).
EINIS.
ADDENDA AND CORRIGENDA.
The following omissions should be supplied, and corrections made.
They are printed on one side of the paper only to allow of easy correction.
A. Grammar .
§ 65. The genitive of is given as iiK or ^ TCT. Subsequent research
has shown me that the form is an oblique genitive form, only agreeing
with nouns in an oblique case : and that all pronominal genitives can take
a similar oblique form. Thus, we get —
Direct genitive. Oblique genitive .
sifsT^T, etc.
These oblique genitives cannot be used with nouns in the form of the
Nominative case, but only with nouns in one of the Oblique cases.
Closely connected with the above, I have noted the following words,
not pronouns, which also take an oblique form in
Direct. Oblique .
‘ first.’
fm*:, ‘ second.’
ftoC, ‘ third.’
3^, ‘ great.’ epfT
‘ a guard.’ tRVT ^T, from (so and so’s) guard.
‘ exchange.’ ‘ in exchange.’
There are doubtless many others which I have not noted yet with
certainty. Compare the oblique forms of verbal nouns in § 189.
The following examples will make the above remarks clear. The
matter will be found treated at greater length in an essay shortly to be
published in the Asiatic Society’s Journal.
«. — Genitives agreeing with Nouns in the Nominative form,
i. e., Direct Genitives.
how wonderful must be the beauty
of her whose becluli you have brought.
K K
ADDENDA. AND CORRIGENDA.
262
%efff sfetT (see % in Vo cab .), whose son is he ?
my means of livelihood will be spoiled.
^Tcf-^ having heard her lamentations.
fTHfr*; write and file a bond to that effect {lit.
of that)
^xqcr ^rvi fvi^TR: vi having wasted all his substance, be
became a beggar.
b . — Genitives agreeing with Nouns not in the Nominative form,
i. e., Oblique Genitives.
^PT^TT sfrft he gave his own riding mare, {lit. the mare of
his own riding).
^3T ^»T^rT her companions and friends came
into her garden.
in my hovel.
'cPC ‘W, in thy house.
^•IRT ^T^FSTT bis doorway is very far
from mine.
F?«T ^ the farmer said to himself {lit. in his own
heart).
§ 186. The 3d Non-Hon. Pres, has a common form not noted
in the grammar.
§ 157. Another common form of the Perfect of the Intransitive
verb runs as follows :
Honorific. Non-Honor fic.
(1) ^rPsT ft, #t,
(2) ft,
(3) ^cT^T wfa,
Fern. ft, &c.
As usual any other optional form of the Auxiliary may be used.
B. Clirestomathy.
I have attempted throughout to represent all 5-sounds by sf, and all 20-
sounds by but several errata have crept in, especially in the Song of Salhes,
and the first few lines of the Famine Song. The Vocabulary is, I hope
correct in every case, and when there is any doubt, reference should be
made to it.
People who write Maithili have a bad habit of writing anunasik for
anus war, in words in which the latter is the more correct. Thus they write
instead of or ftjsr, and W3 instead of or ^«r^RT. I have fre-
'
ADDENDA AND CORRIGENDA.
263
quently followed this custom, and now regret that I have done so. Many,
ADDENDA AND CORRIGENDA.
201
Many of the lines in the Famine Song are hopelessly beyond regular
scansion.
Translation of Famine Song.
Verse 4, substitute for second half, ‘ upon such of the seed as did
germinate, blessed Aslekha rained.’
Verse 17 omit ‘ a field of,’ and for i even flesh,’ read 1 khetmas
( Fliaseolus radiatus)\
18 for 1 a field of fanerj read 1 janer\
48 footnote , read
Page 35 last footnote for read
36, 11. 10 and 13 read Darsana.
Bidyapati , Text.
I The original copy of this song was very corrupt. A better
copy has since been obtained. Head as follows ~
line 2 f? ^ an?! ||
3 read for ^K.
'
*
ADDENDA AND CORRIGENDA.
205
XLII
XLIII
XLIV
XLY
XLYIII
LTII
LYIII
LXI
LXIII
LXV
LXYI
LXYII
LXIX
LXX
LXXII
LXXIII
LXXIV
LXXY
LXXVII
Title of 1th chapter : read for
3 read
4
6 ^Trrff.
5 ^rm for
1 # for ^r.
2 ^^?r.
4
Vj
Title of 8th chapter : read ^ for
1 read fcnMr.
4 qjqff is almost certainly incorrect for f^f^T (cf. XLVII,
4). %wt which always has both syllables short will
not scan.
1 read for tFT«T.
4 ^t^t.
5 ?nr.
7 ^T, qrre.
4 q^!.
1 JT^TT for JT^T^.
2 qTlftfd, viW.
5 for
5 is required for Tf, by metre.
1 This line will not scan. The insertion of 'qirT after ^nri
would complete the metre, but has no authority.
4 read q^l for
8
5
5
3
4 fq^rt.
1 q?qq.
4
8 This line barely scans.
Title of Qth chapter ; read «c for n:.
2 read
3 f^K-
Title of 10 th chapter .* read \ o for
The metre of this song is hopeless : it may (by a little
forcing) be classed as a Thumari.
4 read % .
LXXIX
ADDENDA AND CORRIGENDA.
266
LXXX
LXXXI
LXXXII
3 sffasr wit.
4 for
8 for
1 *T*rtf*.
6
Translation.
Song 14 9 read 6 and she hath stretched her brows like a bow.’
16 footnote 27, read Yasoda ; 29, Sita.
22 4 footnote ||, read «Tf^.
23 2 read Murari.
28 5 omit marks of quotation , and read 1 she’ for 1 1,’ and
‘ her,’ for 1 my.’
38 4 & 5 read shoreless for fathomless.
39 6 The translation is that of the pandits, and was the best
I could get. I have since found that
means ‘very angry,’ and that the whole line may be
translated ‘ the bees rushed forth very angrily, and
stung my lips’ : compare other words of the same
form ^sr^STTW, ^T^^TP^T, &C.
Title of 7 th chapter : read YII for YI.
XLIII 10 read rejoice for feast.
Title of 8 th chapter : read YIII for VII.
LX IX 8 read rejoice for feast.
LXXIII 1 read second half ‘ thou laidst the life of thy soul before it.*
Title of Qth chapter : read IX for YIII.
Title of 10 th chapter : read X for IX.
Harkhndth, Text .
Vocabulary .
In the vocabulary, verbal roots ending in ^T, which form the Past
Part, in are given with a final g ; thus, Past Part. ;
but wr, Past Part. ^rnt^T, see gram. § 167 add.
Art. ^JTrTRW read ^JTrTR«l.
read o. n , to be satiated, disgusted.
ADDENDA AND CORRIGENDA,
267
Art. add 1 is generally used as an oblique form of~% Ijf^T’.
read
omit ‘ used only in this form and add , 1 see ^f.’
read <T for
should be
add * to rise \
read ^jfaPT.
read
read ^ for *T.
^rf^r^TT read effpEcfTT, and not afTK^T.
SfiT^TTOT read effif T TOTC.
add i or f%W%r’.
%T^ and %f^T (2), omit these articles and substitute ‘ %^%r^Tyr*r
adj. very angry,’ see erratum to trans. of Yid. XXXIX, 6.
3RTT read LXXVIII.
JKTO, read 3RTW.
TOT‘3 read 3KT*J instead of
fW(T read TO instead of TOW,
• *-* •
add ‘ oT«TT is usually used in a plural sense ’.
oftfC read y3T«T.
STo read 1 the throat’, instead of ‘ the bill of a bird.’
read ^Tfa^r.
(2) read f^f?T instead of f^.
TO read TO, WTO-
read not
ViT^T read HPsir, not *T W.
for 4 cf LXI1I, 3’ read 4 cf TOfr LXXIII 32